Elizabeth Elsworth Hewlett Watkins
Early 20th Century Impressionist Landscape Paintings
Canvas, Oil
People Also Browsed
Early 1900s American Impressionist Landscape Paintings
Linen, Illustration Board, Oil
Vintage 1930s American Paintings
Canvas
1930s Realist Landscape Paintings
Oil, Canvas
Mid-20th Century Impressionist Landscape Paintings
Oil, Canvas
1930s American Impressionist Landscape Paintings
Canvas, Oil, Foam Board
1940s American Impressionist Landscape Paintings
Linen, Oil
1910s American Impressionist Landscape Paintings
Oil, Linen
Mid-20th Century American Paintings
Canvas
1960s American Impressionist Landscape Paintings
Canvas, Cardboard, Oil
1920s American Impressionist Landscape Paintings
Linen, Oil
1990s American Impressionist Landscape Drawings and Watercolors
Watercolor, Paper
19th Century American Impressionist Landscape Paintings
Oil, Canvas
1990s Contemporary Mixed Media
Paint, Photographic Paper
1970s Impressionist Landscape Paintings
Canvas, Oil
21st Century and Contemporary Contemporary Figurative Paintings
Enamel
1930s Landscape Paintings
Oil
A Close Look at impressionist Art
Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.
The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.
Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.
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