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Ifpda International Fine Print Dealers Association Landscape Prints

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Chemin De Fer Rhetique
By Emile Cardinaux
Located in New York, NY
Chemin De Fer Rhetique, Grisons, Suisse. Chateau De Tarasp. 1913. Color lithograph Cardinaux created an extensive work of different media, he illu...
Category

1910s Art Deco Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

'Chicago Harbor' — Urban Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Chicago Harbor', etching, edition 100, c. 1927. Signed and numbered '87/100' in pencil. Annotated '580 Chicago Harbor', in another hand, in the bottom left margin. A f...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Vachère au Bord de l'Eau
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...
Category

1890s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

Magic (these two figures seated on a beach beneath an active sky evoke emotion)
By Anne Dykmans
Located in New Orleans, LA
An older couple sits on a beach facing the sea as a shooting object streaks through the sky. There is a feeling of connection and contentment conveyed through the imagery. Does the...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

The Great Landscapes III
By Anthonie Waterloo
Located in Chicago, IL
3rd State Watermark: Gekrontes Wappen. Similar to: Paschal Lamb on Shield, Ash & Fletcher no 29 B’a, dating this sheet to about 1651.
Category

Mid-17th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Chute I (the fall of ethereal creatures wandering in a hellish landscape)
By Maurice Pasternak
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...
Category

Early 2000s Surrealist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Broad Street (Wall Street)
By Bror Julius Olsson Nordfeldt
Located in Myrtle Beach, SC
B.J.O. Nordfeldt, 'Broad Street (Wall Street)', etching, edition not stated, c. 1915. Signed in pencil. A superb impression, with rich burr, selectively wiped plate tone, and inky plate edges, on cream wove paper; the full sheet with margins (3/4 to 1 1/4 inches), in excellent condition. Printed by the artist. Matted to museum standards, unframed. Impressions of this work are in the permanent collections of the Fine Arts Museums of San Francisco, Princeton University, Smithsonian American Art Museum. A view looking down Broad Street past the New York Stock Exchange Building on the right with the columned Federal Hall...
Category

1910s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Standard Oil Building.
By Joseph Pennell
Located in Storrs, CT
Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat proof printed by the artist. $875. 26 Broadway" is the home of the Standard Oil...
Category

Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Night Scene
By Roy Lichtenstein
Located in London, GB
Etching, aquatint and engraving in colours, 1980, on mould-made Lana paper, signed and dated in pencil, numbered from edition of 32 (there were also 12 artist's proofs), published by Tyler Graphics, Ltd., New York,with their blindstamp, 53 x 54.1 cm. (20 x 21 1/4 in.) Catalogue Raisonne: Corlett 170; Tyler, 1987, cat no. 354:RL22 ‘Night Scene’ is one of six intaglio prints Roy Lichtenstein...
Category

1980s Abstract Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Engraving, Etching, Aquatint

TEN O'CLOCK in TAXCO - Large etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985) TEN O'CLOCK IN TAXCO 1946 Etching and aquatint on paper Edition: An artist proof (#2) apart from an edition of unknown size Signed and titled in pencil. Image: 17" x 13"; Sheet: 19.75" x 15.75”. One of a pair of large format Mexican etchings...
Category

1940s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

HORSE FRIGHTENED BY LIGHTNING - Proof imp - One of Sheet's Most Important Prints
By Millard Sheets
Located in Santa Monica, CA
MILLARD SHEETS (1987 – 1989) HORSE FRIGHTENED BY LIGHTNING, 1939 Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...
Category

1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

'Pulitzer Fountain, Evening" — 1940s American Modernism, New York City
By Ellison Hoover
Located in Myrtle Beach, SC
Ellison Hoover, 'Pulitzer Fountain, Evening', lithograph, circa 1940, edition c. 40. Signed in pencil. A fine, atmospheric impression, on cream wove paper; the full sheet with margins (1 1/2 to 4 5/16 inches), in excellent condition. Archivally matted to museum standards, unframed. Image size 12 1/2 x 9 5/8 inches (318 x 244 mm); sheet size 16 1/4 x 12 1/4 inches (413 x 311 mm). ABOUT THE SUBJECT The Pulitzer fountain was commissioned as a bequest by Joseph Pulitzer, newspaper publisher and founder of the Columbia School of Journalism. Designed by Austrian sculptor Karl Bitter...
Category

Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

New York (from Ports of America)
By Louis Orr
Located in Myrtle Beach, SC
Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press, 1928), etching, 1925, edition not stated. Signed and titled in pencil. Signed in the...
Category

1920s Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Lux Aeterna I (Eternal Light -The Requiem/ copters hover over fearful refugees)
By Ana Maria Pacheco
Located in New Orleans, LA
Ana Maria Pacheco portrays the fear and feelings of the displacement of refugees cowering beneath helicopters overhead. The title of the work refers ...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint

Slope w.five trees
By Robert Kipniss
Located in New York, NY
“Slope w/five trees” is a drypoint engraving created by Robert Kipniss in 2020. The paper size is 12.50 x 10.50 inches and the printed image size is 6.75 x ...
Category

21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Engraving, Drypoint

Fugue (Are these boats running away from the others)
By Anne Dykmans
Located in New Orleans, LA
In Anne Dykmans' "Fugue", sailing vessels race across the seas. This impression is #65 of 75 and is signed, titled and dated by the artist. Anne Dykmans (Belgian, b. 1952) Anne Dykma...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

AMERICAE - Sive Novi Orbis, Nova Descriptio
By Abraham Ortelius
Located in Santa Monica, CA
ABRAHAM ORTELIUS (1527 - 1598) AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO, 1587 (1603) (Van Den Broecke 11, Burden 64; Schwartz & Ehrenberg 69) Engraving. A very good, well printed...
Category

16th Century Old Masters Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Engraving

WESTERN GRANDEUR
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD LUKENS DOOLTTLE (1883 - 1974) WESTERN GRANDEUR c. 1945 Aquatint, signed titled and dedicated. Image 9 ¾ x 13 5/8 inches. Large full sheet with deckle edges 15 ½ x 19 inches...
Category

1940s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Aquatint

Veduta del Ponte e Castello Sant' Angelo
By Giovanni Battista Piranesi
Located in New York, NY
Castello Sant Angelo from "Vedute di Roma" by Giovanni Battista Piranesi. 2nd Roman state, 1754. Etching on laid paper with a watermark of a Fleur-de-Lys in a double circle with CB a...
Category

1750s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Laid Paper

'Navajo Trading Post' — Southwest Regionalism, American Indian
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Trading Post', lithograph, 1946, edition 30, Czestochowski 161. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 3 1/8 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 11/16 x 15 1/2 inches (297 x 395 mm); sheet size 16 5/16 x 191/8 inches (414 x 486 mm). ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

February -- Orchid. (Nigatsu - Ranjo no saku).
By Shiko Munakata
Located in Storrs, CT
February -- Orchid. (Nigatsu - Ranjo no saku). 1956. Woodcut with hand-applied color from the verso. Kodansha vol.9 No. 125. 17 x 13 (sheet 18 1/4 x 21 1/2). Series: Calender in the ...
Category

Mid-20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Watercolor, Woodcut

Carpe Diem I
By Mikio Watanabe
Located in New Orleans, LA
this impression is #46 from edition of 50 Mezzotint artist Mikio Watanabe was born in 1954 in Japan and currently lives in France. He is most known for his elegant, evocative black ...
Category

Early 2000s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Carpe Diem I
Carpe Diem I
$146 Sale Price
41% Off
MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU?
By Georges Rouault
Located in Santa Monica, CA
GEORGES ROUAULT (1871-1958) MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU? 1927 ( Chapon/Rouault 97; Wofsy 151) Miserere XLIV Aquatint, 1927, on laid Arches. watermark...
Category

1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Aquatint

A Gale at Port Errol
By James McBey
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...
Category

1930s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

Doorway of the Doges, Venice
By Donald Shaw MacLaughlan
Located in New York, NY
Donald Shaw MacLaughlin (1876-1938), Doorway of the Doges, Venice, etching with plate tone, 1909, signed bottom right [also signed and dated in the plate]. Reference: Marie Bruette 1...
Category

Early 1900s Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

CANAL BRIDGE AMSTERDAM
By John Marin
Located in Santa Monica, CA
JOHN MARIN (1872 -1953) CANAL BRIDGE AMSTERDAM, 1906 (Zigrosser 13 i/ii) Etching, drypoint and plate tone. A PROOF IMPRESSION of the 1st state, Annotated...
Category

Early 1900s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

New Year's Eve
By Alex Katz
Located in New York, NY
Catalogue raisonné 00594 edition 16/43 Published by Simmelink-Sukimoto Editions Although best known for his portraits, Katz has depicted landscapes both inside the studio and out o...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Aquatint

'Spirit of Buffalo' — Urban Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Spirit of Buffalo', etching, edition not stated, c. 1927. Signed in pencil. Annotated 'Spirit of Buffalo 522', in another hand, in the bottom right margin. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 7/8 x 11 7/8 inches; sheet size 12 1/4 x 15 7/8 inches. ABOUT THE ARTIST Etcher, painter, and architect, Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

'Bridges of Florence' — Firenze Impressionism
Located in Myrtle Beach, SC
Alonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...
Category

