Paintings

Very cool mid century vibrant turquoise acrylic on canvas painting in the style od Damien Hirst, 1970's, original brushed chrome frame.

abstract moonlit landscape in various tones of blue, purple and green. textured painting surface reveals brush marks and under-layers. mixed media on panel, signed by the artist. fra...

This listing is for a Mid-Century Modern Floral Abstract Expressionist Painting. Featuring an original frame, mixture of colors, date/signature on the back, and wire for hanging. Thi...

This listing is for a Modern Expressionist Abstract Painting. Featuring a vintage wood frame, original expressionist style abstract art with a mixture of colors, and a wire on the ba...

A fabulous vintage Boho original oil painting on canvas. A chic Abstract Expressionist composition in brilliant shades of blue. Signed by the artist. Acquired from an NJ estate.

This is a beautiful and playful oil on canvas by French artist Guy de Rougemont, signed Rougemont and dated 2006 on the back. It’s been framed with a royal blue shadow box matching t...

Outstanding vintage frame oil painting. Features two women sleeping on each other surrounded by doves.

This is a great example of outsider art. This painting of a black humpback whale is painted on a masonite board. At the center is a black humpback whale with an open mouth and beady ...

A 1980s abstract acrylic on paper landscape painting titled, Cat Cay, by American artist Harry Hilson (1935-2004). Gestural lines come together to create a vib...

A fabulous vintage Boho original oil painting. A chic still life in bright clear colors. Signed and dated by the artist. Acquired from a Palm Beach estate.

"Colors of Morocco" is the name of this canvas, hand-painted by an Italian artist after a trip to Morocco: he loved the colors sunny and earthy of Africa! The sizes published are onl...

Impressionist American seascape, oil painting by George Renouard. Inscribed on reverse "1st Chapter-Genesis by Renouard". Oil on canvas. Signed lower right. Original frame. Measures: 20" x 24" without frame. George Renouard, was born in Rochester, New York and lived much of his life in Brooklyn and Manhattan, was a graphic artist, painter and art educator. His paintings frequently portray scenes and subjects from Cape Anne, Long Island and Brooklyn. Renouard exhibited throughout his career including the annual exhibitions at the National Academy of Design and the Art Institute of Chicago. blue Exhibited: National Academy of Design, 1920, 1942 Connecticut Academy of Fine Arts, 1938 Art Institute of Chicago, 1936 15 Gallery, New York City, 1940 (solo) Schools: Art Students League, New York, teacher. # Blue ocean shore emile gruppe beach gloucester antique cape...

Domenick Capobianco (American, b. 1928) abstract Surrealist wall sculpture or 3D painting on canvases, apparently unsigned, stamped "Studio Dom...

Jazza, (American, 20th /21st Century) Mona Lisa New Baby Acrylic on canvas/mixed Media, signed, titled, numbered NW-1995-21on the reverse 35.5 by 35.5 in. (90.17 by 90.17 cm.), Ove...

M. Bires, painting Hst "landscape Naif" Slovak School, located in Kovacica, dated 1967.

A fabulous vintage Boho original oil painting on paper. A beautiful composition of a shirt in brilliant shade of blue. Done by the artist Joe Davoli. Acquired from a Ft Lauderdale es...

Signed Scott lower left corner. Acrylic paint and mixed media on stretched canvas. Circa 1970. Beautiful abstract wave of color. Phenomenal expressive brushwork and use of highly bri...

American impressionist beach scene by George Renouard. Painting depicts a family of bathers at the shore. The figures are three dimensional. The colors are both bold and soft. Figura...

A fantastic vintage watercolor painting framed of dinghy’s tied up at a dock by artist Robert W. Bragg. Acquired at a Palm Beach estate.

A chic vintage signed original oil painting on canvas. A gorgeous Abstract composition in deep warm colors. A moody and sexy work. Acquired from an Atlanta estate.

Maude Eggemeyer Works on paper “The Fleets Inn” Inscribed “To Marian” signed Maude R. Eggemeyer (bottom right) (Lines in image are due to reflection). Additional Information: ...

A 1980s abstract acrylic on paper landscape painting by American artist Harry Hilson (1935-2004). Gestural lines come together to create a vibrant abstract landscape with pink, purpl...

Large acrylic on canvas by Karl James Lubbering (b. 1969) features a dog with varying hues of purple and blues. Karl comes from a family of promin...

