Bernie Fuchs is one of America's greatest illustrators. Fuchs was born on October 29, 1932, in O'Fallon, Illinois. He studied art at Washington University in St. Louis, graduating in 1954. He contributed to all the main magazines of his day including McCall's, Redbook, Ladies’ Home Journal and Sports Illustrated. Fuchs painted portraits of several U.S. presidents, including John F. Kennedy, Lyndon Johnson, Gerald Ford, Jimmy Carter and Ronald Reagan. He also painted athletes and celebrities such as Muhammad Ali, Arnold Palmer, Jack Nicklaus, Ted Koppel and Katharine Hepburn. Fuchs died on September 17, 2009, in Fairfield, Connecticut.
James Garner, TV Guide Cover
By Bernie Fuchs
Located in Fort Washington, PA
Date: 1979 Medium: Acrylic and Pencil on Canvas Laid on Board Dimensions: 20.75" x 13.25" Signature: Initialed Lower Center TV Guide Cover Illustration, June...
Canvas, Acrylic, Board, Pencil
At the Masters
By Bernie Fuchs
Located in Fort Washington, PA
At the Masters
Canvas, Oil
Wall Street in Light and Shadow, Oil on Canvas, Signed, 1985
By Bernie Fuchs
Located in Fort Washington, PA
Signed Lower Right Wall Street in 1985.
Oil, Canvas
Psychological State - Family Argument - Matisse Like Illustration
By Bernie Fuchs
Located in Miami, FL
Legendary illustrator Bernard Bernie Fuchs explores the creative possibilities of radical design to illustrate a narrative of an emotional state of unconnectedness. The present work ...
Acrylic, Illustration Board
$44,000
St. Andrews
By Bernie Fuchs
Located in Fort Washington, PA
Signed Lower Right
Canvas, Oil
$8,000Sale Price|20% Off
Fauve Portrait of Three Women in Blue Holding Red Abanicos
By Bernie Fuchs
Located in Miami, FL
Bernie Fuchs's painting "Fauve Portrait of Two Women in Blue with Red Abanicos" captures a festive scene of three Spanish women in traditional dress at...
Canvas, Oil
Girl at the Beach with wide Brim Hat
By Bernie Fuchs
Located in Miami, FL
Wonderful 60's chic is on full display in this beach scene. It's masterfully designed. The beautiful model horizontally fills the center space while supporting players fill background spaces. The style is very flat with lots of gray muting the colors and defining the artist's palette. Fuch's was a giant talent who is overlooked by today's art world participants. His style could be described as a post-post impressionist. This particular work is so deftly designed and exhibits the most intriguing positive and negative spaces. The model is rendered with loose, quick and authoritative brush strokes which give an air of chic confidence. Most of all, it's her dreamy blue eyes that truly captivate the viewer. All parts of the eye ( Iris, Pupil, Sclera ) are composed of a soft robin's egg blue which is in counterpoint the pink day-glow color on her lips. She looks at you. You look back and the process is repeated and repeated. Fuch's not just a great painter, designer, academic artist but a brilliant and innovative colorist as well. To demonstrate how great this simple work is, out of a world population of 7.2 billion people, as a betting man, I would say there may be no other artist who could render a scene this good. An artist such as Peter Doig, who does nice and beautiful work, may come close to the talent of Fuchs. Bernard Fuchs American, 1932 - 2009 Girl at the Beach...
Gouache
Ebbets Field
By Bernie Fuchs
Located in Fort Washington, PA
Signed Lower Right A painting for a poster print.
Canvas, Oil
Comisky Park Stadium
By Bernie Fuchs
Located in Fort Washington, PA
Painting for a poster, Comisky Park, Chicago White Sox Stadium 1985. Illustrator's Works Defined an Era: Bernie Fuchs, 76 By Adam Bernstein Washington Post Staff Writer Saturday, September 19, 2009 Bernie Fuchs, 76, an illustrator whose influential work for magazines ranging from Cosmopolitan to Sports Illustrated seamlessly blended qualities of traditional narrative with hints of abstract composition, died of esophageal cancer Sept. 17 at a care facility in Fairfield, Conn. He lived in nearby Westport. Mr. Fuchs was adept at balancing art and commerce. He met the needs of mass-circulation magazines accustomed to Norman Rockwell-style realism, but he injected a fresh vitality and impressionism that became hugely popular and transformed the illustration field. He even experimented with bold designs based on the abstract expressionism movement popularized by painters Jackson Pollock and Willem de Kooning. One vivid example, commissioned by McCall's magazine in the late 1950s, was a portrait of two young couples relaxing in a small room after dinner. One man is lying on the ground, his head nestled on a woman's lap and smoking a cigarette as she strokes his hair. While the image has the control and realism of Rockwell, it also has several more dynamic features taken from avant-garde techniques: the vigorous brush strokes; the tilted horizon that heightens a sense of drama; a lampshade in the foreground that appears slightly distorted; and, most strikingly, the placement of the couples in the distance instead of being the center of the picture. "Bernie combined the best of both worlds," said illustrator Murray Tinkelman, who directs the University of Hartford's master of fine arts program and chairs the New York-based Society of Illustrators' hall of fame committee. "He became the most emulated and imitated illustrator in the field through the 1980s . . . when the vogue turned to more decorative, whimsical, punkier illustrations that were influenced by underground cartoons like those of Robert Crumb." Mr. Fuchs entered the hall of fame in 1975. He was among the youngest inductees on a roster that includes Rockwell, N.C. Wyeth, Winslow Homer and John James Audubon. Bernard Leo Fuchs was born Oct. 19, 1932, in the coal mining town of O'Fallon, Ill., and his father soon abandoned the family. As a young man, Mr. Fuchs enjoyed drawing characters from Walt Disney movies...
Canvas, Oil
$439Sale Price|20% Off
H 14.5 in W 17.25 in D 0.75 in
Mid Century Figurative Seascape with Sailboats
By Henryk Dzienczarski
Located in Soquel, CA
Mid-century figurative seascape with boats by Henryk Dzienczarski, (Poland, b-1917). Signed "H. Dzienczarski" lower right. Displayed in a wood fra...
Oil, Illustration Board
Rabbis
By Mane Katz
Located in New York, NY
MANE-KATZ RABBIS, c. 1935 Oil on canvas 18 H. x 14 W. 1/2 in. (45.5 x 35.8 cm.) Signed PROVENANCE Dominion Gallery, Montreal Christies, New York, November 04, 1982. Lot 177: $11,000 Private Collection, New Jersey, 1982-2021 Estate of the above, 2021. Raised in an orthodox Jewish family in Russia, Mane-Katz was born in the Ukraine and became an early 20th-century artist, known especially for portraits and paintings with Jewish themes. From childhood, he had been influenced by stories of Jewish mysticism, which was reflected in his paintings. He had a peripatetic life between Russia, France, Israel, and America. He first studied art in Kiev at the Beaux Arts Academy, and in 1913, went to Paris where he associated with Chaim Soutine and Marc Chagall and continued his art studies there at the Beaux Arts Academy. During World War I, he tried to join the Foreign Legion but was rejected because he was too short. He went back in Russia again, this time joining the Soviet Revolution but rejected the cause because he was so horrified by Josef Stalin. He worked briefly for the Russian ballets, and in 1921, he returned to Paris where in 1927 he took French citizenship. For the next twelve years, he traveled widely, showing his art work and doing many paintings. In 1939, as World War II was breaking out, he was drafted by the French and then was taken prisoner by the Germans. He escaped and went to the United States and remained there until 1945, exhibiting his paintings at Katia Granoff Gallery and Wildenstein Gallery. After the war, he returned to Paris where he had exhibited in the Salons. In Paris to the end of his career, he worked happily, painting hundreds of portraits of rabbis...
Canvas, Oil
$2,268,000Sale Price|20% Off
H 38.5 in W 29.25 in
Kees Van Dongen Circus Performers 1900s Vintage Vibrant Figure Fauvist Signed
By Kees van Dongen
Located in Milwaukee, WI
"Les Artistes du Cirque" is an original painting in ink, watercolor, and gouache on paper by leading Fauvist artist Kees Van Dongen, signed in the lower right. In the piece, two circus performers stand against against a wall. On the left, a pale woman in a blue leotard with red flowers on the shoulder stands with her arms crossed, looking out at the viewer. The painter fills in her tights with delicate white brushstrokes, lending them an almost iridescent appearance. Her strawberry blond hair is piled on top of her hair according to the fashion of the period. On the right, an African man stands in a vivid orange toga, looking somewhere off to the left. His feet are clad in bright white shoes...
Paper, Ink, Watercolor, Gouache
$1,078Sale Price|20% Off
H 22 in W 18 in
Antique French Fauvist 1920's Signed Oil Painting Portrait of Fashionable Lady
Located in Cirencester, Gloucestershire
Portrait of a Lady French School, fauvist style indistinctly signed circa 1920's period oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection condition: very ...
Oil, Canvas
$2,650
H 10 in W 8 in D 1 in
Women Seated in Garden "Femmos Restant" New Hope Pennsylvania Artist Edna Gass
By Edna Gass
Located in Soquel, CA
Women Seated in Garden "Femmos Restant" New Hope Pennsylvania Artist Edna Gass Women Seated in the Garden 'Femmos Restant" by New Hope Artist Edna Gass (American, 1904–1993). Image, ...
Canvas, Oil, Illustration Board
$3,650
H 16.63 in W 1,463 in D 1 in
Le jardin de Daubigny Style of Vincent Van Gogh Daubigny's Garden by S. Goosson
Located in Soquel, CA
Le jardin de Daubigny Style of Vincent Van Gogh by Stephen Goosson The painting depicts the enclosed garden of Charles-François Daubigny, a French landscape painter whom Van Gogh ad...
Canvas, Oil, Illustration Board
"Gathering the Mares, " Original Oil Painting
By Lani Vlaanderen
Located in Denver, CO
"Gathering the Mares," by Lani Vlaanderen, is a secondary market oil painting on canvas with one previous owner. This work is unframed and will require a frame. We can frame it for y...
Canvas, Oil
$215
H 6.3 in W 6.3 in D 1.38 in
Pocket Persimmon Fruit by Dani Humberstone, Still life, Small Scale Oil Painting
Located in Deddington, GB
Pocket Persimmon Fruit by Dani Humberstone [2022] original and hand signed by artist Oil paint on canvas Image size: H:5 cm x W:5 cm Complete Size of Unframed Work: H:5 cm x W:5 cm x D:3cm Frame Size: H:16 cm x W:16 cm x D:3.5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Please note that insitu images are purely an indication of how a piece may look. Pocket Persimmon Fruit is an original oil painting by Dani Humberstone as part of her pocket fruit series.
Canvas, Oil
$8,500
H 48 in W 48 in
Contaminating the Innocent - Young Girl Swimming Surrounded by Plastic Waste
By Bruno Surdo
Located in Chicago, IL
This painting reflects Bruno Surdo’s continued engagement with classical realism as a vehicle for contemporary allegory. A young girl, centered and frontal, sits in an inflatable ring surrounded by floating plastic waste—bottles, containers, straws—both above and beneath the water’s surface. The composition is calm, almost symmetrical, yet emotionally unsettling. Surdo’s atelier-based training is evident in the careful modeling of the child’s anatomy, the naturalistic rendering of skin tones, and the controlled atmospheric perspective. The figure is painted with the same dignity and structural clarity found in Renaissance portraiture, elevating what could be a simple environmental image into a modern history painting. Art historically, the work draws from the tradition of allegorical portraiture, where innocence is personified to communicate moral themes. The child recalls Renaissance depictions of putti or symbolic youth figures, yet here innocence is placed in peril. The floating debris creates a contemporary vanitas motif: instead of skulls and extinguished candles, the symbols of decay are plastic and petroleum byproducts—markers of environmental neglect. The waterline dividing the composition subtly recalls the layered moral narratives of Baroque painting, where surface beauty often concealed deeper truths. The title, Contaminating the Innocent, underscores this allegorical intent, transforming the image into a meditation on generational responsibility. Within Surdo’s broader oeuvre—often concerned with spectacle, identity, and human consequence—this painting shifts toward ecological consciousness. Yet it remains consistent with his practice of grounding urgent modern themes in the visual authority of classical technique. By presenting environmental degradation through the lens of Renaissance-informed realism, Surdo avoids didactic illustration and instead creates a quiet, haunting indictment. The stillness of the child’s gaze contrasts with the chaos of the polluted water, reinforcing the central tension: the vulnerability of innocence in a world shaped by adult action. Bruno Surdo Contaminating the Innocent oil on canvas 48h x 48w in 121.92h x 121.92w cm BRS072 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...
Oil, Canvas
$3,026
H 13.59 in W 21.26 in D 0.95 in
Parade in Geneva, 19th Century European Historical Oil Painting
Located in Genève, GE
Signed "A Dovianne" in the lower left corner. A vibrant and highly detailed historical scene depicting a ceremonial procession of mounted figures crossing a grand city square in Geneva, richly adorned with festive banners and flags. The composition is animated by a rhythmic procession of elegantly dressed horsemen, accompanied by soldiers and attendants, creating a dynamic sense of movement and civic pageantry. At the center of the scene, a monumental statue anchors the composition, reinforcing the public and historical significance of the event. The surrounding architecture, carefully rendered, is decorated with numerous flags suggesting a moment of national celebration or official ceremony within the city. The artist demonstrates strong academic training in the rendering of figures, horses, and perspective. The palette is lively yet balanced, combining warm earth tones with vibrant reds, blues, and gold accents, while the softly illuminated sky provides atmospheric contrast. This work belongs to the tradition of 19th century European historical painting, with particular appeal for collectors interested in Swiss subjects, civic celebrations, and narrative compositions. défilé à genève painting, geneva parade painting, swiss historical painting, military parade oil painting, horsemen procession art, 19th century history painting, geneva city scene oil, swiss flags painting, ceremonial parade artwork, cavalry painting...
