Allen Jones Abstract Sculptures

Mid Century modern vintage assemblage abstract wall sculpture by Mary Kremer.

Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

"Viewer" Bronze Sculpture 41.5" x 32 "x 20" inch Ed. 1/1 by Sergii Shaulis 2020 From the Fateful Flowers series Approximate weight 75 lbs ABOUT ARTIST Born on 27 May 1985 in Kharkiv, Ukraine. From 2005 to 2011 studied at the Kharkiv State Academy of Design and Arts, at the Faculty of "Fine Arts" specialty "Easel and monumental sculpture." Now studying postgraduate at Kharkiv State Academy of Design and Arts. Works are in private collections in Ukraine, Israel, Germany, USA, Australia, Finland, Holland, Spain, Belgium, England. Education 2002‑2005 Faculty of Engineering and Physics (NTU KhPI) 2005‑2011 Easel and monumental sculpture (KSADA) 2012-2016 postgraduate education (KSADA) Exhibitions 2007-15 City exhibition HONSKHU. Kharkiv. 2007-14 Ukrainian Exhibition KONSKHU. Kyiv. 2008-11 "The maestro and his students", KSADA. Kharkiv (Audience Award 2009) 2008 11 International Triennial of sculpture. Kyiv . 2009 “Male portrait”, gallery KSADA. Kharkiv . 2009 "You get SMS ", Kharkiv ( Grand Prix "The best sculpture...

Royal Purple Excess is a thick and vibrant impasto painting on wood. The elegant texture is spontaneously built up and creates the dynamic surface composition. This creates an engagi...

Pink Frosting Excess by Chloe Hedden is a luscious, tactile indulgence, evoking the airy swirls of whipped confection. The thick impasto application creates sculptural peaks and fold...

“Diventa” is a contemporary wall-mounted mixed media sculpture by Italian artist Vera Vizzi, exploring the emotional pull between longing and levity. Composed on a 30 cm circular fir...

*For questions, special requests or commission inquiries, please text the gallery directly using ASK THE SELLER button. Grouping of 3 paintings is $2000 and of 4 paintings is $2500. ...

This evocative wall sculpture by Vera Vizzi, titled VITA, forms part of the artist’s ongoing exploration of maritime themes and human vulnerability. Crafted in mixed media on reclaimed wood, the piece presents a poetic seascape made of three stacked wooden blocks, each painted in shifting shades of deep blue and stormy grey to evoke a layered oceanic horizon. Atop the highest block sits a delicate miniature boat with small figures, amplifying the sense of fragility and scale. The composition recalls coastal environments and states of emotional suspension—between movement and stillness, presence and absence. The textured surfaces and chromatic modulation suggest tides, foam, and sediment, while the figurative element introduces a narrative of journey, survival, or return. Like much of Vizzi’s work, VITA resonates with themes of resilience, the pull of memory, and our longing for connection with the sea. This one-of-a-kind sculpture belongs to the artist’s new 2024 collection and is ready to hang. Ideal for collectors interested in contemporary marine art, mixed media assemblage, or metaphorical sculpture. Keywords: By the Sea, Miniature Boat, Mixed Media Sculpture, Marine Art, Wall Sculpture, Ocean Artwork, Seascape Assemblage, Contemporary Nautical Art, Small Boat Sculpture, Vera Vizzi, Blue Wall Art...

Kim Seungwoo is a contemporary Korean sculptor, based in Seoul, South Korea, famous for his sculptures made of coins.

Paisley and floral patterned wall sculpture by Jessica Godisak (American, b. 1977). This dimensional piece is constructed of several wood forms joined together. There is empty space ...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...