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Ifpda International Fine Print Dealers Association Landscape Prints

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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AMERICAE - Sive Novi Orbis, Nova Descriptio
By Abraham Ortelius
Located in Santa Monica, CA
ABRAHAM ORTELIUS (1527 - 1598) AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO, 1587 (1603) (Van Den Broecke 11, Burden 64; Schwartz & Ehrenberg 69) Engraving. A very good, well printed...
Category

16th Century Old Masters Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Engraving

Gaillardias
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958) GAILLARDIAS c. 1928 Color block print. Edition unknown but small. 7 ¼” x 5 ¾”. Gearhart did very few pure flower pr...
Category

1920s Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

Group of Carnations from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...
Category

1810s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Paper

Canoe
By Sally Gall
Located in New York, NY
Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Photogravure

Night Life at the Moulin Rouge
By Henry Somm
Located in Fairlawn, OH
Night Life at the Moulin Rouge Pen and ink drawing, c. 1890 Signed lower left (see photo) A scene of the night life near the Moulin Rouge, Paris. The Moulin Rouge is the famous cabaret located in the old wind mill building in the right distance of this image. It was the center of fin de siecle culture in Paris. Condition: Slight yellowing to the sheet from age. Sight size: 9 x 5 3/4 inches Frame size: 14-1/8 x 10-3/4 x 1/2" Provenance: Eric G. Carlson (1940-2016), art historian and noted art dealer François Clément Sommier, best known under the pseudonym “Henry Somm,” was born in Rouen in 1844. He attended the local École municipale des beaux-arts and went on in 1867 to Paris, where he studied under Isidore Pils (1813-1875). “Somm is above all a painter and his watercolors are much sought after; he has the painter’s eye to the highest degree imaginable.” Louis Morin, Somm’s fellow artist revealed in 1893 that while his training as an academic painter forged his draughsmanship and an acute eye for colors, Somm preferred and excelled in the graphic realm. Particularly prolific, he produced a very extensive corpus of 7,500 drawings and prints, many of which were widely reproduced in journals and magazines. In 1867, Somm’s career reached a turning point with the discovery of Japanese culture through his friendship with French collector and critic Philippe Burty and a visit to the Paris International Exhibition. More generally, Japanese art and especially Japanese woodblock prints exerted a heavy influence on French artists at the time, and especially on the Impressionists, who were particularly inspired by the subject matter, as well as the innovative use of perspective, composition and color. Although technically not an Impressionist by pure definition, Somm’s interest in the effect of atmospheric light on shadow and color prompted Edgar Degas to invite him to participate in their 4th exhibition in 1879. However, Somm did not exhibit again with the Impressionists, and was never considered a member of the group. Rather, his work intersects between Impressionism, Symbolism and Japonism. In fact, while his drypoints and etchings reflect a more literal borrowing of Japanese elements than the work of Whistler or Monet, they also clearly anticipate the future work of Henri de Toulouse-Lautrec. Although Somm was 20 years older than Toulouse-Lautrec, both artists developed a friendship, as habitués of the Chat noir, a cabaret founded by Rodolphe Salis and located 84 boulevard de Rochechouart in Montmartre. More than a cabaret, the Chat noir also became an important gathering place for writers, poets, composers, musicians, and artists living in Montmartre. For Somm, a founding member of this artistic circle, it also served as a unique environment, where he could express his limitless imagination as active participant to the events – notably the literary soirées organized by the hydropathic group – and illustrator of the Chat noir journal. In 1886, Somm, in collaboration with Georges Auriol, initiated the Chat noir’s first puppet show, which subsequently evolved into shadow theater. Somm’s Japonism and sense of humor appealed to Toulouse-Lautrec, and this influence is echoed in Lautrec posters advertising two other Montmartre nightspots, namely Le Mirliton and Le Divan Japonais...
Category

Late 19th Century French School Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Ink

View of Piazzo San Marco in Venice
By Pierre Van der Aa
Located in New York, NY
Engraving of Veduta della Piazza di S. Marco, verso L'Horologio by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.
Category

