Ifpda International Fine Print Dealers Association Landscape Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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The Deluge - JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
By Joseph Mallord William Turner
Located in Santa Monica, CA
(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...
Category
1820s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
$3,200 Sale Price
20% Off
Late Night (Where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope)
By Frederick Mershimer
Located in New Orleans, LA
In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint, Aquatint
GRASS FIRE. - Very Scarce Early signed Impression
By Paul Landacre
Located in Santa Monica, CA
PAUL LANDACRE (1883 – 1963)
GRASSS FIRE, 1928 (Wien 53)
Wood engraving on tissue thin Japanese paper, signed in pencil and titled with full margins. Thee are only 20 signed, titled,...
Category
1920s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Summer Maple
By Sylvia Plimack Mangold
Located in New York, NY
A drypoint and aquatint by artist Sylvia Plimack Mangold.
Category
21st Century and Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
STORM LINED - Large Format Gearhart
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958)
STORM LINED c.1936
Color block print, signed and titled in pencil 13 ¼ x 10 1/8, full sheet 14 3/8 x 11 ¼” with deckle edge on her typical fibrous Ja...
Category
1930s Abstract Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Color, Woodcut
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$217 Sale Price
56% Off
Palazzo, Florence
By Rudy O. Pozzatti
Located in Fairlawn, OH
Palazzo, Florence
Etching, engraving, aquatint, soft ground and lift ground, printed in colors from three copper plates. 1954
Signed in pencil lower right (see photo)
Edition 250 plis 10 on Rives wove paper, printed by the artist
Published by The Print Club of Cleveland, No. 33 for 1955
REFERENCE: Geske #32
Condition: Mint
Image size: 9 3/16 x 13 1/8 inches
Impressions of this image can be found in the following museums:
National Gallery of Art, Washington
Toledo Museum of Art
Oberlin, Allen Museum of Art
Cornell Univeristy
Cleveland Museum of Art
Indianapolis Museum of Art
Baltimore Museum of Art
Georgetown University
Indiana Univeristy, Eskenazi Museum of Art
David Museum of Art at Wellesley College
"Painter and printmaker Rudolph Otto "Rudy" Pozzatti was born in Telluride, Colorado, on January 14, 1925. Upon graduation from high school, he received a scholarship to attend the University of Colorado in Boulder where he enrolled as an art major. In 1943, his studies were interrupted by his induction into the U. S. Army. After his discharge in 1946, he re-enrolled in the University of Colorado where he studied under Wendell...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
Stoops in Snow
By Martin Lewis
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
$35,000 Sale Price
30% Off
BRIDGE AT CHARTRES
By Ernest David Roth
Located in Portland, ME
Roth, Ernest (American, 1879-1964). BRIDGE AT CHARTRES. Etching, 1927. A Trial Proof before the edition (if any). Inscribed in pencil "Trial Proof A (Bridge at Chartres) 1927." Signe...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
'Heart of San Francisco' — Vintage 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Heart of San Francisco', etching, c. 1927, edition not stated. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (2...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$360 Sale Price
20% Off
The Little Wheelwright's
By James Abbott McNeill Whistler
Located in Storrs, CT
The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...
Category
Mid-19th Century American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$2,000 Sale Price
42% Off
Building a Babylon, Tudor City, NY.
By Martin Lewis
Located in Storrs, CT
McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
$11,000 Sale Price
26% Off
Vedute di Roma (3rd state) (Frontispiece of series, with Statue of Minerva)
By Giovanni Battista Piranesi
Located in Chicago, IL
Views of Rome (Vedute di Roma): Frontispiece for the whole series, with Statue of Minerva.
A fine impression of the rare 3rd state (of seven) of this m...
Category
Mid-17th Century Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
THE THAW
By William Seltzer Rice
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 - 1963)
THE THAW c 1915-20
Color woodcut, signed and titled in pencil. Image 8 7/8 x 12 inches, sheet 10 3/4 x 14 3/8 inches. On textured fibrous paper. V...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Color, Woodcut
'Westminster Abbey' — Royal Church, London
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Westminster Abbey', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-i...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
The Monumental Tablet
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Monumental Tablet
Etching, engraving, drypoint and burnishing, c. 1748
Series: Grotteschi (Grotesques, 4 plates)
Original, unwashed condition. Excellent.
Second edition first is...
Category
1740s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Kintai Bridge at Iwakuni in Suo Province (Suo iwakuni kintai-bashi), 1859
By Hiroshige II
Located in Myrtle Beach, SC
Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...
Category
1850s Edo Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
REFLECTIONS OF GLOUCESTER
By Joseph Margulies
Located in Santa Monica, CA
JOSEPH MARGULIES (1896 - 1984)
REFLECTIONS OF GLOUCESTER ca 1940
Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
$350 Sale Price
58% Off
Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
FOG, GOG, AND MAGOG
By Roberto Matta
Located in Santa Monica, CA
ROBERTO MATTA (1911-2002)
FOG, GOG, AND MAGOG 1971
Color lithograph. Plate 1 from “Fog Gog, and Magog” 1971. Signed in pencil and numbered. This work is number 92 from the edition o...
