Tulip Table Base Only

Recent Sales

William D Scott Fluted Iron Tulip Table Base (Only) - White

By William Scott

Located in Los Angeles, CA

Flute iron table base by William D Scott in white. Please note...table base only. Fluid fluted

2010s French Provincial Dining Room Tables

Materials

Iron

William D Scott Fluted Iron Tulip Table Base (Only) - White

H 28.25 in Dm 26 in

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Tulip Table Base Only For Sale on 1stDibs

With a vast inventory of beautiful furniture at 1stDibs, we’ve got just the tulip table base only you’re looking for. Each tulip table base only for sale was constructed with extraordinary care, often using metal, brass and wood. If you’re shopping for a tulip table base only, we have 88 options in-stock, while there are 73 modern editions to choose from as well. Your living room may not be complete without a tulip table base only — find older editions for sale from the 19th Century and newer versions made as recently as the 21st Century. Each tulip table base only bearing mid-century modern, Art Deco or modern hallmarks is very popular. Pieter Compernol, Stephanie Grusenmeyer and Florian Gypser, Eero Saarinen and Knoll each produced at least one beautiful tulip table base only that is worth considering.

How Much is a Tulip Table Base Only?

Prices for a tulip table base only can differ depending upon size, time period and other attributes — at 1stDibs, they begin at $100 and can go as high as $82,500, while the average can fetch as much as $3,962.

William Scott for sale on 1stDibs

William Scott was a British artist, best known for his still life and abstract painting. William Scott was born in Greenock, Scotland to Irish and Scottish parents, moving to Ulster when Scott was 11 years old where he spent the remainder of his early life. Scott studied first at Belfast College of Art (1928-1931) and later at the Royal Academy (1931-1935), where he shared accommodation with the poet Dylan Thomas. After completing his studies, Scott lived in France for several years, mainly in Port Avon and St Tropez, developing a life-long kinship with French still life painting. Jean-Baptiste-Siméon Chardin was particularly interesting to the artist during this period, later he would become more influenced by Georges Braque. Alongside French still life painting, Scott drew inspiration from pre-historic art and the untrained art of children. The artist spent his adult life living in both London and Somerset, he was also a frequent visitor to the Cornwall where he connected with artists of the St Ives school and was particularly fond of the fishing village of Mousehole, which is depicted in his work. In 1953, Scott traveled to New York, becoming one of the first British artists to meet the Abstract Expressionists, including Jackson Pollock and Willem de Kooning. Mark Rothko would later visit the the Scotts in Somerset. The recipient of numerous awards throughout his career, including the Painters Prize at the John Moore’s Liverpool Exhibition (1959), Scott also represented Britain at the 1958 Venice Biennale. Scott produced some landscapes and nudes but painted still life work for his entire career, he experimented with abstraction during the 1950s but these were always based within the tradition of still life. His work often bridged the gap between representation and abstraction, with motifs of objects such as cups, saucepans and frying baskets, still recognisable even in his later, more austere work, along with the flat planes of colour that often characterise his work. The artist compared his repeated depictions of kitchen objects to that of Braque’s frequent studies of guitars, 'if the guitar was to Braque his Madonna the frying pan could be my guitar’. While the subject matter remained much the same throughout Scott’s career, elements such as scale developed with his compositions becoming larger and the surface of the painting more laboured and worked. Public collections representing Scott’s work include Tate Gallery which held retrospectives of his work in 1972 and 2013, Fitzwilliam Museum, Jerwood Foundation and the Guggenheim Museum, New York. His work was formally part of the private art collection of David Bowie. Scott’s early life was made into a film, ‘Every Picture Tells a Story’by his artist and director son, James Scott.

A Close Look at French-provincial Furniture

Removed from the fashions of the court, French Provincial style developed in the provinces of the country, such as Provence, Normandy, the Loire Valley and Bordeaux. Dating to the 17th and 18th centuries, French Provincial furniture was not as ostentatious as the designs being produced for the royal palaces, but elegant S-shape cabriole legs and ornate carvings elevated the sturdy chairs, sofas, tables and bedroom furniture intended for everyday use.

