Skip to main content

Earl Horter Art

American, 1881-1940

Earl Horter was born in 1881 in Germantown, Pennsylvania and was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as an art director for the N. W. Ayer advertising firm from 1917–23. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935–39, in Washington, D.C. Horter is listed in Mantle Fielding's Dictionary of American Artists, Who Was Who in American Art and Mallett's Index of Artists. Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson. Horter turned a Philadelphia brownstone into a studio and gallery to house his collection, aided by Paul Cret, the designer of the Barnes Foundation and Rodin Museum. By 1931, Horter would begin selling his collection due to financial need brought about by the Depression. Horter was also a teacher in Philadelphia at the Stella Elkins Tyler School of Art; Graphic Sketch Club (now the Fleisher Art Memorial); and the Philadelphia Museum School of Industrial Art (now the University of the Arts). In 1998, the Philadelphia Museum of Art put on an exhibition, “Mad for Modernism,” Horter and his collection, assembling once again many of the major works of art that comprised the artist's collection. In 1934, the Museum, then called the Pennsylvania Museum, had previously exhibited Horter's collection, though some of the works had already been sold. Several of Horter's prints are in the collection of Georgetown University, in Washington, D.C.

to
2
8
8
4
4
2
1
1
'Woolworth Building Under Construction' — Early 20th Century Modernism
By Earl Horter
Located in Myrtle Beach, SC
Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively...
Category

1910s American Modern Earl Horter Art

Materials

Etching

Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists". Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category

1930s American Modern Earl Horter Art

Materials

Etching

Dark House
Dark House
$217 Sale Price
56% Off
STREET MARKET - NEW ORLEANS
By Earl Horter
Located in Portland, ME
Horter, Earl. UNTITLED (STREET MARKET, NEW ORLEANS). Etching. Signed in pencil. 7 3/8 x 11 1/4 inches. In excellent condition.
Category

Mid-20th Century Earl Horter Art

Materials

Etching

Earl Horter, (European Fountain)
By Earl Horter
Located in New York, NY
Signed in pencil. A European town square with fountain and tower.
Category

Early 20th Century American Impressionist Earl Horter Art

Materials

Etching

NEW YORK CITYSCAPE
By Earl Horter
Located in Portland, ME
Horter, Earl. NEW YORK CITYSCAPE. Etching, not dated. Edition size not known. Printed on heavy laid paper, and signed in pencil. 6 1/2 x 6 1/8 inche...
Category

Mid-20th Century Earl Horter Art

Materials

Etching

Still Life
By Earl Horter
Located in Bryn Mawr, PA
Best known as an impassioned supporter and avid collector of modern art, Earl Horter was also an artist himself. Largely self-taught, Horter was a highly skilled draftsman and engrav...
Category

1930s American Modern Earl Horter Art

Materials

Paper, Pastel

In the Harbor
By Earl Horter
Located in Wiscasset, ME
Born in Germantown, Pennsylvania, Earl Horter was a self-taught artist who began his career working in New York City as a draftsman at an advertising agenc...
Category

1920s Modern Earl Horter Art

Materials

Aquatint

Three Cubist Still Life Studies by Philadelphia Artist and Collector Earl Horter
By Earl Horter
Located in Philadelphia, PA
Earl Horter (American, 1883-1940) Three Still Life Studies Pencil on paper, 7 1/4 x 13 1/2 inches; Framed: 17 x 21 inches NOTE: while originally mounted with archival materials, the...
Category

Early 20th Century Cubist Earl Horter Art

Materials

Paper, Pencil

Related Items
Silent Snow (Poetical imagery and Christmas memories in New England)
By Mary Teichman
Located in New Orleans, LA
This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Mary Teichman...
Category

1990s American Modern Earl Horter Art

Materials

Etching

French Etching - Place Stanislas
Located in Houston, TX
Playful black and white etching of a child figure looking out on a quaint city square in Nancy, France, 1959. Signed and dated lower right, titled and numbered 16 of 140 lower left. ...
Category

1950s Earl Horter Art

Materials

Paper, Ink, Etching

French Etching - Place Stanislas
French Etching - Place Stanislas
$225
H 20 in W 16 in D 0.1 in
Palazzo, Florence
By Rudy O. Pozzatti
Located in Fairlawn, OH
Palazzo, Florence Etching, engraving, aquatint, soft ground and lift ground, printed in colors from three copper plates. 1954 Signed in pencil lower right (see photo) Edition 250 plis 10 on Rives wove paper, printed by the artist Published by The Print Club of Cleveland, No. 33 for 1955 REFERENCE: Geske #32 Condition: Mint Image size: 9 3/16 x 13 1/8 inches Impressions of this image can be found in the following museums: National Gallery of Art, Washington Toledo Museum of Art Oberlin, Allen Museum of Art Cornell Univeristy Cleveland Museum of Art Indianapolis Museum of Art Baltimore Museum of Art Georgetown University Indiana Univeristy, Eskenazi Museum of Art David Museum of Art at Wellesley College "Painter and printmaker Rudolph Otto "Rudy" Pozzatti was born in Telluride, Colorado, on January 14, 1925. Upon graduation from high school, he received a scholarship to attend the University of Colorado in Boulder where he enrolled as an art major. In 1943, his studies were interrupted by his induction into the U. S. Army. After his discharge in 1946, he re-enrolled in the University of Colorado where he studied under Wendell...
Category

1950s American Modern Earl Horter Art

Materials

Aquatint

The Grand Canal, Venice
By Elias S. Mandel Grossman
Located in Middletown, NY
1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...
Category

Early 20th Century American Modern Earl Horter Art

Materials

Handmade Paper, Etching

(HUNTERS WITH REFLECTIONS) - RICH IMPRESSION
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 - 1968) (Untitled) - HUNTERS with REFLECTIONS. ca 1925 Etching, signed and numbered 22, lower left. Plate, 13 1/2 x 10 1/2 inches. Sheet 15 3/4 x 11 3/4 inches. ...
Category

1920s American Impressionist Earl Horter Art

Materials

Etching

"Green Farming" Japanese Landscape Woodblock Print
By Toshi Yoshida 1
Located in Austin, TX
Japanese woodblock print (etching) of a landscape by Toshi Yoshida 11" x 15" - Page Size 17 x 21.25 - Frame Size
Category

20th Century Earl Horter Art

Materials

Etching

Ca. 1945 Cubist Graphite on Paper Still Life Drawing by Artist Stanley Bielecky
By Stanley Bielecky
Located in Chicago, IL
A ca. 1945, Cubist black & white graphite drawing of fruit by artist Illinois and Michigan artist Stanley Bielecky. Image size: 4" x 5". Archivally matted to: 13 1/4" x 16". Stanley Bielecky was an Indiana artist who painted the American scene, from the factories and workers around East Chicago to the bucolic settings of Mackinac Island...
Category

1940s American Modern Earl Horter Art

Materials

Graphite, Paper

Beethovens Residence at Mödling Colored Etching by Henry Goering
Located in Soquel, CA
Beethovens Residence at Mödling - Vintage Colored Etching by Henry Goering WWII Hand colored etching of the Christof House (the Yard of Christ) by Henry...
Category

