International Fine Print Dealers Association Art
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Kaller's [Top Hat and Gloves on Chair].
By Jules de Praetere
Located in New York, NY
1918. Color lithograph. On Linen.
Julius de Praetere (Jules de Prater) was a Belgian painter, graphic designer, university lecturer and publisher in the field arts and textile de...
Category
1910s Art Deco International Fine Print Dealers Association Art
Materials
Lithograph
![Kaller's [Top Hat and Gloves on Chair].](https://a.1stdibscdn.com/archivesE/upload/a_2922/1479938131715/KallersHutModepost_master.jpg?width=240 "gubellini hat")
Snow Geese (Wyoming)
Located in Fairlawn, OH
Snow Geese (Wyoming)
Drypoint, c. 1947
Signed in pencil lower right (see photo)
Title in pencil lower left (see photo)
Note: This image is reprodcued in a Photogravure for Ducks Unlimited in 1947. This is the first original drypoint version.
Condition: Excellent
Image/Plate size: 8 3/8 x 6 7/8 inches
Reference: Archives West #101
Kleiber 134
Hans Kleiber (1887-1967)
Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains.
Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife.
Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
Category
1940s American Realist International Fine Print Dealers Association Art
Materials
Drypoint
THE WINDOW II
By David Bumbeck
Located in Portland, ME
Bumbeck, David (American, born 1940). WINDOW II. Etching and aquatint, 1966. An Artist's Proof aside from the edition of 35. Ttiled, inscribed "Artist's Proof," and signed and dated,...
Category
Mid-20th Century International Fine Print Dealers Association Art
Materials
Etching, Aquatint
Untitled 12
By John Hoyland
Located in London, GB
John Hoyland
Untitled 12
1981
Acrylic on paper
75 x 106.7 cms (29 1/2 x 42 ins)
JH5623
Category
1980s Abstract International Fine Print Dealers Association Art
Materials
Acrylic
SWING BOATS
By Claude Flight
Located in Santa Monica, CA
CLAUDE FLIGHT (1881 -1955)
SWING BOATS 1921 (Coppel CF5)
Color linocut, signed & no. 23/50, 8 5/8 x 11”. Sheet 10 x 13” on thin paper tipped to black-b...
Category
1920s Futurist International Fine Print Dealers Association Art
Materials
Linocut
Male Lying Nude
By Jackson Lee Nesbitt
Located in New Orleans, LA
This is a drawing from the artist's sketchbooks. This pencil drawing shows a nude male in repose, The drawing is dated November 30 '36 (1936). Clearly the works are authentic and this sketch is signed "Jackson Lee Nesbitt...
Category
Late 20th Century American Modern International Fine Print Dealers Association Art
Materials
Graphite
Chromachord # 61
By James Hayward
Located in London, GB
James Hayward
Chromachord # 28
1998
Oil on canvas on wood panel
35.56 x 26.67 cms (14 x 10.5 ins)
JHAY8937
Category
1990s Abstract International Fine Print Dealers Association Art
Materials
Oil
Grey
By Richard Smith
Located in London, GB
Edition of 50
60.3 x 61 cms (23 3/4 x 24 ins)
Category
1970s Abstract International Fine Print Dealers Association Art
Materials
Etching
Squid Print
By Mathurin Meheut
Located in New York, NY
Plate number 11,Calmar (Loligo vulgaris) from "Étude de la Mer" by Mathurin Meheut. Heliochrome print. Paris, Éditions Albert Levy, 1924.
Category
1920s International Fine Print Dealers Association Art
Materials
Paper
POLSTER (The Cushion)
By Max Kurzweil
Located in Santa Monica, CA
MAXIMILLIAN KURZWEIL (Austrian 1867-1916)
DER POLSTER / THE CUSHION, 1903. Color woodcut printed on laid japon paper, affixed as usual to a support sheet from its upper sheet edge...
Category
Early 1900s Vienna Secession International Fine Print Dealers Association Art
Materials
Woodcut
Untitled (A)
By Thomas Nozkowski
Located in New York, NY
Thomas Nozkowski (b. 1944, Teaneck, New Jersey; d. 2019, New York) was recognized for his richly colored and intimately scaled abstract paintings, drawings, and prints that push the...
Category
Early 2000s Abstract International Fine Print Dealers Association Art
Materials
Color, Aquatint
Untitled (Venice canal, man departing the gondola)
By Levon West
Located in Fairlawn, OH
Untitled (Venice canal, man departing the gondola)
Drypoint, c. 1930-1931
Signed in pencil lower right (see photo)
Annotated in the lower margin:
"Just a souvenir made ___ Monclair L...
Category
1930s American Impressionist International Fine Print Dealers Association Art
Materials
Drypoint
Statue of Liberty Suite: Day and Night
By Erte - Romain de Tirtoff
Located in Storrs, CT
Statue of Liberty (Day). 9886. Seriagraph with embossing and hand stamping. Image: 28 x 20. Series: Statue of Liberty Suite Edition 300, #248. A fine impression printed on the full s...
Category
Late 20th Century Art Deco International Fine Print Dealers Association Art
Materials
Screen
New York Stock Exchange (Symbolic icon of Wall St.'s vast power and wealth)
By Frederick Mershimer
Located in New Orleans, LA
This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Mezzotint, Aquatint
'Navajo Courtship Dance' — Southwest Regionalism, American Indian
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Courtship Dance (Squaw Dance)', lithograph, 1946, edition 30, Czestochowski 161. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/16 to 2 3/4 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 11 13/16 x 14 13/16 inches (300 x 376 mm); sheet size 13 1/16 x 20 1/8 inches (332 x 511 mm).
ABOUT THE ARTIST
Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972.
After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001.
Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955).
Moskowitz’s lithographs of...
Category
1940s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
Eroded Rock, Point Lobos
By Edward Weston
Located in Fairlawn, OH
Eroded Rock, Point Lobos
Gelatin silver print, 1929
Unsigned
Signed with the estate stamp verso (see photo)
A lifetime printing by Brett Weston, supervised by his father Edward
Editi...
Category
1920s Abstract International Fine Print Dealers Association Art
Materials
Silver Gelatin
Torse à l'aiguière
By Henri Matisse
Located in London, GB
Henri Matisse
Torse à l’aiguière
1927
Lithograph on Chine paper, Edition of 50
Paper size: 49.5 x 34.5 cms (19 1/2 x 13 1/2 ins)
Image size: 36.4 x 26 cms (14 1/4 x 10 1/4 ins)
HM15...
Category
1920s Modern International Fine Print Dealers Association Art
Materials
Lithograph
Kris Dancer, Bali
By Albert Al Hirschfeld
Located in Myrtle Beach, SC
Al Hirschfeld, 'Kris Dancer, Bali', color lithograph, 1941, edition 1,000. Signed in the stone, lower right. A fine, clean impression, with fresh colors, on cream wove paper, the ful...
Category
1940s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Drypoint, Etching
Entablature II, from Entablature Series
By Roy Lichtenstein
Located in London, GB
Screenprint in colours with embossing and collage of gloss copper and mat pink metallic foil, 1976, on Rives BFK paper, signed and dated in pencil, numbered from edition of 30 (there...
Category
1670s American Modern International Fine Print Dealers Association Art
Materials
Screen
The Ruswarp Suite 1
By William Tillyer
Located in London, GB
William Tillyer
The Ruswarp Suite 1
2023
Etching, aquatint on paper, Edition of 35, Set of 6
Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins)
Paper size: 57.2 x 57.8 cms (22 1/2 x 2...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Etching, Aquatint
A Sandstorm on the Little Colorado River, Arizona
By George Elbert Burr
Located in Storrs, CT
A Sandstorm on the Little Colorado River, Arizona. 1920. Soft-ground etching. Seeber 189. 6 7/8 x 9 3/4 (sheet 9 5/8 x 13). Edition 40, #6. Series: Desert Set. Illustrated: American ...
