Ifpda International Fine Print Dealers Association Landscape Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Scarborough
By Nelson Dawson
Located in New Orleans, LA
This impression is signed and annotated as etched and printed by the artist. It is numbered No. 56.
Scarborough is a resort town on England’s North Sea coast. Its 2 bays with sandy...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$150 Sale Price
25% Off
Bout a Bout (Translation: From End to End) - In Celebration of Pride Month
By Christine Ravaux
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
Christine Ravaux created Bout a Bout which is signed by pencil. This impression is...
Category
Early 2000s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
8 Million Tons of Plastic That Go Into the Sea Each Year
Located in New Orleans, LA
This image is a Tamarind lithograph printed on Bisque Revere Suede bearing Tamarind chop, printer's chop and artist signature. The edition was 95 impressions.
Hayal Pozantı...
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
$562 Sale Price
53% Off
Evening II
By Robert Kipniss
Located in New York, NY
"Evening II" is a mezzotint engraving created by Robert Kipniss in 2008. Printed in an edition of 60, this impression is signed in pencil and inscribed “8/60.” The paper size is 12...
Category
21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
FARMHOUSE WITH YELLOW FIELDS
By Junichiro Sekino
Located in Portland, ME
Sekino, Junchiro (Jaoanese, 1914-1988), FARMHOUSE WITH YELLOW FIELDS. Color Woodblock, not dated. Signed, Lower right. 13 3/8 x 19 inches, framed to 20 x 25 inches. In excellent cond...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
RUE ST. JACQUES
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald (American, 1898-1954) RUE ST. JACQUES. S.5 Lithograph, 1928. Edition of 36 per Sasowsky, citing Marsh's notebook, but inscribed, lower left, "35 Proofs," and signed in pencil, lower right. 12 1/2 x 8 1/2 inches, 317 x 215 mm. (image). One of the series of lithographs...
Category
1920s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Alkyd, Lithograph
Niagara
By Frederick Mershimer
Located in New York, NY
NIAGARA
Contemporary artist Frederick Mershimer created the mezzotint engraving entitled “Niagara” in 2021. This impression is signed, titled, dated, and inscribed “5/45”- the 5th ...
Category
21st Century and Contemporary American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
LANDSCAPE WITH SHEEP
Located in Portland, ME
Nason, Thomas. LANDSCAPE WITH SHEEP. BPL 178. Chiaroscuro woodcut printed from three blocks, 1935. Edition of 75, numbered "49/75," signed in pencil, and titled in pencil at the bott...
Category
1930s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
ROCKWELL KENT'S STUDIO
By Letterio Calapai
Located in Portland, ME
Calapai, Letterio. ROCKWELL KENT'S STUDIO. Wood engraving, 1980. Titled, numbered 7/75 and signed in pencil. 6 x 8 7/16 inches, 153 x 216 mm. In very good condition. Framed.
Category
1980s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving, Woodcut
View of Piazzo San Marco in Venice
By Pierre Van der Aa
Located in New York, NY
Engraving of Veduta della Piazza di S. Marco, verso L'Horologio by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.
Category
1720s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Paper
Rainy Day, Queens
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
ISOLA BELLA
By Andrew Affleck
Located in Portland, ME
Affleck, Andrew. ISOLA BELLA.
Etching, not dated.
Signed in pencil.
Edition size not known.
9 3/4 x 17 3/8 inches (image), 13 5/8 x 22 1/4 inches (shee...
Category
Early 20th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
SPOTLIGHT ON MANHATTAN
By Mark Freeman
Located in Portland, ME
Freeman, Mark (American, born Austria, 1908-2003). SPOTLIGHT ON MANHATTAN. Linocut, 1930. Signed and titled in pencil, and inscribed "Ed 40." 10 x 8 1/8inches (image), margins. Frame...
