Cassina Chairs

Mario Bellini "CAB 413" dining chairs for Cassina, Mustard yellow leather, Italy, 1977, set of six. The "CAB" is the world's first free-standing cowhide design chair, informed by th...

Set of ten Model 121 dining chairs, designed by Afra and Tobia Scarpa and produced by the Italian manufacturer Cassina in 1967. They feature English red leather upholstery and a walnut structure. Fully restored in Italy. Afra and Tobia Scarpa designed the 121 chair in 1965. A sketch from 1943 made by Carlo Scarpa (Tobia’s father) inspired its shape. Two thin plywood “petals” compose the seat and the backrest. They are available with leather upholstery or aniline-dyed. The back has cut in the lower part, required due to a reinforcement that reacts to torsion stress, which is strongest at this point. Furthermore, the basis is a solid wood double trestle. Eight screws link...

Mario Bellini "CAB 413" dining chairs for Cassina, Natural leather, Italy, 1977, set of sixteen. The "CAB" is the world's first free-standing cowhide design chair, informed by the r...

Set of six Model 122 Dining Chairs by Vico Magistretti for Cassina, 1967 • Designer: Vico Magistretti • Manufacturer: Cassina • Year: 1967 • Model: 122 • Features: Stackable design;...

Charlotte Perriand, Pierre Jeanneret and Le Corbusier “LC7” dining chairs for Cassina, brown leather and black metal, Italy, 1927, Set of eight An icon with a versatile and function...

Mario Bellini "CAB 413" dining chairs for Cassina, Mustard yellow leather, Italy, 1977, set of two. The "CAB" is the world's first free-standing cowhide design chair, informed by th...

Mario Bellini "CAB 413" dining chairs for Cassina, Bordeaux leather, Italy, 1977, set of ten. The "CAB" is the world's first free-standing cowhide design chair, informed by the rela...

Vico Magistretti "Carimate" dining chairs for Cassina, red lacquered wood and straw seat, Italy, 1960, set of six. The "Carimate" chair is one of Vico Magistretti’s most famous ch...

Armchair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Manufactured by Cassina in Italy. Timeless, unique, and profoundly authentic, the LC2 armchair has p...

Fabulous, RARE set of 6 original Mario Bellini for Cassina 413 Cab Armchairs in dark grey / matte black. Complete set, in beautiful leather. Very good cond...

A wonderful set of teak dining chairs designed by Farina Morez Ruggero. Originally designed for a restaurant in the northern Italian town of ...

Charlotte Perriand, Pierre Jeanneret and Le Corbusier “LC7” dining chairs for Cassina, brown leather and black metal, Italy, 1927, set of twelve An icon with a versatile and functio...

Charlotte Perriand, Pierre Jeanneret and Le Corbusier “LC7” dining chairs for Cassina, sand beige leather and black metal, Italy, 1927, set of eight. ...

Gio Ponti 699 “Superleggera” Dining Chairs for Cassina, Ash, Rope, Italy, 1957, set of six. In 1957 the Italian furniture manufacturer Amedeo Cassina added a new dining chair to its...

Afra & Tobia Scarpa "121" dining chair for Cassina, red leather, Italy, 1965 Iconic and charming, the model "121" by Afra & Tobia Scarpa shows once again the Scarpa's typical double...

Group of dining chairs with black enameled wood frame, renewed seat with fabric in shades of white.

Vico Magistretti "Carimate" dining chairs for Cassina, green lacquered wood and straw seat, Italy, 1960, set of ten. The "Carimate" chair is one of Vico Magistretti’s most famous ...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-staine...

Gio Ponti 646 "Leggera" dining chair for Cassina, black ash-wood and rope seat, Italy, 1952 The model 646 "Leggera" is an icon of chair design and of Cassina’s masterful artisan cra...

Vico Magistretti "Carimate" dining chairs for Cassina, green lacquered wood and straw seat, Italy, 1960, set of fourteen. The "Carimate" chair is one of Vico Magistretti’s most famo...

Vico Magistretti "Carimate" dining chairs for Cassina, green lacquered wood and straw seat, Italy, 1960, set of eight. The "Carimate" chair is one of Vico Magistretti’s most famou...

Mario Bellini "CAB 413" dining chairs for Cassina, Bordeaux leather, Italy, 1977, set of four. The "CAB" is the world's first free-standing cowhide design chair, informed by the rel...

Afra & Tobia Scarpa "121" dining chairs for Cassina, black leather, Italy, 1965, set of twelve. Iconic and charming, the model "121" by Afra & Tobia Scarpa shows once again the Scar...

Set of twelve stools model Meribel and Berger designed by Charlotte Perriand in 1953-61. American walnut, natural oak and oak stained black. Relaunched by Cassina in 2011. Manufactu...

Mario Bellini "CAB 413" dining chairs for Cassina, black leather, Italy, 1977, set of eight. The "CAB" is the world's first free-standing cowhide design chair, informed by the relat...

Vintage LC1 Chair designed by Le Corbusier and produced by Cassina in 1970s. Tubular steel and leather. Very good condition.

