19th Century KPM Porcelain Plaque after Portrait by Christian Leberecht Vogel
About the Item
- Creator:KPM Porcelain (Manufacturer)
- Similar to:Christian Leberecht Vogel (Artist)
- Dimensions:Height: 2.5 in (6.35 cm)Width: 12 in (30.48 cm)Depth: 10.25 in (26.04 cm)
- Style:Romantic (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1860s
- Condition:Wear consistent with age and use. Minor losses. Plaque recently secured in frame with modern fasteners. Slight losses to edges of the frame. Impressed KPM scepter mark present on reverse of plaque.
- Seller Location:Cincinnati, OH
- Reference Number:
KPM Porcelain
The Königliche Porzellan-Manufaktur Berlin, or KPM (Royal Porcelain Factory, Berlin, in English) was one of the most influential porcelain factories to emerge in 18th-century Germany, along with Nymphenburg and Meissen. KPM was the third incarnation of a company originally founded in 1751 by Wilhelm Caspar Wegely to take advantage of the burgeoning market for “white gold.” On the verge of bankruptcy, Wegely sold his inventory and tools to Johann Ernst Gotzkowsky, who in 1761 established another porcelain factory, which also failed, and was subsequently taken over by Frederick II of Prussia in 1763. Like Augustus II, Elector of Saxony, the patron of Meissen and a keen collector who described himself as suffering (quite happily) from “porcelain sickness,” Frederick II was proud to refer to himself as KPM’s “best customer.” KPM produces china and figurines to this day, and throughout its long history, it has been a style-setter for elegant tableware, particularly in the 1930’s, the period during which their popular patterns Urbino, Urania and Arkadia were designed.
Thanks to its royal patronage, KPM had the resources and contacts necessary to establish itself as a leading luxury producer, and supplied Russian and European elites with tableware in the Rococo and Neoclassical styles, as well as monumental vases, and decorative plaques. Many of these objects can be found today in major museums as a result of Frederick II’s penchant for sending KPM porcelain as diplomatic gifts throughout Europe. Unlike Meissen, which was known for crafting porcelain sculptures of dazzling complexity, KPM is revered for the precision and splendor of its surface decoration, and for its porcelain plaques depicting scenes from history and mythology. One especially lovely example circa 1790 is a neocalssical-style tea service decorated with gold accents and a grisaille design of figures from the ancient world. By contrast, this boldly colorful narrative cup and saucer set from the 1840’s depicts scenes from real life as colorfully as a painting. The set was commissioned by a gentleman for his wife as a tongue-in-cheek gift commemorating her misadventures while in town for a visit to the opera, which resulted in her opera glasses being stolen. The saucer shows the thief and the glasses, and the cup reveals the scene of the crime in vivid hues.
KPM was forced to move from its original location in 1867 due to the building of the new Prussian Parliament building, and this afforded the company the opportunity to to create a new factory with the newest equipment and materials of the day. With the growing popularity of Art Nouveau and the western fascination with Asian ceramics, KPM began formulating glazes that evoked the color palette and rich surfaces of Chinese porcelain. By the turn of the century, KPM was exhibiting its wares to a global audience at international expositions. At the end of World War I with the collapse of the Prussian monarchy, KPM was renamed the State Porcelain Manufactory Berlin, continuing to use the name KPM and its use of the cobalt blue sceptre mark that is painted on the bottom of every piece.
By the late 1920’s, the designers and craftsmen of KPM were inspired by the tenets of Modernism, particularly the styles of the Bauhaus and the Deutscher Werkbund. During this period, the firm’s aim was to produce useful household porcelain for a range of consumers, rather than catering to a small elite. Among the most successful patterns of this era was designer Trude Petri’s Urbino line, which is still produced today. Following World War II, KPM was temporarily housed in the town of Selb, and only returned to its rebuilt quarters in Berlin in 1957. In the 1980s, KPM became an private company independent of the state, and began to focus production on the preservation of historic forms, designs, and techniques. KPM continues to collaborate with designers from all over the world, most recently on the Berlin dinnerware service with designer Enzo Mari, and a collaboration with the luxury brands Bottega Veneta and Bugatti.