1720s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Paper

La Casa Stregata (The Haunted House)
By Paolo Ciampini
Located in New Orleans, LA
This impression is signed and numbered #1 from an edition of 50 Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa...
Category

1990s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Ludgate Hill
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching, Aquatint

Wild Garden
By Robert Kushner
Located in Lyons, CO
Color lithograph/diptych, Edition 25. The artist describes this project: Two years ago, I had the very good fortune to be invited to paint in the South of France. My studio was an ...
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

WARM DAY
Located in Portland, ME
Nagai, Kiyoshi (Japanese, 1911-1984). WARM DAY. Color woodblock, 1971. Edition of 252. Signed, datted, and numbered 156 - 252, all in pencil. 15 1/2 x 11 1/2 inches, framed to 20 1/2...
Category

1970s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

'Laguna Cove' — 1930s American Modernism
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Laguna Cove', wood engraving, 1935; edition 60 (16 printed), 2nd edition 150 (6 printed), Woodcut Society 200, Wien 247. Signed and titled in pencil. A brilliant, black impression, on cream wove Japan, with full margins (3/4 to 1 3/4 inches), in excellent condition. Archivally matted to museum standards, unframed. This impression is from the edition published for the Twentieth Presentation Print of the Woodcut Society, 1941. Printed by Torch Press, Cedar Rapids. Literature: Reproduced in 'James Swann...
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1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

MANHATTAN
By Anton Schutz
Located in Santa Monica, CA
ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
Category

1940s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

From Knoedler's Window MCMXXXV
By John Taylor Arms
Located in Storrs, CT
From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...
Category

1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Aquatint, Etching

Barges, Dordrecht
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Barges, Dordrecht Etching, c. 1886 Signed in the plate with the butterfly Edition: One of 10 known impressions of this image. VERY RARE Provenance: Frederick Keppel & Co. with their ...
Category

19th Century Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Japanese Beauty Admiring Kirifuri Waterfall
By Yoshu Chikanobu
Located in Burbank, CA
A beauty turns to admire the Kirifuri Waterfall in Nikko Province. She holds the handle of an umbrella and wears fashionable clothing that is beautifully printed. This series pairs f...
Category

1890s Edo Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut, Handmade Paper, Mulberry Paper

'Black Hawk Country' — Early 20th-Century American Impressionism
Located in Myrtle Beach, SC
Ralph M. Pearson, 'Black Hawk Country', etching, second state, edition not stated, 1912. Signed, and titled in pencil. Inscribed 'Rock River Series Second...
Category

1910s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Benches. [Central Park.]
By Harold Altman
Located in New York, NY
Signed, titled, and dated in pencil. Inscribed "21/285.." Edition 285. Very good condition.
Category

1980s Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

The First Sight of Jerusalem, Nebi Samwil (No. 2).
By James McBey
Located in Storrs, CT
The First Sight of Jerusalem, Nebi Samwil (No. 2). The First Sight of Jerusalem, Nebi Samwil (No. 2). 1920. Etching. Hardie 197. 10 7/8 x 17 15/16 (sheet 12 5/8 x 19). Edition 76, #2...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

Untitled
By Michael Graves (b.1934)
Located in New York, NY
Michael Graves (July 9, 1934 – March 12, 2015) was an American architect. Identified as one of The New York Five, as well as Memphis Group, Graves was known first for his contemporary building designs and some prominent public commissions that became iconic examples of Postmodern architecture, such as the Portland Building and Denver Public Library. His recognition grew through designing domestic products sold by premium Italian housewares maker Alessi, and later low-cost new designs at stores such as Target and J. C. Penney in the United States. He was a representative of New Urbanism and New Classical Architecture and formerly designed postmodern buildings, and was recognized as a major influence in all three movements. Michael Graves was one of the most prominent and influential architects and designers of the late- 20th and early- 21st centuries. In his buildings and in his furniture and housewares, Graves embodied the essence of Postmodernism — a refined classicism inflected with a humanistic sense of joy. The Indiana-born Graves attended the University of Cincinnati’s architectural program and continued his studies at Harvard as well as at the American Academy in Rome. In 1962, he began teaching at Princeton, and remained there throughout his career. Following a seminal 1972 Museum of Modern Art group survey of rising modernist architects, Graves, along with Richard Meier, Charles Gwathmey, Peter Eisenman...
Category