Mario Bellini "CAB 413" dining chairs for Cassina, Bordeaux leather, Italy, 1977, set of sixteen. The "CAB" is the world's first free-standing cowhide design chair, informed by the ...

Vico Magistretti "Carimate" dining chairs for Cassina, green lacquered wood and straw seat, Italy, 1960, set of six. The "Carimate" chair is one of Vico Magistretti’s most famous ...

Set of 4 Superleggera (= very light) Chairs, designed by Gio Ponti in 1951-1957 for Cassina Italia. An icon of modern design and one of the Italian master's most celebrated projects....

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, foun...

Afra & Tobia Scarpa "925" easy chair for Cassina, plywood and black leather, Italy, 1966. In 1966 Afra & Tobia Scarpa designed the "925" chair, realized in walnut and leather. The armchair is inspired by a sketch made in 1943...

Mario Bellini "CAB 413" dining chairs for Cassina, black leather, Italy, 1977, set of two. The "CAB" is the world's first free-standing cowhide design chair, informed by the relatio...

Vico Magistretti "Carimate" dining chairs for Cassina, black lacquered wood and straw seat, Italy, 1960, set of twelve. The "Carimate" chair is one of Vico Magistretti’s most famous...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, foun...

Mario Bellini "CAB 413" dining chairs for Cassina, Bordeaux leather, Italy, 1977, set of fourteen. The "CAB" is the world's first free-standing cowhide design chair, informed by the...

A set of four Superleggera chairs, produced by Cassina in the early 1960s and designed by Gio Ponti, The Superleggera chair is a renowned design created by the Italian architect and...

Mario Bellini "CAB 413" dining chairs for Cassina, Tobacco dark brown leather, Italy, 1977, set of ten. The "CAB" is the world's first free-standing cowhide design chair, informed b...

Mario Bellini "CAB 413" dining chairs for Cassina, black leather, Italy, 1977, set of ten. The "CAB" is the world's first free-standing cowhide design chair, informed by the relatio...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Lubekka chairs, designed by Andrea Branzi for Cassina in 1991, embody contemporary Italian aesthetics. Their distinctive design features a curved seat with a double backrest. The set...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Prices vary dependent on the material/color/model of the product. Chair designed by Charlotte Perriand in 1954. Relaunched by Cassina in 2009. Manufactured by Cassina in Italy. With the Ombra Tokyo chair...

Mario Bellini "CAB 413" dining chairs for Cassina, hazelnut leather, Italy, 1977, set of four. The "CAB" is the world's first free-standing cowhide design chair, informed by the rel...

Frank Lloyd Wright "Robie" chairs for Cassina, original black leather and walnut, Italy, 1986, set of four. This chair's rigorous design exemplifies Frank Lloyd Wright's design eth...

Armchair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Manufactured by Cassina in Italy. Timeless, unique, and profoundly authentic, the LC2 armchair ha...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognizable in Chandigarh’s Capitol Complex, foun...

Mario Bellini "CAB 413" dining chairs for Cassina, black leather, Italy, 1977, set of twelve. The "CAB" is the world's first free-standing cowhide design chair, informed by the rela...

Afra & Tobia Scarpa "121" dining chairs for Cassina, black leather, Italy, 1965, set of four. Iconic and charming, the model "121" by Afra & Tobia Scarpa shows once again the Scarpa...

Frank Lloyd Wright "Barrel" chairs for Cassina, wood and burgundy velvet seat, Italy, 1937, set of 2 A timeless design informed by exceptional constructive complexity, the iconic "...

Le sedie Modello 122 sono una creazione del celebre designer italiano Vico Magistretti, noto per la sua capacità di combinare estetica moderna e funzionalità senza tempo Realizzate d...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, f...

Outdoor chair designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. The Dine Out collection of furniture is designed to add a touch of sophisticated style to the ...

Prices are dependent on the chosen material. Gio Ponti 699 Superleggera by Cassina. Available in ASHWOOD LACQUERED BLACK or ASHWOOD LACQUERED WHITE or NATURAL ASHWOOD. Manufactured since 1957, the Superleggera wood chair is the rare combination of the architect’s innovative quest and the cutting-edge experimentation by the Meda-based company, becoming the indisputable icon and masterpiece of modernity and extreme artisanal elegance. A highlight of Cassina’s catalogue...

Charlotte Perriand, Pierre Jeanneret and Le Corbusier “LC7” dining chairs for Cassina, sand beige leather and black metal, Italy, 1927, set of two. An icon with a versatile and func...

Frank Lloyd Wright "Robie" chairs for Cassina, original black leather and walnut, Italy, 1986, set of six. This chair's rigorous design exemplifies Frank Lloyd Wright's design etho...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Production delay: 8-9 weeks Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Elegant small armchair/chair with arms mod. 110 with walnut frame, bronze feet and original ivory upholstery, designed by Gio Ponti for Cassina. Italy, ca. 1950. The structure has b...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognizable in Chandigarh’s Capitol Complex, f...

Chair designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. The small armchair, dubbed Luisa, is the fruit of a fifteen-year process of exploratio...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar...