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Winnie Chamberlin

"Golden Sunset" - Seascape Near Manresa
"Golden Sunset" - Seascape Near Manresa

Cecil F. Chamberlin"Golden Sunset" - Seascape Near Manresa, c. 1950

$2,000Sale Price|20% Off

H 27.25 in W 43 in D 2.5 in

"Golden Sunset" - Seascape Near Manresa

By Cecil F. Chamberlin

Located in Soquel, CA

nephew of artist Winnie Chamberlin. His work includes seascapes and landscapes of the area around his

Category

1950s Impressionist Landscape Paintings

Materials

Canvas, Oil

Mid Century Northern California Rocky Shore Seascape
Mid Century Northern California Rocky Shore Seascape

Mid Century Northern California Rocky Shore Seascape

By Cecil F. Chamberlin

Located in Soquel, CA

of artist Winnie Chamberlin. His work includes seascapes and landscapes of the area around his home

Category

1960s American Impressionist Landscape Paintings

Materials

Canvas, Oil

Mid Century Seascape -- Manresa Tidal Pool at Sunset
Mid Century Seascape -- Manresa Tidal Pool at Sunset

Mid Century Seascape -- Manresa Tidal Pool at Sunset

By Cecil F. Chamberlin

Located in Soquel, CA

had many students. He was a nephew of artist Winnie Chamberlin. His work includes seascapes and

Category

1950s Hudson River School Landscape Paintings

Materials

Oil, Linen, Stretcher Bars

Wells Fargo Express, Gold Country -- Columbia, California
Wells Fargo Express, Gold Country -- Columbia, California

Wells Fargo Express, Gold Country -- Columbia, California

By Cecil F. Chamberlin

Located in Soquel, CA

, lectured, and had many students. He was a nephew of artist Winnie Chamberlin. His work includes seascapes

Category

1950s American Impressionist Landscape Paintings

Materials

Canvas, Oil, Illustration Board

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H 18.5 in W 22.5 in D 1 in

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$220Sale Price|20% Off

H 6 in W 8 in D 0.13 in

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$600Sale Price|20% Off

H 12.75 in W 17.2 in D 0.63 in

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A Close Look at Impressionist Art

Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.

The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.

Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.

Find a collection of authentic Impressionist art on 1stDibs.