Arteluce Furniture

A pair of heavy and thick Seguso Murano unusual oval shaped glass pendant lights with chrome fittings, by Gino Sarfatti for Arteluce, Milano only 1 pair available. price is for the p...

A white acrylic and black-enameled metal flush mount designed by Gino Sarfatti and produced by Arteluce, Italy, 1950s. Overall Dimensions (inches): 5” H x 25” W x 14” D  Bulb Speci...

Modern Pair of "Jill" Arteluce sconces. Metal frame with opaline glass shades.

wonderful minimalist wall lights model 31B designed by Gino Sarfatti, manufactured by Arteluce, Italy 1950 with black enameled metal shades on chrome plated double-joint adjustable a...

Good vintage condition with trace of age and use for this rare early model 2042/3 designed by Gino Sarfatti and produced in Italy during the 60s by Arteluce. Full working with EU sta...

Gino Sarfatti was an Italian designer and businessman born in 1912 in Venice. After studying aeronaval engineering in Genoa, he founded the Arteluce company in 1939 in Milan. Its pur...

Postmodern UFO or flying saucer pendant light giving diffused upward and downward light. A real eye-catcher even unlit. Gem from the time. Designed in the 1990s by Ezio Didone and ma...

6 Balls Shade Chandelier by Arteluce, 1960s, Italy Designers: Vittorio Gregotti, Lodovico Meneghetti, and Giotto Stoppino Lampshade is in very good vintage condition. No crack, no...

Early and very rare extandable counterweight suspension designed by Gino Sarfatti in 1938, Mod. No. 2007. Manufactured by Arteluce in the 1930...

Floor lamp designed by King and Miranda for Arteluce. Designed and published in the 80s. Black painted base and pole. Shade is made of pattern painted glass. This lamp comes with tw...

Model 597 Table lamp by Gianfranco Frattini for Arteluce. Designed and manufactured in Italy, circa 1970's. Silk fringe, aluminum. Ori...

Rare pair of model 228 wall lamps designed by Gino Sarfatti and manufactured by Arteluce in Italy in 1957. This extraordinary green colour reminds us of the flourishing Alfa Romeo Giulietta from the same year, whizzing across the Italian countryside. It’s these colour memories where we fell in love with and cherish. It could be Sarfatti once saw a car passing by and was struck by its vivid colour. These lamps have a minimalistic but strong and iconic design. The slight frosted glass diffuser sits in a metal ring. The socket is held by a metal cylinder with metal screws that are visible. The ring is attached to the wall plate. In very good original condition and rewired. Kindly note that the listed price is for the pair of 2 lamps. Literature; M. Romanelli, S. Severi, Gino Sarfatti opere scelte 1938; 1973 Silvana Editore 2012, page 447 and Arteluce vintage...

Gino Sarfatti was an Italian designer and businessman born in 1912 in Venice. After studying aeronaval engineering in Genoa, he founded the Arteluce company in 1939 in Milan. Its pur...

This lamp is a fine example of Arteluce's ”Triana” wall lamp featuring two sets of interchangeable Murano glass. One set is white while the other features lined white strips over tra...

1960s Gino Sarfatti Metal and Seguso Glass Sconce for Arteluce. Executed in hand blown bubbled Seguso glass and painted metal. The simplicity of Sarfatti's design and the sculptural ...

For sale is an iconic and extremely rare orange 600P table lamp by GINO SARFATTI, designed in 1966 and produced by Arteluce of Italy. Thanks to its lead-filled weighted pouch base, the lamp can be placed at any angle and the reflector shade can be rotated to direct light in any direction. Made of lacquered aluminium and synthetic leather, the light is in excellent overall condition, with some minor chips to the paintwork, but absolutely nothing to detract (see photos). Gino Sarfatti’s 600P...

This old original table lamp 600G was designed by Gino Sarfatti for Arteluce in 1966. The lamp is made of black lacquered aluminum with a black leather base filled with small lead balls...

Gino Sarfatti was an Italian designer and businessman born in 1912 in Venice. After studying aeronaval engineering in Genova, he founded the Arteluce company in 1939 in Milan. Its purpose is lighting fixtures, lighting applications, furniture components as well as the study and manufacture of furniture. He won many international awards, including, in 1954 and 1955, the Compasso d'oro, with models 559 and 1055. In December 1973, the year he won the Gold Medal at the 15th Triennale, he sold the company, which is no longer in operation today. Here we have set of 6 wall lamps...

SATURDAY SALE We have three Aurora pendants in the elusive white color, priced individually. Perry King & Santiago Miranda designed the 'Aurora' pendant light in 1982 for Arteluce, ...

For sale is an iconic and extremely rare orange 600P table lamp by GINO SARFATTI, designed in 1966 and produced by Arteluce of Italy. Thanks to its lead-filled weighted pouch base, ...

Genuine pair of Gino Sarfatti for Arteluce wall-mounted pendant lamp model 194/N, circa 1950 We have two lights available, priced individually Great set of 2 wall lights which are ...

This stunning 1970s black architect table lamp by Arteluce features a sleek metal design with a double-articulated arm and an adjustable shade for precise, targeted lighting. Made in...

Gino Sarfatti for Arteluce Pair of two Mid-Century Sconces Model 237/2, Italy 1959s. This is an original pair of two Italian mid-century wall lamps, model 237/2, designed by Gino Sa...

Gino Sarfatti was an Italian designer and businessman born in 1912 in Venice. After studying aeronaval engineering in Genova, he founded the Arteluce company in 1939 in Milan. Its pu...

Model 235 Wall or Ceiling Lights by Cini Boeri for Arteluce. Designed and manufactured in Italy, in 1971. Sleek slant cut flush mounts with a concave socket housing, receiving a chro...

Rare and Original two pair of vintage wall sconces, model 237/2 by Gino Sarfatti for Arteluce, Milan. Italy, 1960 Two spherical diffusers with clear glass, resting on black lacquered...

This very elegantly shaped Italian design lamp was the result of cooperation in 1978 of a trio of designers. The Jill A380 floor lamp was designed by a trio of designers – Perry King...

Mod. 2065 F lucite lamp, Arteluce, circa 1950-1955 Gino Sarfatti mod. 2065 F. UFO pendant lamp produced between 1950-1955. (good condition with signs of wear) three e27 (EU) or e2...

1960s Gino Sarfatti metal and Seguso glass pendant for Arteluce. This larger version measures 5.9" in diameter and is priced as a pair. This orig...

5 Diva sconces by Ezio Didone for Arteluce, Art Deco style Vintage Italian Art Deco wall light with 2 half circular shaped glass plates - 1 white opaque...

Splendid and very rare pair of wall lamps produced by Arteluce, model "145" from the Arteluce catalog based on a design by Sergio Asti, late 1960s Made of original arteluce red...

Lamp No. 2042/6 is distinguished by its sophisticated design and clean lines, typical of Gino Sarfatti's creations. Made of high quality materials, this lamp offers a diffuse and ple...

Paolo Rizzatto Lamp adjustable in all directions with shade and articulated arm in painted steel and cast iron counterweight. Production Arteluce, 1968. Max extension 240cm

Incredibly rare first edition of the famous "Light Ball" applique by Castiglioni in white metal and opal glass. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic light is unique because of the materials, made of white enameled metal and opal glass. It can be mounted on the wall or on the ceiling. The wall light has been tested, it uses an E27 light bulb. It is signed on the backplate by both Arteluce and Flos. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 32 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph RR 126 for Brinovega (1965), and the radio and record player RR 128 for Brionvega (1966) In 1952, Livio decided to build his own practice, independent from Achille and Pier Giacomo, to pursue a deeper exploration of radio waves, music, and technology. But the three brothers would continued to collaborate closely in several projects, and the partnership between Achille and Pier Giacomo became so tight that from 1952 until 1968, when Pier Giacomo died, they co-authored most of their designs. Achille Castiglioni Long Career as Light Designer During this period, the Castiglioni brothers participated in the Italian Exhibition of Furniture (RIMA), where they successfully introduced a series of curved-plywood furniture, and presented important designs, such as the Tubino lamp (1949), originally produced by Italian light maker Arteluce from 1949 until 1974, and reintroduced by FLOS since the late 1970s; and the Luminator lamp (1955), originally produced by Gilardi & Barzaghi, but reintroduced by FLOS in the late 1960s. A new, successful, and long-lasting collaboration developed in 1960, when Pier Giacomo and Achille Castiglioni were reached by entrepreneurial Italian designer Dino Gavina and business man Arturo Eisenkeil with the idea to create a completely new kind of lighting fixtures utilizing a polyamide. The material, which they called “cocoon,” in the hands of the Castiglioni brothers would become a popular and iconic innovation in the 1960s and serve as the successful foundation of Italian lighting company FLOS–founded by Gavina and Eisenkeil in 1962. Pier Giacomo and Achille Castiglioni designed a series of “cocoon” lights utilizing the spray-on polyamide plastic as a coating layer onto a metal frame. Among the most popular Castiglioni “cocoon” lights are: the Taraxacum and the Viscontea ceiling lamps (1960), and the Gatto table lamp (1961). Other of the important lamp designs by Pier Giacomo and Achille Castiglioni for FLOS are the Beehive -or Splügen Braü lamp (1961), Toio –or Toy lamp...

