Faberge Earrings

There is a broad range of faberge earrings for sale on 1stDibs. These distinct designs — crafted with great care and often made from Gold, White Gold and Yellow Gold — can elevate any look. Our collection of these items for sale includes 9 vintage editions and 99 modern creations to choose from as well. Our inventory is broad and distinctive, with accessories on offer that were made as long ago as the 20th Century to those produced as recently as the 21st Century. There are many different pieces in our collection of faberge earrings to choose from, but Art Nouveau and Modern faberge earrings are of considerable interest. Many pieces in our collection are stylish for most occasions, but Diamond versions, from our inventory of 73, can add a particularly distinctive touch to your look, day or night. There are many round cut, brilliant cut and pear cut faberge earrings for sale. If you’re browsing the variety of faberge earrings for sale, you’ll find that many are available today for women, but there are still pieces to choose from for men.

Prices for faberge earrings can differ depending upon size, time period and other attributes — at 1stDibs, these accessories begin at $1,089 and can go as high as $428,599, while faberge earrings, on average, fetch $13,800.

While the House of Fabergé is best known for creating the lavishly ornate and intricately devised Imperial Easter eggs given by the last czars to their families as annual holiday gifts, it was the most prestigious Russian luxury goods maker of the late 19th and early 20th centuries.

Serving the aristocracy and the well-to-do through stores in St. Petersburg, Moscow and as far afield as London, Fabergé crafted a wide range of brooches and other jewelry, clock cases, silver and myriad objets de vertu that included picture frames, cigarette cases, cufflinks and carved hardstone floral and animal figurines. Following the revolution, the firm was closed by the Soviet state in 1918.

Master goldsmith Gustav Fabergé, a descendant of Huguenot emigrées, founded the company in St. Petersburg in 1842. The firm did a brisk trade among the lesser nobility and the merchant class, but it flourished under the guidance of Gustav’s eldest son Peter Carl Fabergé — known also as Karl Gustavovich Fabergé — who took over in 1872.

Cosmopolitan, widely-traveled and himself a master goldsmith — he was sent on a Grand Tour in the 1860s — the younger Fabergé drew early design inspiration when he volunteered to catalogue and restore pieces in the imperial jewelry collection in the Hermitage.

Fabergé pieces based on historical jewelry from the Hermitage caught the attention of Czar Alexander III at a Moscow exhibition in 1882, and three years later he commissioned the first Imperial Easter egg as a gift for the czarina. Czar Nicholas II continued the tradition, presenting two eggs each Easter — one for his wife and one for his mother.

Relatively simple in design compared to the complex cloisonné-adorned eggs that followed, the first Fabergé egg was a white-enameled ovoid containing a gold “yolk” that held a gold hen, which in turn contained a replica of the imperial crown from which hung an egg-shaped ruby pendant.

As the appointed goldsmith to the royal court, the House of Fabergé became the darling of Russian aristocrats as well as wealthy patrons across Europe. Many and varied objets — hundreds of thousands by one count — were made to meet their demand. The firm employed some 500 craftsmen and designers when it was shuttered.

After the Russian Revolution, the Fabergé name and trademark endured a checkered passage through the 20th century.

Family members left their homeland in 1918 and set up a new business in Paris that was mainly concerned with repairing and restoring earlier-made wares. The name was adopted by an American fragrance and beauty products maker in the late 1930s, and later authorized by the family in a 1951 agreement. The trademark has been subsequently sold several times, and attached to numerous products including jewelry.

Fabergé pieces are richly redolent of a romantic past, and a source of thorough delight — for connoisseurs, true Fabergé refers to items made in the firm’s brief, golden decades from 1885 to 1917.

Collectors are advised to make a study of Fabergé works in museum collections such as the Victoria & Albert and the Royal Collection in London to gain an understanding of the quality of genuine goods made by the original firm, and then to purchase only from reputable and reliable dealers, such those at 1stDibs.

Find Fabergé eggs for sale and other objects and vintage jewelry on 1stDibs.

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany & Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in. 

Since Van Cleef & Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.

In the United States, ear piercing didn’t really become popular until the 1950s and ‘60s, but our desire for a dazzling pair of vintage earrings has deeper roots than that. In fact, wearing earrings actually goes back thousands of years, and you can find many tangible connections between now and then in how we continue to talk about these treasured accessories.

Women wore ornamental earrings — studs and hoops at the very least — in Ancient Egypt, which is home to mines that are among the earliest sources of emeralds in the world. Emerald earrings are highly prized today, and their quality lies in their rich, saturated color. The highest-quality emeralds are green or bluish-green. Earrings worn by the affluent in early Roman civilizations were set with precious stones such as diamonds and pearls, and a clean-looking pop of pearl on the front of the lobe is as timeless as ever. Hoop earrings are imbued with symbolism and cultural significance for many, and on view in the Metropolitan Museum of Art’s Ancient Near Eastern Art Gallery is a pair of simple gold hoops from Mesopotamia dating to between 2600 and 2500 B.C.

Today, ear piercing is very popular all over the world, and, as a result, it is difficult to overstate how much everyone pines for a good pair of earrings — modernist drop earrings, glamorous Victorian hoops, geometrically complex chandelier earrings, you name it. Sure, jewelry trends and the fashion darlings of social media come and go, but earrings have a staying power that seems impenetrable: The still-strong love affair between British royals and Cartier earrings is more than a century old, glossy 1970s hoops from legacy houses such as Bulgari and Van Cleef & Arpels remain the statement makers they’ve always been and although people have been stacking earrings for many moons, the allure of an expertly mismatched stack of charms and studs still feels fresh and new.

While there is no shortage of modern earring designs to choose from, the classics, like coral earrings, Art Deco–style earrings and diamond drop earrings are still heavy hitters. On 1stDibs, find a wide range of antique, new and vintage earrings today.