Ifpda International Fine Print Dealers Association Landscape Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
to
159
403
200
70
34
30
Overall Width
to
Overall Height
to
245
111
71
33
15
9
9
7
6
3
3
25
23
23
15
13
58
100
534
108
21
38
112
86
41
15
30
27
24
42
26
425
279
30
336
225
112
107
106
84
80
69
63
60
47
44
41
39
36
33
31
31
30
28
366
221
148
121
98
81
25
779
22
Moonlight Glade (small private burial ground in New England)
By William Woodward
Located in New Orleans, LA
"Moonlight Glade", a small intimate etching of a New England graveyard, is a remembrance of the artist's roots. There is a quiet reverent calm to this moonlit scene,.
William Woodward, born in Seekonk, Massachusetts, received his art training at the Rhode Island School of Design and the Massachusetts Normal Art School. He taught at the Rhode Island School of Design while still a student there.
At the behest of William Preston...
Category
1890s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching, Aquatint
Mending the Tears
By Winslow Homer
Located in New York, NY
Winslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie.
This piece is signed in pencil “Winslow Homer, N.A.” in the lower left above the etched remarque of an anchor. Etched above the image (top left) is “Copyright, 1888 by Winslow Homer N.Y.” and (top right) “G. W. H. Ritchie Imp.” Also etched in the plate (lower right) “Winslow Homer Sc.” ). The printed image size 15.25 x 21.5" (38.8 x 54.5 cm) plus margins – printed on Japan paper. This item is in very good condition and framed in 2.25 inch scooped molding finished in gold leaf with a rag stock bevel (mat edge) wrapped in metal leaf and rag stock top mat wrapped in silk. Glazed in TruVue Museum Glass.
“Winslow Homer (1836-1910) was one of America's great artists of the 19th century and the sea...
Category
1880s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
View of the Ancient Structure built by Tarquinius Superbus called the Bel Lido
By Giovanni Battista Piranesi
Located in Fairlawn, OH
View of the Ancient Structure built by Tarquinius Superbus called the Bel Lido, and like others built by Marcus Agrippa in the time of Augustus when he cleaned all the sewers leading...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Commencement
By Caroline Durieux
Located in New Orleans, LA
Caroline Durieux's image captures a lone figure in her garden in this southern plantation in Louisiana. "Plantation Garden" is a lithograph created by Durieux in 1946 in an edition of 20. It is signed in pencil.
Durieux shared her feeling about this piece with these reflections.
“The spectrum analysis of satire runs from the red of invective at one end to the violet of the most delicate irony at the other.” David Worcester 16, "The Art of Satire".
The feeling expressed in Plantation Garden is that of a dirge with ironic overtones; it is sad, nostalgic yet satirical. The bent figure of the old lady, the ancient trees, the static moss, all seem to belong to the past; even the lady is old. For contrast, a ray of late afternoon sun lights up the only young note in the picture: perennials in the foreground.
When “we are satirical and we are friendly at the same time, the consciousness of the friendship gives a regretful and tender touch to the satire, and the sting of the satire makes the friendship a trifle humble and sad.” George Santayna 255, "The Sense of Beauty".
This concept of satire mixed with friendship comes closer to humor because there is less censure involved. In "Plantation Garden", the satire is tempered by a feeling of empathy.
Caroline Durieux (American, 1896 – 1989)
Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920).
Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
CANAL BRIDGE AMSTERDAM
By John Marin
Located in Santa Monica, CA
JOHN MARIN (1872 -1953)
CANAL BRIDGE AMSTERDAM, 1906 (Zigrosser 13 i/ii)
Etching, drypoint and plate tone. A PROOF IMPRESSION of the 1st state, Annotated...
Category
Early 1900s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$5,100 Sale Price
26% Off
Huge - CASTLE ROCK WYOMING (Jackson Hole),
By Werner Drewes
Located in Santa Monica, CA
WERNER DREWES (1899 - 1985)
CASTLE ROCK WYOMING (Jackson Hole), (Rose RIII 194)
Color woodcut Total edition XXX, Signed, annotated AP and dated '58 in...
Category
1950s Abstract Expressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Wake on the Ferry.
By John French Sloan
Located in Storrs, CT
Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$1,750 Sale Price
22% Off
Nashville in Winter
By Louis Oscar Griffith
Located in Fairlawn, OH
Nashville in Winter
Etching, c. 1928
Signed in pencil lower right (see photo)
Very small edition
A rare image of early Nashville, Indiana
Excellent impression with plate tone in the sky
First state before the aquatint depicting a winter nocturne with fall snow
Printed on a fine laid paper with a Crown & Shield watermark
Provenance: Estate of the artist
By decent
Louis Oscar Griffith
(1875-1956)
Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts.
