Robert Werling On Sale
1970s Realist Black and White Photography
Silver Gelatin, Photographic Paper
1990s Realist Landscape Photography
Photographic Paper, Silver Gelatin
People Also Browsed
1970s American Modern Nude Photography
Silver Gelatin
1930s American Impressionist Landscape Paintings
Paper, Watercolor, Gouache, Pencil
Early 20th Century American Art Deco Scientific Instruments
Metal
20th Century Table Lamps
Metal, Chrome, Aluminum
Early 20th Century American Industrial Sports Equipment and Memorabilia
Steel
1970s Pop Art Portrait Prints
Lithograph
Antique Early 19th Century Industrial Scientific Instruments
Wood
Early 2000s Realist Black and White Photography
Photographic Paper, Silver Gelatin
Vintage 1930s American Industrial More Lighting
Metal, Steel
2010s Contemporary Figurative Photography
Archival Paper, Archival Pigment, Digital Pigment
Vintage 1970s French Mid-Century Modern Abstract Sculptures
Metal
Late 20th Century Impressionist Figurative Paintings
Oil
1970s Realist Black and White Photography
Photographic Paper, Silver Gelatin
1970s Landscape Photography
Silver Gelatin
1980s Realist Landscape Photography
Photographic Paper, Silver Gelatin
Early 20th Century Unknown Industrial More Folk Art
Canvas
Recent Sales
Early 2000s Photorealist Black and White Photography
Silver Gelatin
Robert Werling for sale on 1stDibs
Robert Werling was born in San Francisco, 1946, and realized an interest in art at an early age. While briefly attending a commercial art school, he found photography to be his medium and went on to obtain both a BA and an honorary MS from the Brooks Institute of Photography in Santa Barbara, California. He also studied privately under Ansel Adams from 1966–70 and Imogen Cunningham from 1969–75. Through his affiliation with Adams, Werling came to know and work with other noted photographers. Brett Weston became his close friend and mentor, and Marion Post Wolcott, relying on his darkroom expertise, entrusted her negatives to his printing genius.
(Biography provided by Robert Azensky Fine Art)Finding the Right black-white-photography for You
There’s a lot to love about black and white photography.
The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.
When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.
Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.
Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.
Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.
Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.
On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.