Liberty Tea Caddy

Long before Liberty became one of London’s most iconic luxury department stores, shoppers of the late 19th century knew it as Liberty & Co. — purveyors of fine silverware designed in the Art Nouveau style, Arts and Crafts-style furniture and an eclectic assortment of ornaments, fabrics, fashion and other goods from around the world.

British merchant Arthur Lasenby Liberty founded Liberty & Co. in 1875. Liberty dreamed of selling an assortment of fine wares he obtained in the Far East from a ship docked in the middle of one of London’s busiest shopping thoroughfares. However, he could only manage to borrow £2,000 from his father-in-law, so he settled for a small shop on Regent Street.

What began as a modest business grew exponentially over the next few years, and, by 1890, Liberty & Co. occupied most of Regent Street. Meanwhile, Liberty forged relationships with many British Art Nouveau artists and designers who were keen to work with one of the most prestigious retailers in London.

In 1899, Liberty & Co. hosted an exhibition showcasing a collection of silver pieces designed by notable silversmiths like Oliver Barker, Albert Edward Jones and Bernard Cuzner. A line of silverware called Cymric also debuted and was produced in partnership with silversmith W. H. Haseler of Birmingham and Liberty & Co.’s chief designer, Manx artist Archibald Knox. The innovative Cymric collection featured a blend of Art Nouveau with traditional Celtic style, including such pieces as candlesticks, spoons, bowls, tableware and jewelry.

Liberty & Co. also had a furniture workshop in Archway, London, run by Lawrence Turner and which employed carpenters to produce handcrafted, Arts and Crafts-style armchairs, stools, bookcases, cabinets, side tables and other furniture. Most of these high-quality and durable pieces were made of solid wood such as oak, mahogany and walnut. In addition to their own in-house creations, Liberty & Co. also sold furniture by other designers, including chairs by German architect Richard Riemerschmid.

Liberty died in 1917, and Liberty & Co. became Liberty of London after relocating to their iconic location on Great Marlborough Street in 1924. Ironically, the imposing Tudor Revival building is constructed from the timbers of two decommissioned British Navy ships — realizing Liberty’s original “ship-store” dream. 

On 1stDibs, discover a range of antique and vintage Liberty & Co. serveware, seating and decorative objects.

Emerging in reaction to industrialization and mass production, the Arts and Crafts movement celebrated handcrafted design as a part of daily life. The history of Arts and Crafts furniture has roots in 1860s England with an emphasis on natural motifs and simple flourishes like mosaics and carvings. This work is characterized by plain construction that showcases the hand of the artisan.

The earliest American Arts and Crafts furniture dates back to the start of the 20th century. Designers working in this style in the United States initially looked to ideas put forth by The Craftsman, a magazine published by Wisconsin native Gustav Stickley, a furniture maker and founder of the Craftsman style. Stickley’s furniture was practical and largely free of ornament. His Craftsman style drew on French Art Nouveau as well as the work he encountered on his travels in England. There, the leading designers of the Arts and Crafts movement included William Morris, who revived historical techniques such as embroidery and printed fabrics in his furnishings, and Charles Voysey, whose minimal approach was in contrast to the ornamentation favored in the Victorian era.

American Arts and Crafts work would come to involve a range of influences unified by an elevation of traditional craftsmanship. The furniture was often built from sturdy woods like oak and mahogany while featuring details such as inlaid metal, tooled leather and ceramic tiles. The style in the United States was led by Stickley, whose clean-lined chairs and benches showcased the grain of the wood, and furniture maker Charles Rohlfs, who was informed by international influences like East Asian and French Art Nouveau design.

Hubs in America included several utopian communities such as Rose Valley in Pennsylvania and the Byrdcliffe Arts and Crafts Colony in New York, where craftspeople made furniture that prioritized function over any decoration. Their work would influence designers and architects including Frank Lloyd Wright, who built some of the most elegant and iconic structures in the United States and likewise embraced a thoughtful use of materials in his furniture.

Find antique Arts and Crafts chairs, tables, cabinets and other authentic period furniture on 1stDibs.

Dining and entertaining changed drastically when we began to set our tables with sterling silver for holiday gatherings, wedding receptions, engagement parties and, in some of today’s homes, everyday meals.

Often called the “Queen of metals,” silver has been universally adored for thousands of years. It is easy to see why it has always been sought after: It is durable, strong and beautiful. (Louis XIV had tables made entirely of silver.) Sterling silver is an alloy that is made of 92.5 percent silver — the “925” stamp that identifies sterling-silver jewelry refers to this number. The other 7.5 percent in sterling silver is typically sourced from copper.

Neoclassical-style sterling-silver goods in Europe gained popularity in the late 18th century — a taste for sterling-silver tableware as well as tea sets had taken shape — while in the United States, beginning in the 19th century, preparing the dinner table with sterling-silver flatware had become somewhat of a standard practice. Indeed, owning lots of silver goods during the Victorian era was a big deal. Back then, displaying fine silver at home was a status symbol for middle-class American families. And this domestic silver craze meant great profitability for legendary silversmith manufacturers such as Reed & Barton, Gorham Manufacturing Company and the International Silver Company, which was incorporated in Meriden, Connecticut, in 1898, a major hub of silver manufacturing nicknamed “Silver City.”

Today, special occasions might call for ceremonial silver designed by Tiffany & Co. or the seductive sterling-silver cutlery from remarkable Danish silversmith Georg Jensen, but there really doesn’t have to be an event on the calendar to trot out your finest tableware.

Event- and wedding-planning company maestro Tara Guérard says that some “investment pieces,” such as this widely enamored alloy, should see everyday use, and we’re inclined to agree.

“Sterling-silver flatware is a must-have that you can use every single day, even to eat cereal,” she says. “Personally, I want a sterling-silver goblet set for 12 to 20; I would use them every time I had a dinner party. Ultimately, there are no criteria for buying vintage pieces: Buy what you love, and make it work.”

Whether you’re thinking “ceremonial” or “cereal,” browse a versatile collection of vintage, new and antique sterling-silver wares on 1stDibs today.