Robert Rauschenberg Prints and Multiples

Artist: Robert Rauschenberg (1925-2008) Title: Charms against harms Year: 1993 Medium: Lithograph on wove paper Edition: H.C. 8/15, 100, plus proofs Size: 40.5 x 28 inches Condition:...

Artist: Robert Rauschenberg Title: Health Year: 1994 Medium: Lithograph with vegetable dye water transfer on Arches Infinity paper Edition: 50; signed, dated and numbered in pencil S...

Artist: Robert Rauschenberg Title: Technology Year: 1994 Medium: Lithograph with vegetable dye water transfer on Arches Infinity paper Edition: 50; signed, dated and numbered in penc...

Artist: Robert Rauschenberg Title: Architecture Year: 1994 Medium: Lithograph with vegetable dye water transfer on Arches Infinity paper Edition: 50; signed, dated and numbered in pe...

Artist: Robert Rauschenberg Title: Children Year: 1994 Medium: Lithograph with vegetable dye water transfer on Arches Infinity paper Edition: 50; signed, dated and numbered in pencil...

Robert Rauschenberg "Fence" 1992 Lithograph 44 1/2 x 30 1/4 inches Numbered from the edition of 57 Signed by the artist Framed

Artist: Robert Rauschenberg Title: L.A. Uncovered # 7 Year: 1998 Medium: Screenprint on John Koller HMP white Edition: 58; hand signed, dated and numbered in pencil Sheet: 32 × 23 1...

Robert Rauschenberg is revered as one of the most innovative American pop artists - more avant-garde than Warhol, more audacious than Jasper Johns. In addition to his artistic achie...

Robert Rauschenberg Untitled Limited Edition Porcelain Plate (Guggenheim Museum), 1997 Porcelain Plate (Limited Edition Exclusively for Guggenheim) 10 2/5 in diameter Signed in plate...

Paper Size: 34.5 x 26 inches ( 87.63 x 66.04 cm ) Image Size: 34.5 x 26 inches ( 87.63 x 66.04 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Complete Set of 6 Guggenheim Museum Retrospective Limited Edition Robert Rauschenberg porcelain plates dated 1997. Each plate features a different screen-printed image of Rauschenber...

"Banco", an aquatint from Robert Rauschenberg' s "Ground Rules" series is an exemplary piece where the window moldings become a metaphor for the formal role it plays in anchoring it into a simple, legible grid. A vivid palette with brilliant, translucent greens, blues, and oranges render discrete patches and the clarity of the printing seems more firmly "grounded" than the photographs in their grids. There is a recurrence of artistically self-referential motifs like the central white rectangle with a sign, YOUR NAME HERE, superimposed over the window rather obliquely. In the window of "Banco" reflections become opacities that destroy its translucency, bring back the surface; and across that surface, scraps of imagery drift, bringing back, in turn through their transparency, the illusion of depth. The sheet itself is 41 5/16 x 27 9/16" (105 x 70 cm). This is number 32 from an edition of 44 and has been numbered and signed by the artist. Robert Rauschenberg, the irrepressibly prolific American artist, is known as the one who time and again reshaped art in the 20th century. He was a painter, photographer, printmaker, choreographer, onstage performer, and set designer. In later years, it is said, he was even a composer. He defied the traditional idea that an artist must stick to one medium or style. He pushed, prodded and sometimes reconceived all the mediums in which he worked. Similar to the artists, Marcel Duchamp, Kurt Schwitters, Joseph Cornell, John Cage and others, Rauschenberg helped obscure the lines between painting and sculpture, painting and photography, photography and printmaking, sculpture and photography, sculpture and dance, sculpture and technology, technology and performance art. Per the art critic, Jerry Saltz: Rauschenberg invented a new form called the combine. It was not quite a painting nor was it considered sculpture. For Rauschenberg, though, it was like discovering fire it so transformed his art. He used bedding, doors, parachutes, a tire, a stuffed goat and combined them into new forms. One combine, Monogram, features a stuffed goat encircled by a tire atop a horizontal painting. Saltz says, “Rauschenberg is a mischievous Satyr grazing on art history, or the goat is a gargoyle protecting the art. Either way, the title suggests that Rauschenberg was leaving his mark.” And leave his mark he did. He became known as the giant of American Art. Jasper Johns, his sometime lover, said, “Rauschenberg was the man who in this century invented the most since Picasso.” Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. He received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993. He lived and worked in New York City and on Captiva Island, Florida, At 18, Rauschenberg was admitted to the University of Texas at Austin where he began studying pharmacology, but he dropped out shortly after due to the difficulty of the coursework—not realizing at this point that he is dyslexic—and his unwillingness to dissect a frog in biology class. He was drafted into the United States Navy in 1944. Based in California, he served as a neuropsychiatric technician in a Navy hospital until his discharge in 1945 or 1946. Rauschenberg subsequently studied at the Kansas City Art Institute and the Académie Julian in Paris, France, where he met fellow art student Susan Weil...

A print by Robert Rauschenberg. "Prime Pump from ROCI USA" is a color screenprint on paper and Lexan print from the Wax Fire Works Series. "Prime Pump from ...

Offset lithograph in colors. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 48. All reasonable off...

TECHNICAL INFORMATION Robert Rauschenberg Source from Speculations 1996 28 color screenprint 47 3/4 x 70 1/4 in. Edition of 35 Pencil signed & numbered Accompanied with COA ...

Soviet / American Array VI is a 1991 color intaglio by Robert Rauschenberg. Soviet / American Array VI is part of a larger series entitled Soviet / American Array where Rauschenberg pairs pictures of the Soviet Union with those of the United States. Soviet / American Array VI is from an edition of 59 plus artist and printers proofs. Soviet / American Array VI is signed by Rauschenberg.

Soviet / American Array II is a 1990 color intaglio by Robert Rauschenberg. Soviet / American Array II is part of a larger series entitled Soviet / American Array where Rauschenberg pairs pictures of the Soviet Union with those of the United States. Soviet / American Array II is from an edition of 55 plus artist and printers proofs. Soviet / American Array II is signed by Rauschenberg.

Created in 1991, this color lithograph and screenprint on Arches Cover paper is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left mar...

Artist: Robert Rauschenberg, American (1925 - 2008) Title: Narcissus, from ROCI USA (Wax Fire Works) Year: 1990 Medium: Acrylic, Enamel, and Fire Wax on Sta...