Officina Rivadossi Cabinets

Rare cabinet model Facett designed by Bertil Fridhagen. Produced by Bodafors in Sweden.

We are delighted to offer for sale this very rare, now discontinued, Thomas Chippendale Library bookcase which is an exact authorised copy of one from Princess’s Diana’s family home, the Althorp Estate, it was part of the Living History collection, made by Theodore Alexander and retailed through Brights of Nettlebed and has touch activated top lights The Althorp estate is widely considered one of, if not the finest English country home left standing. You can see clips of the tours online, the place is an absolute marvel of English history. The estate is owned, and has been by the Spencer family’s for over 500 years, I’ll include the history below. The estate is currently in the stewardship of the Earl of Spencer, Princess Diana’s brother The bookcase itself is very fine, in flamed mahogany and has glass shelves and top spot lights which are activated by touching any one of the three right door hinges, each light has three dimness settings. The piece is fully stamped for Theodore Alexander the maker on the locks, Brights of Nettlebed for the retailer and the right drawer has what looks to be pewter, Althorp family crest inside. This bookcase breaks down into five easy to transport pieces, you have the base which is one unit, the three top bookcase sections are all separate and the top cornice is also one removable piece Condition wise this piece is exquisite, there is very little in terms of wear or use, it has been cherished since new and is a very fine piece indeed Dimensions Height:- 233cm, the brass urns on the very top can be unscrewed if ceiling height is an issue, they are 11cm tall each Width:- 167cm Depth:- 50.5cm Please note all measurements are taken at the widest point Althorp history Althorp (popularly pronounced /'??l???rp/ AWL-thorp) is a Grade I listed stately home and estate in the civil parish of Althorp, in West Northamptonshire, England of about 13,000 acres (5,300 ha). By road it is about 6 miles (9.7 km) northwest of the county town of Northampton and about 75 miles (121 km) northwest of central London, situated between the villages of Great Brington and Harlestone. It has been held by the prominent aristocratic Spencer family for more than 500 years, and has been owned by Charles Spencer, 9th Earl Spencer since 1992. It was also the home of Lady Diana Spencer (later Princess of Wales) from her parents' divorce until her marriage to Charles, Prince of Wales. Althorp is mentioned as a small hamlet in the Domesday Book as "Olletorp", and by 1377 it had become a village with a population of more than fifty people. By 1505 there were no longer any tenants living there, and in 1508, John Spencer purchased Althorp estate with the funds generated from his family's sheep-rearing business. Althorp became one of the prominent stately homes in England. The palace dates to 1688, replacing an earlier house that was once visited by Charles I. The Spencer family amassed an extensive art collection and other valuable household items. During the 18th century, the house became a major cultural hub in England, and parties were regularly held, attracting many prominent members of Great Britain's ruling class. George John, 2nd Earl Spencer, who owned Althorp between 1783 and his death in 1834, developed one of the largest private libraries in Europe at the palace, which grew to over 100,000 books by the 1830s. After falling on hard times, John Spencer, 5th Earl Spencer, known as the Red Earl, in 1892 sold much of the collection to Enriqueta Rylands, who was building the University of Manchester Library. Many of Althorp's furnishings were sold off during the twentieth century, and between 1975 and 1992 alone approximately 20% of the contents were auctioned. The house at Althorp was a "classically beautiful" red brick Tudor building, but its appearance was radically altered, starting in 1788, when the architect Henry Holland was commissioned to make extensive changes. Mathematical tiles were added to the exterior, encasing the brick, and four Corinthian pilasters were added to the front. The grand hall entrance to the house, Wootton Hall, was cited by Sir Nikolaus Pevsner as "the noblest Georgian room in the county". The Great Dining Room in the east wing extension of the house was added in 1877 to designs by John Macvicar Anderson, its walls hung with faded, red damask silk. Numerous fireplaces and furnishings were brought to Althorp from Spencer House in London during the Blitz for safekeeping and still remain. The Picture Gallery stretches for 115 feet (35 m) on the first floor of the west wing, and is one of the best remaining examples of the original Tudor oak woodwork and ambiance in the mansion. It has an extensive collection of portraits, including Anthony van Dyck's War and Peace, a John de Critz...

Mogens Koch cabinets in oak. Executed by Rud. Rasmussen. Reverse with paper labels ‘RUD. RASMUSSENS/SNEDKERIER/KØBENHAVN/DANMARK.

This is an antique Italian cabinet. It is probably quite old, dating back to the 1700s or 1800s. The texture it has acquired over the years gives it a dignified appearance that is ...

Giuseppe Rivadossi for Officina Rivadossi, showcase unit, walnut, glass Italy, design 1977 This exceptional grand showcase by Italian sculptor and designer Giuseppe Rivadossi is a t...