Category
1930s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Linocut
River Reflections
By Arthur Wesley Dow
Located in Fairlawn, OH
River Reflections
Color woodcut, c. 1910
Unsigned
Provenance: Dow Family Album, Cincinnati
Condition: Excellent
Image size: 2 1/2 x 4 inches
Sheet size: 3 1/8 x 4 7/8”
A color varian...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
SKOWHEGAN II
By Yvonne Jacquette
Located in Portland, ME
Jacquette, Yvonne. (American, 1934-2023). SKOWHEGAN II Aquatint, 1987. Editon of 35. Signed, dated and numbered 12/35, all in pencil. 20 1/2 x 15 7/8 inches (plate), 29 x 22 1/2 inch...
Category
1980s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
Monterey Fisherman [and] Monterey Fisherman 2.
By Antonio Frasconi
Located in New York, NY
Diptych. This two sheet color woodcut was created by Antonio Frasconi in 1951. Edition 8. Each image size 19 7/16 x 16 7/16" (49.4 x 418 cm) plus margins. Signed and titled in p...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
![Monterey Fisherman [and] Monterey Fisherman 2.](https://a.1stdibscdn.com/archivesE/upload/a_3312/1470672337762/Frasconi__master.jpg?width=240 "antonio frasconi prints")
OLIVE TREES, CAPRI
By Clarence Holbrook Carter
Located in Portland, ME
Carter, Clarence Holbrook (American, 1904-2000). OLIVE TREES, CAPRI. Aquatint in colors, 1932. Titled,signed and dated in pencil. 5 1/2 x 6 7/8 inches (plat...
Category
1930s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
L'Abreuvoir (The Watering Trough)
By Auguste Louis Lepère
Located in Fairlawn, OH
L'Abreuvoir (The Trough)
Woodcut printed in two shades of brown on paper, mounted
Signed by the artist in pencil lower right (see photo)
Signed with artist's monogram in the stone upper right: AL
Dedicated in ink lower left: á Sagot (see photo)
Annotated in ink lower right: 1/5 HT (1 of 5 Hors Triage [apart from the printing])
(see photo)
Image: 12 x 15-7/8" (30.6 x 40.3 cm.)
Mount: 19-5/8 x 25-1/2" (50 x 64.9 cm.)
Condition: Excellent
Reference: Lotz-Brissonneau 521
Auguste Louis Lepère...
Category
Early 1900s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
JUDITH'S GARDEN
By Patricia Tobacco Forrester
Located in Portland, ME
Forrester, Patricia Tobacco (American, 1940-2011). JUDITH'S
GARDEN. Etching, not dated. Edition of 50, titled, numbered
49/50, and signed in pencil. ...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
"Cave"
By Claire Sherman
Located in Lyons, CO
The artist describes this project:
“My paintings and prints propel the viewer into an unstable world through a perspective that shimmies between representation and abstraction. I ad...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Lagoon: Noon
By James Abbott McNeill Whistler
Located in New York, NY
James McNeill Whistler (1830-1903), Lagoon: Noon, etching and drypoint, 1879-1880, signed with the butterfly and inscribed “imp” on the tab [also signed with the butterfly in the plate lower left]. Reference: Glasgow 209, third state (of 3), Kennedy 216, third state (of 3); Lochnan 231, 4 7/8 x 7 7/8 inches.
A fine impression with very little plate tone, and printed with extraordinary attention to the etching and drypoint details. The printed butterfly, usually only barely visible, is clearly defined in this impression (see detail below). Kennedy mades special note that an impression like this, with the clearly visible butterfly, was in the collection of John H. Wrenn.
On a commission from the Fine Arts Society, Whistler created the plates of his Venice series...
Category
1870s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
Vista
By David Salle
Located in New York, NY
This charming beach image by the American painter, printmaker, photographer and stage designer David Salle evokes the joy to be found in a serene day by the ocean. The print was publ...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
$2,000
Cloudburst
By Louisa Chase
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
STORMDANCE - FISH AND LEAVES
By Karl Schrag
Located in Portland, ME
Schrag, Karl. STORMDANCE - FISH AND LEAVES. Syracuse 183. Etching and engraving, 1973. Edition of 50. The version in "reddish black," numbered 26/50, titled, signed and dated, all in...