Although it varies by region, antique French Provincial furniture is unified by solid construction and an artisanal attention to design. While this furniture often followed the metropolitan trends — including the Rococo or neoclassical aesthetics of Louis XIV, Louis XV and Louis XVI — since it was produced in the French countryside it was more subdued with nods to its rustic settings.

Local materials like fruitwoods, oak, beech and walnut were used to construct large French Provincial armoires for storage and comfortable armchairs with rush-woven seats. Wrought-iron elements and carvings like floral details and scallop patterns were common as ornamentation. Furniture was frequently painted white or other muted colors that coordinated with gilt and would acquire a patina of age over time. Other wood was just stained with vibrant fabric such as toile de Jouy, which sometimes depicted pastoral scenes, adding color as upholstery.

The style arrived in the United States after World War I, with soldiers returning home wanting furniture like what they had seen in the rural homes and castles of France. In Grand Rapids, Michigan, designer John Widdicomb split from his family business, the Widdicomb Furniture Company, and had been focusing on Louis XV– and French Provincial–style furnishings since the early 1900s. Other American manufacturers such as Baker, Drexel, Henredon and Thomasville also responded to demand. Today antique French Provincial pieces and reproductions continue to be popular.

Find a collection of antique French Provincial dining tables, seating, decorative objects and other furniture on 1stDibs.

Finding the Right Dining-room-tables for You

No matter your furniture style of choice, a shared meal is one of life’s true rewards. Why not treat your family and friends to a luxurious dining experience? Browse our top picks to find the perfect antique, new or vintage dining room table for this important occasion.

Modern furniture design borrows significantly from the trends of yore, and this is especially apparent in dining tables. Ancient Egyptians made practical use of the earliest four-legged tables of wood and rock — their models bear striking similarity to the dining tables of today — while common large medieval dining room tables in England were made of oak or elm. Romans and Greeks, renowned for big banquets that involved entertainment as well as good food, used early dining room tables made of marble or wood and metals such as bronze for meals.

On 1stDibs, find a range of dining room tables that offers no shortage of options to accommodate modest interiors, midsize family homes and even lavish banquets (entertainment not included).

Beginning in the mid-19th century, more American homes featured dining rooms, where families could gather specifically for a meal together. In the States, upper-class families were the first to enjoy dining room tables, which were the centerpiece of the dining room.

Dining room tables of the Victorian era were created in a range of revivalist styles inspired by neoclassical, Renaissance, Gothic and other traditions. Furnishings of the period were made of various woods, including oak, rosewood and mahogany, and referenced a variety of decorative arts and architectural motifs. Some dining room tables finished in the Rococo style feature gorgeous inlaid marble tabletops or other ornamental flourishes handcrafted by Parisian furniture makers of the 18th century.

In many modern spaces, there often isn’t a dining room separate from the kitchen — instead, they frequently share real estate in a single area. Mid-century modern dining room tables, specifically those created by designers such as Osvaldo Borsani, Edward Wormley and Alvar Aalto, are typically clean and uncomplicated designs for a dining area that’s adjacent to where the cooking is done. Furniture of this era hasn’t lost its allure for those who opt for a casual and contemporary aesthetic.

If you’re of the modern mindset that making and sharing meals should be one in the same — and perhaps large antique dining tables don’t mesh well with your style — consider a popular alternative. Working with a tighter space may mean that a round or oval dining room table, a design that references the festive meals of the medieval era, may be a better fit. Round dining room tables, particularly those that originated in the Art Deco period, still endure as a popular contemporary substitute for traditional rectangular dining tables. Giovanni Offredi’s Paracarro table for Saporiti Italia is a striking round table option that showcases the magnificent Italian industrial design of the 1970s.

Find a collection of antique, new and vintage dining tables on 1stDibs.