Sexy Gifts

Uri Dushy's pop art piece stands out as a testament to his decades-long exploration of art's origins, blending artistic genres to forge provocative and captivating creations. This pi...

Three Little Birds is a wall sculpture that captures snapshot of our daily lives. The girl is enjoying the company with the little birds (thus the nature) in her comfortable space. ...

The unique work by Daniele Fortuna, Thologiny (Colormination) is made with the technique of carving on wood and is painted in acrylic. The Colormination sculpture is part of a series...

Richard ORLINSKI Kong Spirit (Pink edition) Sculpture in resin Metallic Pink About 13 x 10 x 5 cm (c. 5,1 x 3,9 x 1,9 in) Presented in original box with certificate Excellent condi...

Richard ORLINSKI Kong Christmas (Silver edition) Sculpture in resin Silver Edition About 19 x 13 cm (c. 7.4 x 5.1 in) Presented in original box with certificate Excellent condition

Richard ORLINSKI Panda Spirit (Orange Edition) Sculpture in resin Metallic silver About 13 x 11 x 9 cm (c. 5 x 4 x 3.5 in) Presented in original box with certificate Excellent cond...

Richard ORLINSKI Hippo Spirit (Water green Edition) Sculpture in resin Metallic Green About 15 x11 x 6 cm (c. 6 x 4.3 x 2.4 in) Presented in original box ...

2011, 8 Editions mix media resinfiberglass and diamondsstrass 39 2/5 × 47 1/5 × 23 3/5 in - 100 × 120 × 60 cm The artwork is signed by the Artist , carved with edition number and dat...

King Louis XIV, one of France's greatest monarchs, sits confidently astride a prancing steed in this bronze equestrian statue. The extraordinary work is a reduction of the portrait of the Sun King by François Girardon, one of the most noted and influential sculptors of the period. Looking back to the great masterpieces of antiquity, Girardon took his inspiration from the seminal ancient Roman marble of Marcus Aurelius, now in the Musei Capitoline (Rome). Louis XIV is thus portrayed here as a conquering Roman hero, his costume adorned with many neoclassical motifs, hand outstretched in a gesture of command. The result is an imposing royal portrait of power and absolute authority that pays homage to one of the most important sovereigns in French history. It was in 1685, at the very height of his rule, when Louis XIV commissioned the monumental bronze of himself from the great Girardon. As sculptor to the king, Girardon was a key figure in the decoration of the gardens at the Château de Versailles, and he was later commissioned to complete several important royal...

"Cover" Bronze Sculpture Edition 1/8 by Huang Yulong Figure size: 48" x 20" x 19.5" inch Stand size: 35" x 22" x 22" inch ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui P...

"Be My Size (M)" Bronze Sculpture 16" x 39" x 12" in Edition 4/8 by Huang Yulong "Be My Size" Bronze & Aluminum sculpture 2015 16" x 39" x 12" inch ABOUT THE ARTIST Huang Yulong ...

VIANDANTE
 1962 Ottone Brass Certificato di autenticità su fotografia a cura di Mario Graziani Certificate of authenticity on photograph by Mario Graziani EXHIBITIONS "Mirko Bas...

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the ...

Upcycled metal Unique work Includes a Certificate of Authenticity

This engaging bronze abstract sculpture was created by the Italian artist Luciana Matalon in 1980. This is a mulptiple of 1000 specimens numbered and signed. The title is " Gente e d...

Walter Valentini was born in 1928 in South Italy. A painter and engraver, he lives and works in Milan. He is Holder of the chair for engraving at the Nuova Accademia di Belle Arti in...

This is an interesting bronze sculpture multiple art work signed by the Italian Artist Beppe Bonetti. Title Northern Tale This is a multiple of a numbered edition of 500 pieces. The...

This engaging bronze abstract sculpture was created by the Italian artist Luciana Matalon in 1980. This is a mulptiple of 1000 specimens numbered and signed. The title is " Archeolog...

Walter Valentini was born in 1928 in South Italy. A painter and engraver, he lives and works in Milan. He is Holder of the chair for engraving at the Nuova Accademia di Belle Arti in...

This is an engaging bronze sculpture created by the Italian artist Patrizia Guerresi, in 1986. The piece is a multiple of 1000 specimens on a green-painted wooden base. The title is ...

Ugo Cara’ was born in Trieste, Italy in 1908. He took part to numerous Home and International Shows, among which: International Biennale in Venice, Quadrienni...

This is an engaging bronze sculpture create by the Italian artist Patrizia Guerresi, in the 1986. The piece is a multiple of 1000 specimen on a green painted wooden base. The title o...

This is an engaging black aluminum sculpture create by the Italian artist Patrizia Guerresi, in the 1988. The piece is a multiple of 1000 specimen on a black wooden base. The title o...

This is an engaging bronze sculpture created by the Italian artist Patrizia Guerresi, in 1986. The piece is a multiple of 1000 specimens on a green-painted wooden base. This artwork ...

Novello Finotti was born in 1939, in Verona, Italy where he lives and works. He is exhibiting since 1958 taking part to several art events, among which: Triennial Europeen de la Scu...

Concetto Pozzati was born in Padova, Italy in 1935. He is living since 1949 in Bologna where is was holder of the chair of Painting at the Accademia di Belle Arti. He has been exhibi...

This is an engaging bronze sculpture create by the Italian artist Patrizia Guerresi, in the 1986. The piece is a multiple of 5000 specimen on a green painted wooden base. The title o...

Yes, 2006 rubber tire and wood 28 x 33 x 17 in. 71.12 x 83.82 x 43.18 cm

Just a Minute, 2005 rubber tire and wood 32 x 29 x 20 in. 81.28 x 73.66 x 50.8 cm

rubber tire and wood

Indoor/outdoor bench Materials: Synthetic grass, wood, and mirrored stainless steel Signed and numbered, open edition Available in 2 sizes: 20H x 52W x 21D 20H x 30W x 18D Gerald Incandela American, b. Tunisia, 1952 Born in Tunisia, Gerald Incandela studied in Tunis and Paris. He moved to Paris in 1969, where he received a philosophy degree and studied art history at Lycée Janson-de-Sailly. He traveled extensively throughout Europe and made Super-8 camera movies in Berlin. In 1974, he took up photography and learned the art of printing in London. He developed a unique process in the darkroom working with developer and brushes, merging photography, drawing, and painting; blurring reality with abstraction. His early work quickly attracted the interest of noted collector, Sam Wagstaff...

rubber tire and wood

Indoor/outdoor bench Materials: Synthetic grass, bent laminate wood, mirrored stainless steel Signed, unique Gerald Incandela American, b. Tunisia, 1952 Born in Tunisia, Gerald Incandela studied in Tunis and Paris. He moved to Paris in 1969, where he received a philosophy degree and studied art history at Lycée Janson-de-Sailly. He traveled extensively throughout Europe and made Super-8 camera movies in Berlin. In 1974, he took up photography and learned the art of printing in London. He developed a unique process in the darkroom working with developer and brushes, merging photography, drawing, and painting; blurring reality with abstraction. His early work quickly attracted the interest of noted collector, Sam Wagstaff...

Outdoor/indoor bench Materials: synthetic grass, steel, found pipes Unique Gerald Incandela American, b. Tunisia, 1952 Born in Tunisia, Gerald Incandela studied in Tunis and Paris. He moved to Paris in 1969, where he received a philosophy degree and studied art history at Lycée Janson-de-Sailly. He traveled extensively throughout Europe and made Super-8 camera movies in Berlin. In 1974, he took up photography and learned the art of printing in London. He developed a unique process in the darkroom working with developer and brushes, merging photography, drawing, and painting; blurring reality with abstraction. His early work quickly attracted the interest of noted collector, Sam Wagstaff...

rubber tire, wood, steel

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Présence Olivine by Ulrika Liljedahl, Galerie Negropontes in Paris, France Ulrika Liljedahl’s Swedish roots endow her with a curiosity and ability to observe nature that permeates a...

58 X 40 inches Chromogenic Photogram

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Anodized aluminum (black)

Born in Pasadena and raised in Orange County, Elizabeth Turk earned her M.F.A. at the Rinehart School of Sculpture, Maryland Institute College of Art in Baltimore. In Turk’s work, the shape of the line is created by extreme loss. That is, the reductive process of carving creates a positive, fragile form in which the absence of the original material is a focus. Turk encourages us to consider how nature has shaped these organic materials long before the artist’s manipulation of them into new forms. When viewed as components in a complex natural system, their singular beauty and inherent mystery is revealed. Turk compels us to view works of art not only as objects to be coveted and collected, but also as expressions of the natural world and our evolving relation to it. A recipient of numerous awards, including a MacArthur Foundation Fellowship (2010), a Barnett and Annalee Newman Foundation Fellowship (2010), and a Smithsonian Artist Research Fellowship (2011), Turk is internationally recognized for transforming her signature medium of marble into strikingly intricate objects that defy convention and challenge our preconceptions of what marble can do. Through the use of electric grinders, dental tools...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Wristie, a small assemblage atop a block of sandstone, is comprised of a sweater sleeve, a fragment of woven basket and a piece of blasted tree bark all cast in concrete or plaster. ...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Signed and dated: L.K. 2012

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Wood (Cherry, with silver leaf finish), 34 x 7 in.

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Signed (at lower center): Guy

Walnut

Bronze

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...