Category
1970s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving, Etching
Wild Garden
By Robert Kushner
Located in Lyons, CO
Color lithograph/diptych, Edition 25.
The artist describes this project:
Two years ago, I had the very good fortune to be invited to paint in the South of France. My studio was an abandoned stone barn - no doors...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Ôkubo Hikozaemon Protects the Hidden Shogun Triptych
By Taiso Yoshitoshi
Located in Burbank, CA
“War Chronicles of Osaka” (Osaka gunki no uchi). Okubo Hikozaemon, raising his sword, protects the hidden Tokugawa shogun from the spear of Gorô Matabei Mototsugu in a moonlit fores...
Category
1880s Other Art Style Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mulberry Paper, Woodcut
NOCTURNE: PALACES
By James Abbott McNeill Whistler (circle)
Located in Portland, ME
Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches.
Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso.
Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France.
In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...
Category
1870s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
Lido (Venice)
By Otto Henry Bacher
Located in Fairlawn, OH
Lido (Venice)
Etching on chine collee, 1880
Part of the artist's "Venice Set"
Signed upper right in plate :Otto H Bacher" (see photo)
Signed with the estate stamp, Lugt 2002 recto lower right beneath image. (see photo)
Created October 20, 1880
Reference: Andrew Venice No. 29
Provenance: Estate of the Artist
Otto H. Bacher (1856-1909)
Otto Henry Bacher was born in Cleveland, Ohio, to a family of German descent. He first studied art at the age of sixteen with local genre trompe l'oeil still-life artist, DeScott Evans. Although he studied with Evans for less than one year, Bacher's early work, comprised mainly of still lifes, betrays Evans's influence. After a short period in Philadelphia, where he studied at the Pennsylvania Academy of the Fine Arts, Bacher returned to Cleveland and met Willis Seaver Adams, an artist from Springfield, Massachusetts, who had just recently arrived upon the Cleveland art scene. Soon the two artists were rooming together. Adams was instrumental in the founding of the Cleveland Art Club, as well as the establishment of the Cleveland Academy of the Fine Arts, to the board of which Adams had Bacher appointed. Also during this time, Bacher began to learn the process of etching from local etcher and landscape painter Sion Longley Wenban.
In 1878, Bacher and Adams left for Europe. After stopping briefly in Scotland, Bacher went on to Munich, where he enrolled at the Royal Academy. He quickly tired of the rigors of the academy, and soon he was studying with Cincinnati artist Frank Duveneck, the prime American exponent of the Munich School. In 1879, Bacher made a trip to Florence with Duveneck as one of the celebrated "Duveneck Boys." Early the following year, the group proceeded to Venice, where Bacher and several other artists established studios in the Casa Jankovitz.
By this time an avid printmaker, Bacher had his etching press sent from Muni ch, and it was in his Venice studio that he taught Duveneck the rudiments of etching. Soon Bacher, Duveneck, and other members of the Duveneck circle were experimenting in printmaking. Among the group's contributions were some of the first American examples of monotypes, which they called "Bachertypes" because they were printed using Bacher's press.
It was also in Venice that Bacher met the venerable American expatriate artist, James McNeill Whistler. On learning of Bacher's press and his collection of etchings by Rembrandt, Whistler made himself a regular visitor to Bacher's studio, and he eventually took his own room in the Casa Jankovitz. Bacher spent much of the rest of 1880 with Whistler, the two artists sharing etching techniques. From Whistler, Bacher learned tone and line graduation; from Bacher, Whistler learned his etching techniques, including better ways of using the acid bath which produced less tedious and more efficient work. Bacher visited Whistler occasionally in the years that followed, and in 1908 he published With Whistler in Venice, his famous recollections of his time with the great artist.
Bacher spent the next two years traveling extensively throughout Italy, with Venice as the center of his operations, and he produced a number of important etchings of Italian subjects. Bacher sent several of these works to America in 1881 to be included in the Society of American artists exhibition that year, and had a similar group of works shown at the Royal Society of Painter-Etchers' first exhibition at the Hanover Gallery in London. Following the exhibition, Bacher, along with several other of the American contributors, was elected a Fellow of the Society. Bacher collected twelve of his etchings of Venetian subjects and sold them in bound volumes through his New York dealer, Frederick Keppel.
