Romare Bearden Landscape Prints

Artist: Romare Bearden (1911-1988) Title: Brass Section, Jamming at Minton's (Gelburd/Rosenberg 72) Year: 1979 Medium: Lithograph on Arches paper Edition: 124/175, plus proofs Size: ...

Artist: Romare Bearden (1911-1988) Title: Brass Section, Jamming at Minton's (Gelburd/Rosenberg 72) Year: 1979 Medium: Lithograph on Arches paper Edition: 124/175, plus proofs Size: ...

Artist: Romare Bearden (1911-1988) Title: Louisiana Serenade (Gelburd/Rosenberg 77) Year: 1979 Medium: Lithograph on Arches paper Edition: 46/175, plus proofs Size: 24. x 33.75 inche...

TWO WORLDS, FACES OF THE FUTURE is a hand drawn, limited edition color lithograph printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free, by t...

THE CONVERSATION is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. THE CONVERSATION by the African American master artist and collagist Romare Bearden is from Bearden's Mecklenburg series of images depicting recollections from his childhood in rural Mecklenburg County, NC. THE CONVERSATION presents an intimate scene showing two black women speaking to each other face to face, as a black steam train billowing a white cloud of smoke travels across the horizon. Bearden's well known visual motif - the train, suggests to the viewer the Great Migration...

Artist: Romare Bearden (1911-1988) Title: Tenor Sermon (GG#75) Year: 1979 Medium: Lithograph on Arches paper Edition: 175, plus proofs Size: 24.75 x 34.75...

ROMARE BEARDEN (1911 – 1988) RECOLLECTION POND (Gelburd/Rosenberg GG#28) Color lithograph (off set) signed and numbered AP /9 /75 in pencil. Image 10 x 13 3/4 inches, sheet 11 7/8 x 17 inches. In good condition. Original 15 cent Oliver Wendell Holmes stamps used to hinge the print to the mat still resent in the upper corners. Minute trace of darkening around image. Mylar corners holding print in place. BELOW FROM THE ROMARE BEARDEN WEBSITE: Romare Howard Bearden was born on September 2, 1911, to (Richard) Howard and Bessye Bearden in Charlotte, North Carolina, and died in New York City on March 12, 1988, at the age of 76. His life and art are marked by exceptional talent, encompassing a broad range of intellectual and scholarly interests, including music, performing arts, history, literature and world art. Bearden was also a celebrated humanist, as demonstrated by his lifelong support of young, emerging artists. Romare Bearden began college at Lincoln University, transferred to Boston University and completed his studies at New York University (NYU), graduating with a degree in education. While at NYU, Bearden took extensive courses in art and was a lead cartoonist and then art editor for the monthly journal The Medley. He had also been art director of Beanpot, the student humor magazine of Boston University. Bearden published many journal covers during his university years and the first of numerous texts he would write on social and artistic issues. He also attended the Art Students League in New York and later, the Sorbonne in Paris. In 1935, Bearden became a weekly editorial cartoonist for the Baltimore Afro-American, which he continued doing until 1937. After joining the Harlem Artists Guild, Bearden embarked on his lifelong study of art, gathering inspiration from Western masters ranging from Duccio, Giotto and de Hooch to Cezanne, Picasso and Matisse, as well as from African art (particularly sculpture, masks and textiles), Byzantine mosaics, Japanese prints and Chinese landscape paintings. From the mid-1930s through 1960s, Bearden was a social worker with the New York City Department of Social Services, working on his art at night and on weekends. His success as an artist was recognized with his first solo exhibition in Harlem in 1940 and his first solo show in Washington, DC, in 1944. Bearden was a prolific artist whose works were exhibited during his lifetime throughout the United States and Europe. His collages, watercolors, oils, photomontages and prints are imbued with visual metaphors from his past in Mecklenburg County, North Carolina, Pittsburgh and Harlem and from a variety of historical, literary and musical sources. In 1954, Bearden married Nanette Rohan, with whom he spent the rest of his life. In the early 1970s, he and Nanette established a second residence on the Caribbean island of St. Martin, his wife's ancestral home, and some of his later work reflected the island's lush landscapes. Among his many friends, Bearden had close associations with such distinguished artists, intellectuals and musicians as James Baldwin, Stuart Davis, Duke Ellington, Langston Hughes, Ralph Ellison...

Artist: Romare Bearden (1911-1988) Title: Louisiana Serenade (GG#77) Year: 1979 Medium: Lithograph on Arches paper Edition: 175, plus proofs Size: 24. x 33.75 inches Condition: Excel...

Artist: Romare Bearden (1911-1988) Title: Brass Section, Jamming at Minton's (GG#72) Year: 1979 Medium: Lithograph on Arches paper Edition: 175, plus proofs Size: 23.5 x 33 inches Co...

TWO WORLDS, FACES OF THE FUTURE is a hand drawn, limited edition color lithograph printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free, by t...

THE CONVERSATION is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. THE CONVERSATION...

THE LANTERN is an original limited edition lithograph printed in 13 colors using traditional hand lithography methods on archival Somerset printmaking pape...