A.J. Oishi Art

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in red, white, tan, and black set against a light background. Curr...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in black and tan set against a light background. Signed and titled...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in yellow, brown, black, and tan set against a light background. S...

Contemporary blue toned gestural abstract expressionist painting by Houston based artist Kristi Haines Herman. The work features layers of swirling brushwork in tones of tan, pink, and deep green. Signed, titled, and dated on the reverse. Currently unframed, but options are available. Artist Biography: As an abstract painter, Kristi Haines Herman, uses her artwork to execute ideas and two-dimensional environments that create an emotional experience for the viewer. Her paintings are inspired by personal involvements and reactions to them. Phrases and words ruminate in her mind and slowly turn into abstracted figures that convey her inner thoughts. Haines Herman is highly influenced by movement as her artistic expression due to many years in dance. Movement is depicted through various gestural lines, shapes, and texture which allow the audience to venture through the canvas; thus a visual dance from one edge to another on the painting’s surface. Ballet was Haines Herman’s first love in the art world, starting at age five. She learned to use body movement as an outward expression which allowed her to explore various audience reactions. This would later correlate with her artwork. In her late teens, dance and visual art would intertwine with time on stage as well as painting for expression. Gradually, visual art became her primary artistic avenue. Haines Herman attended Mary Baldwin College in Staunton, Virginia, where she majored in studio art under professors Frank Hobbs and Polly Dixon. She received a Bachelor of Fine Arts from The University of Texas at Austin. During her studies at UT, she was encouraged and challenged by many talented art professors, including Michael Mogavero, John Yancey and David...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Arnau Casas...

"Fragments of Dreams" 1977 is a mid-century modern, abstract acrylic on canvas painting, predominantly red with geometric squares in varying shades of red and blue with a mid-century...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in black, grey, and tan set against a light background. Signed on ...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in black, grey, and tan set against a light background. Signed and...

Contemporary Art, Abstract Painting Acrylic on canvas 150 x 200 cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Naci...

Jiban Biswas - Nostalgia - 36 x 48 inches (unframed size) Acrylic on Canvas Style : According to him, “ The Mud colour are changing its shade, The sheds...

Larry Zox Jean Jean, 1964 Signed, dated, and titled on the stretcher Liquitex on canvas 58 x 62 inches Provenance: Solomon & Co., New York Private Collection, NJ Estate of the above, 2023 Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of intense hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. From 1962 to 1965, he produced his Rotation Series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack...