Issey Miyake Ad

From the prismatic Pleats Please collection to the modular, three-dimensional garments crafted from recycled plastic bottles in his Reality Lab, the captivating fashions by Japanese designer Issey Miyake are all about movement.

Born in Hiroshima, Miyake studied graphic design at Tama Art University in Tokyo before relocating to Paris in 1965, where he studied couture and cut his teeth working for Guy Laroche and Hubert de Givenchy. In 1969, he moved to New York, where he worked for Geoffrey Beene. He returned to Tokyo in 1970 to found his first solo venture, the Miyake Design Studio. It wasn’t until the 1990s, though, that the designer had his breakthrough moment with experimentations in pleating. Some of his earliest explorations were for choreographer William Forsythe’s Frankfurt Ballet Company, with the 1991 performance of The Loss of Small Detail featuring costumes Miyake designed with pleats that complemented and transformed the movement of the dancers.

Though long a staple in couture — from delicate women’s skirts to men’s suit pants — pleats took on new life in Miyake’s hands. By using a heat press to cure his fabrics after his garments are stitched, Miyake was able to maintain the accordion structure of the pleat, turning a series of folds into sculptural, often futuristic forms unbound by the shape of the human body. In 1993, Miyake debuted “garment pleating” in his Pleats Please line, in which the clothes are constructed at a size that is larger than what is intended for the finished product. The pleats are then created — a process that involves folding and ironing and is separate from the joining of seams — and individual pieces are subsequently hand-fed into a heat press. The pleats are permanent and the garments can be worn and washed without losing their shape.

Miyake’s pleats run the gamut in scale, which enabled him to evoke dramatic, sharp silhouettes and flowy movements in equal measure. In essence, he created an entirely new material whose iterations are infinite — a feat of technology as much as fashion.

Other innovations include Miyake’s 1997 Just Before collection, which introduced a series of tube-knit dresses that could be cut as desired, reducing both work and resources. His Reality Lab now investigates new materials, such as a fully recycled polyester. Miyake’s prowess, in fact, captured another iconic figure in the tech world: Steve Jobs, for whom the designer made hundreds of identical black turtlenecks, the late Apple founder’s sartorial signature.

Find a collection of vintage Issey Miyake day dresses, jackets, shirts and other clothing on 1stDibs.

No matter if you’re preparing for a fashion event or a weather event — you’re going to need a good jacket.

What would become the modern jacket as we know it began as a strictly professional item. A lot of the vintage and designer jackets (and coat styles such as the Navy-inspired peacoat) in our closets were likely popularized by soldiers who battled aggressive climes with their regulation field jackets, bombers and parkas buttoned or zipped to the chin. Indeed, keeping troopers comfortable guided the design of the military surplus garments that have often become buzzy fashion trends. But now, jackets add far more than warmth to our wardrobe, and we hunt down outer layers branded with peerless fashion labels.

Fashion’s most iconic creations, despite their age, remain modern: Biker jackets originated in the 1920s, Balenciaga’s celebrated puffers are steeped in a tradition of down coats that began in the 1930s and your vintage denim jacket has come an even longer way, from California Gold Rush to wardrobe staple. Jeans bequeathed jean jackets during the 1880s, thanks to Levi Strauss, who crafted the former as a durable garment to be worn by miners and railroad workers. Later, jeans and jean jackets became synonymous with nonconformity and rebelliousness — with fashion legends such as actor James Dean in the 1950s and model Veruschka in the 1960s and ’70s leading the indigo-toned charge.

Another fashion rebel, Coco Chanel, used the classic tweed jacket to introduce more comfort and mobility into women’s daily lives. Debuting in 1954 and based on a cardigan, the groundbreaking Chanel jacket forever changed what women wear. The garment reacted against the fitted, constricting styles of Christian Dior’s New Look, which, as Chanel saw it, was making women dress like decorative objects.

On 1stDibs, find bold collections from cutting-edge contemporary designers who’ve taken the classic silhouette of the jacket to new heights or build out your array of vintage treasures (denim or otherwise) with dazzlers from Yves Saint Laurent, Gianni Versace, Moschino and more.