Category
Early 20th Century American Modern International Fine Print Dealers Association Art
Materials
Watercolor
Fish & Underwater Flowers 1 — Hopei Folk Art, 1950s Chinese Cut Paper Watercolor
Located in Myrtle Beach, SC
'Fish & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed.
Image size 3 3/8 x 2 3/4 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 13 x 10 inches.
ABOUT THIS WORK
Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...
Category
Mid-20th Century Folk Art International Fine Print Dealers Association Art
Materials
Watercolor
Retour (Homecoming)
By Georges De Feure
Located in Fairlawn, OH
Retour
Color lithograph, 1897
Signed in the stone lower left edge of the image (see photo)
As published in "L'Estampe Moderne"
L'Estampe Moderne appeared each month as a portfolio of...
Category
1890s Art Nouveau International Fine Print Dealers Association Art
Materials
Lithograph
'Nocturnal Adversary' — Mid-Century Surrealist Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon 'Nocturnal Adversary', color serigraph, 1946, edition 50, Ryan 137. Signed in pencil in the image, lower right. Titled, dated, and annotated '6 COLORS EDITION 50' in th...
Category
1940s Surrealist International Fine Print Dealers Association Art
Materials
Screen
Characters from the Sketchbooks (from September Storm plus Self Portrait)
By Jackson Lee Nesbitt
Located in New Orleans, LA
This is a page from the artist's sketchbooks. Six pencil drawings show figures that might have been in preparation for future lithographs, Certainly the woman with the umbrella could have been an early iteration for September Storm. There is also a self portrait of Nesbitt. Clearly the works are authentic if unsigned. Provenance: from the Nesbitt studio.
From workers wrestling with heavy machinery to a lone horseman traveling down a rut-filled country road; from the animated crowd at a livestock auction to the dignified worshippers at a serene Sunday service; Jackson Lee Nesbitt chose to represent the essence of humanity and the nobility of ordinary folk striving to get along as best they can. He studied with Thomas Hart Benton and John Demartelly...
Category
Late 20th Century American Modern International Fine Print Dealers Association Art
Materials
Graphite
'de Young Mansion' – San Francisco' — California WPA, Woman Artist
Located in Myrtle Beach, SC
Marguerite Redman Dorgeloh, 'de Young Mansion – San Francisco', lithograph, c. 1937, edition 25. Signed and titled in pencil. A fine, richly-inked impr...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
Pop Art Redefined
By Eduardo Paolozzi
Located in London, GB
Screenprint and collage
Edition of 100
Category
1970s Pop Art International Fine Print Dealers Association Art
Materials
Screen
Dunure Castle
By Sir David Young Cameron, R.A.
Located in Storrs, CT
Dunure Castle. Oil on canvas. 16 1/2 x 28 3/8. Signed, lower right. Housed in a dramatic 22 x 34-inch gold leaf frame.
The ruins of Dunure Castle lie in a quiet location overlookin...
Category
Early 20th Century Modern International Fine Print Dealers Association Art
Materials
Oil
Gaiety Burlesk
By Reginald Marsh
Located in Fairlawn, OH
Gaiety Burlesque
Etching, 1930
Unsigned (as usual for the Whitney edition); Numbered in pencil lower left; Blind stamp of the Whitney Museum (WM) lower right
Edition: 114, regular ed...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Etching
The Whale's Back [Connecticut]
By Kerr Eby
Located in Storrs, CT
The Whales Back. 1925. Etching. Giardina catalog 95 stateiii. Image: 6 1/2 x 12 (sheet 10 x 16). Trial proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby.
The scene is probably Westport or Cos Cob, Connecticut.
The scene is probably Westport or Cos Cob, Connecticut.
Kerr Eby...