1980s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Untitled
By Michael Graves (b.1934)
Located in New York, NY
Michael Graves (July 9, 1934 – March 12, 2015) was an American architect. Identified as one of The New York Five, as well as Memphis Group, Graves was known first for his contemporary building designs and some prominent public commissions that became iconic examples of Postmodern architecture, such as the Portland Building and Denver Public Library. His recognition grew through designing domestic products sold by premium Italian housewares maker Alessi, and later low-cost new designs at stores such as Target and J. C. Penney in the United States. He was a representative of New Urbanism and New Classical Architecture and formerly designed postmodern buildings, and was recognized as a major influence in all three movements. Michael Graves was one of the most prominent and influential architects and designers of the late- 20th and early- 21st centuries. In his buildings and in his furniture and housewares, Graves embodied the essence of Postmodernism — a refined classicism inflected with a humanistic sense of joy. The Indiana-born Graves attended the University of Cincinnati’s architectural program and continued his studies at Harvard as well as at the American Academy in Rome. In 1962, he began teaching at Princeton, and remained there throughout his career. Following a seminal 1972 Museum of Modern Art group...
Category

1980s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Nashville in Winter
By Louis Oscar Griffith
Located in Fairlawn, OH
Nashville in Winter Etching, c. 1928 Signed in pencil lower right (see photo) Very small edition A rare image of early Nashville, Indiana Excellent impression with plate tone in the sky First state before the aquatint depicting a winter nocturne...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

The Infant Christ and St. John Playing with the Lamb, after Peter Paul Rubens
By Christoffel Jegher
Located in Fairlawn, OH
The Infant Christ and St. John Playing with the Lamb, after Peter Paul Rubens (1577-1640) Woodcut, trimmed and tipped to support Initialed in the block bottom ...
Category

1630s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

Holiday Pine Cones
By Frederick Mershimer
Located in New Orleans, LA
This Holiday wreath adorns the door of a Brooklyn Mansion Frederick Mershimer (American, b. 1958) Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...
Category

1990s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

The Pilot Colde
By Nelson Dawson
Located in New Orleans, LA
This impression is signed and annotated as etched and printed by the artist. Three vessels battle angry sea. Nelson Ethelred Dawson (1859–1941) was an English artist and member of...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

The Loop I (the artist's memories of days at Chicago's Art Institute)
By Richard Gilbert
Located in New Orleans, LA
The Loop I was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...
Category

1990s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

'Woolworth Building Under Construction' — Early 20th Century Modernism
By Earl Horter
Located in Myrtle Beach, SC
Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively...
Category

1910s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Slope w.five trees
By Robert Kipniss
Located in New York, NY
“Slope w/five trees” is a drypoint engraving created by Robert Kipniss in 2020. The paper size is 12.50 x 10.50 inches and the printed image size is 6.75 x ...
Category

21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Engraving, Drypoint

Breaking up of the Agamemnon, No 1
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Etching and drypoint. Schneiderman 133.v/xi. 7 3/4 x 16 3/8 (sheet 9 1/4 x 17 1/2). A rich impression with plate tone printed in black/brown in on antique cream wove paper. Signed in...
Category

Mid-19th Century Old Masters Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

Drift (dramatic nocturne in America's suburbia)
By Jacob Crook
Located in New Orleans, LA
Drift is a hand-pulled mezzotint in an edition of 10. This is #3/10. Location is Jarnigan ST in Starksville, Mississippi Jacob Crook was born in St. Loui...
Category

