Pablo Picasso Figurative Prints

- Plate 55 from the Suite 156 - with stamp signature - dated in the plate 2.3.70 - edition 26/50 - cat. raisonné Bloch 1910

PABLO PICASSO Spanish, 1881 - 1973 La Répétition (B. 756; M. 252) signed in black ink "Picasso" (lower left) numbered in pencil "11/50" (lower right) lithograph on Arches S. 19-2/3 x...

Pablo Picasso (1881-1973) - Woman with Monkey Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and se...

Pablo Picasso - Original Lithograph Title: Painter and his Model Edition of 180 From the illustrated book "Regards sur Paris" (Paris: André Sauret, 1962) Pulled from the folio number...

Pablo Picasso (1881-1973) - L'atelier de Cannes Lithograph from 1958. On Arches paper. Dimensions of work: 44.8 x 33.4 cm. Plate signed. It's an enhanced version of the first st...

Visage noir moucheté 1948 Ed. 39/200 pcs White earthenware clay, decoration in engobes under glaze Stamped and inscribed on the back : Madoura Plein Feu, Edition Picasso, I105, 39/20...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Femme couchee et texte manuscrit (Reclining Woman and Handwritten Text), originates from...

Pablo Picasso (1881-1973) - La Comédie Humaine Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and s...

Pablo Picasso (1881-1973) - Jacqueline Lithograph from 1964. Dimensions of work: 30 x 27 cm. Plate signed. Publisher: Éditions Cercle d'Art, Paris. The work is in Excellent cond...

Pablo Picasso (1881-1973) - Le Grand Verre Lithograph from 1957. The edition 211/275. With Arches watermark. Dimensions of work: 44.5 x 33.5 cm. Publisher: Fernand Mourlot Édite...

- Plate 118 from the Suite 156 - edition 48/50 - stamp signature - dated in the plate 17.5.71 - cat. raisonné Bloch 1973; cat. raisonné Baer 1982

Pablo Picasso (1881-1973) - La Comédie Humaine Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and s...

Pablo Picasso (1881-1973) - Escultor y escultura Etching from 1965. Edition of 255. Dimensions of work: 48 x 38 cm. Imprimée à Mougins. Référence : Bloch 1187; Baer 1156. The w...

Original Lithograph - Pablo Picasso "Le Peintre et son Modèle" - Original Lithograph from "Picasso Lithographe IV" Dimensions: 32 x 25 cm 1964...

This original linocut in colours is hand signed in pencil by the artist "Picasso" at the lower right margin. It is hand numbered in pencil from the edition of 50, at the lower left m...

"The Embrace" is an aquatint on paper, image size 13.75 x 16.75 inches, signed 'Picasso' lower right and annotated lower left, and framed in a Spanish-style, closed-corner, black and...

- lithograph in four colours on transparent transfer paper, composition reprinted on stone - 1000 copies for the cover of the brochure published on the occasion of the Picasso exhibi...

A superb impression of this color linoleum cut. Signed and numbered 29/50 in pencil by Picasso. Printed by Arnéra, Vallauris. Published by Galerie Louise Leiris, Paris. Catalogue r...

This lithograph is hand signed in blue pencil by the artist "Picasso" at the lower left image. Edition info 11/50. It is also hand numbered in blue pencil from the edition of 50, at ...

Original Lithograph by Picasso Atelier Mourlot. Paper: Vélin. Dimensions : 9 5/8 x 12 7/16 inches Bloch 1017; Cramer 113; Mourlot 350

Pablo PICASSO (1881-1973) Diurnes: Jacqueline's Tree, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15,7 x 11,8 in) ...

Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954 Original lithographs published by Mourlot Frères Original lithograph print from Verve Vol. VIII, No 29/30 printed by t...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled Jacqueline au regard d'oiseau (Jacqueline with Birdlike Gaze), originates from the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs). Published by Galerie Berggruen, Paris, and printed by ateliers de Daniel Jacomet, Paris, this collaborative work brings together Picasso’s poetic visual sensibility and Villers’ inventive photographic approach. The series represents a unique dialogue between cut paper forms and light, demonstrating Picasso’s continual exploration of composition, texture, and abstraction through new media. Executed on vélin d’Arches paper, this lithograph measures Paper Size 15.75 x 11.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition preserves the subtle interplay of tone and structure that defines Picasso’s mastery of visual rhythm and lyrical modernism. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: Jacqueline au regard d'oiseau (Jacqueline with Birdlike Gaze), from Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), 1962 Medium: Lithograph and stencil (pochoir) on vélin d’Arches paper Dimensions: Paper Size 15.75 x 11.75 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Galerie Berggruen, Paris Printer: Ateliers de Daniel Jacomet, Paris Catalogue Raisonné Reference: Goeppert, Sebastian, et al. Pablo Picasso: Catalogue Raisonné Des Livres Illustrés. Patrick Cramer, 1983, Illustration 115. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), published by Galerie Berggruen, Paris Notes: Excerpted from the folio (translated from French), Finished printing on January 29, 1962, on the presses of l'Imprimerie Union in Paris and in ateliers de Daniel Jacomet for phototypies and pochoirs. This album, made with the help of Lionel Prejger, was issued in M numbered examples, the first C of which were accompanied by an original engraving by Pablo Picasso numbered and signed by the artist. This engraving, printed on the presses of Arnéra in Vallauris, was presented in a special box. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Malaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musee Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Picasso Jacqueline au regard d'oiseau (Jacqueline with Birdlike Gaze), Picasso Diurnes (Daytime), Picasso André Villers collaboration, Picasso Galerie Berggruen, Picasso Daniel Jacomet printer, Picasso Arnéra...

Signed by Picasso in pencil lower left. Numbered 32/50 in pencil lower right. Catalogue raisonne references: Bloch 739; Mourlot 239; Reuße 625. Framed print. Framed dimensions ...

Hand signed in red pencil and numbered. Dated in plate. Edition 14/50. On Arches Wove Paper. Excellent condition. Reference: Bloch n.443; Mourlot 86.

Artist: Pablo Picasso (Spanish, 1881-1973) Title: La Danse Des Faunes Year: 1957 Medium: Original zinc plate two colors lithograph Edition: Unumbered of 1000 Paper: Arches Ima...

- handsigned on the lower right - dated and unreadable inscripted in the plate - from the Suite Vollard - plate size: 19,5 x 27,6 cm; sheetsize: 34 x 44,5 cm - edition of 260, unnumb...

Pablo Picasso, Model Contemplating Sculpture, etching, signed in pencil, 1933, a fine impression, published by Vollard, from the Vollard Suite, edition of 310, Bloch 175, Geiser 328...

Pablo PICASSO (1881-1973) Diurnes, Human Shadow on The Road, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11....

Pablo Picasso (1881-1973) Couverture Mourlot IV is the original book cover of the monograph "Picasso. Lithograph". It consist of spine, front and back. Edition 3000, cat. raisonné M...

Pablo Picasso Les Trois Graces, II 1922/23 This is numbered 74/100 Published by Marcel Guiot, Paris. Original etching, hand signed in pencil by Pica...

This original etching is hand signed by the artist "Picasso" at the lower right. It was printed in by Lacourière in a limited edition of 250 impressions and published by Ambroise Vollard, Paris. This is the 13th plate in La Suite Vollard, Picasso's most important series of etchings, and was realised in December 1934. Note: The Suite Vollard...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

Pablo Picasso (1881-1973) - Vallauris Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shi...

Pablo Picasso (1881-1973) - Le Peintre et son Modèle II Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. F...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Visage de la Paix (Face of Peace), from the album Le Visage de la Paix par Picasso et Eluard (The Face of Peace by Pica...

Pablo Picasso (1881-1973) - Le Thé: Deux Femmes Nues et une Chat (The Tea: Two Naked Women and a Cat) Linocut from 1965. an Artist’s Proof aside from the numbered edition of 50, on Arches paper. Dimensions of work: 62.2 x 75 cm. Hand signed. Publisher: Galerie Louise Leiris, Paris. Reference: Bloch 1851; Baer 1358. The work is in Excellent condition. -- This linocut from 1965 belongs to the mature period of Pablo Picasso’s printmaking, a time when he had fully mastered the expressive potential of the linoleum block. Printed on Arches wove paper, this impression is an Artist’s Proof aside from the numbered edition of fifty, hand-signed by the artist in pencil. It was published by Galerie Louise Leiris, Paris, and printed by Arnéra, Vallauris — Picasso...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Museo Picasso. Palacio Aguilar.', 1966 Four-color offset printing on paper 30 x 21.5 in. (76 x 54.5 cm.) Unframed Ref: PIC2001-P010 Conservatio...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Pablo Picasso (1881–1973) – Le Vieux Roi (Old King) Technique: Original lithograph Year: 1959 Dimensions: 64...

