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Ifpda International Fine Print Dealers Association Landscape Prints

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Lindsey Row, Chelsea
By James Abbott McNeill Whistler
Located in Storrs, CT
Lindsey Row, Chelsea. 1888. Lithograph. Way 20; Levy 33; Tedeschi, Stratis and Spink 23. 5 x 8. Edition of 56 posthumous impressions printed by Goulding, in addition to the 14 lifet...
Category

Late 19th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Times Square I (the neon signs in Manhattan's Times Square)
By Art Werger
Located in New Orleans, LA
Times Square I is a montage of large neon signs that dominate Manhattan's Times Square. This impression is pencil signed, titled and dated and is #40 ...
Category

Early 2000s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

View of Venice I - San Giorgio
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...
Category

1960s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

Bad Gastein Church, Austria
By Luigi Kasimir
Located in Fairlawn, OH
Bad Gastein Church, Austria Soft ground etching & aquatint, c. 1930 Signed in pencil by the artist (see photo) Image: 18 1/2 x 13 3/4" Condition: Very good...
Category

1930s Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

TEN O'CLOCK in TAXCO - Large etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985) TEN O'CLOCK IN TAXCO 1946 Etching and aquatint on paper Edition: An artist proof (#2) apart from an edition of unknown size Signed and titled in pencil. Image: 17" x 13"; Sheet: 19.75" x 15.75”. One of a pair of large format Mexican etchings...
Category

1940s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

L’Angelus (The Bell Tower)
By Félix Hilaire Buhot
Located in Fairlawn, OH
L’Angelus (The Bell Tower) etching & drypoint, c. 1876 Signed in the plate with the artist's initials (see photo) Condition: Excellent Image/Plate size: 5 7/8 x 4 1/4 inches Sheet s...
Category

1870s French School Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Holiday Pine Cones
By Frederick Mershimer
Located in New Orleans, LA
This Holiday wreath adorns the door of a Brooklyn Mansion Frederick Mershimer (American, b. 1958) Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...
Category

1990s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Lido (Venice)
By Otto Henry Bacher
Located in Fairlawn, OH
Lido (Venice) Etching on chine collee, 1880 Part of the artist's "Venice Set" Signed upper right in plate :Otto H Bacher" (see photo) Signed with the estate stamp, Lugt 2002 recto lower right beneath image. (see photo) Created October 20, 1880 Reference: Andrew Venice No. 29 Provenance: Estate of the Artist Otto H. Bacher (1856-1909) Otto Henry Bacher was born in Cleveland, Ohio, to a family of German descent. He first studied art at the age of sixteen with local genre trompe l'oeil still-life artist, DeScott Evans. Although he studied with Evans for less than one year, Bacher's early work, comprised mainly of still lifes, betrays Evans's influence. After a short period in Philadelphia, where he studied at the Pennsylvania Academy of the Fine Arts, Bacher returned to Cleveland and met Willis Seaver Adams, an artist from Springfield, Massachusetts, who had just recently arrived upon the Cleveland art scene. Soon the two artists were rooming together. Adams was instrumental in the founding of the Cleveland Art Club, as well as the establishment of the Cleveland Academy of the Fine Arts, to the board of which Adams had Bacher appointed. Also during this time, Bacher began to learn the process of etching from local etcher and landscape painter Sion Longley Wenban. In 1878, Bacher and Adams left for Europe. After stopping briefly in Scotland, Bacher went on to Munich, where he enrolled at the Royal Academy. He quickly tired of the rigors of the academy, and soon he was studying with Cincinnati artist Frank Duveneck, the prime American exponent of the Munich School. In 1879, Bacher made a trip to Florence with Duveneck as one of the celebrated "Duveneck Boys." Early the following year, the group proceeded to Venice, where Bacher and several other artists established studios in the Casa Jankovitz. By this time an avid printmaker, Bacher had his etching press sent from Muni ch, and it was in his Venice studio that he taught Duveneck the rudiments of etching. Soon Bacher, Duveneck, and other members of the Duveneck circle were experimenting in printmaking. Among the group's contributions were some of the first American examples of monotypes, which they called "Bachertypes" because they were printed using Bacher's press. It was also in Venice that Bacher met the venerable American expatriate artist, James McNeill Whistler. On learning of Bacher's press and his collection of etchings by Rembrandt, Whistler made himself a regular visitor to Bacher's studio, and he eventually took his own room in the Casa Jankovitz. Bacher spent much of the rest of 1880 with Whistler, the two artists sharing etching techniques. From Whistler, Bacher learned tone and line graduation; from Bacher, Whistler learned his etching techniques, including better ways of using the acid bath which produced less tedious and more efficient work. Bacher visited Whistler occasionally in the years that followed, and in 1908 he published With Whistler in Venice, his famous recollections of his time with the great artist. Bacher spent the next two years traveling extensively throughout Italy, with Venice as the center of his operations, and he produced a number of important etchings of Italian subjects. Bacher sent several of these works to America in 1881 to be included in the Society of American artists exhibition that year, and had a similar group of works shown at the Royal Society of Painter-Etchers' first exhibition at the Hanover Gallery in London. Following the exhibition, Bacher, along with several other of the American contributors, was elected a Fellow of the Society. Bacher collected twelve of his etchings of Venetian subjects and sold them in bound volumes through his New York dealer, Frederick Keppel. Bacher returned to Cleveland in January 1883 as a fully cosmopolitan artist. He set up a lavish studio furnished with exotic items and objets-d'art he had collected on his travels, and began to hold art classes as a means to supplement his income. He soon joined with Joseph De Camp in forming a summer sketch class in Richfield, Ohio. Bacher and De Camp also planned the Cleveland Room for a major loan exhibition in Detroit that year. During this period, Bacher increasingly painted in oil, and he began to produce sun-dappled canvases in an impressionistic mode. Unable to sell any paintings from this early period, however, Bacher left Cleveland for Paris in 1885, where he planned to undertake further studies. Stopping first in London to visit Whistler, Bacher stayed only briefly in Paris before heading to Venice, where he spent the remainder of the year. In January 1886, Bacher returned to Paris and enrolled at the Académie Julian, and also entered the atelier of Emile-Auguste Carolus-Duran. The life of the student seems never to have suited Bacher, as he stayed in Paris only through June, before departing again for Venice. For the next six months he, Robert Blum, and Charles Ulrich...
Category

