Carl Aubock Cloth Hangers

In Vienna’s Neubau district, a beautiful Biedermeier townhouse has been home to the Werkstätte Carl Auböck for more than 100 years. Inside the workshop, where production continues to this day, countless objects line the shelves, walls, tabletops and desktops.

The Viennese artist and designer Carl Auböck II was one of the quirkiest and most delightful and collectible of modern designers. A rather odd duck in the world of decorative arts, he was a peculiar talent whose specialties included smaller desk accessories and tabletop pieces such as corkscrews, paperweights, letter openers, bookends and bottle stoppers. He rendered these pieces in a combination of metal — most often brass — and such elemental materials as leather, knobby wood and animal horn, creating forms that could be almost Surrealist, from hands and feet to keys, birds and amoebae.

As a boy, Auböck was precocious and artistic. He studied drawing and at the same time trained in the workshop of his father, Karl Heinrich Auböck, a popular maker of traditional bronze figurines and collectibles. In 1919, Carl II went to Germany to study at the Bauhaus, where he was a pupil of the progressive artist and theorist Johannes Itten. While the Bauhaus is most associated with the rigidly ordered, functionalist architecture of its directors Walter Gropius and Ludwig Mies van der Rohe, the school was in reality a liberal, spirited place — a crucible for imaginative, playful and avant-garde art and design. It was this spirit that imbued Carl II’s work from the time he left in 1921.

In 1922 or ’23, Carl Auböck II returned to Vienna to help care for his ailing father, and he took over the business. He created the Werkstätte Carl Auböck and a legacy that earned his objects cult status among collectors. The business was passed on to his descendants, who run the atelier that is still in operation today. Today, objects designed by Carl II make up 90 percent of Werkstätte Carl Auböck’s production, joined by the creations of architect and designer Carl IV, his grandson.

Vintage Auböck designs have a special character, a patina that only emphasizes how much the pieces have been loved and used. Carl Aubock II’s small furniture items — leather- or caned-sling magazine racks; free-edge wooden side tables with tubular bronze legs; wicker serving trolleys with turned beechwood wheels — are elegant and purposeful. His bijoux desktop objects, library tools, ashtrays and barware pieces evince a kind of mirthful practicality. They seem to ask: “If you need a corkscrew, or a paperweight, or a candlestick, why not make it fun as well as functional?” And indeed, why not?

Find a collection of vintage Werkstätte Carl Auböck mirrors, seating, tables, decorative objects and other furniture on 1stDibs.

Your guests might have to endure all kinds of harsh climes to get to your housewarming party, so let’s make sure their trusty overcoats and umbrellas have a home. Shop the antique and vintage coat racks and stands on 1stDibs today.

Coat racks, umbrella stands, wall-mounted hooks for outerwear — they’ve long served a practical purpose. In the days of travel by horse or foot, a guest might arrive on your doorstep bedraggled, windblown and often dripping with rain. While transportation has thankfully improved since then, a coat rack in the entryway or foyer of your home is still the beacon it was back then: It says, “Come in, where it’s dry and warm. Hang up your coat and stay a while.”

Coat stands are among history’s fairly rudimentary ideas, so it’s difficult to point to the original inventor of this eternally functional fixture, but Thomas Jefferson was said to have fashioned one of his own at Monticello. Jefferson, who would’ve made a great interior designer, placed a long wooden pole in his closet that was adorned with spokes from which his coats and other garments could be hung. The simplicity of Jefferson’s coat-tree is echoed in designs from the 18th and 19th centuries.

The timeless convenience of a wooden coat rack has endured. While there are striking Art Deco coat stands made of oak and walnut that would meet your mudroom needs well, some of the product designers behind what we now call mid-century modern coat stands turned to materials other than wood, working frequently with plastic and chrome to create unconventional alternatives. Simpler and pared-down coat stands of the mid-20th century were occasionally so interesting in form that they could pass as minimalist sculptures when not in use. Some designers, such as Jacques Adnet, helped to redefine what these classic furnishings could look like, integrating saddle leather and brass and sometimes even horseshoes for his wall hooks and racks.

Although a coat rack is undoubtedly a practical investment, we know that fun comes along with functionality. There is plenty to explore in the collection of antique, vintage and contemporary coat racks and stands on 1stDibs, so go ahead — hang up your coat and stay a while.