Pamela Love Necklace

When thinking about the colorful gemstones and flashy forms that so frequently characterized 1980s jewelry, it is impossible not to conjure images of the expressive confections that Paloma Picasso created for legendary American luxury house Tiffany & Co. For iconic work such as the Loving Heart ring and the Love & Kisses brooch, Picasso mined what she admired about urban street art in New York City’s grungy subways and brought it to fine jewelry-making on a global stage.

The daughter of artists Pablo Picasso and Françoise Gilot, Paloma was destined for creative success. She was determined to succeed on her own, however, and didn’t rely on her parents' renown. Picasso graduated from the Université de Paris in Nanterre, where she studied jewelry design and costuming. She spent a short period in the late 1960s as a fashion designer and a jewelry stylist for a Parisian theater company, an experience that essentially ignited Picasso’s career. Critics took notice, and her friend and French fashion designer Yves Saint-Laurent commissioned her to make costume jewelry for his runway collections.

Picasso designed a collection of necklaces and bracelets for the Greek jewelry firm Zolotas in the early 1970s, and her success with Saint-Laurent led to an important connection between Picasso and Tiffany & Co. design director John Loring. Picasso jumped at Loring’s request to present a table setting at a 1979 Tiffany & Co. exhibition, and within a single year, Loring commissioned her to design jewelry for the brand. Her first proper collection, Paloma's Graffiti, is her best-known work for the company.

Paloma had joined the illustrious ranks of Elsa Peretti and Angela Cummings — both revered jewelry designers who’d signed contracts with Tiffany just before her. Her Graffiti collection, which initially comprised a range of both slender and bubble-letter-like scribbles, X’s, O’s and other figures in 18-karat gold and palladium, was an extraordinary debut for her. Finding inspiration in Keith Haring’s Pop art as well as the street art that covered Manhattan subway cars of the era, Picasso introduced a graphic quality to her inaugural Tiffany line.

“In the ‘70s, people were starting to tag subways and walls, which had everyone outraged,” Picasso explained of the concepts behind her vibrant rings, earrings and necklaces. “I wanted to look at graffiti differently and try to make something positive out of it.”

Picasso would later draw on nature for her sterling silver-and-pearl Olive Leaf accessories at Tiffany and frequently created gold necklaces and bracelets that were set with a striking mix of colorful semi-precious stones.

Throughout her career, Picasso has garnered acclaim from many institutions such as the Fashion Group International and was presented with an award in 1988 by the Hispanic Designers Council. She has been recognized the National Museum of Women in the Arts, and her work is held in the collections of the Smithsonian National Museum of Natural History and the Field Museum in Chicago.

Find vintage Paloma Picasso Tiffany & Co. brooches, bracelets and other jewelry on 1stDibs.

Whether you’re layering multiple jewelry pieces or opting for a single strand, vintage pendant necklaces are versatile accessories that can elevate your casual wear as easily as they can add a creative flourish to your formal attire.

The earliest jewelry was less about accessorizing than it was about wearers arming themselves with amulets. In Ancient Egypt, some amulets featured a loop so that they could be strung around one’s neck. While rubies have long been one of the few gemstones that can give diamonds a run for their money, members of some ancient civilizations valued the stones from the get-go, donning ruby pendants as well as other stones with the belief that these adornments would bring protection, healing powers or strength. Today, we still wear our charm bracelets and charm pendants around our necks for good luck.

Later, pendant necklaces, like most fine jewelry, were worn strictly by royalty or the upper class and conferred wealth and prestige. This changed over time, thankfully, as wearing jewelry became more widespread, a democratized means of personal expression.

During the 18th and 19th centuries, pendant necklaces evolved from their status as spiritual amulets, but the jewels still carried deep personal significance. Victorian pendants, in particular, were part of the “mourning jewelry” tradition. Wearers would embed their pendants with locks of hair from a deceased loved one as a way of grieving in the wake of a loss. In the case of cameo jewelry, some pendants were even decorated with miniature hand-carved portraits in a detailed raised relief. Today, portraiture is still a characteristic of many of the hand-carved pendant necklaces offered by Italian jewelry house Scala Gioielli.

Luxury fine jewelry brands such as Cartier, BVLGARI and David Yurman offer their own unique interpretations of the cherished accessory, embellishing platinum or gold pendant necklaces with diamonds, sapphires and other stones.

On 1stDibs, find an extraordinary range of vintage pendant necklaces and other necklaces today.