Antoine Bofill Figurative Sculptures

ABOUT An original pair of bronze plate German Shepherd bookends mounted on Mahogany bases with original felt and label. CREATOR Littco Products. DATE OF MANUFACTURE c.194...

Matched pair of detailed cast bronze bookends depicting a North American Indian Chief bust. There are no maker's marks, initials or signature of eith...

Art Deco bronze bird bookends signed by C. Omin, Marcel Guillemard foundry. Stamped number. Silvered bronze, France 1925.

Pair of Japanese bronze bookends, circa 1880.

Pair of Japanese Bronze Bookends, circa 1880

A pair of French Art Deco bookends, circa 1930, featuring two stylized fish designs. Crafted from a combination of spelter, glass, and marble, these bookends showcase the clean lines...

SIGNED BAYRE From our Sculpture collection, we are delighted to offer this Jaguar Qui Marche No. 2 (Walking Jaguar) Bronze by Antoine-Louis Barye. The Jaguar Qui Marche translates ...

This British vintage chrome iconic figure has been mounted on a blue toned translucent lucite base. This certainly is a one of a kind gift for yourself or the person that has it all ...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Qui Marche" Patinated bronze Signed in base "BARYE", incised "F. BARBEDIENNE FONDEUR, FRANCE" conceived 1841, cast circa 1880-1900 Item # 110UGP10Q Barye's ability to merge our romantic idealization of nature with a colder reality of nature's predator is beautifully represented in this striding cat. Originally conceived in 1841, Tigre Qui Marche (Walking Tiger...

ANTOINE-LOUIS BARYE France, 1796-1875 Tigre Qui Marche Sand-cast bronze with medium-brown, black and coppery patination signed "BARYE" with gently raised edges, incised "F. BARBED...

Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture L' Arlequin. Conceived in 1905 and cast around 1954 A rare museum quality impressionist - Brutalist interpretation of a harlequin swordsman in bronze with black/brown patina. Bears the cast signature E. A. BOURDELLE top of the base, © by Bourdelle along one side. Foundry seal of A. VALSUANI CIRE PERDUE. On corner. Measures 16 x 16.5 x 5 inches. Very good condition throughout, no damage, repair or heavy wear. Scratches and wear to patina throughout commensurate of material age and use. Provenance: The estate of Morton and Estelle Sosland.In Kansas City, the Sosland family name is synonymous with both giving, and the arts. Of their many contributions to the community, 'The Soslands gave one of the nation's finest private collections of American Indian art to the Nelson-Atkins' museum. The content of this auction bears testament to their keen eye and varied interests. In September 1893 Bourdelle joined the studio of Auguste Rodin. His collaboration with Rodin lasted fifteen years. In 1895, he received his first official commission, a war monument for the city of Montauban. His proposed plans, different from traditional monuments, created a scandal. Rodin intervened on his behalf, and the monument was finally erected in 1902. In 1900, Bourdelle demonstrated his independence from Rodin's style with a bust of Apollo. In the same year, Bourdelle, Rodin and the sculptor Desbois opened a free school of sculpture, the Institut Rodin-Debois-Bourdelle. One of the students was Henri Matisse, who later produced some remarkable sculpture, but the school did not last long. Bourdelle in his studio sketching Grace Christie In 1905, Bourdelle had his first personal exhibition, in the gallery of the foundry-owner Hébrand. With the support of Hébrand and the material assistance of his foundry, Bourdelle was able to make larger works and earn greater recognition. His father died in 1906, and Bourdelle changed his first name to simply Antoine, after his father. He married his second wife, Cléopatre Sevastos (1892-1972), who was of Greek origin. She and their daughter, Rhodia, became a frequent inspiration for his works.[6] In 1908, Bourdelle left the studio of Rodin and set out on his own. In 1909 he exhibited a new work, Hercules the Archer at the annual Salon of the Societé Nationale des Beaux-Arts. He began to teach at the Académie de la Grande Chaumière, where his students included Giacometti, Isaac Frenkel and Adaline Kent...

Beautifully detailed, with a gorgeous deep patina, this rare pair of bronze bookends by Oscar Bach depict girls holding geese by the neck, like something out of a charming nursery rh...