Bacher returned to Cleveland in January 1883 as a fully cosmopolitan artist. He set up a lavish studio furnished with exotic items and objets-d'art he had collected on his travels, and began to hold art classes as a means to supplement his income. He soon joined with Joseph De Camp in forming a summer sketch class in Richfield, Ohio. Bacher and De Camp also planned the Cleveland Room for a major loan exhibition in Detroit that year. During this period, Bacher increasingly painted in oil, and he began to produce sun-dappled canvases in an impressionistic mode.
Unable to sell any paintings from this early period, however, Bacher left Cleveland for Paris in 1885, where he planned to undertake further studies. Stopping first in London to visit Whistler, Bacher stayed only briefly in Paris before heading to Venice, where he spent the remainder of the year. In January 1886, Bacher returned to Paris and enrolled at the Académie Julian, and also entered the atelier of Emile-Auguste Carolus-Duran. The life of the student seems never to have suited Bacher, as he stayed in Paris only through June, before departing again for Venice. For the next six months he, Robert Blum, and Charles Ulrich...
Category
1880s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Shadows, Garage at Night
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962, Shadows, Garage at Night, drypoint, 1928, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 69, only state, from the t...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
New University Chicago Campus
By Kent Hagerman
Located in Fairlawn, OH
Signed and titled in pencil by the artist
Category
1920s Ifpda International Fine Print Dealers Association Landscape Prints
Union Pond, Williamsburgh, L. I. [sic].
By Winslow Homer
Located in New York, NY
UNION POND, WILLIAMSBURGH, L. I. [sic] is a lithograph printed in color in circa 1862. It was published by Thomas & Eno, 37 Park Row, N.Y. The printed image size is 16 3/4 x 27 in...
Category
1860s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
![Union Pond, Williamsburgh, L. I. [sic].](https://a.1stdibscdn.com/winslow-homer-prints-works-on-paper-union-pond-williamsburgh-l-i-sic-for-sale/a_3312/1595513020620/Homer_Union_Pond_frame_IMG_8498_master.jpg?width=240 "homer pours water on console gif")
"A BRISK GALE" and "A MODERATE GALE"
Located in Portland, ME
Canot, P.C. (French, worked in England, 1710-1777), after Willem van de Velde and Ludolph Bakhuizen. "A BRISK GALE" and "A MODERATE GALE," engravings, ...
Category
Mid-18th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving
Place Le Soir (The Square at Evening)
By Pierre Bonnard
Located in Fairlawn, OH
Place Le Soir (The Square at Evening)
Color lithograph on wove paper, 1899
Unsigned (as issued)
From: Quelques aspects de la vie de Paris (Some Aspects of Parisian Life), 1899, Plate...
Category
1890s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Charles Lindbergh Over Paris
By Frank Lemon
Located in New York, NY
Lemon, Frank.
Flights: Unforgettable Exploits of the Air.
This plate: With one beat of his wing, Charles Lindbergh goes to Paris! 1927.
Wright Aeron...
Category
1920s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Paper
SPRING SONG
By Leonard Pytlak
Located in Portland, ME
Pytlak, Leonard. SPRING SONG. Screenprint in colors, not dated. Edition size not known. Titles and Signed in pencil. 14 1/2 x 17 3/4 inches (sheet). In excellent condition.
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Screen
Bloques (Road Block)
By Georges Meunier
Located in Fairlawn, OH
Bloques (Road Block)
Color lithograph, 1905
Signed and numbered in pencil lower right; signed and dated in the stone lower right (see photo)
Edition: 100, first edition (33/100)
Publ...
Category
Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Sanctum
By John Ross
Located in New York, NY
Signed, titled and inscribed "Artist proof" in pencil. The paper size is 35 x 22" and the image size is 29 3/4 x 18 1/8."