2010s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Fire Dance (Flambeaux carriers light the path of Endymion parade in New Orleans)
By Frederick Mershimer
Located in New Orleans, LA
This impression is #109 Mershimer created a color mezzotint of the Mardi Gras scene in mid-city New Orleans. The parade was the Endymion crew marching on Canal Street near Jefferson ...
Category

1990s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Make Fast, Plate 2.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category

1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

Wind Blown Poplars
By William Seltzer Rice
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 – 1963) WIND BLOWN POPLARS c. 1915-20 Color woodcut, Signed and titled in pencil. 9 x 12”. On thin paper. Remnants of o...
Category

1910s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

FLOWERS - Monotype from 1997 Smithsonian Exhibition
By Karl Yens
Located in Santa Monica, CA
KARL YENS (1868 – 1945) (FLOWERS) 1919 Color monotype signed, dated and annotated: “monotype 1919.” 17 ½” x 11 ½” Monotypes are unique works of art that fall between printmaking a...
Category

1810s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Monotype

7 A. M. St. Louis
By Art Werger
Located in New Orleans, LA
It's early morning I'm St. Louis in this 2002 mezzotint that is signed and numbered Art Werger’s lyrical suburban scenes are evocative of boyhood summer evenings while his city imag...
Category

21st Century and Contemporary American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Night and Branches
By Claire Sherman
Located in Lyons, CO
Color lithograph, Edition 30. The dense, tangled, and undulating forms of spaces and plants in Claire Sherman’s recent bodies of work address some of the complicated new environment...
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Landscape with Roman Ruins
By (After) Peter Paul Rubens
Located in Chicago, IL
Engraving after Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), executed by Schelte Adams Bolswert (Bolsward c. 1586 -1659 Antwerp). Bolswert was one of the major printmakers in the ...
Category

17th Century Old Masters Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Engraving

THE DRAGON ARUM
By Dr. Robert John Thornton
Located in Santa Monica, CA
DR. ROBERT JOHN THORNTON (circa 1768- 1837) THE DRAGON ARUM, 1801 (Dunthorne plate 161, pg. 250 i/iii; Nissen 1 955) Mezzotint printed in Payne's grey...
Category

Early 1800s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

'Hill' — 1930s American Modernism
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...
Category

1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

WORLD MAP - Planisphaerium Terrestre Sive Terrarum Orbis... 1696
By Carel Allard
Located in Santa Monica, CA
CAREL ALLARD (1648 – 1709) PLANISPHAERIUM TERRESTRE SIVE TERRARUM ORBIS… 1696 (Shirley 578) Engraving, 20 ½ x 23 ½”, sheet 21 x 24 1/8". A stunning double hemisphere World Map...
Category

17th Century Old Masters Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Engraving

CALLE EX CONVENTO, TASCO.
Located in Portland, ME
Pappe, Carl. CALLE EX CONVENTO, TASCO. Woodcut, c.1940s-60s. Edition unstated. This print is one of a series of 16 images, all of scenes in Taxco, distinguished by the strength of the carving and the richness of the blacks. 12 x 14 1/4 inches (image), 13 1/2 x 15 3/4 (sheet). Titled and signed in pencil. In excellent condition. Carl Pappe...
Category

1940s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

Le Seuil (The Threshold)
By Judith Rothchild
Located in New Orleans, LA
"Le Seuil" (The Threshold) is an image printed in 2006. This impression is Roman numeral X of XX. It is titled, dated, numbered and signed by the artist. Judith Rothchild, printma...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Une Fois Rien (Once Again / No Action)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Une Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted wi...
Category

Early 2000s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Cranes and Concrete (in the 80s, a boom saw buildings racing into the sky?
By Frederick Mershimer
Located in New Orleans, LA
"Cranes and Concrete" is Frederick Mershimer's mezzotint of the construction scene on Broadway between 13th and 14th streets. Mershimer is no strang...
Category

1980s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Instumento de Reflexion
By Eduardo Leyva Herrera
Located in New Orleans, LA
A copper mezzotint printed on Hahnemulle paper in an edition of 10. This is impression #1. Graduated from the National Academy of Fine Arts "San Alejandro" in 2005. Study of graphi...
Category

