Late 18th Century Prints

John Webber created the engraving titled "A Boxing Match, in Hapaee, one of the Friendly Islands." Webber was indeed an artist who accompanied Captain James Cook on his third voyage ...

Pair of rare antique 18th century Jacques de Sève dental / Zoology / anatomy etchings / engravings of a Mastodon / Mammut tooth, front and top views / elevations. One marked as Plat...

Wonderful set of 12 Grand Tour Prints. Classical Roman busts Copper-plate engravings Published by Monaldini, Rome, 1776 Good quality wove paper F...

Wonderful set of 9 Grand Tour Prints. Classical Roman busts Copper-plate engravings Published by Monaldini, Rome, 1776 Good quality wove paper Fr...

18th Century Set of Four Assorted Framed Botanicals, Newly Framed Wall Art Linen Background with Black Frames

This beautifully preserved hand-tinted mezzotint of William Innes and caddy, engraved by Valentine Green, from the painting by Lemuel Francis Abbott showcases the original masters of...

Collection of four late 18th century European city view colored engravings, professionally framed and matted in Vienna / Europe.

Wonderful set of 10 architectural prints. Copper-plate engravings by J.Newton after designs by Vetruvius Published C.1790 Unframed and not matted.

Great image of ladies and cherubs Fine copper-plate engraving Published by I.Stocksdale. Dated 1795 Unframed.

Pair of polychrome engravings, 18th century school, after works by Francesco Albani (1578-1660), depicting "Bathers surprised by satyrs" and "Actaeon metamorphosed into a stag". Form...

An American Revolutionary war bond from the State of Connecticut from the late 18th century in custom black frame under glass. This late 18th-century American Revolutionary War bond ...

Pair Russian portraits in 18th century garb. Fine French hand coloured engravings of a Russian male and female in traditional late 18th century richly coloured and styled clothing an...

Hand-colored French map, Carte de la Partie Nord, des Etats Unis, de l'Amérique Septentrionale, late 18th century. A French map of New England published at the end of the Revolutionary War...

Hand colored in delicate detail, framed and matted original late 18th century engravings, two with labels visible: “Phalarope de Siberie” and “Pie varié de la Caroline.” Martinet (17...

Grande incisione nautica tratta dall’Enciclopedia di Diderot edita in Parigi, raffigurante una Galera vista di fianco con disegni delle ancore intitolata al centro Marine Dessein d’u...

"Vivid Elegance: The Blue-Headed Parrot" Description: This hand-colored copperplate engraving from the late 18th century showcases the vibrant beauty of the Blue-Headed Parrot. Cr...

This original print is titled "THE PYRAMIDS OF EGYPT." It depicts the famous Giza pyramid complex, with the three pyramids standing prominently in the background. In the foreground...

"Subtle Beauty: The Black-faced Bunting (Female)" Description: This hand-colored copperplate engraving is a piece from the illustrious collection by William Hayes and Matilda Hayes,...

From: ‘Luz da Liberal e Nobre Arte da Cavallaria’, by Manoel Carlos de Andrade, Lisbon, Regia Officina Typographica, 1790. This work on riding and horsemanship was the first book on ...

"The Graceful Sentinel: The Crane" Description: This beautifully hand-colored copperplate engraving from the closing years of the 18th century is a part of the celebrated series by ...

This print is titled "RUINS OF PERSEPOLIS" and it showcases a detailed and colored engraving of the ancient ruins of Persepolis in Persia (modern-day Iran). The image portrays a se...

The plant depicted in the illustration is identified as "Drosera rotundifolia," which is commonly known as the round-leaved sundew. It is a species of sundew, a carnivorous plant tha...

"THE EMPRESS OF RUSSIA'S TRAVELLING EQUIPAGE," as indicated by the title at the bottom of the print. It portrays a unique scene featuring a large, box-like carriage being transport...

"Regal Display: The Great Crowned Pigeon" Description: This hand-colored copperplate engraving from the late 18th century is a splendid example from the oeuvre of William Hayes and ...

Title: "Sunlit Melody: The Yellow Finch" Description: Featured in this late 18th-century hand-colored copperplate engraving is the Yellow Finch, a charming depiction from the series...

Title: "The Elegance of the White Stork" Description: This exquisite hand-colored copperplate engraving, hailing from the late 18th century, captures the serene grace of the White s...

This print is a colored engraving titled "VIEW in MILAN" and was published by Harrison & Co. on April 1, 1782. It is a picturesque scene depicting a tranquil landscape in Milan, It...

