Antiquities

Italian/French Enamel and Silver Snuff Box. Late 19th Century, the interior lid impressed 22, no other visible marks. The rectangular hinged box with an interior gilt wash, the lid ...

This is a Japanese wooden bowl. It is a folk craft that was used in daily life. I don't know what kind of wood it's made of, but it's sturdy. Despite its size, it is made from a sing...

Hand carved bamboo vase/brush pot/bitong. This hand-carved Chinese bamboo bitong or dried flower vase dates from the late Victorian period, circa 1880. The bitong, or brush pot, is...

This pottery has a bulbous body with two small, protruding handles near its widest part. The pottery features horizontal bands of patterns, which include a sequence of geometric shap...

It is the rare earthenware among those excavated from the Ca Mau Ship, and it is a green-glaze work that is especially unique. Although it is in very worn condition, it is a valuable...

During Yongzheng era, such miniatures were appreciated for their craftsmanship and aesthetic value. They were also often used in scholars' studios as part of the 'wenfang', or study ...

18th Century Chinese Censer CHINESE CENSER OF THE 18TH CENTURY ANCIENT CHINESE CENSER OF THE 18TH CENTURY WITH SEAL AND HANDWRITTEN INVENTORY NUM...

The serene landscape and leisure activity of fishing are meticulously captured in cobalt blue on the porcelain's white surface, suggesting the value placed on harmony with the natura...

Graceful and simple beauty in the tea set decorated with floral patterns Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 Made in : Jingdezhen Destination : Netherla...

This is an old Japanese wooden board. It is a single board with beautiful wood grain. I think this was probably used for the top of the work table. It was already in this state when...

All our reclaimed tiles are genuine antiques. We believe in investing in your interiors, and choosing reclaimed and repurposed tiles means breathing new life into tiles that have alr...

A pair of pottery dignitary tomb figures from the Ming Dynasty era.

This is a Japanese wooden bowl. It is a folk craft that was used in daily life. I don't know what kind of wood it's made of, but it's sturdy. Since it is made by hand, it has a dist...

Stunning antique Japanese lacquer hair comb with a geometric petal-like background of stylized chrysanthemums and flowers done in gold and red maki-e. Possibly Edo or Meiji time peri...

Famous late ming dynasty chinese blue and white porcelain plate, double phoenix, from the shipwrecked binh thuan Period: Ming Dyn...

From San Eugenio, Artigas Dept., Uruguay Sharp crystal cluster in a parallel formation of scalenohedral calcite crystals on matrix  with lustrous translucent grape purple amethyst c...

ITEM: Aryballos depicting a horse head MATERIAL: Pottery CULTURE: Greek, Corinthian PERIOD: 7th Century B.C DIMENSIONS: 62 mm x 55 mm diameter CONDITION: Good condition PROVENANCE: E...

This is a Japanese wooden bowl. It is a folk craft that was used in daily life. I don't know what kind of wood it's made of, but it's sturdy. Since it is made by hand, it has a dist...

This stunningly enameled porcelain vase has a double mouth opening with hand-painted images of boys playing among the vines, gourds and gourd blossoms. There is a border of bat-like ...

The dish is decorated to the centre with a moulded appliqué dragon chasing the flaming pearl surrounded by a carved stylised foliage band at the cavetto. The moulded fluted exterior ...

Pair of Asian Hand Carved Wooden Lanterns. Nice decorative pair in a rich cinnabar color. This pair is not identical but very similar. Heavily carved gilt wood with amazing detail. H...

This is a Japanese wooden bowl. It is a folk craft that was used in daily life. I don't know what kind of wood it's made of, but it's sturdy. Since it is made by hand, it has a dist...

A set of antique Lanna Thai wooden manuscript bookmark with stand. Age: Thailand, 19th Century Size of bookmark only: Length 46.5 - 53.4 C.M. / Width 3.6 - 4.1 C.M. / Thickness 1.4 ...

This guardian figure represents a fusion of human and beast, a common motif symbolizing protection in Chinese lore. Crafted from pottery, the figure is a testament to the era's sculp...

