Covered Sofas And Chairs

Belgian designer Martin Margiela (b. 1957) — whose life, career, clothing designs and vintage shoes have become cult-collector obsessions — pushed those who attended his shows outside their comfort zones. In the years following his maison's 1988 debut, he toyed with creative and aesthetic paradoxes that persist in fashion today.

Consider the Spring/Summer 2001 shirt patchworked from vintage clothing labels, or his famous corset dresses made from tailoring dummies, from his Fall/Winter 1997 line. Or his oversize collection for Fall/Winter 2000. In 1992, Margiela told Dépêche Mode magazine, “My clothes appeal to women of a certain mindset rather than of a specific age or physique.”

Born in Genk, Belgium, in 1957, Margiela knew he wanted to be a fashion designer after catching glimpses of Parisian fashion on TV as a child. Although his parents discouraged this career choice as an oddly funny aspiration, Margiela enrolled in the fashion program of the Royal Academy of Fine Arts Antwerp. There, he befriended and graduated a year ahead of the Antwerp Six — the acclaimed group of Belgian fashion designers comprising Dries Van Noten, Walter Van Beirendonck, Ann Demeulemeester, Marina Yee, Dirk Bikkembergs and Dirk Van Saene.

Like many of his contemporaries in the 1980s, Margiela understood Paris fashion but felt a deep resonance with the deconstructed beauty espoused by Japanese designers Yohji Yamamoto and Rei Kawakubo, of Comme des Garçons. Margiela’s fascination with Japan influenced many of his earliest collections and designs, from a dress pieced together from broken plates to his iconic Tabi boots, inspired by the split-toe Japanese worker’s shoe, which dates back to the 15th century. He decided to launch his own line while working for renowned Paris designer Jean Paul Gaultier.

Margiela, Gaultier has often stated, was his best assistant. Even then, the 2019 film Martin Margiela: In His Own Words suggests, he was acutely aware of the widening gulf between the art and the business of fashion.

Margiela’s debut show was nothing short of spectacular. Set in a packed Café de la Gare in the still-seedy Marais district, it was also scandalous to the Parisian fashion set of the time. The designer tore up the conventions of contemporary couture presentations, most notably having his models, plucked from the streets and wearing ink-blotted Tabis, wend their way through the crowd. The show redefined the concept of the runway in a way that would later inspire such designers as Alexander McQueen and Demna Gvasalia.

While the notoriously private designer retired from fashion in 2009, for many Maison Martin Margiela collectors, his pieces capture the irreverence of the postwar, post-punk late 1980s and ’90s. Katy Rodriguez, cofounder of the cult vintage fashion shop Resurrection, is among those who felt a connection to Margiela’s clothing in the subliminal challenges it posed to the time’s beauty norms.

“Growing up in San Francisco and coming out of the end of punk rock, not wanting to be objectified, not wanting to be seen as a sexual object, not wanting your value to be just because you’re pretty — all those clothes played into all of that,” she says. “It really was a reflection of the kind of world the young people I knew at the time wanted to live in.”

Find vintage Maison Martin Margiela boots, evening dresses, jackets and more on 1stDibs.

For everyday casual wear, elevating your look at the office or making a dramatic entrance at a formal event, authentic designer and vintage skirts are reliably versatile garments.

Skirts have been around for thousands of years. A woman’s straw skirt found in an Armenian cave is believed to have been handwoven in 3,900 B.C., and long, full skirts were worn by men and women in Ancient Egypt and Ancient Mesopotamia. Over time, the hemlines might have changed significantly but the skirt’s integral role in fashion has remained in place.

By the early 1900s, skirt hemlines had crept up slightly to ankle-length height from the densely layered floor-length style that dominated the Victorian era — a radical shift. As women in the United States began to live more active lives during the 1920s, designers such as Gabrielle “Coco” Chanel sought to free them from the long skirts and other constrictions that persevered in fashion by ​​introducing her first little black dress. That same decade, she debuted her perfume, Chanel No. 5, as well as the Chanel suit with a fitted skirt, inspired by the boxy lines of men’s clothing and employing a sporty tweed.

Advancements in swimwear during the 1920s and 1930s also reflected a climbing hemline. Visionary designers such as Elsa Schiaparelli eventually pushed the boundaries of modesty with her backless suit, but women still wore long garments in public. Also during the so-called Roaring ’20s, short flapper dresses that fell at the knees and boasted a free-flowing sack-like silhouette, as well as chic beaded evening gowns and floral day dresses, paired fabulously with the dazzling jewelry of the era. This proved to be just a fleeting deviation from prevailing social convention, however. Skirts grew longer again in the 1930s, even if bows and other embellishments were added. As women entered the workforce in large numbers, clean lines accentuated curves and flared slightly where the material resolved at the ankles.

After World War II, France earned recognition as the center of fashion design for women. It was the golden age of haute couture, and women, quick to dispense of the drab utilitarian wartime garb that hung in their closets, pined for luxurious, elegant skirts designed by Christian Dior, Chanel, Givenchy and others, which were splashed across the pages of Vogue and Harper’s Bazaar in richly colored photographs shot by the likes of Richard Avedon and David Bailey. The 1960s introduced narrow pencil skirts and provocative minis emblazoned with geometrically dazzling patterns or bright floral prints by designers such as Emilio Pucci, Pierre Cardin and Lilly Pulitzer. By the 1970s, women felt emboldened to wear different varieties of this all-purpose garment, exploring wraps, crushed velvet maxis and other styles crafted by Halston, ​​André Courrèges, Yves Saint Laurent and others.

On 1stDibs, find a wide range of designer and vintage skirts for any gender by Prada, Dolce & Gabbana, Alexander McQueen and more. Whether it’s a skirt that can be altered to suit a specific style or an addition that’s ready to join your cherished collection, find exactly what you’re looking for today.