Category
Early 20th Century American Modern International Fine Print Dealers Association Art
Materials
Etching
![The Whale's Back [Connecticut]](https://a.1stdibscdn.com/kerr-eby-prints-works-on-paper-the-whales-back-connecticut-for-sale/a_3352/a_115476821673484515318/whalesbackeimage3_master.jpg?width=240 "Kerr Eby - The Whale's Back [Connecticut]")
The Pump House, Notre Dame, Paris
By Charles Meryon
Located in Storrs, CT
La Pompe Notre Dame. (The Pumphouse, Notre Dame). Schneiderman catalog 26.x.
1861. Etching. Image 6 3/4 x 10. Edition of 30 in this state. Series: Eaux-Fortes sur Paris .
Initial...
Category
Mid-19th Century Old Masters International Fine Print Dealers Association Art
Materials
Etching
South
By Ed Ruscha
Located in London, GB
Lithograph on white Rives BFK paper
Proofs: 10AP, 1BAT, 2CTP, 2PP, 4 publisher's proofs, 1 shop proof, 5TP
Inscriptions: Signed and dated in pencil lower right, "Ed Ruscha 91", numbe...
Category
Late 20th Century Pop Art International Fine Print Dealers Association Art
Materials
Color, Lithograph
THREE WOMEN ON THE BEACH
By Charles Herbert Woodbury
Located in Portland, ME
Woodbury, Charles (American, 1864-1940) THREE WOMEN ON THE BEACH. Watercolor on paper. 14 3/8 x 9 7/8 inches, framed to 23 x 18 1/2 inches. Accompanied by a letter from a previous ow...
Category
Mid-20th Century International Fine Print Dealers Association Art
Materials
Watercolor
Long Light Notre Dame
By Robert Hallowell
Located in Fairlawn, OH
Long Light Notre Dame
Oil on canvas, 1931
Note: the painting is NOT framed
Signed and dated lower right
Condition: Excellent
Conservation by Monica Radecki, South Bend
Canvas size: ...
Category
1930s American Impressionist International Fine Print Dealers Association Art
Materials
Oil
'Venus' — German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Venus, Ex Libris - Hanns U. Herta Heeren', woodcut, 1923, edition not stated but small. Signed, dated, and numbered 'op.154' in pencil. Signed in the block, lower left. A fine impression, on cream Japan paper, with full margins (15/16 to 2 11/16 inches), in good condition. Printed by the artist. Matted to museum standards (unframed).
.
Translation: Venus Ex Libris for Hanns and Herta Heeren.
Image size 5 15/16 x 4 inches (156 x 102 mm); sheet size 9 5/8 x 6 inches (245 x 152 mm).
ABOUT THE ARTIST
Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints.
Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...
Category
1920s Expressionist International Fine Print Dealers Association Art
Materials
Woodcut
Tanks & Trees — Mid-century American Surrealism
Located in Myrtle Beach, SC
Karl Eugene Fortess, 'Tanks & Trees', lithograph, c. 1940, edition 100. Signed, titled, and numbered '100/P' in pencil. Inscribed 'For Usui - K.' in the bottom left margin. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 2 1/2 inches); a slight crease across the top right sheet corner, well away from the image; otherwise in excellent condition. Image size 13 1/8 x 10 inches; sheet size 17 3/8 x 13 3/16 inches. Matted to museum standards, unframed.
Provenance: Estate of Francis Pratt.
Francis and her husband Bumpei Usui...
Category
1940s Surrealist International Fine Print Dealers Association Art
Materials
Lithograph
Studio Interior No. 1 — 1930s Masterwork
By Armin Landeck
Located in Myrtle Beach, SC
Armin Landeck, 'Studio Interior No. 1', 1935, drypoint, edition 100, Kraeft 56. Signed in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream laid pap...
Category
1930s American Realist International Fine Print Dealers Association Art
Materials
Drypoint
Color Forms (B)
By Leon Polk Smith
Located in New York, NY
Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....
Category
1970s Color-Field International Fine Print Dealers Association Art
Materials
Screen
MARKET IN ERONGARICUARO
By Morton Dimondstein
Located in Santa Monica, CA
MORTON DIMONDSTEIN (NY 1920 - LA 2000)
MARKET IN ERONGARICUARO 1954
Serigraph, silkscreen. Signed titled and dated in pencil. Image 10 ¼ x 25 ½ inches. Large full sheet 17 1/4 x 30...
Category
1950s American Modern International Fine Print Dealers Association Art
Materials
Screen
The Mulgrave Suite
By William Tillyer
Located in London, GB
William Tillyer
William Tillyer
The Mulgrave Suite
2023
Etching, aquatint and embossing with hand colouring in watercolour on paper, Edition of 35, Set of 7
Image size: 40 x 40 cms ...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Etching, Aquatint
The Workshop (Stirling)
By Sir David Young Cameron, R.A.
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category
Early 20th Century Modern International Fine Print Dealers Association Art
Materials
Etching, Drypoint
CURRIER & IVES - 1860 LINCOLN ELECTION CAMPAIGN
By Currier & Ives
Located in Santa Monica, CA
CURRIER & IVES (LOUIS MAURER)
1860 LINCOLN ELECTION CAMPAIGN
THE IMPENDING CRISES - OR CAUGHT IN THE ACT, 1860 (C.3033, G.3270)
Lithograph...
Category
1860s Other Art Style International Fine Print Dealers Association Art
Materials
Lithograph
Arabesque
By Henri Matisse
Located in London, GB
Henri Matisse
Arabesque
1924
Lithograph on Chine paper, Edition of 50
Paper size: 62.2 x 46 cms (24 1/2 x 18 1/8 ins)
Image size: 48.3 x 32 cms (19 x 12 1/2 ins)
HM15834
Category
1920s Modern International Fine Print Dealers Association Art
Materials
Lithograph
THE SUCCESSFUL FORTUNE HUNTER - Leading Miss Morrowfat to the Temple of Hyman
By Thomas Rowlandson
Located in Santa Monica, CA
THOMAS ROWLANDSON (1757 - 1827)
THE SUCCESSFUL FORTUNE HUNTER - Our Captain Shelalee Leading Miss Morrowfat to the Temple of Hyman, 1802 issued in 18...
Category
1810s English School International Fine Print Dealers Association Art
Materials
Etching
Paris Suite 4 (Winter)
By Robert Motherwell
Located in London, GB
Robert Motherwell
Paris Suite IV (Winter)
1980
Lithograph on J.B. Green handmade paper, Edition of 60
47 x 45.7 cms (18.5 x 18 ins)
RM17036
CR 267
18 1/2 ...
Category
1980s International Fine Print Dealers Association Art
Materials
Lithograph
The Mulgrave Suite
By William Tillyer
Located in London, GB
William Tillyer
William Tillyer
The Mulgrave Suite
2023
Etching, aquatint and embossing with hand colouring in watercolour on paper, Edition of 35, Set of 7
Image size: 40 x 40 cms ...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Etching, Aquatint
Figures in a Landscape
By Gabriel Perelle
Located in Chicago, IL
A very fine impression
Category
17th Century International Fine Print Dealers Association Art
Materials
Etching
Twin Formation in Gray
By Werner Drewes
Located in Myrtle Beach, SC
Twin Formation in Gray, color woodcut, 1982, edition 30, Rose III.400. Signed, dated and numbered I7/XXX in pencil, annotated 415 and titled in the bottom left sheet edge. A fine impression with fresh, rich colors, on heavy off-white Japan paper; the full sheet with wide margins (1 3/4 to 3 1/4 inches), in good condition. Printed in black, dark gray, medium gray, yellow/orange, and lemon yellow. Matted to museum standards, unframed.