Lawrence Glickman (American, XX - XXI), The Window, acrylic on three canvases adhered together, unsigned, framed. 61.5" H x 54.75" W. Provenance: Fro...

Torres, Jose Samano (Mexican, 1942-) Oil on Canvas Painting of Two Angel Girls. Star shaped Snowflakes on a Blue Background signed “Samano .T. 64.” Additional information: Produ...

Tamar Markova Folk Art painting, 1970s.

The painting depicts the Greenland ice sheet with several icebergs. One of Eva's last big project was to paint motifs from the arctic. This painting is from her estate and there...

A monumental acrylic painting on canvas by American artist Marc Ross, 2018. This minimal abstract painting features an impressive gradation of blue hues, giv...

Piero Guccione (Italy, 1935-2018), “Oleandro in Controluce” (Oleander in Silhouette ), titled and signed lower margins, titled, signed and dated verso, ...

Large and impressive abstract art work by noted artist Anita Weschler. This piece is from her series of resin pieces done in the mid 20th C., it is in v...

Mid-Century Modern harbor painting signed, “LeMark.” The painting deviates from others of the period with it’s bright aqua blue, yellow, green and white palette. Earth tones are abundant in Mid-Century Modern paintings. Here we have something light and bright to illuminate your space. The harbor scene is rendered with broad, painterly strokes. These dynamic brush marks are borrowed from the Abstract Expressionist aesthetic prevalent at the time. This painting will be right at home in coastal locations with it’s sailboat set...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Greek Architectura Oil on canvas Dimensions: 47.24’’ x 63’’ Signed and dated 2021. Vernon is a sculptor artist emerging from the French art scene. He began his training with the Fr...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her stud...

Painted by Dunbar Beck, one of America's most accomplished and successful muralists, this painting of a half-nude man floating over a succession of dancing couples below was one of a...

A very well done Signed "Ship in Storm" Gouache on Paper Artwork. Newly professionally framed and ready to hang. In the style of Edward Hopper & Win...

Karin Elmlund, born in 1974, is from the tiny island of Tjörn on the west coast outside Gothenburg, Sweden. Tjörn has a rich arts and crafts culture; this, combined with being on an ...

An incredible original oil on canvas. This piece realized in the early 80s and shows wonderful contrast and movement. A study of light and color with a unique composition. Piece is m...

Sven Havsten-Mikkelsen 1912-1999 "Summer Night" (Danish: Sommernat). Oil on canvas. Dimensions of the artwork without frame: 73 cm x 100 cm. Painted in many layers. Signed SHM, 1950s. Fantastic colors Sven Havsteen-Mikkelsen's painting "Summer Night" is one of his main works, inspired by Jørgen Sonne's painting "Midsummer's Eve. Sick People Asleep upon the Grave of St. Helena at Tisvilde" which is part of the permanent art exhibition at SMK - The National Gallery of Denmark. The painting is depicted on the cover of the book "Havsteen" (Linell Ipsen, Malene - 2012) and on page 79, with the painting by Jørgens Sonne...

Vintage mid 20th century watercolor on paper color block with blue by Jacob Semiatin (1915-2003) American. Signed lower right corner, crinkles to corners. Unframed.

An incredible original oil on canvas. This piece realized in the early 80s and shows wonderful contrast and movement. A study of light and color with a unique composition. Piece is m...

A fantastic vintage Contemporary Abstract original oil painting. A series of radiating rings in brilliant clear colors. Signed by the art...

Abstract Expressionist modern acrylic on cardboard in the manner of Pierre Soulages (French, b. 1919), in blue, black and white tones, illegibly signed and dated "89" to lower left, ...

