Find the exact s hotchkiss you’re shopping for in the variety available on 1stDibs. You can easily find an example made in the Post-Impressionist style, while we also have 3 Post-Impressionist versions to choose from as well. Making the right choice when shopping for an s hotchkiss may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 20th Century and a newer version made as recently as the 21st Century. If you’re looking to add an s hotchkiss to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of brown, beige, blue and more. An s hotchkiss from Judith Wyer, Joellyn Duesberry, Robert Chesley Osborn, Jean VINAY and Joe Zucker — each of whom created distinctive versions of this kind of work — is worth considering. Artworks like these — often created in paint, fabric and oil paint — can elevate any room of your home.

How Much is an S Hotchkiss?

The price for an artwork of this kind can differ depending upon size, time period and other attributes — an s hotchkiss in our inventory may begin at $200 and can go as high as $18,500, while the average can fetch as much as $3,100.

Edward Minoff for sale on 1stDibs

Edward Minoff Graduated with honors from NYU's Tisch School of the Arts. Throughout his high school and college years he studied painting and sculpture at the Art Students League of New York, The National Academy School of Design, and later at Vassar College. He has also copied works at the Louvre, Prado, and the Metropolitan Museum, where he subsequently taught a class in copying master works. After co-founding the animation house, AMPnyc, he began to study at the Water Street Atelier. In 1999 the lure of the studio became irresistible and he left his animation company to fully devote himself to painting. Later, he journeyed to Italy to study at the Florence Academy of Art. His work has shown in New York, San Francisco, Santa Fe, Washington DC, Houston, Greenwich and Nantucket. He now resides in Brooklyn with his wife, two children and bulldog.

A Close Look at Photorealist Art

A direct challenge to Abstract Expressionism’s subjectivity and gestural vigor, Photorealism was informed by the Pop predilection for representational imagery, popular iconography and tools, like projectors and airbrushes, borrowed from the worlds of commercial art and design.

Whether gritty or gleaming, the subject matter favored by Photorealists is instantly, if vaguely, familiar. It’s the stuff of yellowing snapshots and fugitive memories. The bland and the garish alike flicker between crystal-clear reality and dreamy illusion, inviting the viewer to contemplate a single moment rather than igniting a story.

The virtues of the “photo” in Photorealist art — infused as they are with dazzling qualities that are easily blurred in reproduction — are as elusive as they are allusive. “Much Photorealist painting has the vacuity of proportion and intent of an idiot-savant, long on look and short on personal timbre,” John Arthur wrote (rather admiringly) in the catalogue essay for Realism/Photorealism, a 1980 exhibition at the Philbrook Museum of Art, in Tulsa, Oklahoma. At its best, Photorealism is a perpetually paused tug-of-war between the sacred and the profane, the general and the specific, the record and the object.

“Robert Bechtle invented Photorealism, in 1963,” says veteran art dealer Louis Meisel. “He took a picture of himself in the mirror with the car outside and then painted it. That was the first one.”

The meaning of the term, which began for Meisel as “a superficial way of defining and promoting a group of painters,” evolved with time, and the core group of Photorealists slowly expanded to include younger artists who traded Rolleiflexes for 60-megapixel cameras, using advanced digital technology to create paintings that transcend the detail of conventional photographs.

On 1stDibs, the collection of Photorealist art includes work by Richard Estes, Ralph Goings, Chuck Close, Audrey Flack, Charles Bell and others.