International Fine Print Dealers Association Art
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Prehistoric Sighting Pacific Ocean (Goblin Sharks?)
Located in New Orleans, LA
This is a single color lithograph created by Matthew Roath as part of Tamarind Institute PTP. The Collaborating printer isAndreea Cristina Mateescu....
Category
21st Century and Contemporary American Modern International Fine Print Dealers Association Art
Materials
Lithograph
Untitled, from the portfolio formen der farbe
By Leon Polk Smith
Located in New York, NY
Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land.
Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...
Category
Mid-20th Century International Fine Print Dealers Association Art
Materials
Paper, Screen
Nude with Zinc Vessel (The back view of a nude woman holding a zinc object)
By Eric Kellerman (b. 1944)
Located in New Orleans, LA
Eric Kellerman created this sensual nude photograph of a young nude woman with a large zinc vessel under her arm. It is pencil signed, titled and numbered 1 from an edition of 20. The photographer has stamped a red monogram next to his signature.
Eric Kellerman is a Briton who has lived near Nijmegen in the Netherlands for just over half his life. In 2008, he retired from academic life to spend more time on photography.
Kellerman works almost entirely in the studio and uses digital equipment from camera to print, although image manipulation is limited to darkroom-like processes. Specializing in the nude, he has a regular team of female collaborators, most of whom have a serious interest in movement (dance, drama therapy, athletics, martial arts).
Kellerman used to consider his work to be distant, abstract, melancholic, ‘unerotic’, despite its subject matter. Now he's not so sure. He emphasizes line, geometrical form, texture, implicit movement, and above all, chiaroscuro. He likes to create ambiguity in his photos, so that the viewer is sometimes unsure what part of the body is being looked at. In this way, he attempts to free the female body of its conventional associations.
He has been influenced by surrealism...
Category
Early 2000s Realist International Fine Print Dealers Association Art
Materials
Photographic Film, Photographic Paper, Digital
AFTERNOON TEA
By James Abbott McNeill Whistler
Located in Portland, ME
Whistler, James A. M. AFTERNOON TEA. Way 147, Levy 114, TS&S 173. Lithograph, 1897. The only State, printed by Clot in an edition of 100, and published b...
Category
1890s International Fine Print Dealers Association Art
Materials
Lithograph
'Mending Nets' — Cape Ann Regionalism, Rockport
Located in Myrtle Beach, SC
Christian Dull, 'Mending Nets', aquatint, c. 1930, edition 50. Signed and numbered '50/-' in pencil. A fine impression, on cream laid paper, the full sheet with margins (1/2 to 1 1/2...
Category
1920s American Modern International Fine Print Dealers Association Art
Materials
Aquatint
Le Cheval
By Jacques Villon
Located in Fairlawn, OH
Le Cheval
Etching, 1921
Signed in pencil lower left
Edition: Signed edition of 50 (as here)
Unsigned edition is 400 for the book Du Cubisme
Printer: R. Girard et Cie
Pr...
Category
1920s Cubist International Fine Print Dealers Association Art
Materials
Etching
Woman on a Patio
By Karl Albert Buehr
Located in Fairlawn, OH
Woman on a Patio
Pastel on paper, c. 1915
Unsigned
Provenance: Gift of the artist to his wife, Mary Hess Buehr
By decent to the artist's niece, daughter of Will...
Category
1910s Abstract Impressionist International Fine Print Dealers Association Art
Materials
Pastel
The Dead Tiger
By Dorothy Dehner
Located in Fairlawn, OH
The Dead Tiger
Ink and watercolor on paper, 1955
Signed and dated in ink (see photo)
Condition: Aging to the entire sheet (it's 78 years old)
Image/Sheet size: 18 1/4 x 23 inches
On...
Category
1950s Abstract International Fine Print Dealers Association Art
Materials
Watercolor
Jersey Shore III
By Adolf Arthur Dehn
Located in Fairlawn, OH
Jersey Shore III
Casein on Masonite, 1967
Signed lower right (see photo)
Initialed, dated and titled verso
Provenance:
Estate of the artist
Virginia Dehn (the artist's widow)
Dehn Quests
Created on location on the Jersey Shore. The Jersey Shore was the main playground for thousand to escape the summer heat of New York. This small painting shows Dehn's mastery of patterning color to depict movement and recreation. Part of a suite of paintings done on this theme. Within a year of it's creation, Dehn dies from a heart attack.
