A magnificent antique Japanese cobalt blue Satsuma Vase by Kinkozan. Meiji Era

A Fine Japanese Satsuma Vase with Bijin, Peacock, and Chrysanthemums. Attributed to Kinkozan Workshop, Kyoto, Meiji period (late 19th century) Of pear-shaped form with a flared f...

A LARGE JAPANESE SATSUMA BALUSTER VASE. MEIJI PERIOD (1868 - 1912) Signed by Kitamura of hexagonal form, decorated with a scene of Japanese saints surrounded by attendants, ano...

A fine pair of Japanese satsuma vases. Meiji period. Signed by Kyokuzan of globular body rising to a molded cylindrical neck with gilt handles , decorated to the body with pa...

A Satsuma circular kogo (incense box) and cover signed by Kinkozan 19th century Finely painted in enamels and gilt, the cover with wisteria and a scene of a woman and children ...

Kinkozan, Japanese Satsuma vase, Meiji Period (1868-1912) Of baluster form with an elongated neck decorated in polychrome enamels and gilt on a clear crackle glaze in an Art-Nouvea...

JAPANESE SATSUMA PROCESSIONAL VASE From our Japanese collection, we are delighted to introduce to the market this Japanese Satsuma Vase by Kinkozan. The vase with a compressed body ...

A ceramic satsuma ware vase with very fine surface decoration made by Kinkozan circa 1880-1900s of late Meiji Period. The vase is of an elegant and relatively rare form with a trumpet shape body and the so-called garlic neck and opening. The surface is exquisitely decorated in a floral scheme with gilt and a light jewel-tone enamel. The top part showcases large bundles of wisteria blossom in white and purple, cascading down from a gilt wood trellis...

the body of this small marvelous vase is painted with a scene of a puppet show vendor with his wood backpack, on top of the backpack there are toys and dolls, he is surrounded with a group of 6 children, and on the background you can see a village. on the other side of the vase there is an amazing painting of flowers and on the sides there are two amazing strong pine trees, the amorphous background is decorated in a "Tortoiseshell" color and design that gives it a real character and which is quite rare to see on satsuma pottery. all the vase is over richly overpainted over the glaze with gold, which gives it its depth and realism. signed Kyoto Kinkozan zo, and sealed Kinkozan zo Kyoto’s Satsuma: The painting technique used in Kyoto’s Satsuma-style ware is said to be the invention of the sixth generation Kinkōzan Sōbei (1824–1884). The Kinkōzan were a famous family of Kyoto Awataguchi potters who made ceramics that were used at Shōren'in, a temple closely tied to the imperial family, and by the shoguns of the Edo government. In fact the shogun is said to have granted them the name Kinkōzan. With the upheavals at the end of the Edo period, however, and the reforms of the subsequent Meiji government, the potters lost their traditional patrons and had to develop new markets. Just at that time, the visit of a certain Westerner is said to have decided them to embark on overseas trade. By 1870, they had perfected Kyō Satsuma...