Sexy Gifts

Fashion shot of Kate Moss. Hand pulled acrylic, enamel screen print and diamond dust on linen. Will ship rolled. About the Artist: Russell Young currently lives and works in C...

Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in a creative and ingenious way. ...

Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in ...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

Pigment print on aluminium, edition of 5 ​ Joan Tarragó is a Barcelona based artist. The constant exploration of an exotic graphic language through travel...

Trofeos - Homenaje a Picasso I Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which ...

Mixed Media and epoxy polymer on wood panel 40.6 x 40.6 cm 16 x 16 in ----------- Klari Reis uses the tools and techniques of science in her creative proces...

FREYA BRAMBLE-CARTER V1 – Crown the Clown Collection , 2021 Thrown and assembled in Stoneware Clay, with a combination of Glazes, Underglazes, Enamels an...

Polyurethane cast, ebony, acrylic, taxidermy snake, 2017, numbered from the edition of 10, 17 x 10 x 10 cm. (3.9 x 6.9 x 3.9 in.)

Vibrant, colorful and dynamic mixed media on canvas with high gloss resin finish

born, lives, and works in Seoul, S. Korea SOLO EXHIBITIONS 2021 LYNN Fine Art Gallery, S. Korea 2020 Gallery Aria, Seoul, S. Korea 2017 Palais de Seoul Gallery, Seoul, S. Korea 201...

Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in a creative and ingenious way. ...

Wall hanging, Framed 16 X 20. Enamel measures 16 X 12 Dominic Mingolla (1922 – 1999) Mingolla created paintings in many different materials and genres. Best known for his large abstract expressionist watercolor paintings similar in style to Paul Jenkins and for his Enamel work. His work bears affinities both to Lyrical Abstraction and to Tachisme artists such as Nicolas de Staël, Serge Poliakoff, Andre Lanskoy, Hans Hartung, Jean-Paul Riopelle, Gustave Singier, Alfred Manessier, Roger Bissiere, "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. At the same time, these artists sought to reinstate the primacy of line and color as formal elements in works composed according to aesthetic principles – rather than as the visual representation of sociopolitical realities or philosophical theories." "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Artists associated with Lyrical Abstraction include: Natvar Bhavsar, Lamar Briggs, Friedel Dzubas, Sam Francis, Ronnie Landfield, Pat Lipsky...

Extraordinary outdoor garden torch for your garden. Customization possible and designed in 2010. Also available to order in stainless steel. We produce this object in our own locksm...

46” x 35” x 4” resin, metal In Philip Simmons' series of sculpture made of resin, metal, and vinyl, he references pop sources and the news media to comment on American culture. O...

Edition: 138/250 DX. Technique: Silkscreen on paper with mixed-media elements.

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Not quite sure of the medium. it is a stretched canvas like material with overpainting and some sort of possible photo based process. it is a unique mixed media piece. Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...

Materials: Drenthe Heath and merino wool, mohair, silk, cotton and linen, naturally-dyed with organic pigments including madder, cochineal, logwood, St John’s wort and walnut. The panels are hung with oak bark tanned leather strips in steel frames. After three years of traveling and manifesting itself the time has come to say goodbye to Woven Skin in its original form as an art installation and nomadic forum consisting of 60 hanging panels to be placed together in changing constellations and harboring essential global dialogue. Jongstra’s urgent message demanding attention for topics concerning ecology, colour and community will be continued in a new work of art and concept that will be revealed at the end of 2021. Galerie Fontana...

Kinga Czerska creates intricately woven paintings that capture light, movement, and energy. She sees the world composed of an intense number of connectio...

Includes a Certificate of Authenticity

The painting is being offered with a work and authenticity certificate

Adenium obesum, known as the Desert Rose, is my favourite flower. They are a hardy underdog, surviving with hardly any rain. They give a bright splash of colour in the Kenyan desert,...

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Artist Name: Vasco Grilo Title of Artwork and Date of creation: MOVEMENT TWO, 2023 Medium on ground: Algorithmic Art - Graphic design Signature : Not signed Artwork Unique The light...

Kinga Czerska creates intricately woven paintings that capture light, movement, and energy. She sees the world composed of an intense number of connectio...

Complete title: El Origen del Deseo - Ritmo del Despertar (The Origin of Desire -Awakening Rhythm) Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style ...

This is a diptych. Kinga Czerska creates intricately woven paintings that capture light, movement, and energy. She sees the world composed of an intense number of connections and i...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

Kinga Czerska creates intricately woven paintings that capture light, movement, and energy. She sees the world composed of an intense number of connectio...

Hand-signed by artist, back side, bottom part of the artwork

Five papiers peints 'En Grisaille' from the psyche´ series manufactured by Dufour, Paris, after designs by Merry-Joseph Blondel and Louis Lafitte. -'Psyche´ returning from hades.' -'...