This jar features a carved design, which is typical of Cizhou ware. It has a creamy white and brown color scheme, and the prominent decoration of lotus flower, which is a common motif in Chinese art and culture, symbolizing purity and enlightenment. The carving technique involves coating the vessel with a layer of white slip (liquid clay), then carving away parts of it to create the design, revealing the darker clay body beneath. This technique allows for a strong contrast between the background and the carved motif. Period : Song-Yuan Dynasty Type : Jar Medium : Cizhou Ware Size : 21.5 cm(Height), 11cm(Mouth Diameter) Provenance : Acquired in 1999, Hongkong * Cizhou Ware Cizhou is the name given to a number of stonewares, grey or buff, of varying degrees of hardness, with painted, incised or carved decoration on a clay slip. These stonewares were not only made in the region of Cizhou, Hebei Province, but in several provinces of China during the Song, Yuan and Ming periods. The great centres of production were in the north of China in the provinces of Hebei, Henan and Shanxi. Cizhou wares seem to have been very popular, made for a clientèle of rich merchants, at a period when the paintings of famous...

ITEM: Romano-Egyptian cartonnage mummy mask depicting a female head MATERIAL: Linen and Gesso CULTURE: Egyptian, Roman period PERIOD: 1st Century B.C – 1st Century A.D DIMENSIONS: 20...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 655 mm x 265 mm x 210 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 05B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 645 mm x 260 mm x 180 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 04B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

Chinese enamel Cloisonné vase, bowl, jardinere, featuring a dragon depiction from Jiaqing-Period with wooden stand. Both items in excellent condition with no dents or scratches. M...

A bronze Buddha Flame or "Ushnisha", recovered from the ancient city of Sukhotai, Thailand. Circa 15-16th Century. The Ushnisha is the three-dimensional...

The crane, a traditional symbol of longevity and auspiciousness, is prominently placed at the center, creating a harmonious and aesthetically balanced effect. The border of the dish ...

A timeless classic, our chequerboard tile features a deep red and off-white pattern, adding a touch of versatility to any space. As with all our reclaimed tiles it has a beautifully ...

Flying two heavenly beings depicted in the stone. They are celestial beings called an Apsara. While having the same fragment and shape, another work I uploaded exhibits small dots on...

The form of Longquan celadon vases from the Northern Song dynasty evolved from an early design with a long neck and tapering body to a later ovoid body with a shorter neck. Over time, the glaze developed a more olive tone, and the carved decorations became more pronounced and intricate. Examples of such vases include one without a cover dated to the Yuanfeng era (1078~1085) and documented in literature, and another similar vase without loop handles preserved by the Qingyuan County Cultural Relics Bureau. An earlier example featuring loop handles and a lotus-like cover is also mentioned in historical texts. The use of Longquan covered vases, especially as funerary jars for offerings like wine and grains, was highlighted by an inscription on a piece from the Sir Percival David Collection, London. This inscription wishes for the vessel to preserve fragrant wine for centuries, blessing the owner with prosperity, longevity, and a vast lineage, dated to the third year of the Yuanfeng period (1080). This practice was common in the regions of Southern Zhejiang and Northern Fujian. A similar celadon vase from the Linyushanren collection was auctioned at Christie’s Hong Kong, emphasizing the cultural and historical significance of these artifacts. Period : Five Dynasties or Northern Song Dynasty Type : Celadon, Zhejiang province Medium : Celadon Size : 31.5 cm(Height) x 11.5(Diameter) Provenance : Acquired in late 1990s from Hongkong Reference : 1) The British Museum image id - 01613270570 2) Christies New York 23–24 MAR 2023 - Important Chinese Ceramics and Works of Art - Lot 1012 (Price Range : USD 18,000 – USD 25,000 / Type : Related) 3) National Gallery of Victoria - Accession Number - AS5-1973 * Celadon from Five Dynasties (907~960) to the early Northern Song Dynasty (960~1127) The period from the Five Dynasties (907~960) to the early Northern Song Dynasty (960~1127) marked a significant transitional phase in the development of Chinese celadon ceramics...

This cute square box could have been used as an incense burner, and flowers could have been inserted one by one. Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 Mad...

Italian Majolica Mandarin Colorfully painted depicting a young Mandarin seated upon a cushion, formerly mounted as a lamp. Height 26 in., Width 12 in., Depth 14 in.

Antique Chinese pottery standing cow. Age: China, Tang Dynasty, A.D. 618 - 907 Size: Length 16 C.M. / Width 6.7 C.M. / Height 11.3 C.M. Conditio...

Antique Khmer pottery jar. Age: Cambodia, Pre-Angkor Period, 6th - 7th Century Size: Height 28.4 C.M. / Width 35 C.M. Condition: Nice and condition overall (some expected degradatio...

An attractive GU vase hand painted in cobalt blue with typical kangxi flower panels painting separated by lined borders. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 14cm (Height) x 8.5cm (Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export Blue and White from Vung Tau Cargo(淸代外销靑花瓷) / Guangxi Fine Art Publishing House 3) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

The imperial dzi beads bracelets were used by the temple monks of the royal court to ask for blessings for Emperors. Dzi is the first of the seven treasures of the Tibetan people. Dz...