- ShippingRetrieving quote...Ships From: Cincinnati, OH
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- 19th Century Hand-Painted Porcelain Plaque, "Flora" after Titian Signed by RauBy KPM PorcelainLocated in Cincinnati, OHAntique hand-painted porcelain plaque, "Flora" after Titian signed by Rau. This beautifully executed 19th century porcelain plaque has been hand-painted with a luminous version of Renaissance painter Tiziano Vecellio's famous oil painting...Category
Antique Late 19th Century German Renaissance Paintings
MaterialsPorcelain, Wood
- 19th Century C. M. Hutschenreuther Hand-Painted Porcelain Plaque "Ruth"By Lorenz HutschenreutherLocated in Cincinnati, OHThis 19th century hand-painted oval plaque was made in Hohenberg, Bavaria by porcelain manufactory C. M. Hutschenreuther. The plaque has a convex form and features a hand-painted image of Ruth the Gleaner after the original by French painter Charles Landelle...Category
Antique Late 19th Century German Rococo Revival More Furniture and Colle...
MaterialsPorcelain, Wood
- 20th Century David Burliuk Neo-Primitive PortraitBy David BurliukLocated in Cincinnati, OHThis vibrant neo-primitive portrait was executed by Ukranian born artist David Davidovich Burliuk (1882-1967). A student of the Kazan School of Fine...Category
Mid-20th Century American Modern Paintings
MaterialsCanvas
- Pair of 19th Century Busts After Albert Ernest Carrier-BelleuseBy Albert-Ernest Carrier-BelleuseLocated in Cincinnati, OHThis pair of 19th century busts are after noted French sculptor Albert Ernest Carrier-Belleuse (1824 - 1887). The pieces are exquisitely detailed and depict the head and torso of a ...Category
Antique Mid-19th Century French Beaux Arts Busts
MaterialsMetal
- 19th Century Louis-Robert Carrier-Belleuse Marble and Bronze Bust of OmphaleBy Louis Robert Carrier-BelleuseLocated in Cincinnati, OHThis late 19th Century bust was executed by French painter and sculptor Louis-Robert Carrier-Belleuse (1848–1913), son and pupil of renowned sculptor Albert-Ernest Carrier-Belleuse. ...Category
Antique Late 19th Century French Romantic Busts
MaterialsMarble, Bronze
- 19th Century Chinese Huanghuali Mirrored Jewelry ChestLocated in Cincinnati, OHThis mirrored Chinese jewelry chest is composed of rosewood and features three drawers with brass mountings. The top section of the piece lifts u...Category
Antique Late 19th Century Chinese Jewelry Boxes
MaterialsBrass
- Porcelain Plaque of a 19th Century German Market by KPMBy KPM PorcelainLocated in London, GBThe 1844 summer market in the town of Lengerich, in the western German province of Westphalia, is the subject of this antique KPM porcelain plaque...Category
Antique Mid-19th Century German Paintings
MaterialsPorcelain, Giltwood
- A 19th Century KPM Porcelain Plaque of Mary MagdaleneBy KPM PorcelainLocated in Lambertville, NJA beautifully painted porcelain plaque in original giltwood frame. The image of Mary Magdalene after the original Italian artist, Pompeo Batoni. The measurements framed are 16 inch...Category
Antique 19th Century German Paintings
MaterialsPorcelain, Giltwood
- Large KPM porcelain plaque after Louis GallaitBy KPM PorcelainLocated in London, GBLarge KPM porcelain plaque after Louis Gallait German, Late 19th Century Frame: height 53cm, width 48cm, depth 6cm Plaque: height 40cm, width 35cm Signed ...Category
Antique Late 19th Century Belgian Romantic Paintings
MaterialsPorcelain, Giltwood
- Berlin KPM Porcelain Plaque Last Quarter of the 19th Century after RaphaelBy KPM PorcelainLocated in West Palm Beach, FLA Berlin KPM Porcelain Plaque Last quarter of the 19th century After Raphael, depicting Madonna and child with a river and city in the distance, signed A. Deckelmann, impressed ...Category
Antique 19th Century Paintings
MaterialsPorcelain
- 19th Century KPM Berlin Painted Porcelain Plaque, Die LautenspielerinBy KPM PorcelainLocated in Forney, TXA late 19th century Berlin KPM painted porcelain plaque, Die Lautenspielerin, in pierced foliate giltwood frame, painting after Friedrich August von Kaulbach (German, 1850-1920). Mod...Category
Antique Late 19th Century Victorian Paintings
MaterialsPorcelain, Giltwood, Paint
- Kpm Berlin Hand Painted Porcelain Portrait Plaque of Ruth in Frame, 19th CenturyBy KPM PorcelainLocated in Gardena, CAKPM Berlin hand painted porcelain portrait plaque of Ruth in Frame, 19th century. 19th century KPM Berlin porcelain portrait plaque of Ruth in frame. Oval-shaped porcelain plaque featuring the portrait of a young woman. Apparently unsigned, the reverse with incised KPM marks...Category
Antique 19th Century Paintings
MaterialsPorcelain
