Dwell Floor Five Masks

A truly beautiful, wonderfully aged, alluring mask made for Japanese Noh theater. The naturally faded beauty and unique character drew us to this mask immediately. The mask is handcrafted and hand-carved from natural wood, clearly by a master of his trade. We believe this mask is of the Noh theatre character Otobide. This mask dates back to the Edo Period (1603-1868). It comes with a wooden storage box (which may have been added at a later date). A rare, unique, and exquisite mask. Finely carved and executed. Would be a great addition to any Japanese or Asian art/artifacts collection or an eye-catching stand-alone accent piece in about any setting. Mask dimensions: 7.7" high, 5.7" wide, 2.1" deep...

A beautiful, wonderfully crafted, alluring mask made for Japanese Noh theatre. The mask is handcrafted and hand-carved from natural wood and is signed by the maker, clearly a mast...

A beautiful hand carved, crafted and hand painted wood Indonesian jaguar/panther mythical cat ceremonial mask (perhaps a traditional Balinese I Wayan Muka mask). These masks are ge...

A beautiful, wonderfully crafted, alluring mask made for Japanese Noh theater. This mask is handcrafted and hand-carved from natural wood and signed/sealed by the maker on the underside. This mask is the mask of Waka-Onna - or young beautiful woman. It may be that of Ko-omote. Ko-omote translates as "little mask" or sometimes "small face...

A wonderful, beautifully crafted Japanese festival Shishi Lion Dance (Shishi Mai) mask (Gashira). The shishi mask represents a mythical lion that prote...

A beautifully carved, wonderfully crafted, highly engaging mask made for Japanese Noh theatre. The mask is handcrafted and hand carved from natural wood and is signed and sealed b...

A beautiful, wonderfully crafted, alluring mask made for Japanese Noh theatre. This mask is handcrafted and carved from natural wood. Ko-omote translates as "little mask" or sometimes "small face." This particular delicate featured mask (her red lips really stand out) is used for main and sometimes secondary roles when the character is a young girl or, in some cases, a supernatural being. What is also interesting about this mask is the blackened teeth which centuries ago, was customary for Japanese women to paint their teeth black after they became married. We believe this mask dates from the mid-to early Showa period, perhaps Mejia. The mask was acquired from an antique mask...

A beautiful, wonderfully crafted, quite engaging mask made for Japanese Kyogen Noh theatre. This mask is quite rare much like the Kitsune fox mask which this is sometimes confused f...

A beautiful, wonderfully crafted, grotesquely alluring mask made for Japanese Noh theatre. The mask is handcrafted and hand-carved from natural wood and is signed by the maker. Th...

A beautiful, wonderfully crafted, alluring mask made for Japanese Noh theatre. The mask is handcrafted and hand-carved from natural wood and is signed by the maker. This mask is of the immortal character Doji who symbolizes perpetual and eternal youth ("doji" literally translates as "child") in the Noh theater world. He is portrayed as a handsome male...

A truly beautiful, wonderfully crafted, alluring female mask made for the Japanese Noh theatre. This mask is handcrafted and carved from natural wood and lacquer. Omi-Onna's (...

A fantastic piece. Really quite unique. We have not seen another quite like it. Made from heavy wood and features real horns. Likely South or Central American or perhaps from Mexico. Has clear signs of use and age so we are estimating early to mid-20th century. Would make for a terrific addition to any folk or tribal mask collection...

A fantastic and somewhat playful mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood, hand painted and decorated with pigment, and held together with natural fiber. The mask seems to represent some sort of smiling, benevolent spirit or character with its four eyes, bird beak, and cat-like ears. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...

A beautiful, somewhat benevolent mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood and hand painted/ decorated with pigment. The mask seems to represent some sort of smiling, benevolent spirit or character. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...

A fantastic, somewhat sinister appearing mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the I...

A beautiful, somewhat benevolent mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peo...

A fantastic and somewhat grotesquely strange mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to t...

A wonderful, quite large and heavy, colorful Bedu plank mask by the Nafana (Senufo) tribe who reside in the central north-west of Ghana and the north-east of...