Carl Brandien Oil on Board. Florida Subject. In excellent condition. Canvas size: 16"h x 20"w. Frame size: 17 ½h x 21 ½w. Signed lower right “Carl Brandien ‘44. Ft. Lauderdale, Fla.” Titled on the verso “The Little White House by the Sea - North Ft. Lauderdale Beach - Fla.” Signed on the verso “Carl Brandien 1944. The Vagabond Artist” Beautiful Ft. Lauderdale Beach Scene by the iconic NY/Florida artist and world traveler. Carl Brandien (1886-1965), and his wife Kathleen first came to Ft. Lauderdale from New York City in 1941. They loved the area and moved there permanently two weeks before Pearl Harbor. Brandien, who called himself the vagabond artist, traveled with Kathleen around the world on a quest for life, and to discover and paint beauty. Brandien did commercial illustration for many magazines including Life. He opened his Little Studio at 716 E. Las Olas, in Ft. Lauderdale in 1942. The Miami Herald, January 16, 1944, pictured Brandien and his wife. “With inspiration from the war and the fight for democracy, Carl Brandien, America’s ‘Vagabond artist,’ here with his versatile British-born wife, Kay, at their Fort Lauderdale studio, believes that American artists are destined to produce the finest art of all times…Now hanging at the White House is his painting ‘Stars and Stripes’ depicting the U. S. War fleet at anchor in the Hudson, with brilliant display of searchlights against the night sky… ‘I have visited 45 countries over a stretch of 25 years, always seeking to understand the meaning of life and then endeavoring to interpret it through my art.” At the end of World War II Brandien closed his Lauderdale studio and returned to New York and Gloucester, Massachusetts, but couldn't stay away from Florida. The couple returned in 1948. Brandien painted murals for the Friars Club and the Russian Club, in New York City and the Officers Mess Hall...

About the painting “Goodnight” 2016 About the artist: Cecilia’s is working with all geometrical forms, lines and shadows. Her style developed to be clean and sharp forms in different combinations. Often they are in juxtaposition to create a three dimensional effect. Since two decades she has only painted in acrylic on canvas. Her art characteristics are uniform geometrical shapes with pristine borders, often in bold colours. Born in Sweden in 1954, Cecilia Setterdahl has always been painting from Swedish inspiration. Studied ascetics in High School and then went on to the Technical University of Lulea and graduated as a teacher. Moved to Stockholm and studied at the “Konstskolan” First exhibition 1988. Through a move to Neuchatel, Switzerland Cecilia continued her studies at the M-Art and Accademie Maximilien de Meuron. “Art Studio Bv5”, together with 4 other artists, she continued to work until moving to Dubai in 2015. Several part exhibitions in Neuchatel, Lausanne, Geneva, Brussels, London, New York, Hong Kong and Sweden. In the United Arab Emirates she has exhibited both acrylic paintings and hand- made carpets at Downtown Design...

Colorful abstract painting by famed Massachusetts artist Achillo "Achi" Sullo (American, 1922-2013). This piece is from his estate. He was known for his play with vibrant colors and ...

This fantastic mid century painting French of the Cote d'Azur in a Blue Frame, was painted around 1960. It has a great look and you can in...

Anonymous Summer willow and sparrows Taisho period, circa 1920 Framed painting. Mineral pigments, mica, gold, ink and gofun on silk Dimensions (framed): H. 98 cm x W. 135 cm x D...

Gabe Silverman 1980s geometric abstract op art painting. Offered for sale is an original Op Art painting recently discovered in a time capsule from t...

Incredible texture is achieved in this vintage 1972 original, signed painting. The image depicts and ethereal scene along a shoreline. A solitary figure, presumably female, stands gazing at a group of humble homes. Dressed in white with her head shrouded, she stands holding a basket while she looks quietly ahead. One wonders what she is thinking. Is she gazing with a sense of longing? Is she coming or going? She doesn't seem to be poised for action, rather contemplating her next move. The village seems semi-rural. Power lines...

Gustavo Oviedo mixed media abstract painting on canvas, "Inside Wave" Offered for sale is a large mixed media painting on canvas by art...

Beautiful large abstract painting titled "Mykos" by American artist Rebecca Ruoff, acrylic and oil on canvas, 2021.

Leo Arnak Pedersen (b. 1937), listed Danish artist. Acrylic on canvas. Abstract geometric composition. Dated 1994. The canvas measures: 28 x 25 cm. The frame measures: 1.5 cm...

Abstract acrylic Expressionism artwork painting of a chicken and man blue painting on paper in original black frames both 32" X 21.5" in size. Th...

A fine Arabian horse painting on a sky blue background signed lower left, Circa 1970 - 80. Dimensions: H: 88cm, W: 79cm. Canvas: H: 79cm,...

Massive 70s silkscreen wall art made by Harris G. Strong Corporation of NYC. The white is showing some slight soiling here and there from normal exposure.

Large nocturnal winter landscape painting by California artist Peter ILYIN. Framed oil on canvas titled 'First Snow'. This painting hung in the Bohemian Club in San Francisco, and r...