An impression of this work is included in the permanent collection of the Smithsonian American Art Museum.
ABOUT THE ARTIST
Painter, printmaker, and art teacher, Werner Drewes (1899–1985) was among the founding fathers of American abstraction. A student at the famed Bauhaus in the 1920s, he studied under Lyonel Feininger, Paul Klee, Laszlo Moholy-Nagy and Wassily Kandinsky. Following his emigration to the United States in 1930, he was instrumental in introducing modernist Bauhaus concepts and esthetics to America. Drewes’ boldly dynamic and emotionally expressive work, which encompassed both non-objective and figurative genres, brought him critical acclaim and numerous gallery and institutional exhibitions throughout his artistic career.
Drewes' graphic work can be found in most major American art museums including, the Ackland Art Museum, The Art Institute of Chicago, Bauhaus Archive...
Category
Late 20th Century Bauhaus International Fine Print Dealers Association Art
Materials
Woodcut
Figures in a Landscape
By Gabriel Perelle
Located in Chicago, IL
A very fine impression
Category
17th Century International Fine Print Dealers Association Art
Materials
Etching
Still Life with Four Roses and Pear (Blue Pillow) (With Black)
By Tom Wesselmann
Located in London, GB
Tom Wesselmann
Still Life with Four Roses and Pear (Blue Pillow) (With Black) 1968
1993
Alkyd on laser cut steel, filled in
55.9 x 59.7 cms (22 x 23 1/2 ins...
Category
1990s Pop Art International Fine Print Dealers Association Art
Materials
Steel
Animal Kingdom (Magnificent Jungle Cats)
By Louise Nevelson
Located in Fairlawn, OH
Animal Kingdom (Magnificent Jungle Cats)
Etching, 1953-1955
Signed and titled in pencil by the artist (see photos)
Annotated: "First Proof" (see photo)
Estate stamp verso (see photo)...
Category
1950s American Modern International Fine Print Dealers Association Art
Materials
Etching
Ruine di Sepolcro antico
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Ruine di Sepolcro antico
Etching, 1743
Signed in the plate bottomleft in the caaption plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Coniditon: Excellent/Very good
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 17 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters International Fine Print Dealers Association Art
Materials
Etching
Spring Landscape with house and figure
By Louis Oscar Griffith
Located in Fairlawn, OH
Spring Landscape with house and figure
A preliminary watercolor for a color aquatint, illustrated on line, title unknown
Signed lower left in block letters (see photo)
Watercolor and...
Category
1920s American Impressionist International Fine Print Dealers Association Art
Materials
Watercolor
'To Market, to Market' — Surrealist Fantasy
Located in Myrtle Beach, SC
Zena Kavin, 'To Market, to Market', lithograph, c. 1935, edition 20. Signed, titled, and numbered '6/20' in pencil. A fine, richly-inked impression, on cream wove paper, with full ma...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
LOVE OAK
By Bruce Conner
Located in New York, NY
Bruce Conner, who passed away in 2008, was born in McPherson, Kansas in 1933. In the late 50s, he moved to San Francisco where he became a pivotal figure in the Beat scene of poets,...
Category
2010s International Fine Print Dealers Association Art
Materials
Inkjet
New England Coast (Greenport, New York)
By Stow Wengenroth
Located in Fairlawn, OH
New England Coast (Greenport, New York)
Lithograph, 1969
Signed in pencil lower right (see photo)
Edition: 350
Published in the book, Stow Wengenroth's New York, 1969
Limited slipcas...
Category
1960s American Realist International Fine Print Dealers Association Art
Materials
Lithograph
The Great Landscapes III
By Anthonie Waterloo
Located in Chicago, IL
3rd State
Watermark: Gekrontes Wappen. Similar to: Paschal Lamb on Shield, Ash & Fletcher no 29 B’a, dating this sheet to about 1651.
Category
Mid-17th Century International Fine Print Dealers Association Art
Materials
Etching
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