Skip to main content

Ifpda International Fine Print Dealers Association Landscape Prints

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

to
157
383
199
66
32
32
Overall Width
to
Overall Height
to
235
103
71
33
15
9
9
6
6
3
2
25
23
23
15
13
58
99
523
95
21
37
110
85
41
15
29
27
21
40
26
418
270
21
329
223
106
102
96
78
76
67
61
60
43
42
40
35
35
32
31
31
30
28
349
213
148
117
95
77
20
754
22
UNE JETEE EN ANGLETERRE
By Félix Hilaire Buhot
Located in Portland, ME
Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...
Category

1870s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching, Aquatint

MEMENTO VIVARE, NOTRE DAME, EVREUX
By John Taylor Arms
Located in Portland, ME
Arms, John Taylor (American, 1887-1953). MEMENTO VIVARE, NOTRE DAME, EVREUX. Fletcher 407. Etching, 1947. Number 47 of the French Church Series. This is Proof No. ii of four Trial Pr...
Category

1940s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Carnival
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Carnival” in 1972 in an edition of 30 pieces. Published by Associated American Artists and printed by Landfall Press, this i...
Category

1970s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Basilica of Madeleine, Vezelay
By John Taylor Arms
Located in Fairlawn, OH
Basilica of Madeleine, Vezelay Etching, 1929 Signed and dated lower right (see photo) Annotated: "Third State" lower left Printed on a sheet of old book paper From: French Church Ser...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

THE TRAWLERS
By George Elmer Browne
Located in Portland, ME
Browne, George Elmer (American, 1871-1946). THE TRAWLERS. Drypoint, not dated. Edition size not stated. Titled and signed in pencil. In excellent condition.
Category

20th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint

Mariko Station, a Mad Caricature (Mariko shukuba no kyoga)
By Kawanabe Kyosai
Located in Fairlawn, OH
Mariko Station, a Mad Caricature (Mariko shukuba no kyoga) Color woodcut, 1872 Signed in cartouche lower left corner (see photo) From the series: "53 Stations by Calligraphy and Pain...
Category

1870s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

Original Japanese Watercolor and Woodblock Print of a Lark, Barley and Beans
Located in Burbank, CA
Barley, broad beans and a lark (Omugi, soramame, hibari). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparator...
Category

1890s Art Deco Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Watercolor, Woodcut

Tokyo Tower in Shiba
Located in Fairlawn, OH
Tokyo Tower in Shiba Color woodblock, 1960 Signed and sealed lower right Signed with the artist's name:" Keimei" (see photo) Signed with the artist's seal in red (see photo) Publishe...
Category

1960s Other Art Style Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

Paysages (Landscapes)
By Franz Edmund Weirotter
Located in New York, NY
Franz Edmund Weirotter (1730-1771), Paysages (Landscapes), 1759, complete set of 6 (5 are illustrated on this site), [signed in the plates lower right Weirotter sc, and also signed a...
Category

1750s Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

TEAHOUSE AND WILLOW TREE
By Junichiro Sekino
Located in Portland, ME
Junichiro Sekino (Japanese, 1914-1988). TEAHOUSE AND WILLOW TREE. Color woodblock print, not dated. Edition size not known. Signed in pencil and with the a...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

MAXWELL STREET
By William Sharp
Located in Portland, ME
Sharp, William (American, 1900-1961). MAXWELL STREET. Etching and aquatint, not dated, but circa 1940. Edition of 25, titled and signed in pencil and numbered 9/25. 8 5/8 x 10 3/4 in...
Category

1940s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching, Aquatint

Poles and Cypresses
By Donald Sultan
Located in Fairlawn, OH
Poles and Cypresses Woodcut printed in black, 1982 Unsigned From: Tramp Picture series "The printer was Claude Jinchat at Imprimerie Arnéra, Vallauris. The set was published by Blum ...
Category

