Ceramics

A rectangular Japanese porcelain bowl decorated in blue and white colours. Motives of a poem and a rooster and hen. A very attractive piece of Japanese porcelain. Both the motive an...

19th century pair of porcelain lamp from Imari. Frame gilt bronze decorations of metal polychrome flowers.

A matching pair of porcelain plaque from late Qing dynasty nicely framed in giltwood carved as bamboo. The Famille Jaune plaques were likely ...

A near pair Hizen pottery jars from Artia Japan, circa mid-19th century of the Meiji Era. Heavy stoneware construction with overglaze enamels that was inspired by Chinese WuCai from ...

A Late 19th century ceramic vase turned into a table lamp. Bronze cap, new fittings and wire, three way on and off switch. A baby dragon painting in a wonderful orange red, large bla...

This delicately hand-painted Meiji-period Kutani-ware bowl is ornamented with lion-shaped handles on the bowl and lid, and is decorated in orange and gold with panels depicting floral arrangements, surrounded by scrolling borders. On the base is the "Dai Nippon...

A Pair Of Large Cloisonne´ Enamel Double Gourd Bottle Vases Late Qing Dynasty, 19th century The Chinese bottle vases are made of porcelain with an intr...

Plate in Canton porcelain and gilded bronze, round in shape, the plate standing on a finely chiseled bronze mount. Work realized circa 1880. Reference : LS

Pair of 19th century Chinese ceramic harnesses. Many chips (see photos). Height 55 cm for a diameter of 38 cm. Additional information: Material: earthenware & ceramics.  

This pair of Old collection of the Northern Song Dynasty Jian Kiln gold glaze oil dripping bowls is very rare and collectible. Jian kilns were located in Jianyang, Fujian province,...

Beautifully painted. The second dish is 10" x 7.5" x 2" No breaks, cracks or fractures.

IMPORTANT CHINESE PEACOCKS 19th Century Pair of Chinese porcelain sculptures. polychrome decoration. Small flaws. Height: 82 cm. Good conditions.

Japanese Satsuma style censer and cover Late 19th century The bulbous body supported by four feet and set with two shishi han...

A continental porcelain Imari style urn. repurposed as an Arita-yaki lamp. The center is a wide oval shape. The sides, top, and bottom are ornate with Ormolu detail in lush organic f...

Pair antique 19th century Japanese Imari porcelain plates, circa 1890's.

This Chinese stool is a collectable piece and would have been a key piece of furniture used for various means in or outside the home. Chinese ceramics have a long and rich history,...

A Japanese Hirado ware water dropper used in calligraphy dating to the Edo Period (1603-1868). The whimsical, molded design features an array of sea creatures and shells on the base ...

Large,antique and very elegant Terracotta Vase from Iran,1920 Good, great antique patina of the terracotta, Decorated with simple lines and motifs, Great shine of the different va...

A pair of late 19th century hand painted Japanese Imari bowls with lots of gold on them and a scalloped edge.

Associated pair of 19th century Chinese porcelain mirror black lamps, circa 1880 Baluster Classic form. Both on old hardwood bases. Two similar age...

This Old Collection of Ice Blue Cracking Glazing Plate with Silver Mouth And Mark is very rare, Ice Blue Cracking Glazing is from Ru kiln, and the mark is the inscription from Qian L...

A fine pair of Chinese porcelain bottle-shaped vases, painted in the Islamic style, Daoguang period (1821-1850). Each vase finely handpainted in Henn...

A small box with lid. Earthenware glazes in green and white colours. Mid-19th Century. The lid has a motive of a stylized swan. The lid with a rest...

A Japanese ceramic box with lid. The glazing has motives of flying swans. A signature at the bottom of the box.

A Japanese very nicely decorated Imari plate with beautiful green and gold accents. It looks like it’s never been used.

Circa 1860 lozenge shaped Imari Charger, central medallion with birds surrounded by alternating panels with an ancient tortoise & groups of cranes. The reverse well painted. Base rim...

Japanese Meiji satsuma finely hand decorated and gilded box. The box depicts a different scene on each side. Marked with a maker's mark on the bottom.

Edo period Bizen vase, late Edo period (mid-19th century) ceramic vase from Bizen, one of the six ancient kilns in Japan. Unusual undulating rim, with tradi...

O/3201 - What a beautiful simple ancient ceramic! It's a Chinese brazier, sober and elegant. I think that may be more ancient, but I don't know. It was...

Pair antique 19th century Japanese Imari porcelain octagonal bowls, Circa 1890.

Great vase Condition Overall condition C (used) 1 handle is restored and 1 hairline. Size 285mm Period 19th century Meiji Periode (1867-1912).

A Fantastic 19th Century Chinese Blanc De Chine Model of a Water Buffalo. Beautifully hand-carved and enameled with a bright white body and black enamel eyes. This piece is really superb and in fabulous condition for its age. In Chinese culture, the water buffalo symbolizes the coming of spring. Throughout China the spring season began with a ceremonial plowing by the imperial capital through the use of a water buffalo, symbolizing its importance to the imperial heritage. Water buffalo were created in China for centuries, with terracotta pieces found in Han dynasty tombs...

A blue and white glazed porcelain plate, decorated in the Kangxi manner. Qing dynasty.

the base that is shown in the pictures is not included with this vase; 6in(D) x 6in(W) x 11in(H) are the dimensions of the vase without the base

These lovely Imari cake dishes have fine coloring and are in great condition.