Cruche aux oiseaux (A.R. 456), 1962 Ed. 142/200 pcs H. 22 cm I H. 8 5/8 in White earthenware clay, decoration in engobes under partial brushed glaze black, white and red patina Numbe...

Pablo Picasso’s 1968 etching and aquatint Théâtre ou télévision: cape et épée belongs to the artist’s late period, a time when he reflected intensely on the themes of performance, sp...

Hibou noir perché 07.05.1957 Ed. 52/100 pcs Red earthenware clay, engobe decoration, knife engraved D. 44.2 cm I D. 50 cm (with frame) Stamped, marked and numbered : Edition Picasso,...

Pablo PICASSO (1881-1973), Knight, Nude Woman and Man Wearing a Mask , 1954 Lithograph (Mourlot workshop) Unsigned Printed date in the plate On paper 26 .5 x 35.5 cm (c. 10,2 x 13....

Etching on paper. Hand signed and numbered by the artist. From the 347 series. Bloch 1502. Edition of 50. Sheet size: 18 x 22 inches. Image size 12.375 x 16.375 inches. Frame si...

"Pablo Ruiz Picasso (Spain, 1881-1973) 'Picasso, 150 grabados y litografías', 1979 Original poster for the exhibition in 1979 lithograph on paper 34.7 x 24.5 in. (88 x 62.2 cm.) Sign...

Pablo Picasso Painter in a Hat, Bearded Model and Naked Woman Spectator, 1963 Etching 18 x 14 ½ in Ed. 38 / 50 Georges Bloch catalogue raisonné as No. 1130 A number from this editio...

PABLO PICASSO 1881-1973 Málaga 1881-1973 Mougins (Spanish) Title: Reclining Man and Crouching Woman Homme couché et femme accroupie, 1956 Technique:...

This piece is an original lithograph in five colors by Pablo Picasso, created in 1954. Each of the 5 colors of this lithograph was executed with litho crayon on transparent transfer...

Pablo Picasso Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970 showcases a beautifully crisp work of art that Picasso imaginatively creates. Simple and ...

Considered to be one of Picasso’s monumental linoleum prints, Pablo Picasso Picador debout avec son cheval et une femme (Picador, Woman, and Horse), 1959 is a large-scale artwork that captures the essence of this artist’s innovation and minimalist creativity. His simple lines curve and undulated together to form the characters of the piece: the woman – feminine and robust, the horse – whimsical and characteristic, and the picador – strong and masculine. All three subjects create a triad composition making way for a harmonious and balanced piece. The entire work exudes an air of femininity and mystery, all set against a backdrop of a misty grey helping to create Picasso’s sensual environment of intrigue. Created in 1959, Pablo Picasso Picador debout avec son cheval et une femme (Picador, Woman, and Horse) is a color linocut on Arches paper hand-signed by Pablo Picasso (Malaga, 1881 – Mougins, 1973) in pencil in the lower right margin. Numbered 21/50 in pencil in the lower left margin, this work was printed by Arnéra, Vallauris and published by Galerie Louise Leiris, Paris. Catalogue Raisonné: Pablo Picasso Picador, Woman, and Horse (Picador debout avec son cheval et une femme), 1959 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work): 1. Baer, Bridgette. Picasso Peintre-Graveur, Tome V – Catalogue Raisonné de l’œuvre grave et des monotypes, Berne: Editions Kornfeld, 1989. Listed and illustrated as catalogue raisonné no. 1238. 2. Bloch, Georges. Picasso Catalogue de l'ouvre gravé et lithographié, Volume I. Kornfeld et Cie: Switzerland, 1968. Listed and illustrated as catalogue raisonné no. 913. 3. Boeck, W., intr. Pablo Picasso Linoleum...

Trois Hommes se Disputant une Femme Devant un Emir is an original artwork realized by Spanish artist Pablo Picasso in 1966. Black and white etching on wove paper. Fine proof edited...