1980s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Linocut

House in Kyoto
By Kiyoshi Saitō
Located in Fairlawn, OH
House in Kyoto Color woodcut, 1963 Signed in white brush bottom left of image, along with the artist's red stamp (see photo) Titled, dated and numbered in pencil bottom margin (see p...
Category

1960s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

Poplar Tree B
By Shiko Munakata
Located in Fairlawn, OH
Poplar Tree B Lithograph, c. 1959 Signed and numbered in pencil by the artist (see photo) Artist's red stamp lower left margin (see photo) Edition: 50 (20/50) Printed by Arthur Flory...
Category

1950s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Soaring New York
By Howard Norton Cook
Located in New York, NY
Howard Cook (1901-1980), Soaring New York, aquatint, soft0ground etching, roulette, 1931-2; signed, dated and annotated “imp” in pencil lower right, titled lower margin. Reference: D...
Category

1930s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

La butte de Montmartre et le Sacre-Couer (Sacre Coeur from a Distance)
By Robert Delaunay
Located in Fairlawn, OH
La butte de Montmartre et le Sacre-Couer (Sacre Coeur from a Distance) Lithograph, 1926 From Joseph Delteil's "Allo, Paris," published by Quatre Chemins, Paris, 1926 Rare signed proo...
Category

1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

St. George Hotel Searchlight
By Adolf Dehn
Located in Fairlawn, OH
St. George Hotel Searchlight Lithograph, 1930 Signed in pencil lower right (see photo) Titled lower left (see photo) Edition: 30 Printed by Meister Schulz, Berlin The image depicts t...
Category

1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

View of Piazzo San Marco in Venice
By Pierre Van der Aa
Located in New York, NY
Engraving of Veduta della Piazza di S. Marco, verso L'Horologio by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.
Category

1720s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Paper

New University Chicago Campus
By Kent Hagerman
Located in Fairlawn, OH
Signed and titled in pencil by the artist
Category

1920s Ifpda International Fine Print Dealers Association Landscape Prints

Beach and Willows
By Frederick Garrison Hall
Located in New York, NY
Frederick Garrison Hall (1879-1946), Beach and Willows, etching, c. 1920, signed in pencil by the artist (?) and annotated "by HPH". Reference: Elton Waylon Hall: Frederick Garrison ...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Hombre! Que Sin Vergeunza!
By George Biddle
Located in New York, NY
George Biddle (1885-1973), Hombre! Que Sin Vergeunza!, 1928, lithograph, signed and dated in pencil lower right, titled and numbered lower left [also signed in plate lower left ”Biddle/1928/44]. References: Pennigar 78, Trotter 44. Edition 100. In excellent condition (never framed, without light or time staining), with wide margins, the full sheet, 9 3/4 x 13 3/4, the sheet 15 1/2 x 20 1/2 inches. Printed by George C. Miller. On cream wove paper with the FRANCE watermark. Archival mounting (mylar unattached mounting between acid-free board). A fine, fresh impression, in pristine condition. According to Pennigar the title translates roughly to “Buddy! Aren’t you ashamed of yourself!” The title refers to the composition: the well-groomed man with his foot up in the carriage passes a group of naked little boys...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

The Anglers
By Adriaen van Ostade
Located in New York, NY
Adriaen Van Ostade (1610-1685) etching The Anglers, circa 1647, Godefry 26, Bartsch 26. Very good condition, with small (1/2 inch) margins, on cream laid paper, archival mounting. 4 ...
Category

1640s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Old Putney Bridge
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185. Provenance: Kraushaar Gallery, New York A fine impression, with wide margins. The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category