1880s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Distant Salute (Venice)
By James McBey
Located in Storrs, CT
1925. Etching. Hardie/Carter 250. 7 x 15 (sheet 11 3/8 x 18 1/8). Edition 80, #28. Signed and numbered in ink. A fine impression with plate tone, printed on antique cream-colored wo...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

George's Dock, LIverpool.
By Sir Frank Short
Located in Storrs, CT
1890. Etching. Hardie 245. 5 7/8 x 7 3/4 (sheet 8 1/4 x 10 1/8). Two hinge stains in the top sheet edges; otherwise excellent condition. A rich impression with plate tone, printed on cream wove paper with full margins. Signed in pencil. Housed in a 16 x 20-inch archival mat. -------------------------------------------------------------------------------------- George's Dock was located on the River Mersey, England, within the Port of Liverpool. It was connected to Canning Dock to the south and George's Basin to the north. The dock, which opened in 1771, was designed and built by Henry Berry and expanded by John Foster, Sr. In 1899 the dock and the adjoining George's Basin were filled in to create what is now the Pier Head...
Category

19th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Merry Beaglers: Hunting Lithograph
Located in New York, NY
Color printed aquatint engraving with additional contemporary hand-colored details. Engraved by John Harris after the painting by Harry Hall. London, 1897. ...
Category

1890s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Paper

'Cerro Paine Grande, Chile' — from the series 'Axis Mundi', Contemporary
Located in Myrtle Beach, SC
Beth Ganz, 'Cerro Paine Grande, Chilean Patagonia', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Cerro Paine Grande is the highest summit of the Cordillera Paine Mountain Range located within Chile's Torres del Paine National Park, one of the most breathtaking national parks in the world and a UNESCO Biosphere Reserve since 1978. The Torres del Paine or Towers of Paine are three massive granite pillars...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching, Photogravure

New Hop Poles
By Stanley Roy Badmin
Located in Storrs, CT
1930. Etching. Beetles 17. 6 x 5 1/4 (sheet 11 1/2 x 9). Edition 30, #29, published by the Twenty-One Gallery. Exhibited at the Royal Society of Painter-Etchers and Engravers, 1932(...
Category

1930s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Rio Osmarin (boats on the canal Rio de S. Provolo o de l'Osmarin, Venice)
By Judith Rothchild
Located in New Orleans, LA
Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
Category

