An assortment of gianfranco frattini for cassina nesting tables is available at 1stDibs. Each of these unique gianfranco frattini for cassina nesting tables was constructed with extraordinary care, often using
wood,
laminate and
glass. There are all kinds of gianfranco frattini for cassina nesting tables available, from those produced as long ago as the 20th Century to those made as recently as the 20th Century. Gianfranco frattini for cassina nesting tables bearing
Mid-Century Modern hallmark is very popular at 1stDibs.
Prices for gianfranco frattini for cassina nesting tables can differ depending upon size, time period and other attributes — at 1stDibs, gianfranco frattini for cassina nesting tables begin at $619 and can go as high as $5,927, while the average can fetch as much as $2,964.
Gianfranco Frattini is widely regarded as a mid-century master of Italian modern design. He was an award-winning architect and designer, and specialized in creating furniture and decor that is both decorative and practical — Frattini’s vintage desks, armchairs, nesting tables and other works are celebrated for their sophisticated merging of function and form.
Born in Padua in 1926, Frattini studied architecture at the Polytechnic University of Milan. He later apprenticed with his teacher and mentor, Gio Ponti. Through Ponti — arguably the most important figure in 20th-century Italian architecture and design — Frattini met many notable modernist designers such as Oscar Niemeyer and Le Corbusier, but an introduction to famed Italian entrepreneur Cesare Cassina would prove incredibly significant in helping launch his career.
During the mid-1950s, Frattini began to collaborate with Cassina’s eponymous company. He designed the brand’s acclaimed leather and walnut Model 849 lounge chair — a winner of the Compasso d’Oro award — the Marema nesting tables and the iconic Sesann collection. The latter, an enduring 1970s suite of impossibly welcoming leather-covered seating, is now produced by Tacchini. In addition to Cassina, Frattini created furniture and lighting for other manufacturers such as Bernini, Arteluce, Artemide, Knoll and more.
While many of his designs incorporate glass, tubular steel and other materials, Frattini loved working with wood. The sculptural Albero bookcase — an innovative floor-to-ceiling structure made in walnut that swings on a 360-degree vertical swivel axis — is a striking example of Frattini’s dedication to traditional woodworking techniques. In the early 1970s, he traveled to Japan with friend and collaborator Pierluigi Ghianda — a master Milanese cabinet maker — in order to study the work of artisans in Kyoto. The trip inspired his design of the Kyoto table, a work of solid beech with Canaletto walnut inserts that is part of the permanent collection of the Milan Triennale’s Design Museum. The Kyoto and Albero have been revived by Poltrona Frau.
Frattini’s designs are in the permanent collections of prestigious museums such as the Museum of Modern Art and the Cooper Hewitt, Smithsonian Design Museum.
Find vintage Gianfranco Frattini furniture, lighting and decor on 1stDibs.
Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.
ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN
CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN
MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW
ICONIC MID-CENTURY MODERN FURNITURE DESIGNS
VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS
The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.
Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively.
Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer.
Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.
The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.
As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.
Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.
Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.
Antique and vintage nesting tables and stacking tables first became popular in the early 1800s. With individual tables being used for afternoon tea, needlework and other activities, nesting tables were a perfect solution to clear up clutter at the end of the day.
These tables remained a staple of interiors over the decades for their versatility. In the 1920s, German-born American artist Josef Albers designed a modern version with each table a different color. At the Bauhaus, the German art and design school and chief crucible of modernism founded by architect Walter Gropius, Albers wasn’t the only designer to reinterpret the nesting table. Hungarian-born architect Marcel Breuer also introduced a model with chrome-plated tubular steel legs and lacquered plywood surfaces.
One can now find a range of gorgeous, carefully crafted designs, such as a three-level set of solid oak nesting tables, naturally oiled and finished with Calacatta marble. A game-themed set of nesting tables is a must-have for a living room or lounge, while a small office can be accented with vintage Scandinavian nesting tables made of teakwood, a sought-after material among mid-century modern designers.
Browse the unique collection of antique and vintage stacking tables and nesting tables on 1stDibs to find hundreds of options to match your office or living space.