DS Arts et Antiquites Wall Decorations

Caroline Doüezy D’Ollendon Aliases Caroline "de" La Ville-sur-Illon, "de" Ollendon, Caroline "d'" Ollendon Polychrome enamel plaque on copper Depicting a Lady of Court, in Neo Renai...

Laure Levy (1866-1954) The Beautiful Andalusian Hand-Painted Polychromed Porcelain Plaque Depicting an Andalusian woman in traditional dress, leaning against a wall, a fan in her ha...

"Les bienfaits de la nature offerts au plus grand nombre" “Nature's Goodness offered to more people” An Impressive and Decorative Art Deco oil on canvas painting Original frame Signe...

Théodore Deck (1823-1891) Courtly Love Polychrome enamelled earthenware Pair of subjects representing two lovers in the Middle Ages Each signed below with the stamp “Th.Deck” Extr...

Adam and Eve Oil on canvas signed below left «E.R. Ménard 1923» Labels on the back, including one from the Carnegie Institute in Pittsburgh, Pennsylvania in 1925. Titled in a cartou...

A Universal Exhibition Painting on Plaque after the painter James Bertrand Hand-painted Polychromed Painting on Porcelain Plaque Representing The Marguerite of Faust Signed Lower Left Titled on the reverse: “Marguerite Folle d’Après James Bertrand, Exposition Universelle 1889” After the painting by James Bertrand "The Marguerite of Faust" In its original frame Circa 1890 Faust and Marguerite Faust is tired of his old life and wants to kill himself. In a final burst of bitter anger, he invokes the devil. The devil appears in the guise of Mephistopheles and offers him a pact: he will grant him what he desires most in the world in exchange for his servitude. Faust asks him for youth and his help in seducing Marguerite. When he achieves his goal, bound by his contract with the devil, Faust abandons the latter who is waiting for her child. Filled with remorse, he returns to her, but kills Valentin, Marguerite's brother who tries to stop him, during a duel. He then tries to save the life of Marguerite who is imprisoned for infanticide, but he fails. Like this multifaceted character, the vocal treat-ment chosen by Gounod is differentiated: sometimes very lyrical with touching flights, sometimes very cold and repetitive to evoke her detachment from the world of men. Marguerite is young and naive. She lets herself be seduced by the charming and mysterious character of Faust and thus causes her own downfall as well as that of her family (her brother and her child will die). Hortense Richard (1858-1940) Marie Sophie Hortense Jeanne Schrenk was born in Charonne in 1858, the natural daughter of Louise Christine Frederika Schrenk and an unnamed father. Her mother, a German born in Stuttgart, officially recognized her in August 1879. A few days later, Hortense married his fellow painter Désiré Alfred Magne...

Théodore Deck (1823-1891) Swallow A 19th Century French Square Wall Plaque Polychromic Earthenware very finely hand-painted, designed with a flying swallow Impressed mark on the reve...

Berthe Pascault (XIXth-XXth) Green Fairy with Roses Berthe Pascault La Fée Verte aux Roses Hand-painted polychromed oil on porcelain Signed lower left Original gilt wood frame Circa...

Fauré Limoges « L'Amateur d'Estampe » After Honoré Daumier (1808-1879) A framed polychromed enamel on copper plaque After the original painting by Honoré Daumier “ L’Amateur d’Estampe”, (The print lover), stored in the collections of the Petit-Palais Museum in Paris France. Signed Fauré Limoges France With original sticker on the reverse « Émaux d’Art de Maître Émailleur Fauré Limoges » et titled « L'Amateur d'Estampe d'après Honoré Daumier. » Circa 1935-1940 H 14 cm L 10 cm. Framed H 22,5 cm L 18,5 cm P 2,4 cm Camille Raymond Fauré is a French enamel artist, born on November 16, 1874 in Péri-gueux and died on October 7, 1956 in Limoges. He is best known for his work designing enamels for the companies manufacturing porcelain in Limoges. Floral and figurative motifs in richly enameled colors are his signature. At the beginning of the 20th century, he sold his creations in Paris in the shop Au Vase Étrusque. In this shop, he produces and exhibits vases, bowls, ashtrays, boxes and other objects. The 1925 International Exhibition of Modern Decorative and Industrial Arts marks Fauré’s breakthrough. He becomes the most famous enameller of Limoges. Other Limoges enamelers active in the 1920s include Paul Bonnaud, Jules Sarlandie and Henriette Marty...

Théodore Deck ( 1823-1891) Impressive polychromed circular faience charger with hand-painted enameled design of a wader among water lilies and reeds. Impressed Uppercase Mark Th.Dec...

Pierre Legendre (1932-2009) Accord II oil on canvas circa 1980 Measures: 116 x 81 cm. Pierre Legendre, born in 1932 in Haute-Marne, moved to Paris at the age of 22. After classes at the Estienne school in Paris as well as those of the Beaux-Arts, he worked for several big houses and was the originator of logos for big brands like Hermès or Nina Ricci. He entered the academy of the painter Henri GOETZ, which allowed him to familiarize himself with abstract, geometric art. He exhibited from the 1970s, as in 1979 at UNESCO in Paris. A discreet painter, he nevertheless participated in the 80s and 90s in many artists' salons (Comparaison, Grand et Jeunes d'Aujourd'hui, Réalités Nouvelles). Pierre Legendre is of deep integrity, of great moral rigor, his geometric and abstract art also reflects a quest for spirituality and philosophical reflection. Although denying itself to belong to Concrete Art, Legendre by its taste for purism and the immateriality of the straight line is not so far removed from, among others, the art of Jean Gorin...

A black lacquered and gilt wood Victorian foldable fire screen Composed of four panels, each one with Petit point tapestry upholstery, two of them decorated with stylized horses, th...

"Ce qu'évoquent les Livres" Allegory of the Literature Oil on canvas Signed on the lower part beside parchment 111 x 133 x 2 cm Framed 125 x 146 x 7 cm Provenance: Collection Georges AUBRY, brother of the artist Bibliography: Illustrated in catalogue «Regards de peintre» , Suzanne AUBRY-CASANOVA, 1997, p.104 After trying years of forced confinement due to the war, he composed this allegorical fresco on the theme of Literature, Science and Arts was painted by Émile Aubry for his younger brother Georges Aubry, who had intended it for his library. This work, composed on the theme of the book it symbolizes, in its diversity by allegorical characters, he cannot help ordering the painting around Art, which he places at the top of the scale of human...