Late 19th Century Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

THE LITTLE COURT - CLOTH FAIR
By James Abbott McNeill Whistler
Located in Portland, ME
Whistler, James A. M. THE LITTLE COURT CLOTH FAIR. Spink 22. Lithograph, 1887. A lifetime impression, one of 12 printed by Way and signed in pencil with the Butterfly. Printed on Ivory colored wove paper without watermark. The sheet 11 9/16 x 6 inches. In very good condition with slight discoloration from the mat in the areas outside the mat window. Provenance: Collection of Otto Gerstenberg (see below) with his collectors stamp, Lugt 2785, the Secretary Montag's "M" and the inventory numbers 61248 KO5182 all on the verso; Horizon Gallery, Rockport, MA, with its label and annotations on the frame backing. Framed. Very rare. The following are translations from the entry on Gerstenberg in Lugt: Lugt 1921: O. GERSTENBERG (born 1848), director of the Insurance Company "Victoria", lives in Berlin. Old and modern prints. Otto Gerstenberg, born in Pyritz, studied mathematics and philosophy at the University of Berlin. After having been employed at the Prussian Statistical Office, in 1873 he entered the insurance company "Victoria" in Berlin as a mathematician-calculator, and became its director in 1888. He developed it in the following years and brought it up. to its present importance. Around 1900 he began to collect prints of which he now has a very large cabinet; as elders especially Schongauer, Dürer and Rembrandt, then Lucas de Leyde, Hirschvogel, van Dijck, Ostade and the French portrait painters. As modern it is necessary to point out, among the Germans »Greiner, Klinger, Leibl, Liebermann, Menzel, Stauffer-Bern; among the French, Corot, Daumier, Degas, Forain, Lepère, Manet, Meryon, Toulouse-Lautrec; among the English, Bone, Dodd, Goff, Haden, Strang; then an important work by Whistler and Goya and leaves by Rops and Zorn. Also has beautiful paintings. Lugt 1956: During the 1914-1918 war, the collectort had his collection transported to Switzerland and, when the war was over, he decided, quite reluctantly, to sell it. In the spring of 1922 the sale was concluded in Zurich with the merchants Gust. Mayer, of Colnaghi & C ° of London, and Mr. A. MacDonald, then a partner of Harlow & C ° of New York, who bought the set at a price corresponding roughly to the total prices paid by Gerstenberg. This was a large sum, because he had acquired several of his finest pieces in the big sales between 1900 and 1914 against the big enthusiasts of the time such as Morgan, Gutmann, Rothschild etc. It was Gaiser, of the firm H. G. Gutekunst in Stuttgart, who had generally carried out his orders in the sales. MacDonald believed he had a buyer for the set in America, but when the collection arrived there those hopes were dashed by a change in economic conditions. He then sold the parts separately. We will get an idea of ​​the importance of this collection by the following enumeration of the most beautiful pieces: among the Dürer, the Adam and Eve (from the Buccleuch and Hubert collections), the Saint-Eustache, the Mélancolie (from the collection Behaim, Dumesnil and Scholtz), the Knight of Death (from the Barnard and Hubert collections) and the Life of the Virgin series (from the St. Aubin collection); Dürer's work was almost complete. Quite remarkable was the Rembrandts' series, in which we note the Piece aux cent florins, sur Japon (collection Weber and Hubert), the Three Crosses, 1st state and 2nd state (collection Artaria and Hubert), the Little Tomb ( coll. John Wilson) and another proof on Japan, Death of the Virgin in Irstate (Josi coll.), St. Jerome, B. 103, unstead (Josi, Aylesford, Buccleuch and Hawkins coll.), the St. François (coll. Theobald); the series of portraits by Rembrandt was superb: Rembrandt himself drawing, B. 22, Ir état (from the Worlidge, Brit. Mus., Dighton and Theobald collections) and the same in the second state on Japan (Morrison collection), all the states of Clement de Jonghe, Jan Asselijn, Irtat (Josi, Aylesford, Buccleuch and Hubert coll.), old Haaring, 2nd state (same sources) and the young, 2nd state in Japan (Brodhurst and Lanna collection) , the Lutma in 1st state on japan (Josi, Aylesford, Baccleuch and Hubert collection) and a superb 2nd state (from the Firmin-Didot and Hubert collections), the Six in 3rd state (Ploos van Amstel collection); in landscapes: the three Trees (coll. Theobald), the three Chaumières (coll. Morgan and Lesecq des Tournelles), the Landscape with the tower, Ir état (coll. Aylesford, Holford and Hubert), the Campagne du peseur d ' gold, on Japan (Barnard, Holford and Theobald collection) and a State of Landscape with the drinking cow, on Japan (Theobald collection). Then a series of 51 Schongauer, including several of the first order, 8 of Hirschvogel, the portraits by van Dijck himself in first states (except D. 10 and 15, the most beautiful of the collection Theobald), beautiful series by Claude and van Ostade. The purchase included neither the important modern prints that Gerstenberg owned, nor his beautiful prints by Goya, nor a few drawings by the latter and Rembrandt. Gerstenberg was an enthusiastic collector who passionately loved his collection. When in 1922 the buyers announced their decision to acquire his old prints at the agreed price, he could not contain his tears. He later consoled himself by developing his series of watercolors and drawings of the French school of the nineteenth century, and he managed to own a magnificent set of Delacroix, Daumier, Degas, Monet and, in general, the Impressionists. . We do not know, at the present time, what happened to this part of his collection, but it is feared that part of it was lost or destroyed in the offices of the insurance company "Victoria" in Berlin or in its property in Silesia during the Russian invasion in 1945. The Toulouse-Lautrec which had been evacuated to Denmark were sold out of court after the war from 1939 to 1945. Gertstenberg died ,very old in 1935. The mark reproduced by us in L.2785 has rarely been used, but the origin of the prints is more easily recognized by the initial M, followed by a number (see L.1840c...
Category