Pair of 1950s Conical Red Metal & Brass Sconces by Gino Sarfatti for Arteluce Executed in red painted aluminum and brass. Double ball jointed arm allows flexible shade adjustments a...

Rare minimalist floor lamp model 1086 designed by Gino Sarfatti and manufactured by Arteluce, Milano 1961. This is the floor lamp version of a series of lights that Sarfatti designed...

Rare pair of “Visor” wall sconces by Italian designer Vittoriano Vigano, published by Arteluce in the '60s. Structure and lampshade in lacquered metal (original paint), possibility o...

Early 600P light by Sarfatti for Arteluce in excellent condition.

Gorgeous three-light wall lamp model 238/3 by Gino Sarfatti for Arteluce 1960. In excellent original condition. The brass wall plate with arms bent to form circles houses translucent...

This is a pair of Post-Modern Floor Lamps, Model 1195, designed by Pier Giuseppe Ramella for Arteluce in 1985. The listed price includes one lamp, and we have two available for purch...

Designed by Perry A. King & Santiago Miranda for Arteluce Memphis Period. Style of Ettore Sottsass

Pair of Aura wall lights made by the famous designer's Perry King & Santiago Miranda in 1989 and produced by Arteluce, the prestigious Italian company founded by Gino Sarfatti in 193...

A chrome metal, aluminum and black-lacquered iron floor lamp designed by Gino Sarfatti and produced by Arteluce, Italy, c. 1950s. Dimensions of Lamp with Shade (inches): 77” H x 8.7...

Ceiling light model 2049/4 designed by Massimo Vignanelli and made by Gino Sarfatti's Arteluce in 1964. Made of four aluminium square frames from where hang fabric fringes surroundi...

Franco Albini lived in Milan where he studied Architecture at the Politecnico. He started his career at Gio Ponti's studio, with whom he collaborated before getting in touch with som...

Early table lamp by Gino Sarfatti & Arteluce. Model 600/C designed in 1966, made in Italy. Black lacquered aluminum, based in black leather filled with lead buckshot, adjustable in...

lampada a sospensione in metacrilato disegnata da Albini/Helg nel 1963 per Arteluce, dotata di una stecca cromata di sostegno a soffitto che allunga di un metro la misura indicata. L...

Gino Sarfatti Floor Lamp , model 1045 for Arteluce , Italy designed 1948 Designed in 1948 this example probably dates from the 1950's and shows the rawest version of this famous art...

CLUB 1195 floor lamp by Pier Giuseppe Ramella for Arteluce, circa 1985.

Gino Sarfatti Model #26b Yellow and Brass Wall Lamp for Arteluce. Executed in yellow aluminum with a brass backplate. Double ball jointed arm allows flexible shade adjustments and m...

Large 1960s Gino Sarfatti chrome metal and Seguso Bullicante Murano glass ceiling lamp for Arteluce.

Introducing the iconic ceiling lamps, model 3055, designed by Gino Sarfatti and manufactured by Arteluce in Italy, 1962. These classic lamps are a fine example of Sarfatti's innovati...

A beautiful pair of midcentury table lamps designed by Gino Sarfatti for Arteluce in 1968. It is fascinating with its beautiful chrome shade and plexiglass body. The lamps are in ver...

Gino Sarfatti iconic ball table lamp for Arteluce Mod. 586, Italy 1960s Original Label, Original wiring. Superb patina, and condition.

Pendant lamp model '2042/3' made of painted aluminum and frosted glass with three light points. Designed by Gino Sarfatti and produced by Arteluce in the 1950s, the lamp is restored ...

Sublime Gino Sarfatti Model 2003 irr. Fireworks ceiling lamp. Italy 1939

Gino Sarfatti designed the '2133' model for Arteluce in 1976. This elegant ceiling lamp is variable in height. The construction is made of black lacquered metal, the shade is white.

Two off-white lacquered wall lamps Model 50 by Gino Sarfatti for Italian lighting manufacturer Arteluce. Marco Romanelli and Sandra Severi describe this wall lamp in 'Gino Sarfatti,...