Aaron Schone Abstract Prints

Robert RAUSCHENBERG Cardbirds, 1972 exhibition, rare original poster For the exhibition "Cardbirds" at the Sonnabend Gallery Signed in the plate framed in walnut. 21 x26.5" framed. ...

Hero as a Riddle (1963) depicts a smiling head printed in gold, silver, and black. The shapes and lines composing the figure’s face are architectural and geometric: the eyes are comp...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Modern Print" *Numbered, signed, and dated by Lichtenstein in pencil lower right Year: 1971 Medium: Original Lithograph and Scr...

STEVE KAUFMAN – "ABRAHAM LINCOLN" ⚜ Serigraph on Canvas ⚜ Initialed Verso ⚜ Edition 48/50 AP ⚜ Black Float Frame VIBRANT POP ICONOGRAPHY OF AN AMERICAN LEGEND This bold 1990 serigra...

This serigraph poster by Allan D'Arcangelo was created in 1976 to commemorate the American Bicentennial, celebrating 200 years of the nation's in...

Artist: Robert Indiana (American, 1928-2018) Title: "LOVE (Plate 4)" Portfolio: Book of Love *Signed and dated by Indiana in pencil lower right Year: 1996 Medium: Original Screenprint on A.N.W. Crestwood Museum Edition paper Limited edition: 75/200, (there were also 50 impressions in roman numerals) Printer: Freeman Burks of American Image Editions, New York, NY Publisher: Michael McKenzie of American Image Editions, New York, NY Framing: Framed in a contemporary silver moulding and silver filet with white cotton rag matting Framed size: 32.13" x 30.63" Sheet size: 24" x 20" Image size: 18.19" x 18" Condition: Minor cosmetic wear to frame. In excellent condition Notes: Provenance: private collection - Cincinnati, OH. Numbered by Indiana in pencil lower left. Comes from Indiana's 1996 "Book of Love" portfolio of twelve screenprints of the same image in various colors, originally issued in a black-lettered brown paper-covered folio with accompanying twelve poems. Besides the Arabic and Roman numeral editions, there were also 15 artist's proofs. Technical Director: Peter Engert; Plate Maker: James Harvey; Counsel: Gregory S. Smith, Esq.; Fabricator: Al Hirshson; and Die Maker: York Display. Printed in three colors: white, gray, and dark gray. The "Book of Love" project was conceived by the artist as a portfolio that would make a definitive statement on his masterpiece "LOVE", fulfilling his original vision as both a poet and a painter. The prints in the portfolio were created by Indiana as illustrations for his own love poems, written circa 1958-1973. The prints were produced in silkscreen using oil based paints on a newly created fine art paper that he found perfect for rendering "LOVE", which demands a precise line and radiant true color. The poems each have a highly raised embossment of "LOVE", trapped in colors, just below the title. Each print is hand pencil signed, and each poem hand pencil initialed by the artist. Biography: Robert Indiana was born on September 13, 1928 named Robert Clark in New Castle...

Serigraph on paper Page Size: 12 x 12 in. Gold Leaf Frame Size: 21 x 21 in. Hand Signed, bottom right in black marker Hand Numbered, bottom left in black marker "180/300" This strik...

The work of Luis Gordillo spans more than five decades. He began his career by developing a new pictorial language that became a point of reference for an entire generation of artist...

Artist: Robert Indiana (American, 1928-2018) Title: "The Calumet" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry paper Limited edition: 395, (there were also 30 artist's proofs) Printer: Marco Fine Arts Contemporary Atelier, El Segundo, CA Publisher: Marco Fine Arts Contemporary Atelier, El Segundo, CA Sheet size: 22" x 16.75" Image size: 15.07" x 14" Condition: In excellent condition Notes: Provenance: private collection - Düsseldorf, Germany. Comes from Indiana's 1997 "The American Dream" book portfolio of thirty screenprints. Printed in three colors. Text on verso of the following work as issued. Robert Indiana's 1997 black leather-covered book portfolio "The American Dream" was printed and published with 30 screenprints: 6 loose each signed and numbered and 24 bound not signed and numbered, as issued. Forward by Susan Ryan, text by Michael McKenzie and poems by Robert Creeley. The book was issued within a white cardboard packing box with red and black lettering. This image is based of Indiana's 1971 screenprint edition "The Calumet", (Sheehan No. 64, page 43), from his 1971 "Decade" series, (Sheehan No. 63-72, page 42-44). The prints in that portfolio reproduce one of Indiana's paintings from each year of the 1960's. The bear they same titles as the corresponding paintings. "The Calumet" is a 1961, 90" x 84", oil on canvas painting which is within the permanent collection of the Rose Art Museum, Brandeis University, Waltham, MA. "The Calumet", derived from Longfellow's "Song of Hiawatha", reflects Indiana's ongoing involvement with American literary associations and sources. As interpreted, by Indiana, the schematized image of the red clay peace-pipe smoked by the Indians in Longfellow's poem symbolizes mankind's potential to eradicate war. - (Sheehan page 9). Seven stars for seven spheres...

This Eduardo Paolozzi screenprint is composed with primary colors and black and white photographic imagery “collaged” in. Stripes and curvilinear forms merge in a vibrant exemplar of...

Artist: Robert Indiana (American, 1928-2018) Title: "Polygon: Square (Four)" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry paper...

A dynamic neon-yellow and black Mark Lancaster screen print combining calligraphic paint strokes, paint drips, and smooth, graphic yellow gradients characteristic of the artist's mos...