Etching and Aquatint on Montval paper. Hand Signed. Edition of 260 prints (not numbered and generally not signed). Plate 24 from "La Suite Vollard". Catalogue Bloch no. 227; Baer 44...

Etching from the portfolio "Les Métamorphoses d'Ovide"publised by Skira in Lausanne, in 1930. On Arches paper. Printed by Louis Fort, Paris. Catalogue Bloch Vol. I n. 108. Edition of...

"Le Rêve - The Dream" after the 1932 oil on canvas painting of Pablo Picasso is a limited-edition (Edition 1000) offset color print on 250g Rives-Bütten Paper, done by the Succession...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Les Mouches (The Flies), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, originates from the 1951 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger freres, Maitres-Imprimeurs, Paris, October 25, 1951. This remarkable composition exemplifies Picasso’s dynamic postwar period in Vallauris, where he explored themes of mythology, vitality, and the human spirit through bold forms and radiant color. Les Mouches reflects Picasso’s fascination with symbolism and everyday life, transforming a simple subject into a poetic expression of rhythm, humor, and artistic freedom. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Draeger freres atelier, renowned for its collaborations with the leading modernists of the 20th century. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: Les Mouches (The Flies), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, 1951 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1951 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger freres, Maitres-Imprimeurs, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, published by Editions de la revue Verve, Paris, 1951 Notes: Excerpted from the album (translated from French), This issue of Verve is entirely devoted to Picasso’s recent works (peintures, sculptures et ceramiques) made in Vallauris between 1949 and 1951. The cover and the frontispiece were specially composed by the artist for this work which was completed to print on the presses of the Maitres-Imprimeurs, Draeger freres on October 25, 1951. About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi and the Nu Bleu series, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Les Mouches, Picasso Verve...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled La femme au cheval (Woman with Horse), originates from the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs). Published by Galerie Berggruen, Paris, and printed by ateliers de Daniel Jacomet, Paris, this collaborative work brings together Picasso’s poetic visual sensibility and Villers’ inventive photographic approach. The series represents a unique dialogue between cut paper forms and light, demonstrating Picasso’s continual exploration of composition, texture, and abstraction through new media. Executed on vélin d’Arches paper, this lithograph measures Paper Size 15.75 x 11.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition preserves the subtle interplay of tone and structure that defines Picasso’s mastery of visual rhythm and lyrical modernism. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: La femme au cheval (Woman with Horse), from Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), 1962 Medium: Lithograph and stencil (pochoir) on vélin d’Arches paper Dimensions: Paper Size 15.75 x 11.75 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Galerie Berggruen, Paris Printer: Ateliers de Daniel Jacomet, Paris Catalogue Raisonné Reference: Goeppert, Sebastian, et al. Pablo Picasso: Catalogue Raisonné Des Livres Illustrés. Patrick Cramer, 1983, Illustration 115. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), published by Galerie Berggruen, Paris Notes: Excerpted from the folio (translated from French), Finished printing on January 29, 1962, on the presses of l'Imprimerie Union in Paris and in ateliers de Daniel Jacomet for phototypies and pochoirs. This album, made with the help of Lionel Prejger, was issued in M numbered examples, the first C of which were accompanied by an original engraving by Pablo Picasso numbered and signed by the artist. This engraving, printed on the presses of Arnéra in Vallauris, was presented in a special box. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Malaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musee Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Picasso La femme au cheval (Woman with Horse), Picasso Diurnes (Daytime), Picasso André Villers collaboration, Picasso Galerie Berggruen, Picasso Daniel Jacomet printer, Picasso Arnéra engraving, Picasso 1962 edition, Picasso pochoir...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled La chèvre au grillage (The Goat at the Fence), originates from the 1962 folio Pablo Picasso, André Villers,...

- with the stamped signature on the lower right, as issued - numbered 15/50 - dated in the plate 29.3.71 - from the Suite 156 - published by Galerie Louise ...

Pablo PICASSO (1881-1973) Diurnes, The Guy in a Tree, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15,7 x 11,8 in) ...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled L'esprit critique d'art (The Spirit of Art Criticism), originates from the 1962 folio Pablo Picasso, André ...