Casein on Masonite
Condition: Excellent
Image: 6 x 11"
Frame: 9 3/8 x 14 1/2"
Adolf Dehn, American Watercolorist and Printmaker, 1895-1968
Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art.
In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art.
If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques.
Early Years, 1895-1922
For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...
Category
1960s American Modern International Fine Print Dealers Association Art
Materials
Oil
AUS DEM TIERGARTEN
By Lovis Corinth
Located in Santa Monica, CA
LOVIS CORINTH (1858-1925)
AUS DEM TIERGARTEN 1920 (Schwartz 397)
Drypoint, signed and numbered 47/50. BEAUTIFUL IMPRESSION with RICH DRYPOINT. Plate 9 ½ x 12 ½ inches. Full margins...
Category
1920s Impressionist International Fine Print Dealers Association Art
Materials
Drypoint
The Ruswarp Suite 6
By William Tillyer
Located in London, GB
William Tillyer
The Ruswarp Suite 6
2023
Etching, aquatint on paper, Edition of 35, Set of 6
Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins)
Paper size: 57.2 x 57.8 cms (22 1/2 x 2...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Etching, Aquatint
Mirrors (brown)
By Robyn Denny
Located in London, GB
63 x 46 cms (25 x 18 ins)
Edition of 40
Category
1970s Abstract Geometric International Fine Print Dealers Association Art
Materials
Color, Screen
Noon Time Lull (Charleston, South Carolina)
By Louis Oscar Griffith
Located in Fairlawn, OH
Noon Time Lull (Charleston, South Carolina)
Etching, c. 1930
Signed by the artist in pencil lower right (see photo)
Note: An image done in South Carolina.
An impression of this image...
Category
1930s American Impressionist International Fine Print Dealers Association Art
Materials
Etching
12th Street Walls — 1940s New York City
By Armin Landeck
Located in Myrtle Beach, SC
Armin Landeck, '12th Street Walls', etching, edition 100, first state, 1944, Kraeft 93. Signed in pencil. Initialed in the plate lower left. A superb, early impression, with all the ...
Category
1940s American Realist International Fine Print Dealers Association Art
Materials
Drypoint
Zebragram (a stylized circular design created by repeated imagery of a zebra)
By Carol Wax
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the zebra. ...
Category
Late 20th Century American Modern International Fine Print Dealers Association Art
Materials
Mezzotint
'The White House' — Vintage Washington D.C.
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'White House', etching, edition not stated, c. 1928. Signed in pencil. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 to 2 1/8 inches), in excellent condition. Matted to museum standards, unframed.
Image size 8 7/8 x 11 7/8 inches; sheet size 11 1/4 x 15 3/8 inches.
ABOUT THE ARTIST
Etcher, painter, and architect Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category
1920s American Realist International Fine Print Dealers Association Art
Materials
Etching
'Elisabeth' — German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Elisabeth', woodcut, edition 20, 1923. Signed, dated, and numbered 'op.142b' and '12/20' in pencil. Signed in the block, lower left. Annotated 'Vorgesdruck' [artist’s proof] in pencil.
A fine impression, on heavy fibrous Japan paper, with full margins (1 3/16 to 3 1/2 inches),
in good condition. Printed by the artist, With the artist’s blindstamp in the bottom center margin. Scarce. Matted to museum standards, unframed.
Image size 4 15/16 x 6 inches (131 x 152 mm); sheet size 10 x 6 inches (254 x 152 mm).
ABOUT THE ARTIST
Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints.
Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...
Category
1920s Expressionist International Fine Print Dealers Association Art
Materials
Woodcut
DAITOKUJI KYOTO
By Kiyoshi Saitō
Located in Santa Monica, CA
KIYOSHI SAITO (Japanese 1907 - 1997)
DAITIKUJI KYOTO, 1957
Color woodcut, signed, titled, dated and no. 42/100 in pencil. Edition 100. Image 15 x 20 5/8 inches. Full margins with de...
