Melandri-Focaccia Furniture

Large, decorative porcelain group, "The noble game of chess". German porcelain manufacturer. Undamaged.

Very rare male adjustable mannequin antique 1920’s art deco German display mannequin. Lovely art deco period hand painted face and real hair. Beautiful ...

Beautiful pair of vintage Art Noeveau bookends by Verona. This set in beautifully aged cast iron reminiscence of the art noeveau era with its use of arches and curved forms. In this ...

A classic example of Art Deco sculpture, this terra cotta depicts a handsome woman with high cheekbones and pulled-back hair that give her a placid, peaceful appearance. The terra co...

Bird Sculpture by Tyra Lundgren for Venini 1930s A rare bird sculpture made of straw colored glass decorated with an iridized surface. Designed by Tyra Lundgren in 1938, manufacture...

A very fine marble sculpture of Arpocrate also know as Harpocrates, the Greek god of silence. Often depicted with lotus flowers and a horn, the sculpture in question was carved by the Italian Francesco Pozzi (Italian, 1779 – 1844) around the first quarter of the 19th century. Francesco was born in Rome a sculptor and engraver, and In conjunction with Coppa and Perini, he engraved some of the plates from the statues in the Clementine Gallery at the Vatican. He also engraved a portrait of Pope Pius VI, As a sculptor he made a Latona with the infants Apollo and Artemis...

Ceramic (Grés) centerpiece designed and produced by Carlo Zauli in 1970. Unique piece. Signed. Biography: Carlo Zauli (Faenza, 1926-2002) is one of the great names in post-war ...

Ceramic (Grés) centerpiece designed and produced by Carlo Zauli in 1970. Unique piece. Signed. Biography: Carlo Zauli (Faenza, 1926-2002) is one of the great names in post-war Italian sculpture. Like other masters of previous generations, from Martini to Fontana and Leoncillo, his technical training was in the field of ceramic art. Zauli moved away from its formal principles in the sixties, however, when his work moved towards a complex form of sculptural research of great expressive richness. The shift from informal territories towards a reasoning about geometrical forms as rhetorical structures brought him into the heart of the sculptural debate of those years. The solo exhibition at the Montenapoleone Gallery of Milan in 1957 fitted in perfectly with other works that were part of a trend towards an integration of the arts (frieze for the palace in Baghdad, 1958; frieze for the government printing office...

This enchanting little girl holding an apple in her hands and contemplating it is made out of ceramic. The sculpture was created at the beginning of the 20th century by the artist ...

Francesco Marcangeli Contemporary sculpture titled "Giustizia" is made in 1980's in Rome, Italy. The bronze sculpture is setting on a limestone ba...

These two busts, monumental in both their size and artistry, come from the renowned Italian majolica workshop of the famed Angelo Minghetti. Depicted are the Renaissance political an...

“Panther”by Primavera, circa 1930 An exceptional brown and white glaze enameled ceramic zoomorphic sculpture of a walking panther on a black enameled base. Signed on the base "Primavera E.Pierre" Circa 1930. Bibliography : "Primavera, naissance de la céramique moderne", Galerie Anne-Sophie Duval, 2013, illustrated page 87. “Primavera 1912-1972, Atelier d’Art du Printemps" Alain-René Hardy, Faton Edition Primavera 1912-1972: Atelier d’Art du Printemps Primavera, “Spring” in Italian, was the first French department store to set up a creative workshop at the beginning of the 20th century. The adventure began in 1912 with two Decorative Arts enthusiasts: Pierre Laguionie (1884-1978), director of “Printemps” Department Store and lawyer René Guilleré (1878-1931), founder of the Salon des Artistes Dé-corateurs. Their objective is to promote the craft of Art in the daily life of the French people on the motto of the beautiful and the useful. Decorative objects and furniture (furniture, ceramics, glassware, carpets, up-holstery, wallpapers, etc.) must be beautiful, modern, of high quality and at affordable prices. The studio acquired young decorative artists such as Marcel Guillemard (1886-1932) and Louis Sognot (1892-1969) for furniture, and for works of art and ceramics by Madeleine Sougez (1891-1945)active from 1920 to 1928, Claude Lévy (1895-1942) from 1919 to 1929, Paule Petitjean...