21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Vachère au Bord de l'Eau
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...
Category

1890s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching, Drypoint

Loguivy le Soir (Loguivy at Evening)
By Henri Riviere
Located in New York, NY
Henri Rivière (French, 1864-1951), Loguivy le Soir (Loguivy at Evening), 1904,Plate 7 for Le Beau Pays de Bretagne. Published by Eugène Verneau, Paris. Color...
Category

Early 1900s Post-Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Pond
By Sally Gall
Located in New York, NY
Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Photogravure

The Deluge - JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
By Joseph Mallord William Turner
Located in Santa Monica, CA
(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851) THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...
Category

1820s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

St. Paul's Church (St. Paul's Chapel, New York City)
By Bror Julius Olsson Nordfeldt
Located in Myrtle Beach, SC
B.J.O. Nordfeldt, 'St. Paul's Church' (St. Pauls' Chapel), etching, edition not stated, c. 1915. Signed in pencil. A superb, richly-inked impression, with skillfully controlled plate tone, printed on off-white, antique, laid paper; the full sheet with margins (5/8 to 2 1/4 inches), in very good condition. Scarce. Matted to museum standards, unframed. An impression of this work is in the permanent collection of the Smithsonian American Art Museum. ABOUT THE ARTIST A solo exhibition of Nordfeldt’s etchings and woodcuts was presented by the Smithsonian Institution in 1926. In 1920, Nordfeldt had a one-man show at the Chicago Arts Club. In 1926, he won the bronze medal at the sesquicentennial exposition in Philadelphia and the Logan Medal at the Art Institute of Chicago. In 1927, he won the first annual prize from the Brooklyn Society of Etchers, and the following year he won first prize from the Chicago Society of Etchers. In 1929, Nordfeldt had a one-man show at the Denver Art Museum. Nordfeldt's work is held in numerous museum collections including Amon Carter Museum of Western Art, Ft. Worth; Anschutz Collection, Denver; Art Institute of Chicago; Biblioteque d’Art et d’Archeologie, Paris; British Museum, London; Corcoran Gallery of Art, Washington, DC; Los Angeles County Museum; Metropolitan Museum of Art, New York City; Museum of Fine Arts, Santa Fe; National Museum of American Art, Smithsonian Institution, Washington, DC; National Gallery, Sydney, Australia; Phillips Collection, Washington, DC. ABOUT ST. PAUL'S CHAPEL St. Paul's Chapel, nicknamed "The Little Chapel That Stood", is an Episcopal chapel located at 209 Broadway, between Fulton Street and Vesey Street, in Lower Manhattan, New York City. Built in 1766, it is the oldest surviving church building in Manhattan, and one of the nation's finest examples of Late Georgian church architecture. It is a New York City Landmark and a National Historic Landmark. The Hearts of Oak, a militia unit organized early in the American Revolutionary War, and composed in part of King's College (later, Columbia University) students, would drill in the Chapel's yard before classes nearby. Alexander Hamilton was an officer of this unit. The chapel survived the Great New York City Fire of 1776 when a quarter of New York City (then confined to the lower tip of Manhattan), including Trinity Church, burned following the British capture of the city after the Battle of Long Island during the American Revolutionary War. George Washington, along with members of the United States Congress, worshipped at St. Paul's Chapel on his Inauguration Day, April 30, 1789. Washington also attended services at St. Paul's during the two years New York City was the country's capital. Above Washington's pew is an 18th-century oil painting of the Great Seal of the United States, adopted in 1782. The rear of St. Paul's Chapel faces Church Street, opposite the east side of the World Trade Center site. After the attacks on September 11, 2001, which led to the collapse of the twin towers of the World Trade Center, St. Paul's Chapel served as a place of rest and refuge for recovery workers at the WTC site. For eight months, hundreds of volunteers worked 12-hour shifts around the clock, serving meals, making beds, counseling and praying with firefighters, construction workers, police, and others. Massage therapists, chiropractors, podiatrists, and musicians also tended to their needs. The church survived without even a broken window. Church history declares it was spared by a miracle sycamore on the northwest corner of the property that was hit by debris. The tree's root has been preserved in a bronze memorial...
Category