1880s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Tree Tunnel
By Isca Greenfield-Sanders
Located in Berkeley, CA
Color spitbite aquatint and sugarlift aquatint. Edition of 35
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching, Intaglio

After Hours
By Peter Milton
Located in New York, NY
“AFTER HOURS” was created by the contemporary artist Peter Milton in 2019. This graphic depicting a scene outside of the Louvre in Paris was drawn on a spec...
Category

21st Century and Contemporary Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Digital

GLOUCESTER
Located in Portland, ME
Johnson, Bess L. GLOUCESTER. Etching and aquatint, not dated. Edition size not known. Titled in pencil, lower left, and signed in pencil, lower right. Image of a boat at a dock in Gl...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching, Aquatint

YORK AVENUE TENEMENTS
By Armin Landeck
Located in Portland, ME
Landeck, Armin (American 1905-1984). YORK AVENUE TENEMENTS. Kraeft 74. Etching, 1938. Ed. 100, signed and dated in pencil. 10 1/2 x 9 inches, framed to 17 ...
Category

1930s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

The Wright Brothers at Kitty Hawk
By Frank Lemon
Located in New York, NY
Lemon, Frank. Flights: Unforgettable Exploits of the Air. This plate: With one beat of his wing, Charles Lindbergh goes to Paris! 1927. Wright Aeronautical Corporation, 1928. Origi...
Category

1920s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Paper

Hidden Cities I / second state
By Peter Milton
Located in New York, NY
“Hidden Cities I : The Ministry. Second State.” Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is Image size 23.50 x 36.88 inches and the paper size is 31 x 42 inches. This impression is signed, dated, and titled in pencil and inscribed “11/75” – the 11th impression from the total printing of 75. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul. In addition to a storied career in printmaking, since 2007 Milton has fearlessly produced artwork digitally. He now creates images using Adobe Photoshop in files consisting of more than two thousand layers, which are printed both as digital prints on paper and, for display on Led light boxes...
Category

21st Century and Contemporary American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Engraving, Etching

The Little Putney
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler, The Little Putney, 1879, etching and drypoint, signed with the large butterfly lower right (also with the butterfly in the plate). Glasgow 187, third state (of 3). 12...
Category

