Ifpda International Fine Print Dealers Association Landscape Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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View of the Tiber with Country Landscape
By Jan Dirksz Both
Located in Chicago, IL
Etching on paper with Schriftband watermark.
Reference: Bartsch 7 III/IV (from VI).
A very fine, early impression. Printed with the name of the artist, but before the addition...
Category
15th Century and Earlier Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
The Deserted Palace.
By James McBey
Located in Storrs, CT
The Deserted Palace. 1928. Etching. Hardie/Carter 236. 8 1/2 x 10 (sheet 10 1/2 x 12 3/8). Edition 80, #53. A rich impression printed in bistre ink with pl...
Category
1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Manhattan Nocturne
By Armin Landeck
Located in Myrtle Beach, SC
A superb, richly-inked, early impression, in warm black ink, on cream wove paper; the full sheet with wide margins (1 1/2 to 1 3/4 inches). Signed in pencil and dedicated by the art...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
Waiting For My Train(track crossings that create Chicago EL / Merchandise Mart)
By Martin Levine
Located in New Orleans, LA
Waiting for my Train is #55 from edition of 100. "Waiting for my train" is the stop right before the tracks cross, and create Chicago's famous "Loop", on the above ground EL. The M...
Category
1980s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching, Aquatint
Ostend Horse
By Edmund Blampied
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category
1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
The Dance of Death. 1914-1918
By Percy John Delf Smith, R.D.I.
Located in Storrs, CT
The Dance of Death. 1914-1918. 1921. Portfolio of 7 etchings with drypoint. Sheet: 18 1/2 x 15 1/2. Edition 100. Title page annotated in ink by the arti...
Category
1910s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
J.H. Woods’ Fruit Shop, Chelsea
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches.
A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions.
watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.)
This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate.
According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category
1880s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
Mont et Mervale (Mountains and Wonder)
By Christine Ravaux
Located in New Orleans, LA
Born in Charleroi, Belgium, Christine Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black hills that dot the landscape of the ...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint, Aquatint
TEAHOUSE AND WILLOW TREE
By Junichiro Sekino
Located in Portland, ME
Junichiro Sekino (Japanese, 1914-1988). TEAHOUSE AND WILLOW TREE. Color woodblock print, not dated. Edition size not known. Signed in pencil and with the a...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Mariko Station, a Mad Caricature (Mariko shukuba no kyoga)
By Kawanabe Kyosai
Located in Fairlawn, OH
Mariko Station, a Mad Caricature (Mariko shukuba no kyoga)
Color woodcut, 1872
Signed in cartouche lower left corner (see photo)
From the series: "53 Stations by Calligraphy and Pain...
Category
1870s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Magic (these two figures seated on a beach beneath an active sky evoke emotion)
By Anne Dykmans
Located in New Orleans, LA
An older couple sits on a beach facing the sea as a shooting object streaks through the sky. There is a feeling of connection and contentment conveyed through the imagery. Does the...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
Landscape
By Albert Meyeringh
Located in Chicago, IL
signed in plate
Category
18th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Brigahoe Towing Into Scarborough Harbor
By Nelson Dawson
Located in New Orleans, LA
This impression is signed and annotated as etched and printed by the artist. It is numbered No. 11
Nelson Ethelred Dawson (1859–1941) was an English artist and member of the Arts a...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Drift (dramatic nocturne in America's suburbia)
By Jacob Crook
Located in New Orleans, LA
Drift is a hand-pulled mezzotint in an edition of 10. This is #3/10. Location is Jarnigan ST in Starksville, Mississippi
Jacob Crook was born in St. Loui...
Category
2010s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
FOREST IN THE SPRING
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. FOREST IN THE SPRING. T.31 Woodcut, 1960. Edition of 100. Signed, Titled, dated, numbered 10/100 and inscribed "Woodcut," all in pencil. 39 x 9 inches (sheet). I...