21st Century and Contemporary American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Landscape with a Maiden and her Dog
By Adriaen van der Cabel
Located in Chicago, IL
A very fine impression
Category

Mid-17th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Water lLily
By Henrietta Shore
Located in Santa Monica, CA
HENRIETTA SHORE (1880 -1963) WATER LILY c. 1928 Lithograph, signed and titled in pencil and with the pencil cypher of printer Lynton Kistler (K). Image 7 x 6 1/8, full margins, shee...
Category

1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Limoges (French Church Series #32)
By John Taylor Arms
Located in Myrtle Beach, SC
John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final) state impressions, Fletcher 244. Signed, dated, and annotated 'Ed 100 III' in pencil. A superb, finely detailed impression, in warm black ink, on antique, pale gray laid paper, with full margins (1 1/16 to 1 1/2 inches); adhesive stains in the bottom left and right sheet corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. A view of Limoges, France and the Saint-Martial Bridge from the far side of the Vienne river. According to Fletcher, author of the catalogue raisonné on the artist's graphic work, this etching is among the artist’s preferred plates. Published references: "An Appreciation to John Taylor Arms 1887-1953", in PRINT, Vol. VIII #5 P. viii, Feb.-March 1954. Impressions of this print are in the permanent collections of the Davis Museum at Wellesley College, National Gallery of Art, Saint John’s University, Smithsonian Institution, and Wake Forest University. ABOUT THE ARTIST “John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York. In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category

1930s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Icelandic Landscape (The sun creates dramatic cloud pattern over a glacial lake)
By Udo Claassen
Located in New Orleans, LA
German artist Udo Claassen created a dramatic landscape of this Icelandic scene in 1985 in an edition of 40. The New Orleans Museum of Art has an impression of this image in its per...
Category

Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

'Bridges of Florence' — Firenze Impressionism
Located in Myrtle Beach, SC
Alonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...
Category

1920s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

The Old Tower as a Lighthouse
By Jan Van de Velde
Located in Chicago, IL
a very fine impression
Category

17th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Pylon (Brooklyn Bridge from Manhattan side of East River near South St. Seaport)
By Frederick Mershimer
Located in New Orleans, LA
A "Pylon" of the Brooklyn Bridge with the Manhattan Bridge and Williamsburg Bridge visible in the background is captured in this powerful image by Frederick Mershimer. It is #77 in t...
Category

Early 2000s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

The Passing Gondola
By James McBey
Located in Storrs, CT
The Passing Gondola. c. 1926. Etching. Edition 80, #18. Hardie/Carter 230. 8 1/2 x 10 1/2 (sheet 11 1/4 x 13). Illustrated: Fine Prints of the Year, 1927. Printed on antique wove pap...
Category

1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching, Drypoint

The Passing Gondola
The Passing Gondola
$2,000 Sale Price
20% Off
The Whale's Back [Connecticut]
By Kerr Eby
Located in Storrs, CT
The Whales Back. 1925. Etching. Giardina catalog 95 stateiii. Image: 6 1/2 x 12 (sheet 10 x 16). Trial proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. The scene is probably Westport or Cos Cob, Connecticut. The scene is probably Westport or Cos Cob, Connecticut. Kerr Eby...
Category

Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Twixt Dawn and Day
By Sir Frank Short
Located in Storrs, CT
Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Aquatint

New York Skyline, Sketch
By John Taylor Arms
Located in Myrtle Beach, SC
A fine impression, on cream wove paper, with full margins (5/8 to 1 3/8 inches), in excellent condition. Edition 20. Signed and dated in pencil. Annotated 'Bolton Brown...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Little Hall's Island.
By Kerr Eby
Located in Storrs, CT
Little Hall's Island. 1940. Etching and sandpaper ground. Giardina 199. 10 x 15. Edition 100. Little Hall's Island is located off the coast of Friendship. Maine. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. Housed in a 16 x 20-inch archival mat. Eby was an Associate of the National Academy NA (1930); National Academy of Design (1934); Society of American Etchers; Chicago Society of Etchers; Philadelphia Society of Etchers; National Institute of Arts and Letters. Kerr...
Category

Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Westminster Palace
By Félix Hilaire Buhot
Located in Fairlawn, OH
Westminster Palace Etching, Drypoint, Aquatint, roulette and salt ground lift 1884 Depicts the Houses of Parliament, Big Ben Clock and Tower and the...
Category