1920s American Impressionist Earl Horter Art

Materials

Paper, Ink, Etching

Operation Sail, Statue of Liberty
By Cuca Romley
Located in San Francisco, CA
Artist: Cuca Romley– Spanish/American, b.1933 Title: Operation Sail Year: 1986 Medium: Color etching Image size: 17.5 x 24.75 inches. Sheet size: 22.25 x 30 nches. Paper: Tiepolo Fabriano Signature: Hand signed in pencil by the artist Edition: Numbered 5/10 H.C in pencil Condition: Excellent, has never been framed Cuca Romley is in her eighties, and currently based in Spain after spending decades in New York City. She was trained at The École Nationale Supérieure des Beaux-Arts (ENSBA), a distinguished National School of Fine Arts in Paris, France. The artist won several noted awards for her art in her native Spain, and in Paris, France. She worked as an artist and also had a career in advertising, illustration and interior design, in Spain, France and New York. As an artist, she has had solo and group exhibitions first Paris, France, Monaco, Japan, Spain and the US. Cuca Romley’s etchings of both famous and little places around the world are depicted with a remarkable attention to detail, a style that belies her sophisticated sense of line and color. These etchings capture a bygone era of a city in flux, and a snap shot of a classic image of a place. Each plate is etched with patience and a thoroughness reminiscence of the earlier days of engraving, in exquisite and fine detail. Romley creates her intricate design on the etching ground that covers the copper plate. After the acid has etched the lines into the copper plate she engraves the details into the plate with a burin until the image is completed. For each individual print, a master printer must ink the plate and wipe the surface clean. The plate is placed on the bed of the press and the previously wet paper 100% cotton Tiepolo Fabriano covering the plate, is passed through the press, and that completes the printing process. After the printing ink has dried for a couple of days, the etching is ready for the hand coloring by the artist. There are often more than 30 colors in one of Romley’s images. Each print can take up to 6 hours to color; these colors impart a subtle transparent effect that compliments the delicacy of the line. 2016 Group Show - Guild Hall, East Hampton, N.Y., USA 2013-16 Barcelona Design Gallery, Barcelona, Spain 2010 Group Show - Elaine Benson Gallery, Bridgehampton, N.Y., USA Group Show - Guild Hall, East Hampton, N.Y., USA Group Show - Gallery International Naive Art, N.Y., USA 2009 Group Show - Gallery International Naive Art, N.Y., USA 2008 Group Show - Gallery International Naive Art, N.Y., USA Group Show - Guild Hall, East Hampton, N.Y., USA Group Show - The Winter Tree Gallery, Sag Harbor, N.Y., USA Gina Gallery, New York, N.Y., USA Guild Hall, East Hampton, N.Y., USA 2007 The Cordova Gallery, Greenport, N.Y., USA 2006 One Person Show - JP Morgan Chase, New York, N.Y., USA The Winter Tree Gallery, Sag Harbor, N.Y., USA 2005 One Person Show - JP Morgan Chase, New York, N.Y., USA The Winter Tree Gallery, Sag Harbor, N.Y., USA 2004 One Person Show - JP Morgan Chase, New York, N.Y., USA 2003 One Person Show - JP Morgan Chase, New York, N.Y., USA One Person Show - Galerie Select, East Hampton, N.Y., USA Group Show - Frank F. Miele Gallery, New York, N.Y., USA 2002 Group Show - Eugenia Cucalon Gallery, New York, N.Y., USA 2001 One Person Show - New York Institute of Technology, New York, N.Y., USA One Person Show - Frank F. Miele Gallery, New York, N.Y., USA 2000 One Person Show - Galerie Select, East Hampton, N.Y., USA 1999 One Person Show - Galerie Select, East Hampton, N.Y., USA 1998 One Person Show - Galerie Select, East Hampton, N.Y., USA 1997 One Person Show - Galerie Select, East Hampton, N.Y., USA 1995 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA 1993 Expansion of Furniture and Jewelry Lines 1992 One Person Show - The Winter Tree Gallery, New York, N.Y., USA 1991 One Person Show - Tamames Gallery, Madrid, SPAIN 1990 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA 1989 One Person Show - Wenniger Graphics, Boston, Massachusetts, USA Group Show - Wenniger Graphics, Boston, Massachusetts, USA One Person Show - Beaux Arts International Gallery, Toronto, CANADA 1988 One Person Show Fontana Gallery, Tokyo, JAPAN One Person Show - The Winter Tree Gallery, New York, N.Y., USA 1987 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA 1986 One Person Show - Collector's Guild, Short Hills, New Jersey, USA One Person Show - Sharon Park Gallery, San Francisco, California, USA One Person Show - De Vecchis Gallery, Philadelphia, Pennsylvania, USA 1985 Group Show - "New York Hispanic Expressions", City Hall, New York, N.Y., USA One Person Show - De Vecchis Gallery, Philadelphia, Pennsylvania, USA One Person Show - The Lessing Gallery, New York, N.Y., USA 1984 One Person Show - Art Works Gallery, State College, Boalsburg, Pennsylvania, USA One Person Show - JoAnn Perse Gallery, Little Rock, Arkansas, USA 1983 One Person Show - The Hyatt Gallery, Nice, FRANCE Group Show - Neville Gallery, Toronto, CANADA One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA Group Show - The Winter Tree Gallery, New York, N.Y., USA 1979-82 Exclusive representation by Bowles/Hopkins, San Francisco, California, USA 1981 Design Gates and Furniture for the Winter Tree Gallery, New York, N.Y., USA 1979 First Prize, National Arts Club Competition, New York, N.Y., USA 1977 One Person Show - Bryant Public Library, Roslyn, New York, USA 1976 One Person Show - Cordoba Gallery...
Category

Late 20th Century Other Art Style Earl Horter Art

Materials

Etching

S. L Margolies, Silent Symphony
Located in New York, NY
S. L Margolies (Samuel L.) made dynamic urban views and calm country scenes. This peaceful subject, with snow-covered hills and tidy cabin, Silent Symphony, 1946, marks an end to the...
Category

Mid-20th Century American Modern Earl Horter Art

Materials

Etching

Ceignac (Aveyron)
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper with a deckle edge and an unidentified round watermark with an arm holding a torch, 3 1/2 x 5 5/8 inches (89 x 144 mm); sheet 5 3/4 x 8 3/8 inches...
Category