Category
1960s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
New York Stock Exchange (Symbolic icon of Wall St.'s vast power and wealth)
By Frederick Mershimer
Located in New Orleans, LA
This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint, Aquatint
Lobsterman's Cove, Winter Harbor, Maine
By Stow Wengenroth
Located in Fairlawn, OH
Lobsterman's Cove, Winter Harbor, Maine
Lithograph, 1941
Signed in pencil lower right (see photo)
Edition 50
Impressions are in the collection of the Pennsylvania Academy of the Fine...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Twixt Dawn and Day
By Sir Frank Short
Located in Storrs, CT
Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles).
By Mortimer Menpes
Located in Storrs, CT
Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles). Drypoint. Menpes 364. 7 1/8 x 9 1/8 (sheet 8 13/16 x 10 7/8). A very rich impression with drypoint burr and plate tone...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
Icelandic Landscape (The sun creates dramatic cloud pattern over a glacial lake)
By Udo Claassen
Located in New Orleans, LA
German artist Udo Claassen created a dramatic landscape of this Icelandic scene in 1985 in an edition of 40. The New Orleans Museum of Art has an impression of this image in its per...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
Private Property (Jamaica Bay in Queens NY - now a runaway of JFK airport)
By Martin Levine
Located in New Orleans, LA
Private Property was created in 1982 and is #25 from an edition of 40.
Martin Levine (born 14 May 1945 in New York City) is an American artist.
Levine...
Category
1980s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Dawn
By Percival Gaskell
Located in New Orleans, LA
Mezzotint. 8 x 9 7/8 (sheet 13 7/8 x 19 3/4). A fine impression with tone printed in dark brown ink on white wove paper. Signed in pencil.
Category
1930s English School Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
LOTUS FLOWER - Provincetown Style
By Mary Travis
Located in Santa Monica, CA
MARY TRAVIS (1893-1976))
LOTUS FLOWER c. 1935-40
White line color woodcut. Signed and titled in pencil. Small edition. 9 ¾” x 7 7/8”. Full sheet. Some creasing in the margins. Travis worked in Berkeley, California and was probably a follower of William S...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
ALAMANDA
By Roi Partridge
Located in Santa Monica, CA
ROI GEORGE PARTRIDGE (1888 - 1984)
ALAMANDA. 1937-42 (White 242), Etching edition 27, Signed In pencil and in plate. 13 7/8 x 9 7/8 inches. On a cream toned paper with full margin...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
EAST 15TH STREET
By Yvonne Jacquette
Located in Portland, ME
Jacquette, Yvonne. EAST 15TH STREET. Faberman 8. Lithograph in five colors, 1974. Edition of 125. Signed and numbered in pencil. Printed by Paul Narkiewicz and Chip Elwell on Arches...
Category
1970s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Bois Dormant
By Christine Ravaux
Located in New Orleans, LA
Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with grasses and ferns that lie beneath. Christine Ravaux is a Belgian artist who uses nature in m...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
New Hop Poles
By Stanley Roy Badmin
Located in Storrs, CT
1930. Etching. Beetles 17. 6 x 5 1/4 (sheet 11 1/2 x 9). Edition 30, #29, published by the Twenty-One Gallery. Exhibited at the Royal Society of Painter-Etchers and Engravers, 1932(...
Category
1930s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Galleria grande di Statue
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Bout a Bout (Translation: From End to End)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Bout a Bout which is signed by pencil. This impression is #4 of 35
Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with ...
Category
Early 2000s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
September
By Hans Bol
Located in Chicago, IL
engraving and etching by A. Collaert after Hans Bol
Watermark: Letter P (Briquet 8718, Grevenbroich 1572)
Category
16th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving
Winter Landscape with a View of Zuylen Castle
Located in Chicago, IL
A fine 1st State impression before the addition of Vischer’s address.
etching with engraving after David Vinckboons (Malines 1576-1629 Amsterdam)
Category
17th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
By Frederick Mershimer
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint, Aquatint
Landscape with a Maiden and her Dog
By Adriaen van der Cabel
Located in Chicago, IL
A very fine impression
Category
Mid-17th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Prickles and Hairs
By Christine Ravaux
Located in New Orleans, LA
This is impression #12 from an edition of 45
Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see more ....