In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
A small copse in a field.
By Robert Kipniss
Located in New York, NY
The drypoint engraving entitled "A small copse in a field" was created by Robert Kipniss in 2016. Printed in an edition of 16 - this impression is signed in pencil and inscribed “12...
Category
21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving, Drypoint
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29)
By John Taylor Arms
Located in Storrs, CT
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$1,200 Sale Price
20% Off
Foggy Night (the way home or a Stephen King setting)
By Carol Wax
Located in New Orleans, LA
This impression is #22
Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting.
In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category
2010s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving, Mezzotint
Le Seuil (The Threshold)
By Judith Rothchild
Located in New Orleans, LA
"Le Seuil" (The Threshold) is an image printed in 2006. This impression is Roman numeral X of XX. It is titled, dated, numbered and signed by the artist.
Judith Rothchild, printma...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
$140 Sale Price
51% Off
Holiday Pine Cones
By Frederick Mershimer
Located in New Orleans, LA
This Holiday wreath adorns the door of a Brooklyn Mansion
Frederick Mershimer (American, b. 1958)
Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...
Category
1990s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
(HUNTERS WITH REFLECTIONS) - RICH IMPRESSION
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 - 1968)
(Untitled) - HUNTERS with REFLECTIONS. ca 1925
Etching, signed and numbered 22, lower left. Plate, 13 1/2 x 10 1/2 inches. Sheet 15 3/4 x 11 3/4 inches. ...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$600 Sale Price
29% Off
Barges, Dordrecht
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Barges, Dordrecht
Etching, c. 1886
Signed in the plate with the butterfly
Edition: One of 10 known impressions of this image. VERY RARE
Provenance:
Frederick Keppel & Co. with their ...
Category
19th Century Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Group of Carnations from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...
Category
1810s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Paper
Through the Storm.
By Edmund Blampied
Located in Storrs, CT
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
Category
1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
Galleria grande di Statue
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
THE MAKING OF TORTILLAS - Mural Size 47 1/2 inches Long
By Leopoldo Méndez
Located in Santa Monica, CA
LEOPOLDO MENDEZ (1902 – 1969)
THE MAKING OF TORTILLAS 1954
Linocut. Edition unknown. This example signed in pencil and dated 1957. 14” x 47 3/8” ...
Category
1950s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Linocut
On Lake Como # 1
By John Taylor Arms
Located in New Orleans, LA
Both of Arms' Lake Como images were mostly printed in color. is a rarer black and white impression,
John Taylor Arms was born in Washington, DC. He studied architecture at the Massa...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Trees (Trees in Circle)
By Louise Nevelson
Located in Fairlawn, OH
Trees (Trees in Circle)
Etching & drypoint with monotype inking, 1953-1955
Signed in pencil
An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching, Monotype
AMERICAE - Sive Novi Orbis, Nova Descriptio
By Abraham Ortelius
Located in Santa Monica, CA
ABRAHAM ORTELIUS (1527 - 1598)
AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO, 1587 (1603) (Van Den Broecke 11, Burden 64; Schwartz & Ehrenberg 69)
Engraving. A very good, well printed...
Category
16th Century Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving
Thorns - In Celebration of Pride Month
By Christine Ravaux
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
This is impression #12 of 35 impressions
Born in Charleroi, Belgium, Ravaux is an ...
Category
Early 2000s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
$80 Sale Price
20% Off
Timber Raft on the Rhine
By Sir Frank Short
Located in Storrs, CT
Timber Raft on the Rhine (after the watercolor by J.M.W. Turner in the National Gallery). 1898. Mezzotint. Hardie 66. 8 1/4 x 11 11/16 (sheet 10 5/16 x 13 1/2). Edition 100. A rich, ...
Category
1890s Romantic Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
THE BIG HORSE CHESTNUT TREE
By Childe Hassam
Located in Portland, ME
Hassam, Childe. THE BIG HORSE CHESTNUT TREE, EASTHAMPTON. C/C 304. Etching, 1922. Signed with the cypher and inscribed "imp." in pencil, and signed, date...
Category
1920s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Standard Oil Building.
By Joseph Pennell
Located in Storrs, CT
Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat
proof printed by the artist. $875.
26 Broadway" is the home of the Standard Oil...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Deux Fois Rien (double or nothing)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Deux Fois Rien which is signed by pencil. This impression is #12 of 30
Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted w...
Category
Early 2000s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
$110 Sale Price
44% Off
Haystack #5
By Roy Lichtenstein
Located in Fairlawn, OH
Haystack #5
Color lithograph and screen print, 1969
Signed and dated in pencil (see photo)
From: Haystack Series (seven plates) see photo of entire portfolio
Signed and dated in pencil
Edition: 100 (74/100)
Publisher: Gemini G.E.L., Los Angeles, CA, with their blaindstamp
Reference: Paul Bianchini No. 33e
Corlett and Fine 69
Condition: Excellent
Fresh colors
Small paper imperfection in bottom margin near the edge of the sheet
Image size: 13 1/4 x 23 3/8 inches
Sheet size: 20 ¾ x 30 ¾ inches
Frame size: 23 ½ x 33 ¾ inches
This is one of the finest images in the portfolio, inspired by Claude Monet's famous series of Haystack paintings...
Category
1960s Pop Art Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Screen
The Lake
By Udo Claassen
Located in New Orleans, LA
German artist Udo Claassen created a dramatic landscape of this Icelandic scene in 1985 in an edition of 40. This is #33.
Claassen was born in Itzehoe in the state of Schleswig-Hol...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
Parabole 2 (Sunshine streams through clouds and trees as three men observe)
By Maurice Pasternak
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes traditional images of a sun-filled sky, dark shadows cast on water and through leafy trees all under the guise of thre...
Category
Late 20th Century Surrealist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
A LANCASHIRE RIVER,
By Sir Francis Seymour Haden, R.A.
Located in Santa Monica, CA
SIR FRANCIS SEYMOUR HADEN (1818-1910)
A LANCASHIRE RIVER, 1881 (Schneiderman 203 viii/ix; Harrington 215 ii/ii)
Original etching with drypoint. Signed in pencil., image 11 x 16. A large sheet, 18 x 22 inches with 3 inch margins.
In very good condition.
According to British dealer...
Category
1880s English School Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Old Hoadley House
By John Taylor Arms
Located in New Orleans, LA
This image was in the personal collection of the artist. The Wheeler-Beecher House, sometimes referred to as the Hoadley House, is located on Amity Road in Bethany, CT. Built at the ...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$150 Sale Price
25% Off
The Irish Fair
By George Wesley Bellows
Located in Fairlawn, OH
Irish Fair
Lithograph, 1923
Signed and numbered in pencil by the artist (see photo)
Titled "Irish Fair" by the artist in pencil
Edition: 84
Housed in an archival frame with acid free matting (see photo)
Provenance:
Estate of the artist, Bellows Family Trust
H.V. Allison & Company (label)
Private Collection, Columbus
References And Exhibitions:
Reference: Mason 153
Note: An illustration commissioned by The Century Company for Don Byrne's novel The Wind Bloweth
Image: 18 7/8 x 21 3/8"
Frame: 29 1/2 x 30 1/2"
“Eleven on a hot July morning, and the little town...
Category
1920s Ashcan School Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Une Fois Rien (Once Again / No Action)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Une Fois Rien which is signed by pencil. This impression is #12 of 30
Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted wi...
Category
Early 2000s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
$120 Sale Price
40% Off
Piazza Colona
By Giuseppe Vasi
Located in Fairlawn, OH
Piazza Colona
Etching, 1752
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761)
Volume II, The Main Squares and Obelisks, ...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
NOCTURNE: PALACES
By James Abbott McNeill Whistler (circle)
Located in Portland, ME
Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches.
Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso.
Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France.
In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...
Category
1870s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
Le Cheval Bleu (The Blue Horse)
By Albert Zavaro
Located in Chicago, IL
Edition of 110, signed and numbered lower right
Category
1970s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Les Arcades, Dieppe France (the arches along coastline of a town in Normandy)
By Stanley Anderson
Located in New Orleans, LA
The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
New York Bouquet
By Childe Hassam
Located in Fairlawn, OH
New York Bouquet
Lithograph, 1917
Edition: 93
Signed with the artist's cipher in pencil lower right (see photo)
This lithograph is inspired by Hassam's oil painting of the same title...
Category
1910s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
The Arch of Constantine and the Colosseum
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Arch of Constantine and the Colosseum
Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo
From: "Vedute di Roma" (Roman Views), part II
An early Paris edition,...
Category
1760s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
View of Venice I - San Giorgio
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Landscape with Marching Soldiers
By Jan van Huchtenburg
Located in Chicago, IL
Etching from the Six Landscapes
Category
18th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
The Bridge, Santa Maria
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
1870s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
The Nodding Renealmia from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"The Queen Flower" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, color...
