Kaare Klint Furniture

Kaare Klint. A three-seat sofa with mahogany legs, seat, sides and back with blue-, red- and whitestriped Greek Savak. Executed by Rud. Rasmussen, Copenhagen.

1940s Kaare Klint Three Seater Sofa, with Mahogany Legs & Striped Wool Upholstery with Leather Trim. Usable condition. Bespoke quote can be...

Kaare Klint for Rud Rasmussen. Safari chair new upholstered with Vintage aniline leather. Straps maintained in the original patinated lea...

Kaare Klint freestanding two-seat sofas on six-legged, profiled mahogany cross-frame. Sides, seat and back upholstered with black horsehair. Executed by Rud. Rasmussen, Copenhagen.

Kaare Klint 'Red Chair' in Cuban mahogany, Niger leather and brass nails. Executed by Rud. Rasmussen 1936-1940. Underside with manufacturer's paper label RUD. RASMUSSENS/SNEDKERIER/...

Kaare Klint pair of red chairs in mahogany, black horsehair and brass nails. Version of the chair with upholstered arms. Executed by Rud. Rasmussen,...

Kaare Klint & Rud Rasmussen Snedkerier - Scandinavian Modern design The iconic "The Red Chair" by Kaare Klint, model KK 3758A. Designed in 1927, executed in the 1950s by Rud. Rasmus...

Pair of KK 47000 - 'Safari Chairs' in natural patinated leather with ash wood frame. Designed by Kaare Klint. Made by Rud Rasmussen Snedkerier.

Stylish sofa upholstered in wool designed by MAA Kaare Klint for Rud Rasmussen cabinetmakers in 1940. Great original condition.

Kaare Klint freestanding two-seat sofas. Frame of mahogany. Sides, seat and back upholstered with fabric. Executed by Rud. Rasmussen, Copenhagen.

Kaare Klint sofa in green wool with white stripes. Legs of mahogany. Made by Rud Rasmussen, model 6092.

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...