Category
Early 2000s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
A CLEAN SHOT
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 – 1968)
A CLEAN SHOT 1930
Etching and drypoint. Signed and numbered 26 in pencil.Signed and dated in the plate 1930. Image 10 5/8 x 13 ½ inches, sheet 12 x 18 inc...
Category
1930s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Poplar Tree B
By Shiko Munakata
Located in Fairlawn, OH
Poplar Tree B
Lithograph, c. 1959
Signed and numbered in pencil by the artist (see photo)
Artist's red stamp lower left margin (see photo)
Edition: 50 (20/50)
Printed by Arthur Flory...
Category
1950s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Le Pont de Pierre, a Rouen
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Le Pont de Pierre, a Rouen, etching and drypoint, 1887. Reference: Delteil 66, second state (of 2). Signed lower right in pencil, annotated lower left ...
Category
1880s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
The Loop II (the artist's memories of days at Chicago's Art Institute)
By Richard Gilbert
Located in New Orleans, LA
The Loop II was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...
Category
1990s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Sounding the Hunt in the Morning
By Hans Bol
Located in Chicago, IL
2nd state
Watermark: Hand with Cuff and Flower (close to Briquet 11467)
Category
16th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
George's Dock, LIverpool.
By Sir Frank Short
Located in Storrs, CT
1890. Etching. Hardie 245. 5 7/8 x 7 3/4 (sheet 8 1/4 x 10 1/8). Two hinge stains in the top sheet edges; otherwise excellent condition. A rich impression with plate tone, printed on cream wove paper with full margins. Signed in pencil. Housed in a 16 x 20-inch archival mat.
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George's Dock was located on the River Mersey, England, within the Port of Liverpool. It was connected to Canning Dock to the south and George's Basin to the north. The dock, which opened in 1771, was designed and built by Henry Berry and expanded by John Foster, Sr.
In 1899 the dock and the adjoining George's Basin were filled in to create what is now the Pier Head...
Category
19th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
House in Kyoto
By Kiyoshi Saitō
Located in Fairlawn, OH
House in Kyoto
Color woodcut, 1963
Signed in white brush bottom left of image, along with the artist's red stamp (see photo)
Titled, dated and numbered in pencil bottom margin (see p...
Category
1960s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Restaurant in Mott Street
By Charles Frederick William Mielatz
Located in New Orleans, LA
The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.”
CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art
C.F.W. Mielatz
American, 1860-1919
Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
WESTERN PEAKS
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD LUKENS DOOLITTLE (1873 - 1974)
WESTERN PEAKS c. 1945
Aquatint signed and titled in pencil. 6 3/4 x 8 7/8 sheet 9 5/8 x 12 3/4.
Good condition save for just a hint of darkening within the window and small bits if tape on the sheet edge verso.
Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
Category
1940s Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
The Mulgrave Suite
By William Tillyer
Located in London, GB
William Tillyer
The Mulgrave Suite
2023
Etching, aquatint and embossing with hand colouring in watercolour on paper, Edition of 35, Set of 7
Image size: 40 x 40 cms (15 3/4 x 15 3/4...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching, Aquatint
UNTITLED
By April Gornik
Located in Portland, ME
Gornik, April. UNTITLED. Aquatint, 1994. Edition of 75, from the
Portfolio "Six Couples - Twelve Prints" published by Parasol Press,
Portland, Oregon, 1996. Numbered 27/75, and sign...
Category
1990s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
American Cathedral (The Woolworth Building).
By John Taylor Arms
Located in Storrs, CT
American Cathedral (The Woolworth Building). 1921. Etching. Fletcher 107. 17 x 6 5/8 (sheet 21 1/2 x 9 1/8). Edition 75. Provenance: estate of David...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Les Arcades, Dieppe France (the arches along coastline of a town in Normandy)
By Stanley Anderson
Located in New Orleans, LA
The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
Scene in the Campagna
By Sir Frank Short
Located in Storrs, CT
Scene in the Campagna, also known as Woman at a Tank and Hindu Ablutions. (after the drawing by J.M.W. Turner, R.A., 1775-1851.) 1886. Hardie 4.ii. Mezzotint. 8 1/2 x 11 3/8 (sheet 1...
Category
1880s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
Laburnums and Battersea.
By Theodore Casimir Roussel
Located in Storrs, CT
Laburnums and Battersea. 1889-90. Etching and drypoint. Hausberg 34.iii/v. 13 1/2 x 8 5/8 (image and sheet). Only one other known impression in this state (total of about 62 known im...
Category
19th Century Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
PONTE DEL TRINITE, FLORENCE
By Ernest David Roth
Located in Portland, ME
Roth, Ernest (American, 1879-1964). PONTE DEL TRINITE, FLORENCE. Etching, 1908. Signed and dated in pencil, and inscribed by Roth with tthe title and date, and numbered "26", at the ...
Category
Early 1900s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Distant Salute (Venice)
By James McBey
Located in Storrs, CT
1925. Etching. Hardie/Carter 250. 7 x 15 (sheet 11 3/8 x 18 1/8). Edition 80, #28. Signed and numbered in ink. A fine impression with plate tone, printed on antique cream-colored wo...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Place Le Soir (The Square at Evening)
By Pierre Bonnard
Located in Fairlawn, OH
Place Le Soir (The Square at Evening)
Color lithograph on wove paper, 1899
Unsigned (as issued)
From: Quelques aspects de la vie de Paris (Some Aspects of Parisian Life), 1899, Plate...
Category
1890s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Plum Bob #2 (a multi color lithograph showing brass plum bob and night sky)
By David Morrison
Located in New Orleans, LA
A dramatic gold - colored plumb bob, hanging against a backdrop of geometric drawings, is contrasted with the stars of the night sky. In the Greek Empire...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Cottage and Harvesters
By Sir Frank Short
Located in Storrs, CT
Cottage and Harvesters (after a watercolor by Peter De Wint, 1784-1849). 1907. Mezzotint. Hardie 88. 6 5/8 x 10 11/16 (sheet 14 x 19 1/4). Edition 100. Housed in a 16 x 20 mat. A ver...
Category
Early 1900s Romantic Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
Knaresborough
By Sir Frank Short
Located in Storrs, CT
Knaresborough (after a watercolor by Peter De Wint, 1784-1849). c. 1904. Mezzotint. Hardie catalog 80 state ii. 7 7/16 x 11 3/8 (sheet 13 3/8 x 18). A very rich impression, printed o...
Category
Early 1900s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
Characters from the Sketchbooks (from September Storm plus Self Portrait)
By Jackson Lee Nesbitt
Located in New Orleans, LA
This is a page from the artist's sketchbooks. Six pencil drawings show figures that might have been in preparation for future lithographs, Certainly the woman with the umbrella could have been an early iteration for September Storm. There is also a self portrait of Nesbitt. Clearly the works are authentic if unsigned. Provenance: from the Nesbitt studio.
From workers wrestling with heavy machinery to a lone horseman traveling down a rut-filled country road; from the animated crowd at a livestock auction to the dignified worshippers at a serene Sunday service; Jackson Lee Nesbitt chose to represent the essence of humanity and the nobility of ordinary folk striving to get along as best they can. He studied with Thomas Hart Benton and John Demartelly...
Category
Late 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Graphite
Contre Sens (against the Grain)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created this mezzotint which translates to the phase "against sense". This impression is #7 of 20
Shades of blacks and grays on a fallen branch create a pleasing p...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
A Gable in the Grande Rue, Lisieux
By John Taylor Arms
Located in New Orleans, LA
This image is the 3rd etching created by Arms. It was printed byGrederick Reynolds in an edition of 116. Referenced as Fletcher #3 the image is the second in his Gable series. Lis...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