This majestic hand-colored engraving depicts the "SHOEPANDOGE or ROYAL GOLDEN BARGE," a magnificent vessel that radiates the opulence and grandeur of a bygone era. Engraved for "Ma...

Original antique and hand-colored engraving of people of the Chippewa tribe in American. The upper part of the print says, "Engraved for BANKES's New System of GEOGRAPHY Published b...

An engraved portrait of Henry VIII, King of England, famous for his role in the separation of the Church of England from the Roman Catholic Church. His reign saw the Dissolution of...

The print depicts Stonehenge, an iconic prehistoric monument located in Wiltshire, England. The image is a south view of Stonehenge, featuring a detailed etching and engraving of t...

An original engraved portrait of James II, King of England. The style of the engraving and the attire of the individual are consistent with late 17th-century fashion, aligning with James II's reign from 1685 to 1688. The text beneath the image indicates that it was published as part of the same historical work by Rapin de Thoyras, and this specific print was made from an original picture painted by Sir Godfrey Kneller, a leading portrait painter of that time. The engraving was published as the act directs on August 1st, 1789, showing that it was also intended to be protected under copyright law. This inscription indicates that the portrait of James II, King of England, was originally painted by Godfrey Kneller (referred to as G. Kneller Pinx, with "Pinx" being an abbreviation for "pinxit," Latin for "painted by") and engraved by John Goldar (referred to as Goldar Sculp, with "Sculp" being short for "sculpsit," Latin for "engraved by"). James II of England, who was also James VII of Scotland, was born on October 14, 1633, and reigned from 1685 until he was deposed in the Glorious Revolution...

This is an authentic engraved portrait of Mary, Queen of Scots. Mary was one of the most fascinating and tragic figures in Scottish and English history. She became queen consort in...

The image is an original engraved portrait of William Cecil, Lord Burleigh. William Cecil, 1st Baron Burghley, was a prominent statesman of the Tudor period in England and one of Q...

This image is an engraved portrait of Mr. Rapin de Thoyras, created for Harrington's edition of "Rapin's History of England." The individual in the portrait is Paul de Rapin, Lord ...

An engraved portrait of Edward VI, who was King of England and Ireland from 1547 until his death in 1553. Edward was the son of Henry VIII and his third wife, Jane Seymour, and he ...

The image is an original engraved portrait, depicting King Edward IV of England. This engraving was created for "Harrington’s Edition of Rapin’s History of England." The text below...

The image is an original antique architectural print, specifically a rosette, which is a round, stylized flower design, commonly used in architectural decoration. The print is titled "Rosone preso da Frammenti Antichi T.2. plate 41", indicating that it is the 41st plate from volume 2 of a work that deals with designs taken from ancient fragments. This particular print was created by Carlo Antonini between 1777 and 1790, as part of an art print set...

A fine example of an 18th-century botanical engraving. Created by Carlo Antonini between 1777 and 1790, it showcases a detailed depiction of a flower in full bloom. The illustration is highly detailed, with individual petals, stamens, and shading rendered with precision, indicating a high level of craftsmanship and attention to detail that was characteristic of botanical illustrations of the period. The image is likely part of a larger work, perhaps a botanical compendium or study, which would have been used for both scientific study and artistic appreciation. The text at the bottom of the print, "Rarone Antico nel Foro di Nerva," analysed: The phrase "Rosone Antico nel Foro di Nerva" could potentially be translated as "Ancient Rosette in the Forum of Nerva." Breaking down the phrase: - "Rosone" typically refers to a "rose window," a large circular window with mullions and tracery radiating in a form suggestive of a rose, commonly found in Gothic architecture. However, in this context, without the surrounding content, it might refer to a specific design or feature that is described as "antique" or ancient. - "Antico" means "ancient" or "antique," indicating that the item or feature referred to as "Rosone" is of historical significance or from a past era. - "Foro di Nerva" refers to the Forum of Nerva, which is one of the Imperial Forums in Rome. Therefore, the phrase seems to describe an ancient or historically significant rosette (or possibly a design or feature similar to a rose window) located in the Forum of Nerva. This might be referencing a specific architectural detail or decorative element that was part of the forum's structure or adornment. For a detailed analysis or historical context, you would typically need to consult historical texts, architectural studies, or archaeological reports related to the Forum of Nerva. The style of the print suggests that it was created using engraving techniques that involve incising a design onto a hard surface (like a copper plate), which was then inked and used to produce the image on paper. This method allowed for reproductions of the design and was commonly used for scientific illustrations because it could capture intricate details with great accuracy. Such prints would have been important in the 18th century for the dissemination of botanical knowledge, contributing to the fields of botany, horticulture, and medicine. They also reflect the Enlightenment's value on reason and empirical evidence, where plants were not only appreciated for their beauty but also studied for their structure and utility. Carlo Antonini's notable work includes a series of 85 etchings that were published in Rome in 1780, dedicated to Count Stanislao Potocki. This collection, titled "Serie di LXXXV disegni in varie grandezze composti dal celebre pittore Salvator Rosa publicati ed incisi da Carlo Antonini," consists of reproductions of Salvator Rosa's 'Figurine' series and other prints. It includes various pieces like a title-page with a coat of arms, a dedication, a preface, and several other individual works ranging from small prints to larger ones, such as depictions of mythical and historical scenes. The etchings were printed in sanguine ink, indicative of the period's artistic preferences for printmaking. These works are an example of Antonini's precision in reproducing another artist's work and are recognized for their faithfulness to Rosa's original designs. Additionally, Antonini is associated with other works such as the "Manuale di varj ornamenti componenti la serie de' vasi antichi," a collection that includes designs and engravings of ancient vases, and prints dedicated to the Duomo Di Orvieto. Another significant piece is his engraving titled "Prospetto degli Orti Farnesiani sul Monte Palatino," which was created in collaboration with Francesco Panini...

