Paloma Picasso Mohawk Ring

When thinking about the colorful gemstones and flashy forms that so frequently characterized 1980s jewelry, it is impossible not to conjure images of the expressive confections that Paloma Picasso created for legendary American luxury house Tiffany & Co. For iconic work such as the Loving Heart ring and the Love & Kisses brooch, Picasso mined what she admired about urban street art in New York City’s grungy subways and brought it to fine jewelry-making on a global stage.

The daughter of artists Pablo Picasso and Françoise Gilot, Paloma was destined for creative success. She was determined to succeed on her own, however, and didn’t rely on her parents' renown. Picasso graduated from the Université de Paris in Nanterre, where she studied jewelry design and costuming. She spent a short period in the late 1960s as a fashion designer and a jewelry stylist for a Parisian theater company, an experience that essentially ignited Picasso’s career. Critics took notice, and her friend and French fashion designer Yves Saint-Laurent commissioned her to make costume jewelry for his runway collections.

Picasso designed a collection of necklaces and bracelets for the Greek jewelry firm Zolotas in the early 1970s, and her success with Saint-Laurent led to an important connection between Picasso and Tiffany & Co. design director John Loring. Picasso jumped at Loring’s request to present a table setting at a 1979 Tiffany & Co. exhibition, and within a single year, Loring commissioned her to design jewelry for the brand. Her first proper collection, Paloma's Graffiti, is her best-known work for the company.

Paloma had joined the illustrious ranks of Elsa Peretti and Angela Cummings — both revered jewelry designers who’d signed contracts with Tiffany just before her. Her Graffiti collection, which initially comprised a range of both slender and bubble-letter-like scribbles, X’s, O’s and other figures in 18-karat gold and palladium, was an extraordinary debut for her. Finding inspiration in Keith Haring’s Pop art as well as the street art that covered Manhattan subway cars of the era, Picasso introduced a graphic quality to her inaugural Tiffany line.

“In the ‘70s, people were starting to tag subways and walls, which had everyone outraged,” Picasso explained of the concepts behind her vibrant rings, earrings and necklaces. “I wanted to look at graffiti differently and try to make something positive out of it.”

Picasso would later draw on nature for her sterling silver-and-pearl Olive Leaf accessories at Tiffany and frequently created gold necklaces and bracelets that were set with a striking mix of colorful semi-precious stones.

Throughout her career, Picasso has garnered acclaim from many institutions such as the Fashion Group International and was presented with an award in 1988 by the Hispanic Designers Council. She has been recognized the National Museum of Women in the Arts, and her work is held in the collections of the Smithsonian National Museum of Natural History and the Field Museum in Chicago.

Find vintage Paloma Picasso Tiffany & Co. brooches, bracelets and other jewelry on 1stDibs.

A flashy symbol of wealth during the early 20th century, antique and vintage cocktail rings have gained broader appeal in the decades since for the hefty dose of glamour they bring to any ensemble.

Cocktail rings earned their name for their frequent appearances during glitzy cocktail parties at the height of the Prohibition era. Back then, these accessories were seen not only as statement pieces but as statements in and of themselves. They openly represented a sense of freedom and independence as well as a demonstration of opulence. After all, the 1920s heralded the Harlem Renaissance and Art Deco design, and a slew of social and cultural shifts meant that women in particular were breaking from pre–World War I conventions and embracing newfound freedoms to express themselves as individuals.

Women expressly wore cocktail rings on the fingers of their right hand versus the left, which was “reserved” for an engagement ring or wedding band, accessories definitely paid for by a suitor. And for cocktail rings, the bigger the colored gem at the center — which is usually mounted in a high setting — and the more elaborate the design, the stronger the likelihood of being noticed.

Cocktail rings remained a popular piece of jewelry for women until the 1930s, when the Great Depression and the onset of war marked a change in behaviors nationwide. While the 1960s and ’70s saw a return in visibility for the accessory, it wasn’t until the 1980s that cocktail rings once again assumed their position as a beacon of luxury and glitz.

During the 20th century, the range of dazzling cocktail rings seems to have been limitless, from glimmering gold rings set with carved jade diamonds designed by David Webb to Pomellato’s pink quartz confections to striking Gucci butterfly rings with accent diamonds set in a pavé fashion.

So, how do you wear a cocktail ring? Cocktail rings “can be worn for almost anything — dinners, date nights, parties, special events, on the red carpet,” explains David Joseph of New York-based jewelry brand Bochic. 

Can you wear cocktail rings with other rings? “In my opinion, cocktail rings should stand on their own since they showcase a large gem in the center,” says Joseph.

These glamorous jewels can be worn inside or outside crowded taverns, in either daytime or nighttime with casual or dressy attire. On 1stDibs, find a wide variety of antique and vintage cocktail rings, including those offered by Chanel, whose elegant cocktail rings often feature pearls and, of course, diamonds, and sometimes were styled after showy flowers like the camellia, and Van Cleef & Arpels, whose detailed and intricate designs are viewed as miniature pieces of wearable art.