Late 19th Century Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

West Cornwall Station.
By Armin Landeck
Located in New York, NY
Armin Landeck created this 1936 drypoint was printed in an edition of 100. The image size is 6 7/8 x 10 7/8" and the paper size 12 1/2 x 16". It is Signed and dated in the...
Category

Mid-20th Century American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint

BROADWAY TOWERS
By Joseph Pennell
Located in Portland, ME
Pennell, Joseph. BROADWAY TOWERS. Lithograph, 1904 Wuerth 151. Number 3 of a set of 12 images published by The Iconophiles Society in an edition of 100. 11 1/8 x 6 1/8 inches (image)...
Category

Early 1900s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

TWO SCREENPRINTS OF ITALIAN TOWNS
By Clinton Adams
Located in Portland, ME
Adams, Clinton (American 1918-2002). TWO SCREENPRINTS OF ITALIAN TOWNS. Signed in the matrix. Edition sizes not known. Each 16 x 12 inches (image), 20 x 13 inches (sheet). One with a...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Screen

Skyline from Pier 10, Brooklyn
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Skyline from Pier 10, Brooklyn, etching, 1931, signed in pencil [also signed in the plate]. Reference: Sasowsky 129. First state (of 4). In very good cond...
Category

1930s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

JEANETTE PARK - SOUTH STREET & COENTES SLIP
By Ernest David Roth
Located in Portland, ME
Roth, Ernest (American, 1879-1964). JEANETTE PARK - SOUTH ST & COENTES SLIP. Etching, 1936. Edition size not stated. Signed in Pencil and Signed, Dated, and Titled in the plate. 10 5...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Pond
By Sally Gall
Located in New York, NY
Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Photogravure

Pond
$760 Sale Price
20% Off
Cover illustration for Die Graphischen Kunste, Volume 22
By Henri Riviere
Located in Fairlawn, OH
Cover illustration for Die Graphischen Kunste, Volume 22 Color lithograph, 1899 Signed with the artist's initials lower center (see photo) From: The Graphic Arts, Volume 22, 1899 ...
Category

1890s Art Nouveau Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Ostiakes
By Cornelis de Bruijn
Located in Fairlawn, OH
Ostiakes Engraving, 1718 From: Voyages de Corneille le Brun par la Moscovie, en Perse, et aux Indes Occidentales (French translation, 1718), Chapter XXI The Ostyak are a member of an...
Category

1710s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Engraving

EAST 15TH STREET
By Yvonne Jacquette
Located in Portland, ME
Jacquette, Yvonne. EAST 15TH STREET. Faberman 8. Lithograph in five colors, 1974. Edition of 125. Signed and numbered in pencil. Printed by Paul Narkiewicz and Chip Elwell on Arches...
Category

1970s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Montparnasse Street
By Howard Norton Cook
Located in New York, NY
Montparnasse Street– 1931, Etching Duffy 128. Edition 50, only 25 printed. Signed, dated, and annotated imp and 50 in pencil. Image size 4 7/8 x 9 7/8 inches (124 x 251 mm); sh...
Category

1930s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

FOREST IN THE RAIN
By Karl Schrag
Located in Portland, ME
Schrag, Karl. FOREST IN THE RAIN. Syracuse 169. Etching and engraving, 1970. Edition of 50, titled, numbered, dated, and signed, all in pencil. 9 x 15 inches (plate), with full marg...
Category

1970s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Engraving, Etching

LE PONT AU CHANGE
By Charles Meryon
Located in Portland, ME
Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...
Category

