Ancient Jain Altarpiece with Three Standing Jina's, Gujarat, India 16th Century

A figurative construction ceramic probably a water collector simply modeled, this head is very expressive and the details can clearly be seen. The Trowulan archaeological site, approximately 100 square kilometres, located in the Mojokerto Regency is believed to contain the remains of what was once the capital city of the Majapahit Empire, featured by 14th century poet Mpu Prapanca in his poem Nagarakretagama. The city was razed during a fight between Girindrawardhana and Kertabhumi in 1478. The Trowulan site is the only archaeological site dating to the Hindu-Buddha classical age to be found in Indonesia. Archaeological remnants and artefacts of the old city in the Trowulan Site were found buried underground as well as on the surface and are still being found today.rtefact:Majapahit terracotta...

Original rare folding lounge chair in bentwood and cane from 1880 by Michael Thonet. Gebrüder Thonet, Vienna, Austria. Steam-bent beechwood and cane.  

Beautiful in detail and charming 19th century unglazed terracotta sculpture. Features a design of three cherubic children with lamps and fruit, playing with two goats on the base of ...

Pilastro wire bookshelf with original enameled metal plates in white and red. In original condition with visible signs of wear and some paint loss and m...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

This jadeite carving of a standing lady was realized in China in the 20th century. Realized in green jadeite, this precious statue is carved in the ...

These pair of blue vases is an original decorative terracotta object realized in the second half of the 19th century by Oriental manufacture. A beautiful couple of terracotta vase...

A well carved Indian white marble Jain temple relief fragment featuring an image of a Jina, circa 12th century, Rajasthan or Gujarat, India. The Tirthan...