Category
1970s Surrealist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
$880 Sale Price
20% Off
'Navajo Trading Post' — Southwest Regionalism, American Indian
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Trading Post', lithograph, 1946, edition 30, Czestochowski 161. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 3 1/8 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 11 11/16 x 15 1/2 inches (297 x 395 mm); sheet size 16 5/16 x 191/8 inches (414 x 486 mm).
ABOUT THE ARTIST
Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972.
After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001.
Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955).
Moskowitz’s lithographs of American Indian...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
THE MAKING OF TORTILLAS - Mural Size 47 1/2 inches Long
By Leopoldo Méndez
Located in Santa Monica, CA
LEOPOLDO MENDEZ (1902 – 1969)
THE MAKING OF TORTILLAS 1954
Linocut. Edition unknown. This example signed in pencil and dated 1957. 14” x 47 3/8” ...
Category
1950s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Linocut
Incandescent City
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Incandescent City” in 1960 in an edition of 35 pieces. This impression is signed and inscribed “34/35.” It is in good condit...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Untitled (Venice canal, man departing the gondola)
By Levon West
Located in Fairlawn, OH
Untitled (Venice canal, man departing the gondola)
Drypoint, c. 1930-1931
Signed in pencil lower right (see photo)
Annotated in the lower margin:
"Just a souvenir made ___ Monclair L...
Category
1930s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…...
By Giovanni Battista Piranesi
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$2,000 Sale Price
20% Off
The Gothic Spirit
By John Taylor Arms
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
$2,500 Sale Price
28% Off
RED ROCK CANYON
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958)
RED ROCK CANYON ca 1936
Color block print. Signed and titled in pencil. 10 x 11” on fibrous paper, sheet 13 3/8 x 15...
Category
1920s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Linocut
'Navajo Reservation Landscape' — Southwest Regionalism
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Reservation Landscape', lithograph, 1945, edition c. 30. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, the full sheet with margins (1 3/8 to 2 inches), in excellent condition. Matted to museum standards, unframed.
Image size 12 3/4 x 15 3/4 inches (324 x 400 mm); sheet size: 15 1/2 x 19 inches (394 x 482 mm).
ABOUT THE ARTIST
Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972.
After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001.
Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955).
Moskowitz’s lithographs of American Indian...
Category
1940s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
(HUNTERS WITH REFLECTIONS) - RICH IMPRESSION
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 - 1968)
(Untitled) - HUNTERS with REFLECTIONS. ca 1925
Etching, signed and numbered 22, lower left. Plate, 13 1/2 x 10 1/2 inches. Sheet 15 3/4 x 11 3/4 inches. ...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$600 Sale Price
29% Off
'Grand Central, Night' — 1920s New York City Realism
By Walter Tittle
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
DAITOKUJI KYOTO
By Kiyoshi Saitō
Located in Santa Monica, CA
KIYOSHI SAITO (Japanese 1907 - 1997)
DAITIKUJI KYOTO, 1957
Color woodcut, signed, titled, dated and no. 42/100 in pencil. Edition 100. Image 15 x 20 5/8 inches. Full margins with de...
Category
1950s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma....
By Giovanni Battista Piranesi
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugan...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Make Fast, Plate 2.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category
1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching, Drypoint
$1,800 Sale Price
20% Off
Querelle d'amoureux. (Quarreling). 1
By James Tissot
Located in Storrs, CT
En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...
Category
19th Century Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
$2,800 Sale Price
20% Off
PERU
By Johannes Jansson
Located in Santa Monica, CA
JOHANNES JANSSON (1588 - 1664)
PERU, engraving with early coloring. Platemark 15 1/8 x 19 3/8 inches, sheet 17 x 20 1/2
A nice example of one of the earliest maps of Peru. From the ...
Category
1630s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving
Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
$24,000 Sale Price
20% Off
TEAHOUSE AND WILLOW TREE
By Junichiro Sekino
Located in Portland, ME
Junichiro Sekino (Japanese, 1914-1988). TEAHOUSE AND WILLOW TREE. Color woodblock print, not dated. Edition size not known. Signed in pencil and with the a...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
To the Sea
By Jack Coughlin 1
Located in New Orleans, LA
Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
$88 Sale Price
56% Off
Out of My Window. (Vista; My Own; De Ma Fenêtre)
By John Taylor Arms
Located in Storrs, CT
Out of My Window. (Vista; My Own; De Ma Fenêtre). 1916. Etching. Fletcher 4, Library of Congress 254. 7 x 5 9/16 (sheet 9 3/8 x 9 1/2). Edition 75. Good condition apart from two re...