1850s Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint, Etching

'Humphrey's Peak, Arizona' — from the series 'Axis Mundi', Contemporary
Located in Myrtle Beach, SC
Beth Ganz, 'Humphrey's Peak, Arizona', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Humphreys Peak (Hopi: Aaloosaktukwi, Navajo: Dookʼoʼoosłííd) is the highest natural point and the second most prominent peak after Mount Graham in the U.S. state of Arizona, with an elevation of 12,637 feet (3,852 m) and is located within the Kachina Peaks Wilderness in the Coconino National Forest, about 11 miles (17.7 km) north of Flagstaff, Arizona. Humphreys Peak is the highest of a group of dormant volcanic peaks known as the San Francisco Peaks. Humphreys Peak was named in about 1870 for General Andrew A. Humphreys, a U.S. Army officer who was a Union general during the American Civil War and who later became Chief of Engineers of the United States Army Corps of Engineers. The San Francisco Peaks are a sacred place for Hopi, Navajo, Havasupai, Zuni, Apache, and other Native American tribes. A place of sacred shrines and ancestral dwellings, The Peaks are associated with emergence, deities, ancestors, life-giving moisture, and spiritual ceremony and are still actively utilized today. Numerous medicinal herbs and other plants used in traditional ceremonies and to treat ailments are found at several levels of the Peaks. The plants are said to have place-specific energies—that is, they must come from these sacred sites to fulfill their proper function. To the Hopi, the Peaks are Nuvatukaovi, “The Place of Snow on the Very Top,” home for half the year to the ancestral kachina spirits who live among the clouds around the summit. When properly honored through song and ceremony, it is believed that the kachinas will bring gentle rains to thirsty crops. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching, Photogravure

Ship
By Michele Zalopany
Located in New York, NY
Michele Zalopany was born in Detroit, Michigan. She attended the Columbus College of Art and Design from 1973 to 1974 and the Cleveland Institute of Art from 1976 to 1978. She earned her Bachelor of Fine Arts degree from the School of Visual Arts in 1981. Through her labor-intensive mezzotints, Zalopany employs realism to depict fictitious scenes, bearing witness to the disintegration of what was once the fulcrum of the American economy in Detroit. Zalopany’s work is widely represented in many public and private collections in the United States and in Europe including The National Gallery of Art, The Yokohama Museum of Art, The Whitney Museum of American Art, The Walker Art Center, The Museum of Fine Art in Boston, The Cleveland Museum of Art, The Royal College of Art in London, and numerous others. Her work has been exhibited in galleries that include P.P.O.W., John Good...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mezzotint

Ship
$720 Sale Price
20% Off
View of Piazzo San Marco in Venice
By Pierre Van der Aa
Located in New York, NY
Engraving of Veduta della Piazza di S. Marco, versoil Canale by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.
Category

1720s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Paper

Umewaka Shrine in the Rain
By Kobayashi Kiyochika
Located in Burbank, CA
Umewaka Shrine, from an untitled series of prints depicting Tokyo. A woman braces her umbrella against the rain and a man waits out the storm next to his jinriksha in this view of th...
Category

1870s Edo Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Handmade Paper, Mulberry Paper, Woodcut

Detention at the Border of Language
By Enrique Chagoya
Located in Lyons, CO
Color lithograph, Edition 30. The artist describes this project: “In this work I defang the stereotypes of Native Americans depicted as primitive savages in the painting by Wimar. The mask and the Mayan head team up with a third character to form a fictitious, original, trans-continental Border Patrol. This work is a humorous reminder that all nations in the Americas were created by undocumented immigrants from Europe. Today, some politicians call refugees from Central America and other countries “illegal aliens” but for me they are no different from the Pilgrims or Daniel Boone...
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Bohemia
By Max Pollak
Located in New York, NY
Max Pollak (1886-1970), Bohemia, drypoint with wash and pencil additions, c. 1925, signed in pencil lower right and titled lower left. In very good condition, printed on a chine coll...
Category

1920s Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Watercolor, Pencil, Drypoint

Boulder Dam
By Adolf Dehn
Located in Fairlawn, OH
Boulder Dam Lithograph, 1946 Signed and dated in pencil lower right (see photo) Titled in pencil lower left (see photo) Printed by Lawrence Barrett, Colorado Springs Edition of 40 or...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