1910s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Blossom Time in Tokyo
By Helen Hyde
Located in Fairlawn, OH
Signed by the artist in pencil on the image Reference: Tim Mason and Lynn Mason, Helen Hyde (Washington, D.C.: Smithsonian Institution Press, 1991), 115, reproduced in color p. 68.
Category

1910s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

Angel and Skeleton (the rescuing Angel appears to be female)
By Donna Evans
Located in New Orleans, LA
Donna Evans' "Angel and Skeleton" shows an angel reaching out to a skeleton as if to rescue it from a wooded landscape. Donna Evans is one of a group of N...
Category

1980s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

His Timmer Staff
By William Strang, R.A., R.E.
Located in New Orleans, LA
"His Timmer Staff" is an image of herding pigs by William Strang. It is a fine impression in fine condition in an edition of 20 signed and inscribed by the artist. Binyon 119 One...
Category

1890s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint, Etching, Engraving

Junk Shop (Philadelphia)
By Earl Horter
Located in Storrs, CT
Junk Shop (Philadelphia). 1932. Aquatint. 10 1/16 x 13 (sheet 12 1/2 x 15 1/2). Awarded the Mr. and Mrs. Frank G. Logan 3rd prize, Art Institute of Chicago, March 24 - May 15, 1932. A subtle tonal impression printed on cream wove paper. Unsigned. Junk Shop (Philadelphia). 1932. Aquatint. 10 1/16 x 13 (sheet 12 1/2 x 15 1/2). Awarded the Mr. and Mrs. Frank G. Logan 3rd prize, Art Institute of Chicago, March 24 - May 15, 1932. A subtle tonal impression printed on cream wove paper. Unsigned. Housed in a 16 x 20-inch archival mat, suitable for framing. Earl Horter...
Category

Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

ROCKWELL KENT'S STUDIO
By Letterio Calapai
Located in Portland, ME
Calapai, Letterio. ROCKWELL KENT'S STUDIO. Wood engraving, 1980. Titled, numbered 7/75 and signed in pencil. 6 x 8 7/16 inches, 153 x 216 mm. In very good condition. Framed.
Category

1980s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut, Engraving

The Arthur Williams Estate
By Earl Horter
Located in Storrs, CT
The Arthur Williams Estate. c. 1916. Etching and drypoint. 4 3/4 x 9 (sheet 8 x 10 7/8). A rich impression printed on dark cream wove paper. Water stai...
Category

Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Tree and Water
By Claire Sherman
Located in Lyons, CO
Color lithograph. Edition 30. Claire Sherman is a painter who made her first lithographs at Shark’s in the summer of 2018 including the prints Underbrush and Tree and Water. Her paintings and prints propel the viewer into a claustrophobic and unstable world through a perspective that shimmies between representation and abstraction. Her works reference idealistic visions of the sublime, while the medley of imagery presented eliminates the need to identify the actual places – these works do not seek to portray a specific view or experience. They address the ubiquity of imagery we associate with the genre of landscape, nullifying a sense of particularity. Claire Sherman is an Associate Professor at Drew University in New Jersey. She has completed residencies at the Terra Foundation for American Art, the MacDowell Colony, the Marie Walsh Sharpe Art Foundation, Yaddo, The Albers Foundation, and the Lower Manhattan Cultural Council’s Workspace program. Recent exhibitions include solo shows at DC Moore...
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Guardians of the Spire (Amiens Cathedral Number 2)
By John Taylor Arms
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category

1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

Rainforest Tapestry(colorful image of birds, ferns and flowers found in tropics)
By Sharon Augusta Mitchell
Located in New Orleans, LA
Sharon Augusta Mitchell created this vividly colored image of five toucans with bright yellow bills set against a background of green tropical ferns and bright orange flowers. The im...
Category

Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Mezzotint, Aquatint

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