Category
1950s Modern International Fine Print Dealers Association Art
Materials
Woodcut
Sister Kate — Mid-century, Jazz-inspired Modernism
By James Houston McConnell
Located in Myrtle Beach, SC
James Houston McConnell, 'Sister Kate', color serigraph, 1947, edition 24. Signed, dated, titled, and numbered '24' in pencil. Annotated '10.00 - 19 colors - 24 copies - #24' in pencil. A fine impression, with vibrant, fresh colors, on heavy tan wove paper, with full margins (11/16 to 1 1/2 inches). Tack holes in the four margin corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Scarce.
Another of McConnell's mid-century modernist, jazz-inspired serigraphs, 'Combo', is featured in the British Museum's 2008 publication (and traveling exhibition) 'The American Scene: Prints from Hopper to Pollock'.
ABOUT THE IMAGE
"I Wish I Could Shimmy Like My Sister Kate", often simply "Sister Kate", is an up-tempo jazz dance song, written by Armand J. Piron and published in 1922. The lyrics of the song are narrated in the first person by Kate's sister, who sings about Kate's impressive dancing skill and her wish to be able to emulate it. She laments that she's not quite "up to date", but believes that dancing like "Sister Kate" will rectify this, and she will be able to impress "all the boys in the neighborhood" like her sister.
Over the years this song has been performed and recorded by many artists, including Frances Faye and Rusty Warren, a 1959 version by Shel Silverstein...
Category
1940s American Modern International Fine Print Dealers Association Art
Materials
Screen
William Tell And His Son In Front Of The Hat
By Lovis Corinth
Located in Santa Monica, CA
LOVIS CORINTH (German 1858 -1925)
TELL AND HIS SON IN FRONT OF THE HAT "(Wilhelm) Tell Und Sein Sohn Vor Dem Hut" 1923 -5, (Muller 781) Lithograph with coloring, signed in pencil. This is one of 25, signed, on Japan paper Total edition 200. Image 9 1/8 x 7 1/4 inches. Full Sheet 15 x 11 1/2 inches with deckle edge. In good condition.
From the portfolio "William Tell". A portfolio of 13 signed lithographs including the title page. Published in 1925. Publisher Karl Nierendorf, Berlin, Printer:A. Rogall, Berlin. (Müller 775-787 - this is the 7th one. There are 25, signed, on Japan paper as offered, Total edition 200, including 75, signed, on "Bütten" paper and 100, signed, on copperplate printing paper)
Below is from the Museum of Modern Art:
Heather Hess, German Expressionist Digital Archive Project, German Expressionism: Works from the Collection. 2011.
Lovis Corinth often cloaked allusions to contemporary politics in historical dress. In these thirteen lithographs for an illustrated edition of Friedrich Schiller...
Category
1920s Modern International Fine Print Dealers Association Art
Materials
Lithograph
Morning
By Caroline Durieux
Located in New Orleans, LA
Caroline Durieux created the technique (electron print) used in the depiction of "Morning".e. This is only one of 5 impressions. Some have theorized that the image is close to that of the artist's brother, Professor Charles Durieux.
In the electron print technique, radioactive isotopes are mixed with printing ink. A drawing is made and exposed face-to-face to paper coated with a radio-sensitized substance. The paper is then developed and produces an exact image of the original drawing.
“The image is transferred from the radioactive drawing to the sensitized paper by invisible beta rays,” says Dr. Wheeler. “Since beta rays are electrons, we named the process Electron Printing.”
Caroline Durieux (American, 1896 – 1989)
Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920).
Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
Category
1950s American Modern International Fine Print Dealers Association Art
Materials
Photographic Paper, Lithograph
Proscenium II (loose lines around square centre)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30.5 x 23 ins)
Category
1970s Abstract International Fine Print Dealers Association Art
Materials
Etching
Pineapple Engraving
By Johann Wilhelm Weinmann
Located in New York, NY
Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745.
This plate: No. 113 Ananas Folio Latiore.