1880s French School Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Misty Morning.
By Edmund Blampied
Located in Storrs, CT
Misty Morning. 1928-29. Drypoint. Appleby 137. 8 5/8 x 12 (sheet 11 5/8 x 18 1/16). Edition 100, #86. A rich impression with drypoint burr. Printed with ...
Category

1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

The Great Landscapes II, (4th State)
By Anthonie Waterloo
Located in Chicago, IL
Watermark: Schellenkappe (Foolscap) Similar to Churchill no. 340
Category

17th Century Old Masters Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Private Property (Jamaica Bay in Queens NY - now a runaway of JFK airport)
By Martin Levine
Located in New Orleans, LA
Private Property was created in 1982 and is #25 from an edition of 40. Martin Levine (born 14 May 1945 in New York City) is an American artist. Levine...
Category

1980s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Veduta del Ponte e Castello Sant' Angelo
By Giovanni Battista Piranesi
Located in New York, NY
Castello Sant Angelo from "Vedute di Roma" by Giovanni Battista Piranesi. 2nd Roman state, 1754. Etching on laid paper with a watermark of a Fleur-de-Lys in a double circle with CB a...
Category

1750s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Laid Paper

The Workshop (Stirling)
By Sir David Young Cameron, R.A.
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching, Drypoint

A CLEAN SHOT
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 – 1968) A CLEAN SHOT 1930 Etching and drypoint. Signed and numbered 26 in pencil.Signed and dated in the plate 1930. Image 10 5/8 x 13 ½ inches, sheet 12 x 18 inc...
Category

1930s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

A CLEAN SHOT
$380 Sale Price
20% Off
Kermess
By Hans Bol
Located in Chicago, IL
2nd State Watermark: Hand with Cuff and Flower (close to Briquet 11467)
Category

16th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Bout a Bout (Translation: From End to End) - In Celebration of Pride Month
By Christine Ravaux
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Christine Ravaux created Bout a Bout which is signed by pencil. This impression is...
Category

Early 2000s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Loco-Erie Watering
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Loco-Erie Watering, 1929, etching, signed in pencil lower right, and numbered (16) lower left. Reference: Sasowsky 85, fourth state (of 4). On Whatman pap...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

The Vraic Season (No 1).
By Edmund Blampied
Located in Storrs, CT
The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...
Category

1930s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

Waiting For My Train(track crossings that create Chicago EL / Merchandise Mart)
By Martin Levine
Located in New Orleans, LA
Waiting for my Train is #55 from edition of 100. "Waiting for my train" is the stop right before the tracks cross, and create Chicago's famous "Loop", on the above ground EL. The M...
Category

1980s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching, Aquatint

Magic (these two figures seated on a beach beneath an active sky evoke emotion)
By Anne Dykmans
Located in New Orleans, LA
An older couple sits on a beach facing the sea as a shooting object streaks through the sky. There is a feeling of connection and contentment conveyed through the imagery. Does the...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Prehistoric Sighting Pacific Ocean (Goblin Sharks?)
Located in New Orleans, LA
This is a single color lithograph created by Matthew Roath as part of Tamarind Institute PTP. The Collaborating printer isAndreea Cristina Mateescu....
Category

21st Century and Contemporary American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

The Dance of Death. 1914-1918
By Percy John Delf Smith, R.D.I.
Located in Storrs, CT
The Dance of Death. 1914-1918. 1921. Portfolio of 7 etchings with drypoint. Sheet: 18 1/2 x 15 1/2. Edition 100. Title page annotated in ink by the arti...
Category

1910s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint

Central Park Night
By Adolf Dehn
Located in Fairlawn, OH
Central Park Night Lithograph, 1946 Signed and dated lower right (see photo) Titled, lower center Number lower left (see photo) Edition: 40, plus trial proofs (23/40) This image depi...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Crossings
By Frederick Mershimer
Located in New York, NY
CROSSINGS Contemporary artist Frederick Mershimer created the mezzotint engraving entitled "Crossings" in 1998. This impression is signed, titled, and dated in pencil. The printed ...
Category

Late 20th Century American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

The Doorway.
By James McBey
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

Flowering Tree -- Moonlight
By Karl Schrag
Located in Fairlawn, OH
Signed, titled, and dated in pencil by the artist; The Print Club of Cleveland stamp lower left Edition: 260 The Print Club of Cleveland Publication No. 69, 1991 Printer: Am...
Category

