A. Toussaint - G. Chaudoir Furniture

A highly important pair of large patinated bronze figural torcheres by Émile Guillemin, cast by Ferdinand Barbedienne. French, dated 1872. Barbedienne Title: 'Deux Femmes, Indi...

A beautifully cast matching pair of patinated bronze figural torcheres in the manner of Clodion modeled as classically draped young girls with garlands of flowers in their hair and h...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

A large antique early 19th century Indian brass votive oil lamp modeled as the Hindu deity, Lord Ganesha, circa 1800. A finely cast brass figure of Lord ...

A finely cast 19th century Grand Tour figure of a Diana.

MODEL PRESENTED AT THE 1867 PARIS UNIVERSAL EXHIBITION Listed in the Ferdinand Barbedienne’s catalogue as the “Deux femmes debout” (Two standing ladies) Signed on each one P. Dubois – F. Barbedienne Fondeur and A. Falguière – F. Barbedienne Fondeur Rare pair of parcel-gilt and patinated bronze figures, representing two women dressed in Antique style costume with jewels, each upholding a seven lights-arm candelabra. Standing on round bronze bases and black marble socles. Paul Dubois (1827-1905) entered the Paris Beaux-Arts School in 1858. He exhibited at the 1865 Salon the Chanteur Florentin, illustrating Florentine sculpture, observed after his journey in Italy. This work, cast that time in silvered bronze, was exhibited at the 1867 Paris Universal Exhibition (now preserved at the Orsay museum). Dubois' success brought him many commissions, both private (Portrait of Duc d'Aumale) and public (Jeanne d'Arc, in Reims). Appointed curator at the Luxembourg museum in 1873, Dubois became also a member of the Institute and finally headmaster at the Beaux-Arts School in 1878. Alexandre Falguière (1831-1900) studied under Jouffroy at the Paris Ecole des Beaux-Arts, began his career at the Paris Salon in 1857 and won as soon as 1859 the “Prix de Rome”. Falguière became very quickly successful and was several times awarded medals at the Salon, such in 1868 with his marble sculpture Tarcisius the Christian Boy-Martyr, or at the 1867 Paris Universal Exhibition, where he won the first medal in his category. Thanks to that success, he was immediately commissioned by private collectors as well as by the French State, whom asked him in 1878 to realize the Triomphe de la République, placed in 1881 at the summit of the Paris Arch of Triumph...

An exceptional late 19th century rare French Rococo revival style floor lamp featuring amazing details. The floor lamp is made of bronze and shows great patina adding Beauty and char...

Pair of French Louis XVI style candelabra torchieres.

An important pair of monumental thirty-one light giltwood torchères after the model by Jacques Gondoin for the Hall of Mirrors At the Palace of Versail...

Pair of 19th century high quality cast bronze with great detail by Pradier Cold paint finish on bronze standing on rouge marble

A Large and Impressive Italian 19th Century Patinated Bronze Figural Torchere, after a model by Niccolò Roccatagliata (Genoa 1593 - Venice 1636). The triangular foot base with projecting putti supporting the stem and oval reserves within cartouche motifs, one containing the initials "S.D" with an olive tree in-between and a bull-head below. The stem knot with figures of winged caryatids and festoons and upper part with cherub heads, acanthus leaves and egg and bead patterns and topped with a later white glass globe. The decorative system refers to the documented artistic production of the Venetian workshop of Niccolò Roccatagliata and takes inspirational model from the base of the Renaissance bronze of the Scuola Grande di San Teodoro in Venice, a work signed by Andrea del Bartolomeo di Alessandri known as Brescianino. Electrified. Circa: Venice, 1850-1880. RELATED LITERATURE L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, figs. 661-664; C. Avery, 'Andrea del Bartolomeo di Alessandri detto il Bresciano" lavator di gettar di Bronzo": candelabri, satiri e battenti', M. Ceriana and V. Avery (eds.), L'Industria artistica del Bronzo del Rinascimento a venezia e nell'Italia settentrionale, Venice, 2008, pp. 233-252. Similar models of this torchere were part of the interior decor collection at the Vanderbilt Mansion in New York (see black and white photo). The Cornelius Vanderbilt II House was a large mansion built in 1883 at 1 West 57th Street in Manhattan, New York City. It occupied the frontage along the west side of Fifth Avenue from West 57th Street up to West 58th Street at Grand Army...

A truly exquisite pair of 18th century Northern Italian torchère in painted and giltwood. The shades are pierced metal and polychromed. They are lined in a white silk.