Antique Thai wood carving for high ranking monk seat with stand. Age: Thailand, Rattanakosin Period, 19th Century Size of wood only: Height 56.2 C.M. / W...

Introducing our unique Japanese Meiji-era elevated wooden plant pot. Crafted with exquisite attention to detail, the lower base features elegantly blackened metal with a striking wav...

Antique Chinese pottery Hu jar decorated with bands of raised lines and a pair of monster masks on the shoulder. Age: China, Han Dynasty, 206 B....

This is a small stand made of old Japanese concrete. This shape is called "Makidai" and it got its name from the fact that its legs curl inward. "Maki" = roll "Dai" = stand This des...

Vung Tau Shipwreck Coralized Blue Underglazed Porcelain Lidded Vase. Almost perfectly Identical piece from Vietnamese Royal Family in United States provenance have been sold at other auction in California. This stunning porcelain lidded vase is elaborately decorated in a vivid blue underglaze with an ornate scene of concubines in a flower garden. The bottom of the vase bears a conch marking in underglazed blue, is a symbol of royalty, dignity and high rank, the 'Sacred Lungs of Buddha' and spiritual authority. Period : Qing Dynasty, Kangxi reign Production Date : 1690-1699 Made in : Jingdezhen Destination : Amsterdam Found/Acquired : Southeast Asia , South China Sea, Vung Tau Ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

The table bearing pig head, rice cakes, dishes of meat, fish and fruit. Known as Mingqi, these terracotta models were customarily included in Chinese burial practices, particularly among the affluent, to aid the deceased in their journey through the afterlife. This tradition extends back to the Neolithic Period. A unique terracotta funeral table...

Reclaimed from Southern Spain, our Hierro Reclaimed Tile has a deep ebony colour that has weathered and aged beautifully in the sun. Create a dark and striking backdrop to your space...

The Boshan incense burner is particularly notable among Han dynasty incense burners for its unique shape. Designed to resemble a mountain or even a mythical mountain, it is characterized by its pointed peaks that rise upwards. These peaks often function as vents for the smoke, creating an effect reminiscent of a volcanic eruption. The body of the incense burner is typically round, with multiple small peaks surrounding a central, larger peak. The material used is mainly ceramic, although there are instances where they were made of bronze. It is presumed that this incense burner was used for religious or ceremonial purposes during its time. The colors of these burners are usually in shades of pale green or greyish brown, with the application of glaze to achieve a variety of colors on occasion. Such incense burners are often found in tombs or ritual sites, and their purpose was to burn incense for purification of space or to produce pleasant aromas. The Boshan incense burner also represents a significant cultural heritage, showcasing the craftsmanship and artistic values of the period. Today, it is considered a quintessential example of ancient Chinese art. Period : Han-Jin Dynasty Type : Incense Burner Medium : Yue celadon...

The soft colours in the Frias make it a perfect backdrop for your interior. Pair it with mid-century furniture or pops of colour. The Frias has w...

Our Bodegas tile is a reclaimed tile, found in Southern Spain. As with all of our reclaimed finds, these tiles have had a life before and have weathered and worn. The colours have a ...

Antique Chinese pottery Hu jar decorated with bands of raised lines and a pair of monster masks on the shoulder. Age: China, Han Dynasty, 206 B....

This is a doll which we use for Hinamatsuri day. This person is one of Sannin Kanjo which is called Sanpo. This person has a flower . This doll was made with plastic, cotton, silk , ...

Large Burmese wooden flower decoration with gilded gold. Age: Burma, Mandalay Period, 19th Century Size of flower only: Diameter 69.5 C.M. / Thickness 10 C.M. Height including stand...

Antique Laos bronze gong, a kind of Laos musical instrument which produces a loud and sonorous sound. Gong stick is included. Age: Laos, 19th Century Size of gong only: Diameter 35....

Han Dynasty green-glazed tripods are comparatively rare, especially ones that have retained their structural integrity and glaze over millennia. Pieces in good condition are scarce b...

A set of antique Burmese wood carving Pagoda. Age: Burma, Mandalay Period, 19th Century Size of pagoda only: Height 16.7 - 18.4 C.M. / Width 6 - 6.4 C.M. Height including stand: 22....

Cloisonné enamel vase of baluster form and lobed sides decorated with foliage and flowers on a black background, gilt copper neck and base. Around 1900 Period: Qing Dynasty Type: Va...

Ancient Luristan bronze spear with excellent green patina. Luristan bronze comes from the province of Lorestan, a region of nowadays Western I...