1990s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

THE SUNFLOWER
Located in Santa Monica, CA
ANDERS ALDRIN (Swedish /American 1889 – 1970) THE SUNFLOWER ca. 1935 (Newark Museum 9) Color woodcut, edition c. 150. Signed, unnumbered, but dedicat...
Category

1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

Rooftops (the harbor and skyline of NYC from Brooklyn rooftop)
By Frederick Mershimer
Located in New Orleans, LA
Moody, mysterious, majestic – these are some of the ways to describe the mezzotints of Frederick Mershimer. His images travel through the serenity of a Brooklyn neighborhood on a sti...
Category

Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint, Aquatint

From the Ponte Vecchio
By John Taylor Arms
Located in Storrs, CT
From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...
Category

1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching, Aquatint

Landscape
By Albert Meyeringh
Located in Chicago, IL
signed in plate
Category

18th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Figures in a Landscape
By Gabriel Perelle
Located in Chicago, IL
A very fine impression
Category

17th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

The Loop VI (the artist's memories of days at Chicago's Art Institute)
By Richard Gilbert
Located in New Orleans, LA
The Loop VI was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...
Category

1990s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Reflection
By Ivan Valtchev
Located in New Orleans, LA
"Reflection" is an etching created in an edition of 50. This is impression #15. Ivan Valtchev, who was born in Germany, an internationally acclaimed scu...
Category

1990s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Reflection
Reflection
$113 Sale Price
24% Off
Open Action.
By Kerr Eby
Located in Storrs, CT
Published edition, not trial proof Open Action. 1926/1928. Etching. Giardina 124. 7 x 15 1/8 (sheet 12 3/4 x 15 1/4). Trial proof, prior to the edition of 90. A rich, tonal impressi...
Category

1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Open Action.
Open Action.
$1,200 Sale Price
31% Off
PORT OF ST. TROPEZ
Located in Portland, ME
Platt, John Edgar (English, 1886-1967). PORT OF ST. TROPEZ. Woodcut in color, 1924. Edition of 100, signed and titled in pencil and numbered 43/100. 15 1/4 x 11 1/2 inches (sheet). P...
Category

1920s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

Scarborough
By Nelson Dawson
Located in New Orleans, LA
This impression is signed and annotated as etched and printed by the artist. It is numbered No. 56. Scarborough is a resort town on England’s North Sea coast. Its 2 bays with sandy...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Scarborough
Scarborough
$130 Sale Price
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Laburnums and Battersea.
By Theodore Casimir Roussel
Located in Storrs, CT
Laburnums and Battersea. 1889-90. Etching and drypoint. Hausberg 34.iii/v. 13 1/2 x 8 5/8 (image and sheet). Only one other known impression in this state (total of about 62 known im...
Category

19th Century Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

Out of My Window. (Vista; My Own; De Ma Fenêtre)
By John Taylor Arms
Located in Storrs, CT
Out of My Window. (Vista; My Own; De Ma Fenêtre). 1916. Etching. Fletcher 4, Library of Congress 254. 7 x 5 9/16 (sheet 9 3/8 x 9 1/2). Edition 75. Good condition apart from two re...
Category

20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Delta (River delta in front of mountains in volcanic landscape, Iceland)
By Udo Claassen
Located in New Orleans, LA
Delta was first brought to attention as one of the dramatic images illustrated in Carol Wax's book, The Mezzotint, History and Technique. It was also exhibited at the New Orleans Mu...
Category

Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Characters from the Sketchbooks (from September Storm plus Self Portrait)
By Jackson Lee Nesbitt
Located in New Orleans, LA
This is a page from the artist's sketchbooks. Six pencil drawings show figures that might have been in preparation for future lithographs, Certainly the woman with the umbrella could have been an early iteration for September Storm. There is also a self portrait of Nesbitt. Clearly the works are authentic if unsigned. Provenance: from the Nesbitt studio. From workers wrestling with heavy machinery to a lone horseman traveling down a rut-filled country road; from the animated crowd at a livestock auction to the dignified worshippers at a serene Sunday service; Jackson Lee Nesbitt chose to represent the essence of humanity and the nobility of ordinary folk striving to get along as best they can. He studied with Thomas Hart Benton and John Demartelly...
Category

Late 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Graphite

Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles).
By Mortimer Menpes
Located in Storrs, CT
Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles). Drypoint. Menpes 364. 7 1/8 x 9 1/8 (sheet 8 13/16 x 10 7/8). A very rich impression with drypoint burr and plate tone...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

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