Category
20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$950 Sale Price
24% Off
CALLE EX CONVENTO, TASCO.
Located in Portland, ME
Pappe, Carl. CALLE EX CONVENTO, TASCO. Woodcut, c.1940s-60s. Edition unstated. This print is one of a series of 16 images, all of scenes in Taxco, distinguished by the strength of the carving and the richness of the blacks. 12 x 14 1/4 inches (image), 13 1/2 x 15 3/4 (sheet). Titled and signed in pencil. In excellent condition.
Carl Pappe...
Category
1940s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
LE PETIT CAVALIER SUR BOIS.
By Jean Baptiste Corot
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
LE PETIT CAVALIER SUR BOIS. 1854 (1921) (Delteil 42)
Cliché-verre on thin vellum. Signed in plate at bottom. 8 1/4 x 6 5/16” (sheet size)....
Category
1850s Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Photographic Paper, Etching
WINTERSONNE
By Erich Heckel
Located in Portland, ME
Heckel, Erich (German, 1883-1970). WINTERSONNE. Dube 318. Drypoint, 1913. Edition size not known. Signed and dated "Heckel 1913" in pencil. Printed on heavy wove paper. 4 3/4 x 6 1/...
Category
1910s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut, Drypoint
'Sundown, Stonington, Maine' — Artist-printed Exhibition Proof
By Lawrence Wilbur
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'Sundown, Stonington, Maine', wood engraving, artist's proof, edition not stated but small, 1969. Signed and titled in pencil. Signed in the block...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Ascension (Traffic in front of St. Bartholomew / Park Ave bet 50th and 51s
By Frederick Mershimer
Located in New Orleans, LA
An overflow of traffic in front of St. Bartholomew's Episcopal Cathedral on Park Avenue between 50th and 51st
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)
By Frederick Mershimer
Located in New Orleans, LA
In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint, Aquatint
The Thames and the Tower of London
By William Lionel Wyllie
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category
1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
$975 Sale Price
22% Off
Here They Come !
By Frank W. Benson
Located in New York, NY
This impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
MANHATTAN
By Anton Schutz
Located in Santa Monica, CA
ANTON SCHUTZ
MANHATTAN c 1940
Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
FLOWERS - Exhibited in 1997 Smithsonian Monotype Exhibition
By Karl Yens
Located in Santa Monica, CA
KARL YENS (1868 – 1945)
(FLOWERS) 1919
Color monotype signed, dated and annotated: “monotype 1919.” 17 ½” x 11 ½”
Monotypes are unique works of art that fall between printmaking a...
Category
1810s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Monotype
$1,000 Sale Price
33% Off
Rio Osmarin (boats on the canal Rio de S. Provolo o de l'Osmarin, Venice)
By Judith Rothchild
Located in New Orleans, LA
Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
Category
21st Century and Contemporary American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
San Marco [Venice].
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching, Aquatint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
Missing Peace (Homage to 911)
By Carol Wax
Located in New Orleans, LA
The Artist's Christmas homage to the attack on the twin towers with reindeer atop the buildings.
Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting.
In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category
Early 2000s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Intaglio
Fifth Avenue Bridge.
By Martin Lewis
Located in Storrs, CT
Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
The Pool of London.
By William Lionel Wyllie
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category
1910s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
$1,500 Sale Price
23% Off
The Helmsman
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category
1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
$2,000 Sale Price
20% Off
Bougival
By Maurice de Vlaminck
Located in Fairlawn, OH
Bougival
Woodcut, 1914
Signed and numbered in pencil
Edition 30, this numberd 22
Printed on laid Van Gelder Zonen paper
Published by Henri Kanweiler, Paris
Printed by Paul Birault, P...
Category
1910s Fauvist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Over Cape Cod
By Frank W. Benson
Located in New York, NY
"Over Cape Cod" is an etching created by Frank W. Benson in 1932. Benson only printed trial proofs of this plate - there is no edition. This impression is a first state of four. There are six impressions of the first state, three impressions of the second, four impressions of the third, and eight of the fourth state have been recorded. Signed in pencil in the lower left under the image. The image size is 7 15/16 x 14 7/8" (20.1 x 37.8 cm) and sheet size 11 9/16 x 18 3/8" (29.3 x 46.7 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
Mid-20th Century American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
'St. Marks on the Bowery' - Famed New York City Landmark
By Leon Dolice
Located in Myrtle Beach, SC
'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed.
Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm).
Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums.
ABOUT THE ARTIST
Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world.
In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history.
During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead.
Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections.
ABOUT ST. MARKS CHURCH
St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan.
In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel.
Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter.
While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project.
St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching, Aquatint
Convertible
By Isca Greenfield-Sanders
Located in Berkeley, CA
Color spitbite aquatint and aquatint with drypoint.
Edition of 35
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching, Intaglio
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