Category
1810s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Paper
Manhattan Bridge — 1920s New York City
By George Stimmel
Located in Myrtle Beach, SC
'Manhattan Bridge', etching, c. 1920, proofs only. Signed in ink in the image, lower right. A fine, rich impression, in warm black ink, on cream wove ...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Urban Landscapes No. 3
By Richard Estes
Located in London, GB
The complete set of eight screenprints in colours, 1981, on Fabriano Cotone paper, with full margins, signed and numbered from the edition of 50 in pencil (there were also 15 artist'...
Category
1980s Photorealist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Screen
$38,110 Sale Price
24% Off
Ostiakes
By Cornelis de Bruijn
Located in Fairlawn, OH
Ostiakes
Engraving, 1718
From: Voyages de Corneille le Brun par la Moscovie, en Perse, et aux Indes Occidentales (French translation, 1718), Chapter XXI
The Ostyak are a member of an...
Category
1710s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving
Shadow of the Brooklyn Bridge.
By Emilio Sanchez
Located in New York, NY
“THE SHADOW OF THE BROOKLYN BRIDGE”
Emilio Sanchez (1921-1999) created this color lithograph entitled “Shadow of the Brooklyn Bridge” in 1988. The image size is 21.38 x 30.50 inche...
Category
Late 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
PAYSAGE D’ ITALIE
By Jean-Baptiste-Camille Corot
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii)
Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...
Category
1860s Romantic Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Carnival
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Carnival” in 1972 in an edition of 30 pieces. Published by Associated American Artists and printed by Landfall Press, this i...
Category
1970s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Vista
By David Salle
Located in New York, NY
This charming beach image by the American painter, printmaker, photographer and stage designer David Salle evokes the joy to be found in a serene day by the ocean. The print was publ...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
$2,000
Union Pond, Williamsburgh, L. I. [sic].
By Winslow Homer
Located in New York, NY
UNION POND, WILLIAMSBURGH, L. I. [sic] is a lithograph printed in color in circa 1862. It was published by Thomas & Eno, 37 Park Row, N.Y. The printed image size is 16 3/4 x 27 in...
Category
1860s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
![Union Pond, Williamsburgh, L. I. [sic].](https://a.1stdibscdn.com/winslow-homer-prints-works-on-paper-union-pond-williamsburgh-l-i-sic-for-sale/a_3312/1595513020620/Homer_Union_Pond_frame_IMG_8498_master.jpg?width=240 "homer pours water on console gif")
Wild Garden
By Robert Kushner
Located in Lyons, CO
Color lithograph/diptych, Edition 25.
The artist describes this project:
Two years ago, I had the very good fortune to be invited to paint in the South of France. My studio was an abandoned stone barn - no doors...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
PLOUGHING IT UNDER
By Thomas Hart Benton
Located in Santa Monica, CA
THOMAS HART BENTON (1889-1975)
PLOUGHING IT UNDER (aka Ploughing) 1934 (Fath 8)
Original lithograph, signed in pencil. Edition of 250 as published by Associated American Artists (AA...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
La Casita Azul
By Emilio Sanchez
Located in New York, NY
“LA CASITA AZUL”
Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casita Azul” circa 1970. The image size is 21.50 x 31.25 inches and the paper size 23.13 x 33 inches. Printed in an edition of 100 this impression is inscribed “91/100” - the 54th impression of 100. Pencil signed in the lower right and inscribed in the lower left.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
St. Germain-Des-Pres, Paris
By John Marin
Located in New York, NY
John Marin (1870-1953), St. Germain-Des-Pres, Paris, etching, 1906. Signed in pencil lower right and titled lower left [also signed and dated in the plate]. Zigrosser 47, only state,...
Category
Early 1900s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Chair & rooftoop
By Robert Kipniss
Located in New York, NY
“Chair & rooftop” is a mezzotint engraving created by Robert Kipniss in 2015. Printed in an edition of 30 this impression is signed in pencil and inscribed "27/30." The paper size i...
Category
21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
La Casa Vivienda
By Emilio Sanchez
Located in New York, NY
“LA CASA VIVENDA”
Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casa Vivenda” circa 1991. Image size 18.38 x 25 inches and the paper size 21.75 x 29.38 inches. Printed in an edition of 100 this impression is inscribed “70/100” - the 70th impression of 100. This impression is pencil signed in the lower right and inscribed in the lower left.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
1990s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Westminster Palace
By Félix Hilaire Buhot
Located in New York, NY
Felix Buhot (1847-1898), Westminster Palace, etching, drypoint, roulette, 1884, signed in pencil and extensively annotated. Bourcard/Goodfriend 155, Bourca...
Category
1880s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
L’île Lacroix, à Rouen
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1...
Category
1880s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching, Aquatint