Mezzotint engraving printed in color and...
Category
Early 18th Century International Fine Print Dealers Association Art
Materials
Laid Paper
Titre pour "Le Sourire"
By Paul Gauguin
Located in London, GB
Paul Gauguin
Titre pour "Le Sourire"
1899
Woodcut
Paper size 13.8 x 21.9 cms (5 1/2 x 8 5/8 ins)
Image size 10.5 x 20.8 cms (4 1/8 x 8 1/8 ins)
Kornfeld 61
Signed in lower left corn...
Category
1890s International Fine Print Dealers Association Art
Materials
Woodcut
Florentine I (red/orange)
By Richard Smith
Located in London, GB
Edition of 75
51 x 71 cms (20 x 28 ins)
Category
1970s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
Peau d' Ame ( Body and Soul)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Peau d' Are which is signed by pencil. This impression is #2 of 15
Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with ...
Category
Early 2000s Modern International Fine Print Dealers Association Art
Materials
Mezzotint
'Cheerleader' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Cheerleader', wood engraving, 1945, edition 15. Signed, dated, titled, and numbered '104' (the artist's inventory number) and '8/15' in pencil. A fine, black impression, with full margins (1 1/2 inches), on heavy, cream wove paper, in excellent condition. Scarce. Matted to museum standards, unframed.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus...
Category
1940s Surrealist International Fine Print Dealers Association Art
Materials
Woodcut
Una (The Young Creole)
By Gerald Leslie Brockhurst
Located in Storrs, CT
Una (The Young Creole). 1929. Etching. Fletcher 65 catalog iv/x. Image: 8 1/2 x 6 1/4 (sheet 15 3/8 x 10 1/4). Edition of 3 in this state (total 140 impressions). A very rich impress...
Category
Early 20th Century Modern International Fine Print Dealers Association Art
Materials
Etching
February, from the Months of the Year
By Crispin De Passe
Located in Chicago, IL
engraving after Maarten de Vos (1532-1603)
Category
17th Century International Fine Print Dealers Association Art
Materials
Engraving
Untitled
By Sam Francis
Located in London, GB
Aquatint and drypoint
75.9 x 60.6 cms (29 7/8 x 23 7/8 ins) paper size
60.3 x 45.4 cms (23 3/4 x 17 7/8 ins) plate size
Edition of 5
Category
1980s Abstract International Fine Print Dealers Association Art
Materials
Drypoint, Aquatint
Untitled (Nude Dancer)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Nude Dancer)', lithograph, edition 250, 1929. Signed and numbered 12 in pencil. Number 12 of Volume 2, a series of 10 lithogr...
Category
1920s Art Deco International Fine Print Dealers Association Art
Materials
Lithograph
'Mount Kenya, Kenya' — from the series 'Axis Mundi', Contemporary
Located in Myrtle Beach, SC
Beth Ganz, 'Mount Kenya, Kenya', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked im...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Etching, Photogravure
Trim Fit (Deconstructed Singer machine gives both steel and silk equal weight)
By Carol Wax
Located in New Orleans, LA
Carol Wax deconstructs a Singer sewing machine in this mezzotint created in an edition of 75. The image gives equal weight to the steel of the machine and the silk of the fabric. It...
Category
Early 2000s American Modern International Fine Print Dealers Association Art
Materials
Mezzotint
Quintet
By Terry Haass
Located in Myrtle Beach, SC
'Quintet', etching and aquatint, edition 20, c. 1948. Signed, titled, and numbered '12/20' in pencil. A superb, richly-inked impression, on off-white wove paper, with full margins (1...
Category
1940s Modern International Fine Print Dealers Association Art
Materials
Etching, Aquatint
Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg.
While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting.
Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked.
Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium.
Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print.
There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers.
But making mezzotints was not a paying job. Marchant and his South African wife...
Category
1980s Modern International Fine Print Dealers Association Art
Materials
Mezzotint
'Gloucester Harbor' — Mid-Century Cape Ann Regionalism
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...
Category
1940s American Realist International Fine Print Dealers Association Art
Materials
Drypoint
The Little Wheelwright's
By James Abbott McNeill Whistler
Located in Storrs, CT
The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...
Category
Mid-19th Century American Impressionist International Fine Print Dealers Association Art
Materials
Etching
Nu, mains dans ses cheveux (Nude, Hands in Her Hair)
By Marcel Gromaire
Located in Chicago, IL
Signed and dated, upper right
Provenance:
Atelier of the artist
Category
1950s Expressionist International Fine Print Dealers Association Art
Materials
Paper, Ink
'Bedrock' — Construction of the New Yorker Hotel
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Bedrock', etching, 1928, edition 25, Kennedy 29. Signed and titled in pencil. A superb, richly-inked impression in brown/black ink, with skilfully wiped plate tone; on ...
Category
1920s American Realist International Fine Print Dealers Association Art
Materials
Etching
!6th c. VIEW OF FLORENCE
By Sebastian Münster
Located in Santa Monica, CA
SEBASTIAN MUNSTER (1488-1552)
FLORENCZ - -- FIGUR UND GELEGENHEIT DER EDLEN UND HOCH BERHÜMPTEN STATT FLORENTZ. . c 1550 (Fauser, #3925.)
Woodcut f...
Category
16th Century Old Masters International Fine Print Dealers Association Art
Materials
Woodcut
The Great Landscapes VI (2nd State)
By Anthonie Waterloo
Located in Chicago, IL
Watermark:
Wappen von Amsterdam mit Nebenmarke
Category
17th Century Old Masters International Fine Print Dealers Association Art
Materials
Etching
Temples of New York
By Christopher R. W. Nevinson
Located in Storrs, CT
Temples of New York. 1919. Drypoint. Leicester 44, Guichard 26, Black 55. 7 3/4 x 6. Edition 50. New York set. Trinity Church facade from the back, which faces Wall Street. Illustrat...
Category
1910s Futurist International Fine Print Dealers Association Art
Materials
Drypoint
The Marshlands
Located in Storrs, CT
A marsh landscape in the style of Max Weyl. Oil on board measures 12 3/4 x 23 5/8; frame dimensions measure 16 1/4 x 27 x 1 1/4. Unsigned. Housed in a gold-to...
Category
20th Century Barbizon School International Fine Print Dealers Association Art
Materials
Oil
Chinese Wall
By Sam Francis
Located in London, GB
Sam Francis
Chinese Wall
1969
Lithograph, Edition of 20
76.5 x 57.2 cms (30 1/8 x 22 1/2 ins)
SF15156
Category
1960s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
Generations 16
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper
53 x 71 cms (21 x 28 ins)
Edition of 35, Set of 24
Signed, dated, and numbered 3/35
Published by Bernard Jacobson Ltd., London
Prin...
Category
1970s Abstract Geometric International Fine Print Dealers Association Art
Materials
Color, Etching, Aquatint
'Variation 8, Vol. I' — from the series '1 to 40 Variations'
By Katherine S. Dreier
Located in Myrtle Beach, SC
Katherine S. Dreier, 'Variation 8, Vol. 1' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Lithograph
IMMIGRANT FAMILY
By Ben Shahn
Located in Portland, ME
Shahn, Ben. IMMIGRANT FAMILY. Serigraph, 1941. Prescott 2. Edition size unknown; Prescott knew of only 3. This copy unsigned. 11 1/2 x 18 inches (image), 19 1/4 x 25 1/4 (sheet), fra...
Category
1940s International Fine Print Dealers Association Art
Materials
Screen
WARNING! Register*Vote, INFLATION means DEPRESSION
By Ben Shahn
Located in Fairlawn, OH
WARNING! Register*Vote, INFLATION means DEPRESSION
Photo lithograph, 1946
Signed in the image lower left
Published by CIO (Congress of Industrial Organizations) before their merger w...
Category
1940s American Realist International Fine Print Dealers Association Art
Materials
Offset
Explorator
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Explorator', engraving, 1734, edition unknown, scarce. Signed 'Dom. Campiglia del.' in the matrix, lower left. A fine impression, on handmade antique, l...
Category
1730s Realist International Fine Print Dealers Association Art
Materials
Engraving
'Navajo Reservation Landscape' — Southwest Regionalism
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Reservation Landscape', lithograph, 1945, edition c. 30. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, the full sheet with margins (1 3/8 to 2 inches), in excellent condition. Matted to museum standards, unframed.
Image size 12 3/4 x 15 3/4 inches (324 x 400 mm); sheet size: 15 1/2 x 19 inches (394 x 482 mm).
ABOUT THE ARTIST
Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972.
After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001.
Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955).
Moskowitz’s lithographs of American Indian...
Category
1940s International Fine Print Dealers Association Art
Materials
Lithograph
'A Very Funny Story, Mongols' — Mid-Century Woodblock Print
By Paul Jacoulet
Located in Myrtle Beach, SC
Paul Jacoulet, 'Une Histoire très Drôle, Mongols', color woodblock print, 1949. A fine impression, with fresh colors, on the artist's handmade, personally watermarked Japan paper, in...
Category
1940s Showa International Fine Print Dealers Association Art
Materials
Woodcut
THE WAGON SHOP
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971)
THE WAGON SHOP, 1910 (Chamberlain 24)
Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
Category
1910s Modern International Fine Print Dealers Association Art
Materials
Woodcut
Awakening
By Kazuhisa Honda
Located in Fairlawn, OH
Each print signed and numbered in pencil by the artist
Total edition: 92: 75 with Arabic numerals; 10 Artist's proofs with Roman numerals; 7 Hors Commerce with Roman numerals
Image...
Category
1980s Contemporary International Fine Print Dealers Association Art
Materials
Mezzotint
THANKSGIVING IN CAMP
By Winslow Homer
Located in Santa Monica, CA
AFTER - WINSLOW HOMER (1836-1910)
THANKSGIVING IN THE ARMY - After Dinner: the Wishbone, 1864
Original wood engraving as published by Harpers Weekly December 3, 1864, after a drawing by Winslow Homer. Image 9 3/4" x 14, Sheet 10 3.\/4 x 15 3/4" . Generally good condition, a small stain in the upper right margin.
Homer contributed drawings to Harper's Weekly from 1857 to 1875. They were converted to wood engravings by Harper's craftsman and published in Harper's Weekly. Although after his original drawings, they are now accepted as an important part of his body of work by museums and collectors. They were very large editions. As such, they occur often in the marketplace. Harper's published during the Civil War years as this was, were widely read and kept as people followed the war first hand and its aftermath over the years continuing today as both Homer and Civil War collectables
Category
1860s American Realist International Fine Print Dealers Association Art
Materials
Woodcut
Metal Shoes 4
By Richard Tuttle
Located in Houston, TX
Richard Tuttle
Metal Shoes 4, 2010
Aquatint, hand stencling, copper plate embossment
11 3/4 x 12
ed. 30
Framed
Category
21st Century and Contemporary Abstract Geometric International Fine Print Dealers Association Art
Materials
Aquatint, Stencil
Snowy Peaks (Mont Blanc)
By Robert Hallowell
Located in Fairlawn, OH
Snowy Peaks (Mont Blanc)
Watercolor on paper, c. 1930
Signed "R. Hallowell" lower right (see photo)
The image depicts is of Mont Blanc in France.
Mont Blanc is the highest mountain i...
Category
1930s American Impressionist International Fine Print Dealers Association Art
Materials
Watercolor
Landscape with Pair on Wooden Bridge
By Nicolaes de Bruyn
Located in Chicago, IL
Engraving after Egidius Coninxloo (c. 1581 - 1619), executed by Nicolaes De Bruyn (Antwerp 1571 - 1652 Amsterdam)
Unidentified watermark
Category
Early 17th Century Old Masters International Fine Print Dealers Association Art
Materials
Engraving
Manhattan Bridge — 1920s New York City
By George Stimmel
Located in Myrtle Beach, SC
'Manhattan Bridge', etching, c. 1920, proofs only. Signed in ink in the image, lower right. A fine, rich impression, in warm black ink, on cream wove ...
Category
1920s American Realist International Fine Print Dealers Association Art
Materials
Etching
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