This collagraph was created during the...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Intaglio
$1,900
Mariko Station, a Mad Caricature (Mariko shukuba no kyoga)
By Kawanabe Kyosai
Located in Fairlawn, OH
Mariko Station, a Mad Caricature (Mariko shukuba no kyoga)
Color woodcut, 1872
Signed in cartouche lower left corner (see photo)
From the series: "53 Stations by Calligraphy and Pain...
Category
1870s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Paysages (Landscapes)
By Franz Edmund Weirotter
Located in New York, NY
Franz Edmund Weirotter (1730-1771), Paysages (Landscapes), 1759, complete set of 6 (5 are illustrated on this site), [signed in the plates lower right Weirotter sc, and also signed a...
Category
1750s Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
SAN BIAGIO
By James Abbott McNeill Whistler
Located in Portland, ME
Whistler, James A. M. SAN BIAGIO. Etching and Drypoint, 1880. Glascow 237, K.197; M.194; W.163. State 8 of 17. With the printed butterfly at left, and with the butterfly signature in...
Category
1880s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
543 Hub of the World Etching
By Anton Schutz
Located in New York, NY
Schutz, Anton (1894-1977).
543 Hub of the World.
Published in New York, 1927.
Original etching. Signed in pencil.
Sheet size: 19 x 13 5/8 in.
Plate size: 13 7/8 x 10 5/8 in.
Category
1920s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Paper
Schuylkill River
By John Sloan
Located in New York, NY
John Sloan etching Schuylkill River, 1894, signed, titled, annotated “100 proofs” [only 25 were printed], also signed by the printer “Peter Platt im...
Category
1890s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Canoe
By Sally Gall
Located in New York, NY
Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Photogravure
$760 Sale Price
20% Off
UNTITLED - SHIPPING YARD
By Edward A. Wilson
Located in Portland, ME
Wilson, Edward A. (American, born Scotland, 1886 - 1970). UNTITLED - SHIPPING YARD. Lithograph, 1945. Edition of 25, signed and numbered 23/25. 11 x 13 inches (image), 13 1/2 x 15 in...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
L’Angelus (The Bell Tower)
By Félix Hilaire Buhot
Located in Fairlawn, OH
L’Angelus (The Bell Tower)
etching & drypoint, c. 1876
Signed in the plate with the artist's initials (see photo)
Condition: Excellent
Image/Plate size: 5 7/8 x 4 1/4 inches
Sheet s...
Category
1870s French School Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Japanese Beauty Admiring Kirifuri Waterfall
By Yoshu Chikanobu
Located in Burbank, CA
A beauty turns to admire the Kirifuri Waterfall in Nikko Province. She holds the handle of an umbrella and wears fashionable clothing that is beautifully printed. This series pairs f...
Category
1890s Edo Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Handmade Paper, Mulberry Paper, Woodcut
$940 Sale Price
20% Off
The Monumental Tablet
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Monumental Tablet
Etching, engraving, drypoint and burnishing, c. 1748
Series: Grotteschi (Grotesques, 4 plates)
Original, unwashed condition. Excellent.
Second edition first is...
Category
1740s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
THE RETURN
Located in Portland, ME
Pellew, Claughton (British, 1890-1966). THE RETURN. Ashmolean 17. Wood engraving, 1925. Edition of 25. Initialed in the block, and titled, signed, dated and...
Category
1920s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
La butte de Montmartre et le Sacre-Couer (Sacre Coeur from a Distance)
By Robert Delaunay
Located in Fairlawn, OH
La butte de Montmartre et le Sacre-Couer (Sacre Coeur from a Distance)
Lithograph, 1926
From Joseph Delteil's "Allo, Paris," published by Quatre Chemins, Paris, 1926
Rare signed proo...
Category
1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Limehouse
By James Abbott McNeill Whistler
Located in New York, NY
James McNeill Whistler (1834-1903), Limehouse, etching, 1859. References: Glasgow 48, fifth state (of 6), Kennedy 40, third state (of 3), signed with the butterfly in pencil in the lower margin. [Also signed and dated in the plate.]With margins, 5 x 7 7/8 inches, the sheet 6 1/2 x 9 1/2 inches. Published as no. 12 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, otherwise known as the Thames Set. In good condition apart from a soft diagonal fold in the sky.