CALLE EX CONVENTO, TASCO.
Located in Portland, ME
Pappe, Carl. CALLE EX CONVENTO, TASCO. Woodcut, c.1940s-60s. Edition unstated. This print is one of a series of 16 images, all of scenes in Taxco, distinguished by the strength of the carving and the richness of the blacks. 12 x 14 1/4 inches (image), 13 1/2 x 15 3/4 (sheet). Titled and signed in pencil. In excellent condition. Carl Pappe...
Category

1940s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Woodcut

SKOWHEGAN II
By Yvonne Jacquette
Located in Portland, ME
Jacquette, Yvonne. (American, 1934-2023). SKOWHEGAN II Aquatint, 1987. Editon of 35. Signed, dated and numbered 12/35, all in pencil. 20 1/2 x 15 7/8 inches (plate), 29 x 22 1/2 inch...
Category

1980s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Aquatint

Tree, Manhattan
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962), Tree, Manhattan, drypoint, 1930, signed in pencil lower right [also signed in the plate lower left]. Reference: McCarron 87, only state; 91 recorded impress...
Category

1930s American Realist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint

BRIDGE AT CHARTRES
By Ernest David Roth
Located in Portland, ME
Roth, Ernest (American, 1879-1964). BRIDGE AT CHARTRES. Etching, 1927. A Trial Proof before the edition (if any). Inscribed in pencil "Trial Proof A (Bridge at Chartres) 1927." Signe...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Etching

Old Houses in Amsterdam
By T.F. Simon
Located in Fairlawn, OH
Old Houses in Amsterdam Drypoint, 1909 Signed and dedicated in pencil lower right. "A Mr. H. A. Webster, bien sympathiquement, T.F. Simon, Paris 26/10" Simon...
Category

Early 1900s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Drypoint

Untitled (Moulin Rouge and other Paris landmarks)
By Robert Delaunay
Located in Fairlawn, OH
Untitled (Moulin Rouge and other Paris landmarks) Lithograph, 1926 Rare signed in pencil proof on chine paper (see photo) Lithograph from Joseph Delteil's "Allo, Paris," published by...
Category

1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

Les Jardin des Tuileries
By Edouard Vuillard
Located in Fairlawn, OH
Signed by the artist in pencil upper right; Annotated in pencil by the artist below signature: "no 58" Edition: Intended edition of 100 for Vollard's "Album des Peintres-Gravures" o...
Category

Late 19th Century Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Lithograph

EUCALYPTUS TREE
By Leon Bibel
Located in Portland, ME
Bibel, Leon (American, born Poland, 1912-1995). EUCALYPTUS TREE. Screenprint, 1938. Edition of 25. Signed, titled, dated and numbered 14/25, all in pencil, and also signed in the mat...
Category

1930s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Screen

ON THE ISLAND
By Thomas Willoughby Nason
Located in Portland, ME
Nason, Thomas. ON THE ISLAND. BPL 213. Wood engraving, 1937. Inscribed "Ed. 80" and signed and dated in pencil. 5 3/8 x 10 inches (image), 10 1/4 x 13 1/2 inches (sheet). In excellen...
Category

1930s Ifpda International Fine Print Dealers Association Landscape Prints

Materials

ABS, Engraving, Woodcut

Ôkubo Hikozaemon Protects the Hidden Shogun Triptych
By Taiso Yoshitoshi
Located in Burbank, CA
“War Chronicles of Osaka” (Osaka gunki no uchi). Okubo Hikozaemon, raising his sword, protects the hidden Tokugawa shogun from the spear of Gorô Matabei Mototsugu in a moonlit fores...
Category

1880s Other Art Style Ifpda International Fine Print Dealers Association Landscape Prints

Materials

Mulberry Paper, Woodcut

Recently Viewed

View All