Liz Deschenes

In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.

LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.

Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.

Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.

The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.

Since the introduction of photography in the 19th century, it has been used to show the earth’s diverse landscapes. Modern and contemporary landscape photography continues to capture scenes of landscapes from around the world while becoming much more exploratory.

Historically, artists have played a key role in landscape preservation. Early 20th-century landscape photography provided a powerful argument for the establishment of the U.S. National Park Service a century ago, and iconic national park shots by Ansel Adams and Eliot Porter captured the public’s imagination and fueled conservation efforts.

The world of landscape photography has grown far more experimental in the last several decades, bolstered by innovative techniques and creative talents. Abstract landscape photography is often a thought-provoking exploration of bold, bleeding colors. To understand just how abstract these images can be, look no further than Jean-François Rauzier's outstanding landscape compositions.

A simpler style is offered by minimalist landscape photography and its subdued tones. These pieces tend to imbue their surroundings with a sense of serenity, making them an excellent addition to bedrooms and quiet living rooms. And like any other works of art that you’ve brought into your home, there are many ways to arrange photography in a space. Small areas, for example, are ideal for displaying more petite pieces. These can also be positioned in a cluster as a gallery wall. You can stand framed landscape photography on an easel, a mantelpiece, floating shelves or on the floor leaning against a wall.

Browse exquisite landscape photography on 1stDibs today and find an eye-catching image to complement any home or collection.