Discover the mesmerizing world of Yaacov Agam with "2 + 3 = 4 " Polimorph, a masterpiece that epitomizes the fusion of art and mathematics. This piece, from the Israeli pioneer of ki...

Stacey Lee Webber Rainbow Costumes: Blue Jefferson 15.75” x 11.5” handstitched cotton thread, uncut 1x4 US two dollar bills, framed, glass face 2022

Mickey Mouse Walt Disney Manga Cartoon Pop Art by Young British Urban Graffiti Artist, Chris Pegg, entitled 'All That Glitters'. Chris Pegg is a self-t...

This is an Abstract Expressionist torn and folded paper painted collage. The paper is metallicized through some process. they are very luminous and beautiful. it is mounted on heav...

Smooth surfaced, white engineered stone flecked almost imperceptibly with black-blue, the work sparkles gently in the light. The work is mounted on a rectangular brushed metal base. ...

This wall sculpture by Yaacov Agam is a 3D screen print on folded construction paper mounted in a plexiglass enclosure. It is # 86 in a series of 99 printed in 1984. The color palett...

John Steuart Curry (American, 1897-1946) Wisconsin Twilight, 1934 Signed Lower Left Gold Leafed Frame with Silk Mat and Gold Leafed Fillet 29 x 36.5 inches 41 x 46.5 inches with frame Born in Dunavant, Kansas on November 14, 1897, John Steuart Curry became the youngest member of the famed "Benton-Wood-Curry trio" of Regional Painters of the early 20th-century American Scene movement. He gained national reputation for his Kansas rural scenes of people terrorized by natural phenomena such as tornadoes, drab farm-house living conditions, religious gatherings such as prayer meeting and baptisms, and spirited animals who got out of control. A good example of his weather-related painting was Tornado Over Kansas, 1929, in the collection of the Muskegon Museum of Art in Muskegon, Michigan. In this scene, a family scurries for shelter, trying to outrun a funnel cloud headed for their home. The mother carries her baby, and the children rescue pets and toys. It was later said that Curry never directly experienced a tornado but had many scares from them as a child when his family, faced with frightening skies, made frequent trips to their fruit cellar. In 1933, Tornado Over Kansas received second prize at the Carnegie International Exhibit. He was especially focused on people who were down-to-earth, plain spoken and who were self reliantly making a living through hard physical labor challenged by harsh weather. In many of his paintings, he showed his disdain for racial discrimination and hatred, something he believed was psychologically poisonous. He did many murals dealing with land settlement and these themes of racial justice, and his, reflecting these themes, murals are in the Capitol Building in Kansas, the University of Wisconsin, Department of the Interior, and Department of Justice in Washington D.C. Curry was a descendant of many generations of farmers, whose American ancestors originally were from Scotland. Some of them immigrated to South Carolina, and later followed "the line of the frontier into the Mississippi Valley." The first born of five children, Curry said of his childhood: "I was raised on hard work and the shorter catechism---Up at four o'clock the year round, doing half a day's work before we rode to town on horseback to our lessons." From a young age, he was constantly drawing, an activity encouraged by his mother, who arranged art lessons for him from age 12. She also gave him his first glimpse of the Old Master painters through reproductions of their work she had collected on her honeymoon. Never of the studious nature, Curry quit the county high school in Winchester, Kansas and spent that summer as a railroad section-hand. His earnings provided him with enough money to buy a suit of clothes so that he could go to Kansas City and attend the Art Institute. A month later he moved to the Art Institute of Chicago, and remained there for two years, supporting himself by sweeping floors and acting as a bus-boy in the cafeteria. Upon America's declaration of war, Curry went to training camp, only to be sent home when it was discovered that he was still under age. In 1918 he enrolled at Geneva College, played football for two seasons, and spent the following five years training to earn his money as an illustrator of "blood-and-thunder" scenes for a popular western story magazine. In this capacity, he worked for illustrator Harvey Dunn in New Jersey from 1919 to 1926. He married and then persuaded art patron Seward Prosser to loan him $1000. 00,, which he used for one year of study in Paris in 1927. The year in Europe, which included study at the Academy Julian, reinforced his independent nature. He was much more impressed by the paintings of Rembrandt and Rubens than by the modernist American painters, many whom were adopting the 'isms' of abstract styles of French contemporary artists such as Pablo Picasso's Cubism and Max Ernst's Surrealism. Curry determined to paint American subjects without European models and to celebrate American patriotism and regional pride rather than lofty, remote ideals espoused by the academics. He returned to America penniless, and settling in Westport, Connecticut, swore that he would turn out a worthwhile picture or give up painting entirely. There in 1928 from memory he painted his first picture that became famous, Baptism in Kansas. Gertrude Vanderbilt Whitney bought it for her museum and subsidized him for two years at $50 a week. Baptism in Kansas was heralded nationally as work of a new American genre, but fellow Kansans were not impressed until much later when they realized the scope of his recognition. Purchased by Gertrude Vanderbilt Whitney, one of his key benefactors, Baptism launched his career as a regionalist. In 1930, he had his first one-man exhibition, held at the Whitney Studio Club, and was received enthusiastically by critics. Although he lived primarily in the East, he returned often to Kansas where he stayed at his parents' farm and sketched rural-life scenes. His first wife died, and he gave up his studio in Westport, and secluded himself in a drab New York City studio. He taught at the Cooper Union and the Art Students' League, and held a show of circus studies after touring New England with Ringling Bros.-Barnum & Bailey Circus. This tour and the resulting circus sketches and watercolors were inspired from his attendance in Kansas at many rural county fairs. Reportedly the circus people said they liked Curry but "quibbled over minor technical errors in his series of circus paintings." In 1934 he married Kathleen Shepard, returned to Westport, recovered his old enthusiasm, and painted one of his most famous paintings, Line Storm. Westport beginning to appreciate him, commissioned him to do a double mural for the local high school. Additionally, the United States government selected him to paint murals for the Department of Justice and the Department of Interior buildings in Washington, D.C. He was appointed Artist-in-Residence in the College of Agriculture, University of Wisconsin, in 1936. At $4,000 a year he had his studio on the campus, where he could mingle with students, but he conducted no formal classes. Curry also traveled occasionally to Arizona where he visited his parents who had a second home there and spent their winters. The Marianna Kistler Beach Museum of Art in Manhattan, Kansas, is the repository of the Curry archives including many paintings. According to Bill North, the Museum's Senior Curator, Curry "did produce a number of paintings and watercolors with Arizona subjects, some, certainly prior to 1940. Relatively little is known about this aspect of his life and work. I assume that many, if not all of Curry's Arizona paintings...

