Tom Ford Yves Saint Laurent Heart Pendant

No one understands sex appeal quite like Tom Ford. When Gucci acquired Yves Saint Laurent in 1999, the Texas-born fashion designer had been Gucci’s creative director for several years and was also named creative director for YSL. Ford designed YSL’s ready-to-wear collection, and his vintage evening dresses, shirts, skirts and other garments for the maison are particularly popular today.  

An avowed perfectionist from an early age, Ford was rearranging furniture at the age of six and offering his mother advice on her hair and shoes. The designer, author, film director and chairman of the Council of Fashion Designers of America (CFDA) is one of the most successful people working in fashion today.

Born in Austin, Ford grew up in the suburbs of Houston and Santa Fe, New Mexico. He briefly attended New York University, where he studied art history before dropping out to pursue acting. He became a regular at Studio 54, with its decadent nightlife later informing his high-octane fashion. He studied architecture at Parsons School of Design before shifting his focus to fashion and spending time at the Parsons Paris campus, graduating in 1985. The rest of the decade he worked for designers Perry Ellis and Cathy Hardwick. In 1990, Gucci’s creative director Dawn Mello hired him as a womens-wear designer.

At the time, the Italian label was better known for leather goods than luxury fashion. It was also nearly bankrupt. After Mello left in 1994, following a Bahrain-based investment group becoming Gucci’s majority shareholder, Ford was named creative director. He soon infused the brand with a fresh sensuality and bold style. His fall 1995 show, in which Kate Moss walked down the runway in an unbuttoned satin shirt, velvet hip-huggers and tousled hair, heralded an exciting, glammed-up era for the once fusty brand. Vogue critic Sarah Mower called it “one of those hitting-in-the-solar-plexus moments.”

As Ford shot to fame, he continued to explore plunging necklines, such as in the black and white looks of the Fall 1996 collection, and sumptuous fabrics like leather and tweed, with the Fall 2000 ready-to-wear collection ranging from sultry silk evening dresses to plush belted coats. He also cranked up the seduction in the provocative ads for the fashion house, particularly with regard to campaigns for Yves Saint Laurent, which Gucci acquired in 1999. Gucci's Fall/Winter 1997 campaign featured Carolyn Murphy grasping Angela Lindvall in what looked like a video still; in another shot, a face pressed against a foot in a lipstick-red heel. Each promoted a vision of modern fashion where women were sexually confident, the materials were luxurious and the styles were fearless.

In 2004, Ford and Gucci president Domenico De Sole left the company after failing to agree on the renewal of their contracts. In 2006, with De Sole as chairman, Ford launched his wildly successful eponymous menswear label. The brand has expanded into womens wear, beauty, accessories — vintage Tom Ford handbags are universally adored by celebrities and collectors alike — as well as eyewear and fragrance, with the unisex Black Orchid introduced in 2006. Ford broke into film directing with the critically acclaimed A Single Man in 2009 and Nocturnal Animals in 2016, continuing to blur the boundaries between fashion and culture.

Find vintage Tom Ford YSL day dresses, handbags and other clothing and accessories now on 1stDibs.

Whether you’re layering multiple jewelry pieces or opting for a single strand, vintage pendant necklaces are versatile accessories that can elevate your casual wear as easily as they can add a creative flourish to your formal attire.

The earliest jewelry was less about accessorizing than it was about wearers arming themselves with amulets. In Ancient Egypt, some amulets featured a loop so that they could be strung around one’s neck. While rubies have long been one of the few gemstones that can give diamonds a run for their money, members of some ancient civilizations valued the stones from the get-go, donning ruby pendants as well as other stones with the belief that these adornments would bring protection, healing powers or strength. Today, we still wear our charm bracelets and charm pendants around our necks for good luck.

Later, pendant necklaces, like most fine jewelry, were worn strictly by royalty or the upper class and conferred wealth and prestige. This changed over time, thankfully, as wearing jewelry became more widespread, a democratized means of personal expression.

During the 18th and 19th centuries, pendant necklaces evolved from their status as spiritual amulets, but the jewels still carried deep personal significance. Victorian pendants, in particular, were part of the “mourning jewelry” tradition. Wearers would embed their pendants with locks of hair from a deceased loved one as a way of grieving in the wake of a loss. In the case of cameo jewelry, some pendants were even decorated with miniature hand-carved portraits in a detailed raised relief. Today, portraiture is still a characteristic of many of the hand-carved pendant necklaces offered by Italian jewelry house Scala Gioielli.

Luxury fine jewelry brands such as Cartier, BVLGARI and David Yurman offer their own unique interpretations of the cherished accessory, embellishing platinum or gold pendant necklaces with diamonds, sapphires and other stones.

On 1stDibs, find an extraordinary range of vintage pendant necklaces and other necklaces today.