An engraved portrait of Henry IV, King of England. Henry IV was the first English monarch from the Lancastrian branch of the Plantagenets and came to power after deposing his cousin Richard II in 1399. His reign was marked by the start of the 15-year civil strife known as the Wars of the Roses, numerous rebellions, and efforts to consolidate his power and legitimize his somewhat tenuous claim to the throne. The text mentions that the portrait is based on a picture at Hampton Court, which is a royal palace in the London Borough of Richmond upon Thames. Published as the act directs on June 18th, 1787, this engraving is part of the collection for "Harrington's Edition of Rapin's History of England." Henry IV's reign is notable for the rebellion led by the famous knight Henry Percy...

An engraved portrait of Edward I, also known as Edward Longshanks and the Hammer of the Scots, who was King of England from 1272 to 1307. The text beneath t...

An original antique engraved portrait from Harrington's edition of "Rapin's History of England." The text identifies the subject as Edward the VI, King of England, France, and Irel...

This image is an original architectural print depicting a rosette, a decorative motif fashioned after a stylized rose, commonly found in ...

This original antique print is labeled "Rosone Antico nell'Arco degli Argentari," which can be translated as "Ancient Rosette in the Arch of the Silversmiths." The phrase "Rosone An...

This elegant engraving from the late 18th century features a rosette, an ornamental design resembling a stylized rose, which has been a recurring motif in architectural design throug...

Original antique engraving of a Comparative Anatomy of Primate Skulls Description: This detailed print by Carl Johann Georg Reuss, an illustrious illustrator, features a striking il...

"Rosone Antico nel Tempio di Giove Statore." A breakdown of the title: - "Rosone" typically refers to an architectural term for a rose window, which is a circular window with a dec...

This engraving, titled "Rosone preso da Frammenti Antichi," presents a detailed rosette that draws inspiration from classical motifs found in ancient fragments. The intricate design ...

This exquisite engraving, dating back to around 1780, presents a masterfully crafted rosette, a decorative motif that captures the elegance and refined aesthetic of the neoclassical ...

This elegant engraving from the late 18th century features a rosette, an ornamental design resembling a stylized rose, which has been a recurring motif in architectural design throug...

An American Revolutionary war bond from the State of Connecticut from circa 1782 in custom black frame under glass. Step into the pages of history with this authentic American Revolu...

This image is an illustration from a natural history work, a collection titled "Getreue Abbildungen naturhistorischer Gegenstände in Hinsicht auf Bechsteins kurzgefasste gemeinnützi...

Title: "Villa d'Este Tivoli Rosette, Plate 21" Description: This 18th-century engraving, titled "Da frammenti Antichi nella Villa d'Este in Tivoli," portrays...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793, specifically from the section 'Rec...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The plate is dedicated to "Chass...

These antique engravings are illustrations from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. These plates are particularly v...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The image is an antique plate il...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793, specifically from the section 'Rec...