Ramananda Bandyopadhyay Untitled Acrylic on Canvas Board 12 x 15 inches 30.5 x 38 cm 2004 ( Framed & Delivered ) Inclusive of shipment without the frame. Style : Lyrical and...

Galen Gibson-Cornell Intimacy 18” x 18” framed Found street-posters from Berlin, sliced and woven. 2023

Ramananda Bandyopadhyay Untitled Mixed Media on Paper 14.5 x 10.5 inches 36.8 x 26.7 cm 2005 ( Framed & Delivered ) Inclusive of shipment without the frame. Style : Lyrical a...

The painting will be shipped in a tube (rolled). The painting is signed on back and front. Extra canvas on the back will allow re-stretching with various depth options. Simply brin...

Raymond Pettibon & Marcel Dzama artist books 2016 (set of 2): 1) Dzama / Pettibon is a collaborative zine between Marcel Dzama and Raymond Pettibon. The zine was originally for the M...

mixed media with Korean Mulberry paper Framed Accompanied by the certificate of authenticity

"Blue Hour", 2023 Camille Levert's work is imbued with her life in Hong Kong. Having spent many years roaming the streets with her camera, the city and its iconic neon lights inspir...

"Ming Court Hotel", 2023 Camille Levert's work is imbued with her life in Hong Kong. Having spent many years roaming the streets with her camera, the city and its iconic neon lights...

"Tsui Wah Restaurant", 2023 Camille Levert's work is imbued with her life in Hong Kong. Having spent many years roaming the streets with her camera, the city and its iconic neon lig...

"Hong Kong Flora #1", 2023 Camille Levert's work is imbued with her life in Hong Kong. Having spent many years roaming the streets with her camera, the city and its iconic neon ligh...

"Abondance", mixed media, painted plexiglas bolted on metallic frame, by Silvia Calmejane. Spontaneous and instinctive, Silvia Calmejane's artistic gesture echoes the "art brut" ava...

Camille Levert's work is imbued with her life in Hong Kong. Having spent many years roaming the streets with her camera, the city and its iconic neon lights inspire her to create thr...

"Abondance", mixed technique on paper by Silvia Calmejane. Silvia's paintings always tell a true story, neutral or important moments, travels, childhood, past and present, life. Her...

Axelle Gosse, interior designer for over twenty-five years and passionate about fabrics, one day decided to take up rope work. She finds inspiration for her work in her travels. The ...

"Green related", mixed technique on paper by Silvia Calmejane. Spontaneous and instinctive, Silvia Calmejane's artistic gesture echoes the "art brut" avant-gardes which inspired her...

"True art is always where you least expect it. ". These few words by the artist Jean Dubuffet wonderfully qualify Silvia Calmejane's work. Spontaneous and instinctive, her artistic g...

"Untitled", mixed media, plexiglass box representing a woman by Nemo Jantzen. Born and raised in The Hague in 1970, Nemo Jantzen then studied art, design and photography at the RTO ...

"Thread", mixed media, plexiglass box by Neman Jantzen. Born and raised in The Hague in 1970, Nemo Jantzen then studied art, design and photography at the RTO in Rotterdam and moved...