Mid-20th Century American Modern Earl Horter Art

Materials

Handmade Paper, Laid Paper, Etching

"Earl Sandwich Refusing to Leave His Ship": An 18th Century Etching/Engraving
By Robert Smirke
Located in Alamo, CA
An 18th century etching and engraving entitled "Earl Sandwich Refusing to Leave His Ship While on Fire in the Battle of Sole Bay" by William Byrne (1743-1805), after a painting by Robert Smirke (1753-1845). It was published in London in 1798. The print is presented in a cream-colored mat. The mat measures 17.13" in height and 13" in width. The print is in excellent condition. Edward Montagu, the 1st Earl of Sandwich...
Category

1790s Earl Horter Art

Materials

Engraving, Etching

Previously Available Items
Delaware River Landscape (Philadelphia Modernist)
By Earl Horter
Located in Wilton Manors, FL
Earl Horter (1881-1940). Delaware River Landscape, ca. 1930. Watercolor on paper, 9 x 12 inches. Signed lower right. Unframed. Excellent condition with no ...
Category

1930s American Impressionist Earl Horter Art

Materials

Paper, Watercolor

Across the Potomac
By Earl Horter
Located in Fairlawn, OH
Signed and titled in pencil Soft ground etching Annotated: “Imp” for impression printed by the artist Note: The Washington Monument in the distance Provenance: New York Corporate Art...
Category

1930s Realist Earl Horter Art

Materials

Etching

Lower Manhattan
By Earl Horter
Located in Storrs, CT
Lower Manhattan. c. 1925. Etching and drypoint. 11 1/4 x 8 1/2 (sheet 12 1/2 x 9 5/8). A rich impression printed with plate tone on cream wove paper. ...
Category

Mid-20th Century American Modern Earl Horter Art

Materials

Etching

Lower Manhattan
Lower Manhattan
H 20 in W 16 in D 0.5 in
Old Chinatown (New York)
By Earl Horter
Located in Storrs, CT
Old Chinatown (New York). 1932. Aquatint. 10 x 12 1/4 (sheet 11 5/8 x 13 1/4). A rich impression printed with plate tone on cream wove paper. Unsigned. Housed in a 16 x 20-inch arch...
Category

Early 20th Century American Modern Earl Horter Art

Materials

Etching

Archway, with Newsstand. (France).
By Earl Horter
Located in Storrs, CT
5 3/8 x 4 (sheet 8 1/4 x 5 3/8). A rich impression with plate tone printed on cream wove paper. Unsigned. Earl Horter was born in 1881 in Germantown, Pen...
Category

Early 20th Century American Modern Earl Horter Art

Materials

Etching

Dark House (Philadelphia).
By Earl Horter
Located in Storrs, CT
c. 1932. Aquatint. 10 1/4 x 11 (sheet 12 5/8 x 15 1/2). A rich impression printed with plate tone on countermarked French wove paper. Unsigned; annotated 'Dark House (Aqua)' in Horter's hand. Another impression is in the Library of Congress. Housed in a 16 x 20-inch archival mat, suitable for framing. Earl Horter...
Category

Mid-20th Century American Modern Earl Horter Art

Materials

Etching, Aquatint

Ponte Fabricio, Rome.
By Earl Horter
Located in Storrs, CT
Aquatint printed in colors. 6 1/4 x 5 5/8 (sheet 9 3/4 x 7). A rich, tonal impression printed on cream wove paper. Signed in pencil. Earl Horter was born in 1881 in Germantown, Pe...
Category

Early 20th Century American Modern Earl Horter Art

Materials

Color, Aquatint

Mount Vernon - Rear.
By Earl Horter
Located in Storrs, CT
Mount Vernon - Rear. c. 1930. Etching. 8 5/8 x 11 1/2 (sheet 11 1/4 x 15 5/8). Series: Historic Homes of Virginia A fine impression printed on cream wove paper, on the full sheet with deckle edges. Signed in pencil. Earl Horter...
Category

20th Century American Modern Earl Horter Art

Materials

Etching

New York Waterfront
By Earl Horter
Located in Wiscasset, ME
Born in Germantown, Pennsylvania, Earl Horter was a self-taught artist who began his career working in New York City as a draftsman at an advertising agency. Horter became well known...
Category

1930s Modern Earl Horter Art

Materials

Etching

Earl Horter art for sale on 1stDibs.

Find a wide variety of authentic Earl Horter art available for sale on 1stDibs. You can also browse by medium to find art by Earl Horter in etching, aquatint, paper and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Earl Horter art, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of Bertram Goodman, Louis Conrad Rosenberg, and Richard Florsheim. Earl Horter art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $160 and tops out at $680, while the average work can sell for $300.

Artists Similar to Earl Horter

Recently Viewed

View All