1920s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

BOULANGERIE COSTESEQUE
By André Smith
Located in Portland, ME
Smith, Jules Andre (American, 1880-1959). BOULANGERIE COSTESEQUE. Etching, not dated, but circa 1920. Signed, lower right in pencil. Printed on cream-colored wove paper. 7 x 10 7/8 i...
Category

Early 20th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Waiting For My Train(track crossings that create Chicago EL / Merchandise Mart)
By Martin Levine
Located in New Orleans, LA
Waiting for my Train is #55 from edition of 100. "Waiting for my train" is the stop right before the tracks cross, and create Chicago's famous "Loop", on the above ground EL. The M...
Category

1980s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching, Aquatint

Group of Carnations from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...
Category

1810s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Paper

The Birth of Christ - With the Praying Shepherds
Located in Chicago, IL
A fine impression. With the address of P. Giffart. Mauperche produced over fifty engravings.
Category

17th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Landscape with Marching Soldiers
By Jan van Huchtenburg
Located in Chicago, IL
Etching from the Six Landscapes
Category

18th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

A Gable in the Grande Rue, Lisieux
By John Taylor Arms
Located in New Orleans, LA
This image is the 3rd etching created by Arms. It was printed byGrederick Reynolds in an edition of 116. Referenced as Fletcher #3 the image is the second in his Gable series. Lis...
Category

1910s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

View of Venice II - Bacino
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled "View of Venice II – Bacino" in 1968. It is signed, titled, dated, and inscribed “13/18” in pencil. The paper size is 24 x 36 inch...
Category

1960s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

London Bridge.
By William Lionel Wyllie
Located in Storrs, CT
London Bridge, London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 9 7/8 x 17 1/4). Mat line; otherwise fine condition. A rich impression with dryp...
Category

1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

Swing (The swing of the bat from #27 a right handed hitter. Play Baseball!
By Art Werger
Located in New Orleans, LA
Play Ball! No. 27 unleashes a mighty swing at the ball. Both umpire and catcher are in their huddled crouch. "Swing" is an exclusive publication of Stone and Press Gallery by Art We...
Category

Late 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

THE BURRO STATION - Large Etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985) THE BURRO STATION, 1946, Etching and drypoint on paper, Signed and titled in pencil from an edition of unknown size. Plate: 17" x 13": Sheet: 20.75" x 15.75". One of a pair of large format Mexican etchings...
Category

1940s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

'Black Hawk Country' — Early 20th-Century American Impressionism
Located in Myrtle Beach, SC
Ralph M. Pearson, 'Black Hawk Country', etching, second state, edition not stated, 1912. Signed, and titled in pencil. Inscribed 'Rock River Series Second...
Category

1910s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

LEIF ERICSSON DAY
By Charles Frederick William Mielatz
Located in Portland, ME
Mielatz, Charles. BATTERY PARK. Etching, 1889. Edition size not known. Signed and dated in the plate. 7 X 9 7/8 inches. In excellent condition. Mielatz, taught etching at the Nati...
Category

1890s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Les Arcades, Dieppe France (the arches along coastline of a town in Normandy)
By Stanley Anderson
Located in New Orleans, LA
The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

Attraction 5 (Six men gaze rightward. 1 points upwards in landscape in turmoil)
By Maurice Pasternak
Located in New Orleans, LA
Maurice Pasternak created "Attraction 5", a mezzotint in an edition of 80 that depicts 6 men clearly attracted to something that appears outside the plane of the image. The men seem...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Reflection
By Ivan Valtchev
Located in New Orleans, LA
"Reflection" is an etching created in an edition of 50. This is impression #15. Ivan Valtchev, who was born in Germany, an internationally acclaimed scu...
Category

1990s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Reflection
Reflection
$112 Sale Price
25% Off
The Master Smith
By James Abbott McNeill Whistler
Located in Storrs, CT

The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.

Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.

Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...

Category

Late 19th Century Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

'Navajo Medicine Ceremony of the Night Chant' — Southwest Regionalism
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'The Three Gods of Healing (Navajo Medicine Ceremony of the Night Chant)', lithograph, 1945, edition 30, Czestochowski 148. Signed and titled in pencil. Signed and dated in the stone, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (2 1/4 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Image size 12 1/4 x 15 13/16 inches (311 x 402 mm); sheet size 17 1/8 x 20 7/8 inches (435 x 530 mm). ABOUT THIS WORK The nine-night ceremony known as the Night Chant or Nightway is believed to date from around 1000 B.C.E. when it was first performed by the Indians who lived in Canyon de Chelly (now eastern Arizona). It is considered the most sacred of all Navajo ceremonies and one of the most difficult and demanding to learn, as it encompasses hundreds of songs, dozens of prayers, and several highly complex sand paintings. And yet the demand for Night Chants is so great that as many as fifty such ceremonies might be held during a single winter season, which lasts eighteen to twenty weeks. The Night Chant is designed both to cure people who are ill and to restore the order and balance of human and non-human relationships within the Navajo universe. Led by a trained medicine man who has served a long apprenticeship and learned the intricate and detailed practices that are essential to the chant, the ceremony itself is capable of scaring off sickness and ugliness through techniques that shock or arouse. Once the disorder has been removed, order and balance are restored through song, prayer, sand painting, and other aspects of the ceremony. The medicine men who supervise the Night Chant ensure that everything—each dot and line in every sand painting, each verse in every song, each feather on each mask is arranged precisely, or it will not bring about the desired result. There are probably as many active Night Chant medicine men today as at any time in Navajo history due to the general increase in the Navajo population, the popularity of the ceremony, and the central role it plays in Navajo life and health. ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Spectre (an otherworldly landscape with trees and mountains under a dappled sky)
By Nicola Lopez
Located in New Orleans, LA
Lopez created her haunting landscape in an edition of 95 at Tamarind Institute. It is a four color-lithograph on white Revere silk paper. Collaborating Printer: Valpuri Remling. "O...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

The Lonely Tower
By Percival Gaskell
Located in New Orleans, LA
This is a fine aquatint etching by British artist Percival Gaskell. The title is: The Lonely Tower, Roman Campagna, it was created and printed in 1924 in an edition of 150. The ima...
Category

1930s English School Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Aquatint

Figures in a Landscape
By Gabriel Perelle
Located in Chicago, IL
A very fine impression
Category

17th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

THE BIG HORSE CHESTNUT TREE
By Childe Hassam
Located in Portland, ME
Hassam, Childe. THE BIG HORSE CHESTNUT TREE, EASTHAMPTON. C/C 304. Etching, 1922. Signed with the cypher and inscribed "imp." in pencil, and signed, date...
Category

1920s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Huge - CASTLE ROCK WYOMING (Jackson Hole),
By Werner Drewes
Located in Santa Monica, CA
WERNER DREWES (1899 - 1985) CASTLE ROCK WYOMING (Jackson Hole), (Rose RIII 194) Color woodcut Total edition XXX, Signed, annotated AP and dated '58 in...
Category

1950s Abstract Expressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

BLACK WEATHER
By Stow Wengenroth
Located in Portland, ME
Wengenroth, Stow. BLACK WEATHER. Stucky 25. Lithograph, 1932. Edition of 25. Signed in pencil, lower right. 6 1/2 x 14 inches (image), 11 1/2 x 16 inches...
Category

1930s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

'Downtown, New York' — 1920s Modernism
By John Taylor Arms
Located in Myrtle Beach, SC
John Taylor Arms, 'Downtown, New York', etching with aquatint, 1921, edition 75, Fletcher 108. Signed, dated, and numbered 14/75 in pencil. A superb, finely nuanced impression, in d...
Category

Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Tranquil Harbor (Gloucester, Massachusetts) — 1950s Cape Ann Regionalism
By Lawrence Wilbur
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'Tranquil Harbor' (Gloucester, Massachusetts), wood engraving, edition 55, 1958. Signed in pencil, and signe...
Category

1950s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

The Great Landscapes VI (2nd State)
By Anthonie Waterloo
Located in Chicago, IL
Watermark: Wappen von Amsterdam mit Nebenmarke
Category

17th Century Old Masters Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Trent et Un
By Anne Dykmans
Located in New Orleans, LA
A miniature image in an edition of 30 features two beach huts and magical flying fish going by. The image is surreal and serene both at the same time, A lot of quiet emotion is comm...
Category

1990s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Trent et Un
Trent et Un
$131 Sale Price
25% Off
Lumbermen.
By Edmund Blampied
Located in Storrs, CT
Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...
Category

1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

Lumbermen.
Lumbermen.
$500 Sale Price
33% Off
SUNSET IN IRELAND (undescribed state?)
By Sir Francis Seymour Haden, R.A.
Located in Santa Monica, CA
SIR FRANCIS SEYMOUR HADEN (British 1818 -1910) SUNSET IN IRELAND 1863 (Schneiderman 47 - Appears to be an undescribed state between XI and XII) Etching and drypoint, signed in penci...
Category

1860s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint

September 13, 1918. St. Mihiel [The Great Black Cloud].
By Kerr Eby
Located in Storrs, CT
September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...
Category

Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mixed Media, Etching, Aquatint

Prehistoric Sighting Pacific Ocean (Goblin Sharks?)
Located in New Orleans, LA
This is a single color lithograph created by Matthew Roath as part of Tamarind Institute PTP. The Collaborating printer isAndreea Cristina Mateescu....
Category

21st Century and Contemporary American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

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