Slab Boys

The Königliche Porzellan-Manufaktur Berlin, or KPM (Royal Porcelain Factory, Berlin, in English) was one of the most influential porcelain factories to emerge in 18th-century Germany, along with Nymphenburg and Meissen. KPM was the third incarnation of a company originally founded in 1751 by Wilhelm Caspar Wegely to take advantage of the burgeoning market for “white gold.” On the verge of bankruptcy, Wegely sold his inventory and tools to Johann Ernst Gotzkowsky, who in 1761 established another porcelain factory, which also failed, and was subsequently taken over by Frederick II of Prussia in 1763. Like Augustus II, Elector of Saxony, the patron of Meissen and a keen collector who described himself as suffering (quite happily) from “porcelain sickness,” Frederick II was proud to refer to himself as KPM’s “best customer.” KPM produces china and figurines to this day, and throughout its long history, it has been a style-setter for elegant tableware, particularly in the 1930’s, the period during which their popular patterns Urbino, Urania and Arkadia were designed.

Thanks to its royal patronage, KPM had the resources and contacts necessary to establish itself as a leading luxury producer, and supplied Russian and European elites with tableware in the Rococo and Neoclassical styles, as well as monumental vases, and decorative plaques. Many of these objects can be found today in major museums as a result of Frederick II’s penchant for sending KPM porcelain as diplomatic gifts throughout Europe. Unlike Meissen, which was known for crafting porcelain sculptures of dazzling complexity, KPM is revered for the precision and splendor of its surface decoration, and for its porcelain plaques depicting scenes from history and mythology. One especially lovely example circa 1790 is a neocalssical-style tea service decorated with gold accents and a grisaille design of figures from the ancient world. By contrast, this boldly colorful narrative cup and saucer set from the 1840’s depicts scenes from real life as colorfully as a painting. The set was commissioned by a gentleman for his wife as a tongue-in-cheek gift commemorating her misadventures while in town for a visit to the opera, which resulted in her opera glasses being stolen. The saucer shows the thief and the glasses, and the cup reveals the scene of the crime in vivid hues.

KPM was forced to move from its original location in 1867 due to the building of the new Prussian Parliament building, and this afforded the company the opportunity to to create a new factory with the newest equipment and materials of the day. With the growing popularity of Art Nouveau and the western fascination with Asian ceramics, KPM began formulating glazes that evoked the color palette and rich surfaces of Chinese porcelain. By the turn of the century, KPM was exhibiting its wares to a global audience at international expositions. At the end of World War I with the collapse of the Prussian monarchy, KPM was renamed the State Porcelain Manufactory Berlin, continuing to use the name KPM and its use of the cobalt blue sceptre mark that is painted on the bottom of every piece.

By the late 1920’s, the designers and craftsmen of KPM were inspired by the tenets of Modernism, particularly the styles of the Bauhaus and the Deutscher Werkbund. During this period, the firm’s aim was to produce useful household porcelain for a range of consumers, rather than catering to a small elite. Among the most successful patterns of this era was designer Trude Petri’s Urbino line, which is still produced today. Following World War II, KPM was temporarily housed in the town of Selb, and only returned to its rebuilt quarters in Berlin in 1957. In the 1980s, KPM became an private company independent of the state, and began to focus production on the preservation of historic forms, designs, and techniques. KPM continues to collaborate with designers from all over the world, most recently on the Berlin dinnerware service with designer Enzo Mari, and a collaboration with the luxury brands Bottega Veneta and Bugatti.

The decadence of the Baroque style, in which ornate furnishings were layered against paneled walls, painted ceilings, stately chandeliers and, above all, gilding, expressed the power of the church and monarchy through design that celebrated excess. And its influence was omnipresent — antique Baroque furniture was created in the first design style that truly had a global impact.

Theatrical and lavish, Baroque was prevalent across Europe from the 17th to mid-18th century and spread around the world through colonialism, including in Asia, Africa and the Americas. While Baroque originated in Italy and achieved some of its most fantastic forms in the late-period Roman Baroque, it was adapted to meet the tastes and materials in each region. French Baroque furniture informed Louis XIV style and added drama to Versailles. In Spain, the Baroque movement influenced the elaborate Churrigueresque style in which architecture was dripping with ornamental details. In South German Baroque, furniture was made with bold geometric patterns.

Compared to Renaissance furniture, which was more subdued in its proportions, Baroque furniture was extravagant in all aspects, from its shape to its materials.

Allegorical and mythical figures were often sculpted in the wood, along with motifs like scrolling floral forms and acanthus leaves that gave the impression of tangles of dense foliage. Novel techniques and materials such as marquetry, gesso and lacquer — which were used with exotic woods and were employed by cabinetmakers such as André-Charles Boulle, Gerrit Jensen and James Moore — reflected the growth of international trade. Baroque furniture characteristics include a range of decorative elements — a single furnishing could feature everything from carved gilded wood to gilt bronze, lending chairs, mirrors, console tables and other pieces a sense of motion.

Find a collection of authentic antique Baroque tables, lighting, decorative objects and other furniture on 1stDibs.

When paired with the perfect frame, the right antique and vintage paintings and other wall decorations can either subtly showcase your personality or steal the show altogether. 

The earliest paintings were created on the walls of caves, proving even our ancient ancestors knew that striking artwork is meant to be on display. Cave paintings on an Indonesian island are reportedly older than the earliest cave art in Spain and France, and the figurative paintings back then were produced with inorganic pigments like iron oxide.

Later, the people of Ancient Greece — who learned about art from the Egyptians before them — conceived panel paintings of wax and tempera that were collected and publicly displayed. In the centuries that followed, artists would be commissioned to create large-scale wall murals and frescoed ceilings in sprawling European palaces and in the homes of the aristocracy.

Today, 1stDibs makes it easy for you to celebrate this rich history in your own home. Our collection of paintings includes Art Deco paintings, baroque art and a broad range of other categories. Search by material, period or other attributes to find the right fit — browse an array of 19th century landscape paintings in giltwood frames or abstract oil paintings and portraits made during the 1950s and ‘60s.

An understated contemporary work can complement your space’s color palette without drawing the focus away from the other pivotal design choices you’ve made over the years. Roy Lichtenstein’s Pop art, on the other hand, demands attention with its array of vibrant hues and subjects inspired by popular culture. 

Whether you aim to create a gallery in your home or build a single, stunning focal point, you can find what you’re looking for in an extensive inventory of paintings on 1stDibs.