This gorgeously refinished Honduran Mahogany 'Taliesin' Model #2005 Special Cabinet on Stand was designed by Frank Lloyd Wright for Heritage-Henredon in 1955 and produced only for two years, therefore is now a highly sought-after and rare collectors item and this particular cabinet design being one of the most sought after of the entire collection. This example is signed with the red Taliesin symbol on the back along with its stamped model #2005. This rare Frank Lloyd Wright cabinet features the rare sought after architectural base with equally rare and sought after two door cabinet with concentric square designs on doors. Inside the cabinet is a removable shelf. The cabinet can be removed from the base as can be seen in the photos. Frank Lloyd Wright stated that one of his goals for this line was for the 'design to make the home more efficient as well as more beautiful'. Woven into each piece of this series was the chamfered wood edge with an abstracted Greek key motif, the signature detail of every Taliesin design, covering the edges of each item in the collection. All of the pieces were executed in Honduran Mahogany, a high-end luxury wood choice. His idea was to design ‘infinite adaptability to American living’, for example desks could double as dressing tables, small tables could be used as a chair or stool and bookcases had moveable tops transforming into room dividers. Decoration was limited to the greek key edges so that ‘is of the piece, not on it’ and the removal of elimination of any hardware door or drawer pulls in favor of cut out flush pulls which ‘catch light and shadow for interesting and changing patterns’. Wright pitched three separate concepts to Heritage Henredon: ‘Burberry’, ‘Honeycomb’ and ‘Four Square’ which was the one chosen to go into production and renamed ‘Taliesin’ after Wrights Wisconsin home. A distinguishing feature of the Taliesin line is that each piece is identified with a branded signature which was often accompanied by a red square. No other items from the rest of Wright's career is marked or identified which makes this line more desirable to collectors. This particular cabinet design recently broke auction records for its model - demonstrating the rarity and desirability of Frank Lloyd Wright's work along with the uniqueness of this cabinet design and demand from art and design collectors and investors, along with the interior design community. This beautiful Frank Lloyd Wright Taleisin cabinet would work great in a Craftsman, Farm House, Monterey, Spanish, Mission, Arts & Crafts, Mid-Century Modern, Scandanavian Modern or Danish Modern home or penthouse apartment but could also look fantastic in a Contemporary or Post-Modern room. Also consider mixing it up in a Traditional, Transitional, Classical or Art Deco room with a splash of juxtaposition. Would also be an apt choice in a commercial project such as a hotel lobby lounge or members club, creative design studio or high-rise executive office. Consider using as a small blanket chest, a dry bar for liquor...

Incredible 1950-1960’s Scandinavian Modern teak 4 drawer low cabinet sideboard (or bench) Model #394 by Kai Kristiansen for Aksel Kjersgaard Odder. This piece has been attributed based upon its stamped mark, archived research including online sources, vintage documentation and catalogs, designer literature, and other materials. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. There are a couple of small darker spots on the top. A broken leg has been repaired and we have touched up some nicks & dings. Fresh coat of Danish oil applied. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, 1950-1960’s. My, my… what have we here? A fabulous Danish low cabinet? YES. A stunning Scandinavian Modern sideboard or media/console cabinet? YES. An incredible low bench or dresser? Also… YES!!! Talk about versatility overload!! This is a phenomenal low cabinet model #394 by Kai Kristiansen for Aksel Kjersgaard Odder. It is comprised of a gorgeous teak frame with stunning wood grain, straight square legs, and four drawers featuring 2 double recessed half-moon handles. The top drawers open from the bottom, and the bottom drawers open from the top! It’s a simple but oh-so-stunning detail. This is an INCREDIBLE cabinet and it’s bursting with versatility, impeccable style, and ample storage. It could be used as a wonderful low dresser for lingerie or other delicate items in a bedroom, a fantastic sideboard, credenza, console, or media cabinet in a living or dining area. Maybe a marvelous low bench cabinet in a hall or entry, or in any room that needs a touch of quintessential Scandinavian Modern flair. It’s EXACTLY what the designer ordered! Kai Kristiansen was born in 1929 in Denmark. His approach to design was, and still is colored by his outlook on life with his constant search of “getting as much as possible out of as little as possible.” A phrase he uses to this day is “Economy, ecology, and common sense.” He was taught and trained as a cabinetmaker by a Danish design role model Kaare Klint. He knew that early in his career how to create furniture with functionality and refined details while keeping the production methods and costs in mind. He designed his first table...

Bar cabinet highboard sideboard rosewood retro vintage around 1970 illuminated Features: Two-piece model Upper part with two flaps, right side illuminated High-legged base with...

Stylish freestanding wall units boasting bookmatched walnut veneer (ca. early 1970s, Italy). Each comes with a black vinyl seat (more for decoration than practical use). The first un...

An extraordinary near pair of oversized Regency astral glazed library bookcases c.1810. Demonstrating a remarkable pair of full-length oval astragal glazed doors to each - with car...

Bar cabinet by Gio Frigerio. Red lacquer doors and mirrored interior. Makers label affixed to back.

Giuseppe Rivadossi for Officina Rivadossi, bedroom divider or wardrobe unit, walnut, glass Italy, 1980s This exceptional piece by Italian sculptor and designer Giuseppe Rivadossi is a testament to his exquisite woodworking skills. This monumental wardrobe displays...