A very fine impression, in black ink on a thin Japan paper.
Provenance: Dr. John W. Randall (cf. Lugt 2130), without his mark, annotated on the mat.
Limehouse, the entrance to the West Indies Docks, lies opposite the Surrey Commercial Docks in Rotherhithe, along the lower Thames.
It’s unusual to find the signed butterfly (or any pencil signature) on the early London etchings, but it is known that Whistler signed...
Category
1850s Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Poplar Tree B
By Shiko Munakata
Located in Fairlawn, OH
Poplar Tree B
Lithograph, c. 1959
Signed and numbered in pencil by the artist (see photo)
Artist's red stamp lower left margin (see photo)
Edition: 50 (20/50)
Printed by Arthur Flory...
Category
1950s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
The Bridge
By James Allen
Located in Fairlawn, OH
The Bridge (New York Harbor)
Lithograph, 1936-7
Signed in pencil l.r., (see photo)
titled lower left edge of sheet
Reference: Not in Ryan
Edition: Very small
Note: Extremely rare. ...
Category
1930s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Ostiakes
By Cornelis de Bruijn
Located in Fairlawn, OH
Ostiakes
Engraving, 1718
From: Voyages de Corneille le Brun par la Moscovie, en Perse, et aux Indes Occidentales (French translation, 1718), Chapter XXI
The Ostyak are a member of an...
Category
1710s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving
Pueblo Ledge
By John Ross
Located in New York, NY
The printmaking intaglio technique called collagraph was used to make the matrix of this early to mid-1970's print. Inspired by his trips to the Southwest during this period, John R...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Intaglio
Slowakisches Bauernhaus,
By Karl Schwetz
Located in New York, NY
Schweiz, Karl. Slowakisches Bauernhaus, Ca 1911. Color linoleum cut.
Framed.
Provenance: Galerie Michael Pabst, Munich.
Noted artist, painter, illustr...
Category
1910s Vienna Secession Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Linocut
Cypresses
By Donald Sultan
Located in Fairlawn, OH
Cypresses
Reductive color woodcut in colors, black, green & brown, 1982
Unsigned
From: Tramp Picture series
"The printer was Claude Jinchat at Imprimerie Arnéra, Vallauris. The set w...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Linocut
Walking in the Woods
By Frank Arthur Nankivell
Located in New York, NY
Frank Arthur Nankivell (18691959), [Walking in the Woods at Night], drypoint, c. 1910, signed in pencil lower right. Printed on a cream laid paper. In good condition, with margins (s...
Category
1910s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
Garden with Henry
By Peter Milton
Located in New York, NY
Peter Milton created this etching and engraving entitled “GARDEN WITH HENRY” in 1993. It is signed, titled, dated, and inscribed “153/250” in pencil under the image. The printed image size is 9.5 x 12 inches and the paper size is 15.5 x 18 inches. The inspiration for this piece came from the Henry James novella “The Aspern Papers” and clearly depicts the Venetian setting. The American-British author Henry James (1843-1916) wrote “The Aspern Papers” first published in 1888.
Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
Category
1990s Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving, Etching
LA SALUTE
By Antonio Frasconi
Located in Portland, ME
Frasconi, Antonio (American, born Uruguay, 1919-2013). LA SALUTE. Color Woodcut, 1967. Edition of 20, Titiled, inscribed 10/20, signed, and dated, all in pencil. 22 1/4 x 34 1/2 inch...
Category
1960s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
NIGHT FLIGHT
By Antonio Frasconi
Located in Portland, ME
Frasconi, Antonio. NIGHT FLIGHT. Color Woodcut, 1958. Edition of 20. Signed and dated, numbered 10/20, and inscribed "imp," all in pencil. 19 x 34 inches,...
Category
1950s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Alkyd, Woodcut
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