Canvas, Oil
$3,850
H 16.25 in W 21.5 in D 3 in
Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith
By William Keith
Located in Soquel, CA
Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...
Oil, Illustration Board
$1,619Sale Price|20% Off
H 21 in W 17 in D 1 in
1930s European Fauvist Signed Oil Painting - Portrait of Bearded Young Man
Located in Cirencester, Gloucestershire
Artist/ School: European School, circa 1920's-1930's period, indistinctly signed lower left corner. Title: Portrait of a young Gentleman, with a beard. The work is largely Fauvist i...
Oil
Victorian Home, Redbook Magazine Illustration, 1973
By Bernie Fuchs
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed "B. Fuchs" Lower Right Victorian Home. Illustration for Redbook magazine, 1973. This image won the Award of Ex...
Canvas, Oil
Retro Blond Girl in Yellow with Binoculars at the beach
By Bernie Fuchs
Located in Miami, FL
Bernie Fuchs is one of America's greatest illustrators. He captures the essence of a beautiful and glamorous beach girl done is a loose mid-century style. Notice how he describes ...
Mixed Media, Gouache
Blond Hair Tennis Player
By Bernie Fuchs
Located in Miami, FL
Tennis Player, Mist likely this is Jimmie Conners, Tennis Player Oil on canvas 41 1/2 x 28 inches Initialed lower right Framed in wood to an overall size of 42x29 inches Circa 1980 Provenance: Swann...
Oil
Sold
H 22 in W 29 in
America's Women Get the Vote Calendar Illustration Oil Painting
By Bernie Fuchs
Located in Fort Washington, PA
Original illustration for the “Great Moments in American History” calendar series commissioned by Exxon, published 1965 (illustrating November). Women, newly empowered by the 19th A...
Board, Oil
Tennis Illustration
By Bernie Fuchs
Located in Miami, FL
Signed verso : By Bernie Fuchs, Westport, Conn.
Gouache
Love in San Francisco
By Bernie Fuchs
Located in Miami, FL
Good Housekeeping magazine interior illustration, Autumn 1966 llustration House, New York, September 18, 1988; Acquired by the present owner from the above.
Gouache
Saratoga Paddock
By Bernie Fuchs
Located in Fort Washington, PA
Approximate Date: 1980 Medium: Oil on Canvas Signature: Signed Lower Right Size: 23.00" x 24.00" Paddock scene with sun shining through trees. Bernie Fuchs, 76, an illustrat...
Canvas, Oil
Jack Benny
By Bernie Fuchs
Located in Fort Washington, PA
This illustration is a portrait of the comedian Jack Benny. Likely a proposed, but unpublished, cover for TV Guide Illustrator's Works Defined an Era: Bernie Fuchs, 76 By Adam Bernstein Washington Post Staff Writer Saturday, September 19, 2009 Bernie Fuchs, 76, an illustrator whose influential work for magazines ranging from Cosmopolitan to Sports Illustrated seamlessly blended qualities of traditional narrative with hints of abstract composition, died of esophageal cancer Sept. 17 at a care facility in Fairfield, Conn. He lived in nearby Westport. Mr. Fuchs was adept at balancing art and commerce. He met the needs of mass-circulation magazines accustomed to Norman Rockwell-style realism, but he injected a fresh vitality and impressionism that became hugely popular and transformed the illustration field. He even experimented with bold designs based on the abstract expressionism movement popularized by painters Jackson Pollock and Willem de Kooning. One vivid example, commissioned by McCall's magazine in the late 1950s, was a portrait of two young couples relaxing in a small room after dinner. One man is lying on the ground, his head nestled on a woman's lap and smoking a cigarette as she strokes his hair. While the image has the control and realism of Rockwell, it also has several more dynamic features taken from avant-garde techniques: the vigorous brush strokes; the tilted horizon that heightens a sense of drama; a lampshade in the foreground that appears slightly distorted; and, most strikingly, the placement of the couples in the distance instead of being the center of the picture. "Bernie combined the best of both worlds," said illustrator Murray Tinkelman, who directs the University of Hartford's master of fine arts program and chairs the New York-based Society of Illustrators' hall of fame committee. "He became the most emulated and imitated illustrator in the field through the 1980s . . . when the vogue turned to more decorative, whimsical, punkier illustrations that were influenced by underground cartoons like those of Robert Crumb." Mr. Fuchs entered the hall of fame in 1975. He was among the youngest inductees on a roster that includes Rockwell, N.C. Wyeth, Winslow Homer and John James Audubon. Bernard Leo Fuchs was born Oct. 19, 1932, in the coal mining town of O'Fallon, Ill., and his father soon abandoned the family. As a young man, Mr. Fuchs enjoyed drawing characters from Walt Disney movies...
Canvas, Acrylic, Board, Pencil