A very stylish pair of Japanese 19th century Fukagawa square vases, having pierced leaf decoration, classical motif boarders and classical scenes of people walking in gardens. We ca...

This ceramic vessel was handcrafted in the Jiangxi region of China in the spirit of ancient temple jars. The style and glaze is reminiscent of Han dynasty burial vessels designed to ...

A pair of "butterfly" Satsuma earthenware vases, Meiji period finely decorated in enamels and gilt with scenes of Samurai and retainers and high ranking female members of the househ...

A large Meiji period Satsuma earthenware floor vase, the of baluster form, painted in pastel overglaze enamels and gilding with two large sprays of flowers including prunus blossom, ...

Pair of Japanese Imari chargers showing cranes and Mount Fuji.

Nice pair of Satsuma lamps with black patinated bronze mount. Gilding is somewhat mitigated locally but they are in very good condition, with no cracks or breakages. Electrical wiri...

A large Meiji period Satsuma earthenware floor vase, the skittle shaped body painted in pastel overglaze enamels and gilding with a continuous frieze of the Seven Gods...

Beautiful Antique multicolored brown glazed Chinese terracotta jar, good great, warm finish and patina of the jar, very decorative object, Chi...

Three Antique Japanese Works of Art An oribe "morikage" (for the display of seasonal fruits), classic green drip glaze with spontaneous ink pain...

No breaks, cracks or fractures. Beautifully detailed.

Ionized red areas on leaf shaped cobalt blue Bonsai tray.

Fuji and Clouds, Showa Period (1926-1945) Kyotoware dish that is an ode to Mt. Fuji with clouds and a poem. Cloud design around the edges, and feet on the bottom. Poem loosely transl...

A Showa period blue cloisonne vase by Tamura, of squat ovoid form with a band of gold, silver and white prunus blossom in gin-bari around the shoul...

Pair Antique Chinese ceramic porcelain lanterns made into lamps, Circa 1890-1900.

Pair antique Imari Porcelain fluted design vases, Circa 1880.

Handsome 19th century Chinese jar converted into lamp.

A curved ceramic urn, crafted in Morroco.

A Highly Rare Pair of Monumental Qing Dynasty Rouleau Porcelain "Dragon" Vases A Masterful Display of 19th Century Chinese Artistry: The mid-19th century Qing Dynasty marked a period of artistic innovation and imperial grandeur, as exemplified by this rare and monumental pair of Rouleau vases. These exceptional porcelain works, notable for their commanding size and vibrant palette, are a testament to the unparalleled craftsmanship that flourished during this era. Embellished with a dynamic tableau of dragons rendered in bold hues of red, green, blue, brown, and yellow, these vases embody both artistic brilliance and the deep cultural symbolism woven into Chinese decorative arts. Artistic Excellence and Symbolism: At the heart of these magnificent vases lies a visual narrative that channels the power and mystique of the dragon, a central motif in Chinese culture symbolizing imperial authority, strength, and cosmic energy. The intricate depiction of dragons in motion, intertwined amidst stylized ocean waves, conveys a sense of fluidity and dynamic movement. Each color used—the crimson reds, verdant greens, striking blues, earthy browns, and golden yellows—has been meticulously applied, reflecting a mastery of the high-fired, polychrome enameling techniques perfected during the Qing Dynasty. The Rouleau form, with its cylindrical body, short neck, and slightly flared mouth, was a favored shape for large-scale vases in the 18th and 19th centuries. The form’s structured elegance allowed for expansive decorative panels, serving as an ideal canvas for intricate, multi-layered designs. This pair demonstrates how artisans skillfully balanced the flowing movement of the dragons with the rhythmic motifs of waves, resulting in a harmonious composition that engages the viewer from every angle. Craftsmanship and Technique: These vases represent the pinnacle of porcelain artistry achieved under the Qing Dynasty, showcasing techniques that reflect centuries of refined craftsmanship. The precision in the application of overglaze enamels and the expert manipulation of kiln temperatures to achieve vibrant and consistent coloration are indicative of the expertise within the imperial kilns. The dragons' scales, rendered with remarkable detail, create a textured effect that contrasts beautifully with the smooth, undulating waves, enhancing the three-dimensional quality of the design. The depth of color and the crisp delineation of each element point to a rigorous and time-intensive process. These qualities signify the involvement of highly skilled artisans who adhered to the imperial standards set by the royal court, ensuring that each piece was a fitting representation of the empire’s wealth and cultural prowess. Historical and Cultural Significance: Vases of this caliber were not merely decorative; they were imbued with profound symbolic meaning and often commissioned for imperial use or gifted as prestigious diplomatic offerings. The dragon motif, deeply embedded in Chinese folklore and philosophy, was associated with the emperor himself—known as the "Son of Heaven"—and symbolized his divine right to rule. These vases also reflect the Qing Dynasty's flourishing export trade and the global fascination with Chinese porcelain during the 19th century. European collectors and royal patrons prized such pieces for their artistry and the exoticism they represented, contributing to a legacy that elevated Chinese porcelain to a revered status in the annals of decorative art history. Provenance and Collectability: The extraordinary scale, exceptional craftsmanship, and rarity of this pair establish them as museum-quality works. Such vases would have held a place of honor in a palace or wealthy estate, reflecting not only the owner’s status but also an appreciation for the profound cultural and artistic traditions of China. Their provenance—potentially tied to an imperial commission or significant historical collection—underscores their importance as objects of study and admiration. Provenance: Private American Collection, acquired in London, circa 1905. Thence by descent to the current owners Solomon Treasure...